post was probably by @lakesbian they do like all the Alec character analysis’
I'm fricken stupid as hell having these kinds of revelations days after the fact, but I read a character analysis on Alec that tapped into the reason his power is the way it is; that it takes 15 min to an hour to act, can only control a max of 4 at a time and that his nerve map memory imprint thing or whatever that lets him resume control instantly is basically permanent, and how all of that was because he's the kind of Master who only needs a small group to stand up for him and protect him (the other members of his family/HB's cult) vs someone like Taylor's Master power where she needed minions that could be found everywhere, which could watch everything and attack from every direction. Alec needing members of his family to physically act in his defense (rather than feel emotions for him or have his mind take over theirs) but getting an ability to force them to do so. <- All of this covered by the post, just bringing it up to give context to my thought;
DOESN'T THIS RECONTEXTUALIZE AISHA WILLINGLY GIVING HERSELF OVER TO HIM?!
All his minions during his warlord arc are probably paid for, or weren't aware that being around him 24/7 meant he could hijack their nerves.
But here comes Aisha and she's like "I want you to take over my body." and I was initially thinking ooh it's just a parahuman version of sexual experimentation, teenagers do that, I get it, I won't pretend it doesn't happen but DOESNT THIS MEAN SHE BASICALLY ASKED HIM TO GIVE HER HIS TRUST? Like, all he needed to not trigger was probably someone in his family or the tight knit cult standing up to Heartbreaker (not going to happen) but still? And Aisha is coming along and saying "I'm that someone. I trust you. You can trust me. You're not your father, you won't abuse this, I'm giving you consent under the jokey teenager, not serious guise of fooling around with you wearing my skin."
Maybe that plays into why Aisha goes after Heartbreaker, why she adopts the Heartbroken and why she makes that her mission. To continue his legacy after his death, to be the kind of person the Heartbroken needed the way Alec needed someone. She does kinda do that with Taylor too, fucking up Nero later on, though beyond those two examples I kinda struggle to nail down where she's continued a loved one's legacy. Oh, except maybe where she helps Taylor in Brian's place during GM. That could work too.
I'm still figuring out how to Tumblr but if I find that post again I'll link it here in the replies.
Hi! For asexual awareness week, I put together a list of the audio-dramas I've heard with canonically aspec characters! I'm still updating as I go. They are in lead/major/minor/once-off, and then alphabetical order. This list is by no means complete, (there are a lot more out there!) just the ones that I've heard so far.
Fourteenth version (13/05/2021: Added The Vanishing Act, Added Morgan and Cass to The Underwood Collection) Will update as I listen to more! Check back to the original post for the latest version.
The Alexandria Archives: Tune in to Alexandria University's favourite late night radio show for all the local news, weird goings-on, and a special spooky story from The Alexandria Archives! Episode one was tedious and drawn out, but I'm very glad I kept going. Hilarious, spooky, and fun, though a persisting instance of cultural appropriation throughout (w*ndigo) that I'm really not a big fan of. Mini episodes with Gore and The Bobs are worth their own shout-out as well.
Character: "Morning Wood"/Allison Madera-Armitage, She/Her, Lead. Asexual. Explicitly stated.
ars PARADOXICA: A modern-day physicist accidentally invents time travel and finds herself deep in government conspiracies in the 1940s. Cleverly done, but if you struggle with time travel, you might have some issues. People tend to find this a bit hit or miss, but I really enjoyed it. Possibly my favourite take on time travel.
Character: Dr. Sally Grissom, She/Her, Lead. Asexual. Explicitly stated.
The Beacon Podcast: Anxious university student Bee discovers she has fire powers and starts a podcast to try and find others like her. Chaos ensues when she discovers she's not the only odd thing on campus. Funny and endearing series with a wonderful cast of characters and some of my favourite friendship dynamics. The university setting is a great pick and I'm very hungry for more lore.
Character: Bee, She/Her, Lead. Lesbian Asexual. Explicitly stated.
