Part 1 - Part 2 - Part 3 - Part 4 - Part 5
Drive folder - AO3
In which Mob asks Tsubomi out and then some other things happen. Four of sixteen twenty total pages. Click to make the images bigger/more legible. ID in description.
i haint even fucking seen the finale, i wanted to finish this bit first. sortof tryna emulate ONE's busted no-taper fixed-width inking style. id follows
ID: Four black and white comics pages about characters from Mob Psycho 100.
Page 1:
A park bench sits along a trail in front of a wall of trees with black trunks and white, vague foliage. Tsubomi pushes herself off of it, smiling, and says "Oh--you made it!"
Mob approaches her along a trail. The same black trunks surround him, but a few are broken--one lies across the trail in front of him. He steps over it and says, "Hey, Tsubomi."
Tsubomi and Mob stand across from each other, maintaining eye contact across a blank gap. Tall vertical trees stand behind Tsubomi while those behind Mob are broken and bent. Tsubomi's expression is vaguely demure, her hands folded in front of her, while Mob is smiling and leans forward. He carries the sunflower in his right hand.
Page 2:
Tsubomi's face is large in this empty panel. She has an odd expression on. There is a smirk; her eyebrows are slightly folded and one is raised higher than the other. One eye squints a little. She says, "I guess the, uh. The storm has passed."
Mob looks down, makes himself anonymous, two eyes and some black shapes. "Yes."
Then he looks up, and there he is in full detail. One side of his collar is damaged and torn. He smiles widely, his upper lip curled. "Yeah. It has."
Tsubomi points with two fingers and takes a step along the trail, looking back at him. "Great. Let's take a walk, I'm tired of sitting here." She's smiling widely, clearly relaxed. Mob, staying where he is, gently holds out a hand and says, "Oh, yeah, but, uh, if I could--" His shoulders hunch. The sunflower is visible in his grip.
Mob is in an empty panel in exaggerated perspective so the top of his head is huge and his feet are tiny, far below him. Only his wobbly eyes are visible, looking down at the sunflower that he's holding diagonally across his chest now. He says "--ask you to stay here one more minute. So I can..." Tsubomi interrupts across a panel border, "Right."
Now Tsubomi's head and shoulders are in the empty square, and this time we're looking up at her from below. "You wanted to tell me something." She again looks mildly concerned in her eyebrows; there is a dimple in her cheek but otherwise her mouth betrays no happiness.
Off-panel Mob says, "Yes." Tsubomi, in close-up, squints and looks down.
Page 3:
In a tiny little panel Tsubomi is just her hair, a black oval, facing Mob, who looks up from his head tilted down.
Mob faces the reader, the otherwise empty panel framing his head, shoulders, and upper torso. He looks straight at the reader and says, a calm smile on his face, "Tsubomi, I like you. A lot."
This view is maintained as Mob looks away and shrugs one shoulder, still smiling. "Always have. Ever since we were little. You never treated me any different because of..."
A smaller panel just shows his head and shoulders as Mob looks back at the reader and traces a small circle by his head with his finger, to indicate him, his brain, something.
Another smaller panel just shows his shoulders and upper torso as Mob once again holds the sunflower diagonally across his chest. He fidgets with the head of the flower. "So if you would--uh, I was wondering..."
The same view of Mob returns, now with a few of the bent trees half-visible, highlighting his form. He holds the sunflower out in front of him. The flower is large and has its own little highlight. He has one of those smiles that's so strong that the front of it gets pushed down by your upper lip. He says, "Would you like to go out. With me."
Page 4:
Tsubomi stands, head, shoulders, and upper torso highlighted by the vertical trees behind her, looking right at the reader. She has a mild smile on and leans to the right.
The same views but the trees are gone, so it's just her as she leans farther, her shoulders slump, her mouth flattens out of the smile, her eyebrows crinkle together. She stares right at the reader.
The same view of her in an empty panel now twice as wide as the others, so she looks smaller though her size doesn't change. One arm has goes up to hold her hip. She drops her head down so her partially-visible face is a silhouette surrounded by the black shape of her hair and collar, just a nose, an ear, and a closed eye.
End ID.
yall already know what it is. sad tsubomi hour. this comic will answer two questions: one, what did the rejection actually look like?? two, how did mob get tsubomis number later???
Post canon designs ideas
look at this adorable fan art my heart can’t take it ughhh twins w/ twins so cute!! 🥹
Drawing spooky characters during October. Day 16. Muzan Kibutsuji.
So the footage of Owen training the tiny raptors in the new Jurassic World kind of (inadvertently, I think) confirmed something that always bugged me about the social dynamics mentioned in the first film.
Owen’s using the term ‘alpha’ wrong.
Of course, the concept of pack alphas is rooted in a lot of erroneous studies anyway. But if we take his actual assertions about it and Blue’s behaviour at face value, then Owen is wrong. He’s not the alpha. Blue is the alpha. The pack follows her cues, that’s why they go with her when she decides to follow the Indominous, and it’s also why they listen to Owen - because Blue does. If Blue stops, so do the other raptors. They’d don’t just wait it out to see who’ll win, they immediately follow Blue’s lead.
Blue’s the leader.
Owen is, actually, the mediator.
