Nicki Having An Argument With Herself While Megan Takes Her Little Nap? Megan Calling Into The Breakfast

If I see one more person ship tanjiro with an adult I am going to go violent and feral.

he is a child stop shipping him with literal ADULTS.

Doesn’t matter if you “aged” him up ( which is disgusting just to then ship him with an adult ) , he is still A FUCKING CHILD TF.

So the footage of Owen training the tiny raptors in the new Jurassic World kind of (inadvertently, I think) confirmed something that always bugged me about the social dynamics mentioned in the first film.

Owen’s using the term ‘alpha’ wrong.

Of course, the concept of pack alphas is rooted in a lot of erroneous studies anyway. But if we take his actual assertions about it and Blue’s behaviour at face value, then Owen is wrong. He’s not the alpha. Blue is the alpha. The pack follows her cues, that’s why they go with her when she decides to follow the Indominous, and it’s also why they listen to Owen - because Blue does. If Blue stops, so do the other raptors. They’d don’t just wait it out to see who’ll win, they immediately follow Blue’s lead.

Blue’s the leader. 

Owen is, actually, the mediator.

He is the one who stops disputes between the raptors and defuses tense situations. He is permitted this status precisely because he’s physically weak (compared to raptors) but socially important. His social importance was created by rearing the raptors and forming emotional bonds with them. But they know full well that he’s squishy and beatable (though they probably don’t realize just how lethal some behaviours might be for him, comparatively). Blue knows she can kill Owen and that Owen is not strong or very useful at leadership decisions for a velociraptor pack. She accepts his input because he’s dad.

So since Owen actually isn’t even in the running for pack leader, and challenging him would be pointless because then you’d just hurt him and cost the pack a socially important member, and also probably get beaten up by Blue, he is the ideal mediator of disputes. His intervention de-escalates situations by reducing the amount of violence that’s permissible. 

But because he was using so much containment and physical force (even if it was through equipment, obviously) to keep the raptors in check, I think Owen misjudged his placement in the raptor social group. Especially since he actually was tougher than them when they were babies. He thought they listened to him because they believed he was stronger than them, and that this was an illusion he had to maintain.

That was never actually the case, though. Blue knew Owen was way weaker than her the whole time. She just valued him anyway.

There’s probably a metaphor about toxic masculinity in there somewhere.

Let's talk about Spacetoons Mineta...

Spacetoons is an arabic channel that semi-recently dubbed MHA. Some may call it "Arabic 4kids," but as someone who watched a substantial amount of shows in a 4Kids dub. (namely SonicX), that's not a fair comparison. The only 4 kids dub I actually enjoyed was that of "Kirby: Right back at ya"

Anyway, the BokuNometaAcademia sub brought to my attention the way that Mineta is written here. I have always hated how Hori used Mineta to live out his weird fantasies. The inclusion of Mineta's "comedy" turned a lot of people, me included off and honestly, why wouldn't it.

Spacetoons is more child-tuned so they did a lot of censorship, for example, look what they did to Momo

(They also greatly improved her character)

You may be asking, "What did they do with Mineta?" Valid question considering 70% of his character is horny jokes. Well, the completely removed the perv aspect and made him a loveable kid who wants to fight his insecurities and be great hero.....

I have always said it, Mineta holds some great potential. His moment during the USJ arc was a great stepping stone for some great character growth. The idea of a coward pushing to become a true hero is so different from the norm, but as we know, when it comes to MHA, potential don' get used.

From what I hear from spacetooneta, he is actually really likeable. He is so different from Canoneta that people mistaken him for a girl. The scenes where he is being pervy are either edited out completely or altered convincingly.

They changed the scene from season 3's filler episode so that the context is as follows:

Kaminari and Mineta want to goof off at the pool

Mineta has overheard that the girls have booked the pool too

They convince Izuku to come w/them so that they can get there before the girls

Izuku invites Tenya and the others and Tenya makes them train instead of goofing off

The girls are here, goofing off while they have to train

The most nuts part is that viewers of that dub absolutely LOVE HIM. He suprassed Bakugou in popularity even. This shows that Hori could have made one of the most loveable characters in Shounen. Think about it, his design is already cute, just slap a cute personality on and everyone would love him. But no, he had to be a creepy perv.