Girl In Space: The Girl in Space spends her days alone on a space station, running science, tending the garden, making cheese, and watching Jurassic Park. It's pretty great. Be a shame if somebody were to ruin it. Clever, funny, sweet, smart, and occasionally brutal, there's something about this podcast I find oddly comforting. Probably because the wholesome bits are so good.
Character: X, She/Her, Lead. Asexual. Hinted, Creator Confirmed.
The Godshead Incidental: In a city where gods are plenty and walk among people, an ordinary woman named Em writes a life advice column. Great writing, characters, audio, and lore, this podcast is in very early days but is already a favourite, and well worth keeping an eye on!
Character: Imogen "Em" Chandra-Phankam, She/Her, Lead. Aromantic Asexual. Explicitly Stated.
Jar Of Rebuke: An unkillable (well, he can be killed, he just doesn't stay dead) amnesiac scientist investigates weird happenings around the town he lives in, eats a lot of tasty things, and makes some friends along the way. Taking the form of their audio journal, it has a great mix of intense, sweet, and really funny scenes, with fun worldbuilding and intriguing mystery! I'm already invested and excited to see more!
Character: Dr. Jared Hel, They/He, Lead. Greyromantic Asexual. Stated, Creator Confirmed. And Christine Torres, She/Her, Minor. Lesbian Asexual. Creator Confirmed. And Dr. Gia Castillo, She/Her, Minor. Pan/Demiromantic Pan/Demisexual. Creator confirmed. And Dr. Milo Lomax, They/Them, Minor. Aromantic Questioning. Creator Confirmed.
Less is Morgue: A peppy, nickelback-loving ghost and a skeptical, flesh-eating ghoul host a podcast in said ghoul's mom's basement where they talk about anything and everything. Humorous and a bit gorey, plenty of energy and very original.
Character: Riley Almanzor, They/Them, Lead. Asexual. Stated/Creator Confirmed.
Light Hearts: Three friends run a queer cafe/bar, and learn to live with the surprising number of ghosts haunting it. Another wholesome, feel-good, light-hearted and fun podcast. Only a few episodes out so far but a good pick-me-up.
Character: Kale, They/Them, Lead. Biromantic Asexual. Explicitly stated.
The Magnus Archives: Easily the most popular podcast on this list, The Magnus Archives is a horror podcast which takes a look into the strange statements given to The Magnus Institute, an organisation which investigates strange happenings, and follows the new archivist as he tries to make sense of it. Well written podcast, it is delightful to see all the seemingly unrelated stories connect up over time.
Character: Jonathan Sims, He/Him, Lead. Biromantic Asexual. Alluded to/creator confirmed.
Mount Olympus University: A bizarre set of circumstances leads Pandora enrolled and in charge of campus radio at the prestigious MOU, where the students are gods and figures of legend. Issue is, she doesn't belong there. Cute and charming series with exciting characters and a fun take on some classic mythology.
Character: Pandora Wordsworth, She/Her, Lead. Demisexual. Explicitly stated.
The Sheridan Tapes: In 2018, famous horror writer Anna Sheridan went missing and left behind a collection of strange tapes. Listen along as a homicide detective goes through them to try figure out what happened to her, and winds up deeper into strangeness than he could've anticipated. Really fun horror-mystery with lots of great stories and engaging twists.
Character: Sam Bailey, He/Him, Lead. MLM Grey-Asexual. Explicitly Stated.
The Silt Verses: In a modern world where gods are both outlawed and commercialised, two devotees to an outlawed river god go on a pilgrimage. Beautifully written horror with great characters, tasty sound work, a healthy dose of body horror, and complex, engaging worldbuilding.
Character: Sister Carpenter, She/Her, Lead. Aspec. Stated/Heavily Implied.
Sidequesting: Rion is a fantasy adventurer like few others; they only do side quests! Fun, interesting, very queer, and ridiculously wholesome, this feel-good podcast does a new adventure every episode. Also very much suitable for children. If you need a pick me up, please, go check it out! Makes my heart happy!
