OUTFIT SWAP BETWEEN THE VINSMOKES AND THE ASUL SIBLINGS YIPPIE

trying to stay sane out here with some cora and laws

HELLO ACESAN FANS!!!!

m lovely wife

hot dog or hamburger style, captain

a comic about wine, a wager, and reconnecting through your weird kids

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this behemoth of a comic is finally done - and just in time for zoros birthday huehue. initially i wanted to make a zolu introspective from an outsider POV and was like you know who would have really funny input on this … mihawk. and then it spiraled into seven pages of mishanks sitting and talking. i thought it would be funny if mishanks ended up doing self imposed couples therapy the day mihawk brought luffys bounty bc well. its kind of hilarious to think abt mihawk realizing shanks was onto something all those years ago after he meets zoro and luffy. like sure this new generation is batshit crazy but my god are they cooking. anyways. cheers. get some kids

wano act 1 is something that can be so special

Weighted blanket Cora

Crackpot theory:

Zoro keeps getting lost because he's instinctively walking towards the One Piece without realizing it.

Put him in a bubble, place him under an illusion of some place, and set him loose while the bubble is contained and you'll eventually find the One Piece.

sorry i’ve been thinking about this ask for months. not directionally challenged he’s just always chasing the bag

zolu doodle

Wha--?! Silk finally finished her fem Zoro design after (checks notes) literally 6 months since she made the canvas in procreate?

I'll break down design thoughts and share some fun bonus pics under the cut:

I LOVE long hair on Zoro, I think that was the first change I wanted to implement. Zoro in canon actually has a really interesting relationship with gender dynamics which (if for some reason you're reading this and you haven't watched One Piece) can seem out of left field for the "dumb brute" character. His rivalry with and reverence for Kuina suggests he doesn't adhere to the idea that women are weaker than men. Later on, however, during his confrontation with Monet and Tashigi during Punk Hazard, his hesitation to slash her down reveals that he's subconsciously over-protective of women because he thinks they're inherently weaker. I actually don't have any problem with this character trait, I think it makes him feel more real as a person and he obviously gets shit-talked enough about it in the story itself. But how did I want to reflect these beliefs if Zoro had been born a woman? Easy: internalized misogyny and applying value to herself via her appearance.

My version of Zoro grew up wanting to fight with swords but her only chance of entering the dojo was to work under the proprietress, Lady Shimotsuki to maintain the property, cook meals for the male students, and eventually be a good wife to the current heir, Kuina. She learns that, to get what she wants, she must be the ideal woman, even if she stays up all night training swordsmanship with Kuina when she isn't supposed to. He treats her love for swordplay seriously and treats her like an equal, which sparks a bond between them and eventually leads to Zoro's goal of becoming the world's greatest swordsman after his sudden, accidental death.

After years of intense training (now that Lady Shimotsuki admits that she'll need a new heir and Zoro is the closest thing she has) Zoro's finally old enough to leave and begin her journey. She starts letting go of the idea that she has to look pulled together to be taken seriously because she can just kill anyone who looks down on her. Her clothing falls into disrepair, she wears outfits that help her move in combat, and she starts tossing her hair up into messy, knotted buns under her bandana. Even so, she keeps her hair long like rolling hills of grass. (At least during pre-timeskip. She lops off her hair to prove to Mihawk that she's serious about being trained.)

I've put her in a thin sweater that she stitches (poorly) back together after her first interaction with Mihawk. (I kept one sleeve because I was inspired by the santoryuu Nami that Oda drew that one time.) I also wanted to girl-ify the ubiquitous haramaki so I picked leg warmers for her because I think they're sufficiently "dated" enough to be kinda analogous with his old man belly warmer. I also love gyaru fashion, sue me.

Here is a screenshot of her as a blonde:

And here is a sketch of her post-timeskip where she's fully embraced her butch nature:

Hubba hubba, am I right?

Check out my tag "girl piece original design" to see more of my genderbending art! Next post, I'll put all my East Blue Crew designs together! I can't believe it's taken this long but I AM SO HAPPPPPYYYYY