Canon Mineta sucks man

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May I share an opinion on the whole Aizawa critical thing? His philosophy of "expelling to give kids a taste of death" doesn't make a lot of sense, both Bakugou and Izuku were caught and nearly died in a villain attack, Mina and Kirishima diffused an villain attack and is still impacted, but aizawa implicitly treated them like they are all privileged sheltered kids discovering the stakes in heroics for the first time

yes exactly!! I kinda went off on this so I'm putting most of this post under a 'keep reading' but essentially: Aizawa's teaching method (mostly the expulsion part) is incredibly flawed because it was based around his own trauma (Oboro's death), and it doesn't do anything good for his students, instead only working to their detriment no matter how much bnha wants to prove the opposite.

One of Aizawa's biggest character flaws (and honestly I'm not mad about it – it's actually a super interesting/cool flaw of his and I wish people would point it out more) is that he never really believes or acts like anything bad ever happens to anyone until he's explicitly told about it, or he's shown it. I think he genuinely believes that every student at UA has been babied since birth except for him and a select few people because of their quirks (Shinso), and every impulsive thing they do is because they don't believe in the consequences until they're shown them via expulsion. He believes that he is the only one who sees the consequences of being a hero because he's one of the only people who's seen someone die – one of his best friends – on the job, and it’s his job to teach everyone else that single fact.

and in many cases that is true! characters like Bakugo or even Izuku don't really get that the hero world is really dangerous until they attend UA. As All Might himself tells Izuku – heroes are expected to put their lives on the line for people. And as All Might (and Aizawa) knows, All Might, who is responsible for crime going down by at least 2%, is going to retire soon. Crime is going to rise. This means deaths like Oboro’s are going to rise, and Endeavor isn’t anywhere near the level to carry the weight of #1 quite like All Might did.

The problem is, there are generations of people from Aizawa to Izuku who have only known the world that All Might created for them, and that world is going to die very soon with a very unprepared Japan suffering in the fallout. So in Aizawa’s mind, the best way to help these future heroes understand that All Might isn’t going to be around to save them is to give them consequences via expulsion. So at the beginning of the year, he puts them all on the same level (aka everyone is some spoiled kid who doesn’t know the consequences of their own actions) and threatens them via expulsion to make sure they realize that death exists and that their actions have consequences.

Unfortunately for Aizawa and his worldview, not everyone is some spoiled kid who has been babied since birth except for him. We all know Midoriya’s situation is an abnormal one, I don’t think anyone would guess that a formerly quirkless child would be entering into the school with a quirk they just got that day, but as you stated both Bakugo, Kirishima, and Mina alone have been faced with real-world near-death scenarios and have survived. Hell, Bakugo and Midoriya’s Sludge Villain incident had made its way into the news! Midoriya and Bakugo nearly died and it was on the news, yet Aizawa still felt it apt to threaten Midoriya with expulsion (extra death) because he didn’t feel that Midoriya was trying hard enough with his quirk.

Why? He already nearly died once (twice technically but Aizawa doesn’t know that), there’s no need to ‘kill’ him again. Is it because All Might saved him and therefore Aizawa needs to push that All Might won’t always be around to help him by threatening him in a space where All Might has no power? Did Aizawa just not see or forget that Midoriya and Bakugo nearly died? Why does he threaten him here in front of his entire class? What purpose does it serve for Midoirya’s development? (there’s also a case to be made where he’s biased against Midoriya in the beginning simply because All Might likes him, but that’s a whole other discussion)

And of course, that’s just Midoriya. It’s bad enough that a kid who’s always been pushed down by other people up until this point is being threatened by yet another person who doesn’t believe in him, but what about the other kids? What about Todoroki, who has a powerful quirk but has been abused by his father since his quirk developed? What about Uraraka, who would probably do more heroic but illegal things within the series (like saving Bakugo) if her entire family’s well-being and livelihood didn’t hinge on the fact that she stayed in school and didn’t get expelled by the most hard-ass teacher in series. What about students with delicate situations that can’t afford to be expelled because of their circumstances?