Characters: Rion, They/Them, Lead. Biromantic Asexual. Explicitly stated. And Sam, He/Him, Minor. Aromantic Bisexual. Explicitly stated.
Station to Station: After her friend and lab partner goes missing, leaving behind nothing but some strange tapes and rapidly vanishing memories, biochemist Miranda Quan tries to figure out what happened to him, and ends up drawn into a bizzare conspiracy on board a north pacific research vessel. Really well made with a fantastic cast of voices, but left off on a cliffhanger!
Character: Miranda Quan, She/Her, Lead. Asexual. Explicitly Stated.
Wooden Overcoats: Rudyard and Antigone Funn run a funeral home in the island village of Piffling. Not very well, mind you, but that doesn't matter, because it's the only one. Well. It used to be. Hilarious, high quality, and an interesting cast of characters, with a classic british comedy vibe.
Character: Rudyard Funn, He/Him, Lead. So, apologies since this one is technically not canon, but one of the writers has said he writes Rudyard as ace, so I'm including it.
Arden: A fictional, amusing podcast taking the form of a true crime series. The hosts (an ex-detective and a radio journalist) both have equally chaotic but very different energies which make for a fun dynamic. It does also cover and address some occasionally intense and serious topics, so it's not pure comedy. This podcast also includes a great conversation about what the character's asexuality means to her in context of relations and future, which I'm mentioning as it was really well done and cathartic to hear.
Character: Rosalind Ursula, She/Her, Major. Asexual. Explicitly stated.
The Blood Crow Stories (SS Utopia storyline): This is the storyline for season 1, Max shares the interesting tapes his thesis project is on! Listen as life aboard the SS Utopia, a luxury escape from World War 1 on the open ocean, dissolves into chaos and horror. Great if you like the "character listens to old tapes" layout as much as I do. Lots of really interesting interpersonal relations and characters, and I really like how it's put together. I couldn't get into s2, but I loved the S3 storyline and am curious where S4 is going.
Character: Leo Moretti, He/Him, Major. Heteromantic Asexual. Explicitly stated.
The Bright Sessions: Dr Bright does therapy for the strange and unusual, which is to say, young people with superpowers! TBS is well made, written, and executed podcast with a great cast of characters. It's a podcast I'd recommend to anyone.
Character: Chloe Turner, She/Her, Major. Panromatic Asexual. Explicitly stated.
Campaign: Skyjacks: The only tabletop podcast on this list (because I normally can't focus on them), Skyjacks follows a small group of sky-mercenaries on their various adventures. Amazing worldbuilding, fun characters, gorgeous music, and giant birds. It's ridiculously fun watching the GM and players get excited and build the world together. Additional shout-out to their kid-friendly sibling podcast Courier's Call which is about apprentices to an airbourne delivery service because it's ridiculously cute and has even more tasty lore.
Character: The Broker, He/They, Major (Arc 2). Asexual. Stated/Heavily Implied, Creator Confirmed.
Hello from the Hallowoods: Severely underrated and sweet queer horror podcast that follows many people (in varying degrees of human, and alive) in their journeys in a strange land, and as they cross paths. Amazing lore and worldbuilding, delightful narration and writing, highly recommended.
Character: Walter Pensive, He/Him, Major. Heteromantic Asexual. Explicitly Stated. AND Friday, She/Her, Minor. Aromantic. Creator Confirmed.
InkWyrm: Mella, the new AI caretaker for intergalactic fashion magazine InkWyrm, finds herself the new assistant to it's editor as well. Lesbian sci-fi rom-com. Worth noting the recording quality of early episodes, and some of the SFX, are a bit rough, though it improves later (start with episode 1 (redux)). The writing quality is top notch and super funny from the start, and I want to give a special mention to this podcast, because not only do they say "aromantic asexual", it's not just a single offhand comment; Robert's asexuality is frequently referenced, and the subject (but not target) of various jokes in a way I found really validating as a listener.
