LISTEN UP AGAIN KIDS STOP REBLOGGING THIS FUCKING GARBAGE POST. IT IS 100% FUCKING BULLSHIT AND CAN AND MOST DEFINITELY WILL LITERALLY KILL. DO YOU NOT SEE WARNING LABELS THAT SAY “DO NOT INDUCE VOMITING”? THEY AREN’T FUCKING AROUND. YOU CAN FUCKING BURN THEIR ESOPHAGUS BY CAUSING VOMITING, CAUSE CHOKING, DROWNING, OR MAKE IT WORSE! AGAIN DO NOT FORCE ANYTHING DOWN ANYONE’S THROAT. THEY. CAN. DROWN. IF SOMEONE IS LOSING CONCIOUSNESS ALL THE CHIT CHAT IN THE WORLD WILL NOT PREVENT IT AT THAT POINT THEY ARE IN SERIOUS DANGER. “Buuut i don’t wanna take them to the hospital!!!” WELL SUNSHINE GLAD YOU’D RATHER HAVE A DEAD FRIEND THAN A LIVING ONE BUT YOU’RE IN LUCK CALL FUCKING POISON CONTROL. THEY ARE NOT THE COPS. THEY WILL HELP YOU. AND IF THEY SAY GO TO THE FUCKING HOSPITAL YOU GO TO THE FUCKING HOSPITAL. NO EXCUSES. 0. NONE. I have seen this shit cross my dash SO MANY TIMES so PLEASE fucking reblog this and prevent some well meaning idiot from accidentally killing someone they love!
Guide to the New Hampshire accent
Talk with the back of your mouth
Squish words together
Drop the letter t from your alphabet. Replace it with ch or d or just skip it.
Make s sound like a hard sh
In those weird al- words, drop the L. Aright, amost, oways
Sometimes vowels turn into each other for no reason
Sometimes you put t where it shouldn't be, it's just never where it should be. Tetnichally. Atcent.
Never say thanks or thankyou properly. It could be a slight difference, like thinks, or insane, like "Shinkatoo." I'm starting to wonder if there's a statewide competition to see who can say it the weirdest.
If anyone is waiting on tenterhooks for a new story, I promise I will have one eventually. Highschool is highschool right now.
If your plot feels flat, STUDY it! Your story might be lacking...
Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?
Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?
Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?
Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?
Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?
Clumsy Clark Kent- part 4 (an epilogue)
The news story went up in the paper. It was all over the internet. The entire east coast was in scandal mode. Everyone was coming up with creative death threats for lex Luthor, and he was finally, FINALLY going to court.
The reporters at the Daily Planet were satisfied with their work. They felt like they had done it well. Ma and Pa Kent were trying not to go off about the amount of danger Clark had put himself in.
And Perry White- PERRY WHITE- told them good job.
The end.
The US isn't a country, it's 50 countries in a trenchcoat pretending to be an adult