He is the one who stops disputes between the raptors and defuses tense situations. He is permitted this status precisely because he’s physically weak (compared to raptors) but socially important. His social importance was created by rearing the raptors and forming emotional bonds with them. But they know full well that he’s squishy and beatable (though they probably don’t realize just how lethal some behaviours might be for him, comparatively). Blue knows she can kill Owen and that Owen is not strong or very useful at leadership decisions for a velociraptor pack. She accepts his input because he’s dad.
So since Owen actually isn’t even in the running for pack leader, and challenging him would be pointless because then you’d just hurt him and cost the pack a socially important member, and also probably get beaten up by Blue, he is the ideal mediator of disputes. His intervention de-escalates situations by reducing the amount of violence that’s permissible.
But because he was using so much containment and physical force (even if it was through equipment, obviously) to keep the raptors in check, I think Owen misjudged his placement in the raptor social group. Especially since he actually was tougher than them when they were babies. He thought they listened to him because they believed he was stronger than them, and that this was an illusion he had to maintain.
That was never actually the case, though. Blue knew Owen was way weaker than her the whole time. She just valued him anyway.
There’s probably a metaphor about toxic masculinity in there somewhere.
Older and Wiser
Small and big 🤐
lil sketch between commissions, have my take on muzan in the heian era
This Muzan line is so interesting to me because it’s the closest the manga comes to ever saying the quiet part out loud. There was nothing Muzan could’ve done to change what he became.
By the time he killed his doctor, he was already in the middle of his human to demon transition. He had pursued a cure to his illness (reasonable), his doctor had done his best to make an experimental cure for him (reasonable), the cure had unintended side effects (reasonable), and side effects had included amplified anger and murderous intent (unfortunate).
Natural disasters just happen. They don’t have agency. The reason you don’t take revenge on an erupting volcano is because it didn’t make a conscious choice to kill people. No one is to blame for the disaster. Likewise, Muzan had absolutely no agency against his fate. Even if he had started out as the world’s nicest human, even if he made exclusively good choices considering the information he was given, he would’ve ended up becoming a demon and eating people. The only immoral “choice” he made was killing his doctor, but if the medicine he was given was making him a demon anyway, the likelihood of that occurring during his first demonic rampage was extremely high. Regardless of whether he conquered the sun, whether he took his medication as prescribed, whether he was a good or bad human, he would’ve ended up with a near insatiable taste for human flesh. With no support network to hold him back from his urges until he was capable of settling down, his evil was essentially inevitable.
A lot of people say that Muzan is interesting because he’s one of the only pure evil villains with no redeeming qualities, but I disagree. He’s interesting because he’s one of the only villains who became evil by accident, in the process of pursuing something good.
On a more critical note, I think that the fact that this line from him is so clearly meant to be seen as inaccurate or bad speaks to the author’s lack of consideration for the moral implications of their plot. The moralization of illness in KnY has always bothered me. What, in the eyes of the author, should Muzan have done as a human? What is the moral of his story? Simply don’t be chronically ill? That seems a bit ableist. If you are ill, accept that you’re ill and just let yourself die as god intended? Also seems a bit ableist. Only take proven, known cures that are guaranteed to not have side effects? A little anti-science, or, more charitably, a misunderstanding of how the scientific process works… so what should Muzan have done instead? Much to think about.
alexa play "i can hear the bells" from hairspray 👬💒
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Do you feel Overhaul with his Yakuza and the Meta Liberation Army make better Villians then the LOV.
Also do you think they were more competent in their goals compared to the LOV.
Well let's look at each of them.
Overhaul wanted to get rid of quirks and bring the Yakuza back into power for the boss that he had put into a coma. He committed horrible crimes in pursuit of this goal, but he did successfully find a way to remove quirks from people under the power of his own organization.
So he was absolutely the most competent, and I wonder how he would act if he found out that Midoriya was originally quirkless. It also could've been really cool to see like, Looking to the Future(heroes and quirks) vs Living in the Past(No quirks and the golden age of the Yakuza)
The MLA were quirk-supremacy, might makes right, kind of people, and that's pretty much just the world's view at large taken to the extreme. The idea of the original founder wanting free quirk use in a time where everyone was terrified of them could've been a cool theme to explore, instead they folded to a group of exactly six people. Gigantomachia also showed up, but the end result would've been the same if he hadn't.
Incompetent. Maybe thematically interesting. Most of their leaders don't even have powerful quirks of their own, they're only in charge because of the influence/money they have. Automatically proving that their own philosophy of quirk supremacy is meaningless.
The League of Villains overall, just wanted to do whatever they want and be free from consequences. Shigaraki wants to destroy things. Dabi wants to kill Endeavor and whoever else he chooses. Toga wants people's blood(consent optional). Compress was just a thief that wanted to Robin Hood-style deal with corruption, and ended up not doing anything like that. Twice just wanted somewhere to be accepted, he's the exception. Spinner was a victim of discrimination that jumped in the first ideological extreme that popped out at him. Their individual goals all turn into "tear everything down and leave nothing(except maybe the stuff we like)."
The League was also pretty incompetent. Nearly all of their successes were built off of what All for One had built. Doctor Ujiko and the nomu, Gigantomachia, hell, even Kurogiri. The League didn't do shit by themselves, but somehow they were the main villains of the series.
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