Character: Dr. Robert Alphelion, He/Him, Major. Aromantic Asexual. Explicitly stated.
Love and Luck: Queer Australian romance told in voicemails, it had me in love with the leads only a few short episodes in. Set in modern-day Melbourne, it features real community places and events. It also addresses real life issues faced by the queer community, so it has it's stressful moments, but is for the most part super wholesome, and gives off such a beautiful community vibe. I want a Best of Luck bar in my own city, dammit. Oh, and there's magic!
Characters: CJ, They/Them, and Ricardo, He/Him, Major. Alloromantic Asexual. Explicitly Stated.
Moonbase Theta Out: Logs, updates, and messages from Moonbase Theta as they prepare for station shutdown and return to Earth, but not everything may be as it appears on the surface. Interesting cast of characters, this show gladly delivers both wholesome and emotionally devastating content, and it's good fun to watch the situation reveal itself.
Character: Nessa Cheong, She/Her, Major. Aromantic Pansexual. Stated. And Lark, She/Her, Once-Off (Before the Moon Episode 2). Wlw Asexual. Explicitly Stated.
Old Gods of Appalachia: Horror anthology podcast surrounding strange incidents around the Appalachian mountains. A folktaley vibe that builds to something epic and brilliant. Most characters are treated as very disposable but never disrespectfully, which is a dynamic I've quite enjoyed.
Character: The Witch Queen, She/Her, Major. Aromantic Asexual. Stated.
The Penumbra Podcast (Juno Steel): Noir-style adventures of a detective on future Mars. An exciting, hilarious, and exceedingly queer podcast, it is well made and a lot of fun.
Character: Jet Sikuliaq, He/Him, Minor/Major. Aromantic Asexual. Stated.
The Penumbra Podcast (Second Citadel): The proudest knights in all the second citadel go on various quests to prove themselves and protect the kingdom. Amusing and exciting, well put together.
Character: Talfryn, He/Him, Major. Aromantic Asexual. Stated.
The Six Disappearances of Ella McCray: Shortly before her wedding, at a lunch with friends and family, Ella McCray vanishes. Everyone tells the same story, until the moment she vanishes, when the stories suddenly vary wildly, all becoming impossible, on the scale of aliens, time travel, mind control, etc. And the strange things continue to happen as they search for her. Interesting and engaging mystery with good sound work, but be prepared for a cliffhanger.
Character: Jordan McCray, He/Him, Major. Asexual. Explicitly Stated.
The Strange Case of Starship Iris: Violet Liu is the last surviving crew member of the Starship Iris, after the rest are killed in a shuttle explosion. Though probably not for much longer. After being picked up by a passing ship, she's thrown into a high-stakes adventure, and quickly has to come to terms with who she can actually trust. Fantastic show with a fun cast and delicious found family.
Character: Arkady Patel, She/Her, Major. Wlw grey-asexual. Explicitly Stated.
This Planet Needs a Name: Humanity is sending ships out to terraform and colonise planets, to hopefully create better life for humanity. Here's what happens in a best-case scenario! Wholesome, thoughtful, and full of emotion and found family.
Characters: Izley Kolian, They/Them, Major. Asexual. Stated. And Cyrus Castillo Rodriguez, He/Him, Major. Demisexual. Creator Confirmed.
Tides: After being stranded on a tidal planet, xenobiologist Dr. Winifred Eurus must use all her wits and knowledge to survive, and gets a lot more work then she anticipated done along the way. Cleverly crafted, great worldbuilding, and a wonderful cast of characters. If you want to hear about cool alien life it is a must.
Character: Dr. Robert Montague, He/Him, Major. Demisexual. Explicitly Stated. And Dr. Melissa Wang, She/Her, Major. Aromantic Asexual. Implied.
The Underwood Collection: Magnus Archives fanmade spinoff. American edition! The audio is not quite as high-quality as the original, but the writing is good, and if you're craving more statements, these are a mix of more silly and more scary than the original show, and take opportunity to explore the intersections of the fears. Also, more queer rep, and actually uses the words.