Instead of doing or being heroic, they’d be putting all their focus into hopefully not getting expelled, following the rules, keeping their heads down, instead of, y’know, trusting the adults in their life and questioning authority when need be. If they do get expelled, at the very least it’ll keep a black stain on their records that will follow them for the rest of their careers, and they’ll have to explain how they got expelled from the most prestigious hero school in Japan time and time again, annoying at most and career-destroying at the worst. At the very most, it puts these kids in danger from their guardians. That’s terrifying.

For example, if Shoto got expelled, at the very least Endeavor would call in a complaint like a regular old Karen. At the very most (aka Fanon interpretations of Endeavor) Shouto would get his ass beat six ways to Sunday. Or, the more in-canon option, Endeavor would take up Shoto’s training full time, which is also not good and very dangerous for him. Either way, it's trouble for Shoto because Aizawa assumed that Shoto was a spoiled kid and needed to be taught a lesson.

And sure, Aizawa doesn’t expel anyone in 1-A, but that doesn’t change the fact that he has expelled students before, and as a result, a majority of them (re: class 2-A) don’t really like him or respect him. Aside from literally one girl, they think he’s scary. They don’t like him. Being a hardass teacher is one thing, being a hardass teacher who people like and respect despite the no-nonsense bullshit is another thing. And aside from class 1-A (it's important to note that none of them have gotten expelled from his class and have even trauma bonded with him) and that one 2-A girl, they don’t like or respect him. They fear him. And for as funny as that is, that’s not the sign of a good teacher.

It’s not necessarily lazy teaching since he does it with a purpose, but it’s not right. He’s basically giving his students the teaching equivalent of tough parenting, and as most people on the internet know, tough parenting only leads to negative consequences for the victims (the students). And furthermore, it's obvious he only does this because of his trauma with Oboro's death. Expulsion isn't traumatic, like I stated earlier it depends on the situation how serious being expelled would be for a student, but if you think about it this way – that Aizawa purposefully traumatizes/scares/hurts/destroys the trust of students in a completely different way from how he was traumatized to teach them a lesson without 'consequence' – that's not good! That's terrible, even, and incredibly harmful in the long run.

We even see the negative consequences of Aizawa's expulsion method in Aizawa himself! The consequences of Oboro's death (which expulsion is supposed to emulate) on him are detrimental to him – he goes into a very serious depression to the point where he'll only do the bare minimum to pass classes, and he isolates himself from his friends. We're explicitly shown that what he's doing isn't helping him or doing him any favors and it's only through healing from his trauma that he actually starts to get better. And he wants to do this to other students (albeit on a smaller scale) to teach them the same lesson he learned? What the hell! Who thought this was right?

(Nezu bc he authorized it but eh. That guy lives for chaos.)

I love Aizawa, really I do, but this expulsion game really isn't right.

Can you into more on Kirishima's character and why you think he has the mentality of "If I'm not the one being bullied, then it's fine."? You mentioned this in one of your posts and I want to know more about it, even better if you can apply this to class 1-a as a whole while providing scenarios of it

Hi @jarierei

First off, I don't have panels of the scenes anymore. I saved on my phone, post here and then delete it. But I will explain the best I can.

So Kiri, in his background, is a kid who suffered bullying for his weak quirk and he wanted to be a hero (I have people pointed out how Kiri could be considered a less version of Izu as the bullying, while bad, seems tamer if compared to what Izu endured and we don't know for how long that begins. Was a temporary thing or not? Bc Izu was abused since he was 4 years old. No pain Olympic here) and admired Mina Ashido who, in his own words, is a great hero in the make (she face a less giant Macchia)

We see he doesn't like bullying...bc he endured bulling. We see how he change his hair color and applied to UA. We never saw if he bullies give him a hard time or not, he never seem affected by it as fanon loves to say ...and even menage to strike a friendship with BK (somehow)

Bk...who tried to kill Izu in broad daylight. Who calls him useless (way before Izu claimed the name, I hate this and I hate ochako for that too.) and tried to kill Izu again (to be fair, on that part Kiri was a bit shaken by that but it's only that and he still hangs out with BK)

"he thought they were rivals" it's so fucked up and lazy...feels an excuse to justify hanging out with a shitty person. "Yes, Bob beat up Mary but Mary cheat on him so he is justified in beat her up"

But don't forget.....BK assault and rob Kami- treated as a gag- and Kiri didn't react at all. He took the money and has no questions. He has no questions regarding BK.