Character: Cassian Sedgwick, They/Them, Major. Aromantic Asexual. Creator Confirmed. And Morgan Gaiman, They/Them, Major. Biromantic Asexual. Creator Confirmed. And Lucy Murphy, She/Her, Once-off (Episode 8). Asexual. Explicitly Stated.
Ungifts: Four friends take off on a journey to find their fifth after she is possessed by a magic amulet. They are given powers along the way, but they really don't want them. Fun concept, can feel a little shaky at times, but I quite enjoyed it. The main 5 characters being voiced by just 2 people is an interesting effect. The banter is really fun.
Character: Trev, He/Him, Major. Biromantic Asexual. Creator Confirmed.
VALENCE: VALENCE follows Liam, a young magic user (or muse for short) in a city where magic is shunned and people are expected to suppress it. He's got a lot of problems in his day-to-day life, but his family is one he hoped he'd never have to deal with again. Until he receives a very intriguing offer. Slow but interesting start that moves into some of the most fun character interactions I've seen in a while. Very intriguing and entertaining.
Characters: Sarah Harris, She/Her, Major. Heteromantic Asexual. Explicitly Stated. And Grace Chen, She/Her, Major. Aromantic Asexual. Creator Confirmed. And Nico Salvai, He/Him, Major. Arospec mlm. Explicitly Stated.
The Vanishing Act: Absolutely wild podcast about a 1930's German set designer's obsession with a 200 year dead magician's last trick: making an entire room of people vanish into thin air. As he travels the world seeking answers (and trying to get laid) we encounter a whole host of wonderfully/concerningly eccentric characters including an American conman, a handsome British author, a German scientist, and a duck. Well done sound design and never a dull moment. But also, a fair amount of sexual humor.
Character: Lilith von Hitzler, She/Her, Major. Aromantic Bisexual. Creator Confirmed.
Greater Boston: Set in an alternate universe Boston, a man gives up living on a rollercoaster and another attempts to turn a trainline into its own city. Watch how these events affect the people around them. Well made and entertaining, surreal yet weirdly grounded. It's a bit slower, so my ADHD brain has trouble keeping focus sometimes, but it's genuinely a very well made and written podcast. Worth listening just for Malory.
Character: Melissa Weatherby, She/Her, Minor. Aromantic Asexual. Stated.
Station Arcadia: Stories from a radio station on a moving island, in a world where solarpunk, cyberpunk, steampunk, and dieselpunk exist side by side. Some stories are stand alone, some are ongoing, many are connected, all are full of good writing and amazing worldbuilding. Very queer and underrated. Shoutout to the first explicitly stated Queer Platonic relationship I've ever encountered in media.
Character: Alice Harlow, She/Her, Minor/Reoccurring. Aromantic. Implied/Creator Confirmed.
Supernatural Sexuality with Dr. Seabrooke: Dr. Seabrooke runs a radio show where people can call in to get advice on romantic, sexual, and gender related conundrums. The hook being, this is a world where magic and supernatural creatures are just a normal part of life and society. As a note, this show contains fairly frequent discussion of sex, though there is nothing actually explicit, and it's presented in a fairly informative (but not impersonal) way. I'm quite heavily sex-repulsed, and it caused me no issues. The conversations feel really organic, it's great fun to see how they've explored how supernatural elements would play into interpersonal relations and daily life, and there's loads of advice that can be applied in real relationships as well.
Character: Alford, He/Him, Once-off (Episode 10). Mlw Asexual. Stated/creator confirmed. And Ava, She/Her, Once-off (Episode 11). Wlw Asexual. Explicitly Stated.
Also a shout out to all the aspec people I've met in the past year for 1) being super incredible people and wonderful friends, and 2) really broadening my (alarmingly narrow) perspective on what it means to be aro- or ace-spec. And to all my friends, aspec and otherwise, for just being generally supportive, patient, and cool people.
I remember a Astro City comic that also dealt with regular people having access to super tech stuff but being Astro City it explicitly addressed how this stuff wouldn’t get out and would stay in the hands of Superheroes and Supervillians
Now one thing I find really stylistically interesting about Batman Beyond, is that a lot of the mechanisms by which the supervillians do their thing come part-and-parcel with the cyberpunk setting, rather than being an aberration resulting purely from the superheroic genre elements. This is the future of a quote-unquote "present-day" DCU, meaning that they've superficially addressed the question of why all the cutting-edge supertech used in the cape scene never seems to see mass adoption by the civilian sector- forty years later, it has. This means that It's never hard to grok where any given villain is getting the resources necessary to execute their gimmick; these people are flashy by our standards, but they live in a world where everyone has access to flying cars and antigravity drones. Half these people are doing the cyberpunk equivalent of going killdozer with repurposed industrial equipment, or kludging together something with off-the-shelf stuff from radio shack, or mounting a machine gun on a technical truck, and literally in the middle of typing this sentence I started the episode where there's mass-market off-the-shelf animal gene-splicing that would have been a whole-ass individualized origin story in the time of Batman: The Animated Series. Even one-off mutants like Inque and Blight are well-understood within the context of the setting, to the extent of Inque being able to make a knockoff of herself on the go.
This is dystopic. Beyond the genre-typical surface-level megacorp domination of society it's dystopic. On the meta-level it's the same dynamic as Superman: The Animated Series, where the reason there's a sudden uptick in weird costumed crime concurrent with the protagonist's debut is purely Doylistic- the hero needs punching bags. But within the logic of the setting, there's nothing special about Willy Watt's decision to go full Carrie using a hijacked construction robot besides the fact that he had somewhat easier access to the thing than the average school-shooter. Spellbinder being able to put together functional illusion-and-mind-control tech on a high-school counselor's salary- when his entire complaint is that he isn't being paid enough- implies that the main barrier to anyone else pulling the same brainwashing stunt is that nobody else thought to. Shriek's sound suit might be more a more roundabout demolition tool than dynamite, but it's still powerful enough to bring down buildings and he created it as a fly-by-night contractor. The consumer tech base is evolved to the point that regardless of when Batman shows up, shit like this should literally never not be happening- they're past an inflection point. I remember Syndrome from The Incredibles having some kind of line about this
does this count for another one?
@boarofthenorth100
I need to know about that one post that’s like “weatherboy (derogatory)” is that stellar firma or that vine
Huh cool to know
I have two thoughts on Purity. Here they are:
One. Her trigger event consisted of her being trapped in a lethal environment with no resources, gradually going insane, and developing overwhelming firepower in order to fight off a horde of assailants who didn’t actually exist. I can’t imagine what that’s a metaphor for. Haven’t the foggiest.
Two. Purity is interesting, from a worldbuilding perspective, because at the start of the story there’s an actual niche archetype from the comics that she’s fulfilling.
“Hardcore street-level hero who actually turns out to be a racist lunatic that the actual heroes need to take down” isn’t quite a chestnut at the big two but it’s a story beat I’ve seen multiple times; Nightwing vs his building’s insane janitor in Dixon’s run, Captain America vs Jack Monroe and to a lesser extent USAgent, I feel like Batman’s deal with Lock-up from the animated series inches towards this, although that one wasn’t explicitly racialized. Punisher’s done this a couple times, It’s Peacemaker’s whole bit, there’s definitely a few more I’m forgetting.
So the subversive element here isn’t that she’s an openly racist superhero; it’d that she’s still allowed to be a racist superhero. It’s that a thematically appropriate hero like Legend hasn’t come to town specifically to drop the hammer on her for daring to be an openly racist superhero.
And to be charitable, what’s usually going on in those other stories is that the racist heroes are almost always explicitly bad knockoffs of the protagonist. They’re intended as a dark mirror, because the obvious failure mode of heroic vigilantism is that it’s extremely appealing to racists, glory hounds, egomaniacs and egomaniacal racist glory hounds, but the flip side of that is that people with those characteristics go down like chumps in a fight with a true-blue hero. They exist in the story as a one-off warning for the real heroes, who give them a chance and then chuck them in the bin when they show their true colors.