"bad writing on Hori's part" I agree, it's bad writing bc he is cuddling his beloved and by this ended up sacrificing everyone and everything. Kiri was supposed to be anti bullying...but he is hanging out with the biggest bully/abuser and ...nothing changes.

You wanna a scenario ? Ok

We have canon.

Kirishima has lend some money to BK, who is rich, and for some reason is asking for the money now. He needs for something and BK, is a rich boy, decides that to pay Kiri back....he will rob Kami's money and...Kiri is fine with that. He got the money.

Now....

If it was the opposite.

Bk needs to pay someone back and BK stole his money? Then Kiri would have something to say. "No more bullying"

Kirishima became bk's cheerleader and it's sad to see.

Do you think UA is really the so called best school for heroes or they just surf on the fame of their big name former students like am and endy (and others)?

UA is a school written by an author who didn't have much interest in the academia of MHA. MHA is a story about escalation and it puts the story beats of where the author is headed above organic storytelling. Example: UA doesn't like Izuku's habit of hurting himself. Aizawa has seen this multiple times now. -The entrance exam. -The quirk aptitude test. -The battle trials. -The USJ where he saved All Might's life. All of these resulted in the guy breaking something and needing to see Recovery Girl. Organic Storytelling: The teachers don't like this, so they address the problem head on: If Izuku breaks bones in the sports festival he really wants to do well in, he's out. So, he won't break his bones. But, this would go against the author's goal to show Izuku competing and hurting himself. So despite the fact that these people have his education and career in their hands and can dictate any command to him and he has to follow if he wants to remain a student there, they just complain after he does something.

As far as UA being the best school? Let's say...yes. The others aren't relevant. They do nothing. Shiketsu is allegedly as good as UA is and is its rival, but Shiketsu is only a handful of names characters. Where was Shiketsu and it's army of graduates when hero society fell? We saw what UA was doing: saving the country/the world. Shiketsu? They sent some guys to help during the final war arc. So by default, since the rest of the schools are non entities or do nothing, UA is the best. Is UA good? No. UA is a comical failure as an educational institution. It's a school where despite having the alleged best educators around and experts in their fields, the student's growth and development is entirely attributed to themselves. Aizawa repeatedly deflects any credit for his student's growth. He's a hands off teacher. He provides them exercises and training methods and the burden of doing the work and improving is on the students themselves. While this makes the class look more bad ass in the eyes of the audience, it asks the question: what are they here for? I think the principals behind UA's methods are very interesting. WHY do they do this? The answers are fun. So, you know how we get Aizawa and Shinso saying how unfair the entrance exam is and how it favors a certain type of quirk? My take is that this is 100% intentional and this mentality informs most of UA's methodology. They only teach students how to hit harder. Technical quirks or abilities that require effort to master can't easily translate into MORE POWER, so they prioritize people who will be top level heroes. Anyone who has a quirk like Endeavor's could be a top hero. The goal is to find as many people like him as possible, teach them to become stronger and hit harder. And teach them restraint and non lethal capture via sparring matches with their classmates. The constant fighting with their peers shows them how to hold back so they only use the exact amount of force needed in the field. As a factory to produce a very specific kind of hero, UA does a very good job. The school is just calibrated to creating a hero who succeeds in All Might's era of hero society. A self reliant hero who is used to doing things by themselves mirroring the solo and highly competitive nature of heroics. By definition, this strategy will exclude a lot of good eggs. So, we have the back paths: -Rescue points, enabling people who can't beat robots to score enough points to get in. Since the teachers are the ones who score this and they assign the points, Nezu could ensure anyone he finds interesting passes the entrance exam. -The Sports Festival, where those who do well and impress the teachers have a chance to move up to the hero course. This is designed to market those powerful hero students and get their names known even before their debuts. It doesn't matter for powerful heroes if people know their weaknesses and how they fight, because they're so strong that they simply obliterate all obstacles and opposition. Is this the intended reading of UA? That Nezu designed the entire curriculum to cater to people like Bakugo and Shoto and ensure they succeed because people like them are the most reliable and viable heroes you can create? Probably not. The author likely was just focused on escalation and making cool scenes. But when you look at it, this all makes sense. I wouldn't call this "good" but it's crafty and it speaks to the world it exists in. It's a fascinating system that's immensely cynical. A microcosm of the MHA world itself.