Worm, though, doesn’t have a just-so structure. The racist idiots who get superpowers and develop delusions of heroism don’t provide the courtesy of also being weak and incompetent enough that the “real” heroes can root them out with minimal fuss. Purity won the goddamn power lottery; she’s one of the most powerful capes in the Bay, with hit-and-run capabilities that all of the heroes working together are textually incapable of countering. (And this isn’t like The Boys where they’re all secretly in bed with each other- New Wave has serious beef with the Empire! They would absolutely pin her ass to the wall if the opportunity arose, but they can’t!)
So in a very real sense, The Protectorate is pussyfooting around her, letting her exist in the gray zone of self-deluded vigilantism, because…. well, the second she can’t sustain her self-deception anymore, the second someone really pushes, her go-to reaction is to commit a mass casualty event. She was always a time bomb, and so the strategy of just continuing to label her as a villain, while she continuously hopefully refreshes PHO to see if any helpful fans have updated her wiki page yet, is, you know, I get it. It’s not great but I get it. A hands on approach only works if you can actually lay hands on them.
But! As far as I can remember, she was functionally operating as an Independent Hero as the setting defines it! Everyone in power pretends she isn’t but she was still in that ballpark, hand in hand with how selectively racist she was being about it! She was a vigilante, she was out to target “criminals” and clean up the streets using her powers, she had a costume and a secret identity- actually one of the few capes we see in Brockton Bay with a full-time day job- and she was really really really racist.
So with Purity, Worm is being honest about the inability of a superhero community to clean house, to effectively police who gets to be a part of it, who gets to actively consider themselves a part of it. There was never going to be a righteous beat-down where she gets “kicked out” of the fraternity, no “you are not affiliated with me” moment that finally gets through, even though many heroes in the setting would dearly love to deliver such a thing. A certain level of power purchases the right to think of yourself in whatever terms you want, and the heroes just have to stand around looking uncomfortable and swearing up and down that, no, her vigilantism is different from good vigilantism, honest, completely different underlying models.
This is for people of Israel/anyone who supports Israel/anyone who wants to stay "neutral" about this genocide, remember that this is how your fav "defenders/heroes/government servants are supposed to be responsible" are talking about innocent Palestinians civilians:
If you choose not to speak on this matter, if you choose to not speak up for Palestinians, then be well assured, 100% guaranteed that what's happening in Palestine can (and will if you let Israel get away with MASS MURDER) also just as easily happen to you, and then there will be other people who would stay "neutral" and silent on this matter.
If you think that the reason you're not taking sides is because you don't really know the situation that well, then EDUCATE yourself. It is your responsibility, as a fucking human, to do your research to stop and prevent such atrocities from being committed.
(I know, I FUCKING KNOW I have at least a few dozen followers from Israel/support Israel/ZIONISTS who are reading this and I know that your eyes may be blind, but your hearts aren't. Don't be a hypocrite, and don't be ignorant)
ive seen people mention that a perk to using a mace or warhammer is that they can shatter a sword. while yes, a sword can be pretty fragile in comparison to what is essentially an upgraded club, the thing about that is swords are nimble. they have the center of mass that close to the guard for that reason, it allows them to be quickly moved
so if you swing that mace AT a persons sword, that person can just...move the sword really easily. and you, already in mid swing, will have to commit to that swing all the way back up to a ready position
al aqsa mosque this morning, one of the holiest sites of islam, and during the holiest month
western news sources are calling what took place here “clashes”
tell me - do you see a clash of equal forces? or do you see israeli soldiers pushing elderly grandparents down stairs, beating women unprovoked, firing live ammunition and grenades inside a place of worship, and worshippers ducking for cover as soldiers indiscriminately fire at them?
may the occupation and it’s lies and evils come to an end.