Anyone else thinks it's funny how everyone agrees the ending sucks ass but it's when they didn't get something they want? Like it took certain fans seeing that MHA was ASS was with Tomura's death. But now people don't like MHA's ending because Midoriya didn't want to join Bakugo's agency and Bakugo kind of looked sad about it. Like oh my Loooord. I swear people do not pay attention unless it's something like.

This is often the case for a lot of works. People, (and I'm including myself in this), tend to not realise when something is bad as it happens, only when it ends.

Of course, this isn't the case for everyone. A lot of people noticed how incompetent the storytelling and writing was, but a large portion of the audience didn't have any issues until the ending.

This is both because the final war saga was full of flaws, whereas the flaws previously were more spaced out, AND because the main demographic is young boys. Not just that, but MHA soon became the introductory anime to many.

Because MHA is so closely based upon western tropes and action, being mainly inspired by Marvel and DC, it was the anime to ease new watchers into the anime medium. People who have no idea what other anime are capable of telling watch MHA, and it's great! It's flashy, everyone has superpowers, it's funny, it has dark content, it's not afraid to kill people off...

But, well, when all you've seen is MHA, all you can compare other anime to is MHA.

Young kids who aren't concerned with and don't know how to look out for all those flaws, and people new to the scene who don't know how other anime compare.

Horikoshi spent a long time giving the villains a sympathetic backstory, explaining exactly how they ended up where they are, and he offers no solutions.

There was certainly a level of lip-service paid towards it. But nothing actually put into play.

The HPSC is shown to be corrupt, raising child soldiers and driving Nagant off the deep-end, but nothing is done or even planned to abolish this corruption. Instead, Hawks becomes president over the very company that abused and groomed him.

Quirk Marraiges were made illegal far before canon, but Endeavour proves that they're still an actual thing. What is done to circumvent this? Nothing. Not even an activist group.

Endeavour, in general. He abused his kids, neglected them, abused Rei and drove her insane. Everything is brought to light. But nothing changes. People don't come to the realisation that heroics is a job, not a state of mind. They just forgive Endeavour because 'hE cHaNgEs'.

Mutant discrimination. What is done to help mutants become more accepted? Nothing. Shouji just yells at them that violence isn't the answer, but there's nothing actually put into play to help mutants.

Quirk discrimination in general. People with weak or 'villainous' quirks are treated like shit, (apparently). What is done to help them? ... Oh, yeah, NOTHING!

There were many early signs that MHA was going to bad. I mean, the QAT is even more biassed than the entrance exam, but Aizawa is painted as being a fair teacher. At least the entrance exam placed value on having heroic spirit with rescue points - Aizawa's QAT favoured anyone with a physical quirk.

The second heroics lessons was a simulated battle in an enclosed environment, rather than, oh, you know, learning how to fight. Bakugou nearly kills Izuku, and Aizawa just tells him to grow up.

People ignored the signs, and I did too for while, because of that hope that it would improve over time. Because the world was interesting, and it seemed to be developed.

It was not, but the minor level of lip-service made it seem like it was.

People flipped out when Izuku rejected Bakugou's offer to be his sidekick, as if that would have been a satisfying ending. People flipped out over IzuOcha being confirmed, despite it being heavily implied since the beginning.

People have turned on MHA because it didn't give them the ending they wanted. That's not to say that the ending wasn't bad - it absolutely was. But not for the reasons people brought up.

The world has barely changed from where it started, Izuku isn't even allowed to work his way into heroics, hero rankings are still a thing for some reason, the HPSC hasn't changed, and it just felt like a wasted journey.

And that's what MHA is, in the end. A wasted journey.

Post canon designs ideas