It's So Strange To Watch People Writing 1,500 Words A Day Feel All Dejected That They're Failing To Meet

Some tips for using a few words to describe voices:

1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.

2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.

3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."

4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."

5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.

6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."

7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.

8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."

9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."

10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."

11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."

12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."

I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not a bad writer. I'm not

hey so we put your morally grey character in a fandom. yeah half the fanbase makes them into a perfect angel who did nothing wrong and the other half depicts them as a cartoonishly evil villain who hurts people for fun. no we dont know how to explain that people can do bad things for good reasons or good things for bad reasons. sorry man

Dazai Osamu and the Dark Era - Light Novel vs Anime Discrepancies

As enjoyable as the anime adaptation may be, I urge everyone to read the light novel itself!! The anime glossed over many, many important scenes which are plenty enjoyable, but one thing I feel the novel captures a lot better are Oda’s thoughts, which definitely help you understand his (slightly odd) way of thinking. Here’s just a few of the many scenes you’d have missed out on if you only watch the anime:

Prologue + Chapter 1

How Dazai injured himself on tofu.

Dazai’s cooking and his miraculous soups.

Oda’s extremely detailed breakfast routine.

Dazai’s interaction with Hirotsu.

Dazai making an order for coffee and his highly sweet tooth.

The shooter was around three meters away from Dazai, compared to the anime which was near point blank (even I could have shot Dazai at that distance without training, please.) Also, Odasaku’s thoughts about Dazai’s expression. In comparison, he’s a lot more vocal about asking Dazai to stop talking after having his hand forced.

Chapter 2

The fight with the kids.

Odasaku’s vacuum cleaner passage about Dazai. Well worth the read.

Ango commenting that Dazai and Oda stink of rotten tsukudani.

Chapter 3

At one point, Akutagawa had Gide tied up. Also, he punched him.

Oda and Gide’s first meeting, in which Oda describes Gide as handsome.

Gide has grey eyes.

Dazai proposes to arrange Gide and Odasaku’s wedding.

Odasaku’s inner thoughts when the Buraiha trio break up are also well worth a read.

Chapter 4

The chase scene when Odasaku goes for the orphans. This was moved to episode 15, but keeping this would have been more dramatic imo.

The utter resignation in Odasaku’s thoughts are much, much grimmer in the novel. Also, Odasaku picks up smoking again.

His fight with the Mimic soldiers was cut short. Just a little, though.

Odasaku smiles when he fights Gide.

Their pose is described as miraculous.

The singularity of abilities is better explained in the novel.

Odasaku’s past is slightly less glossed over/implied.

Gide tells Odasaku to say hello to the children for him.

The cigarettes. Also, Odasaku’s last words were about his true love, curry rice.

Epilogue

Only one scene was animated. Everything else is pretty important imo.

divorced couple energy ship will always be immaculate to me. we hate each other. we've seen each other naked. I know how you take your morning coffee. I will never make you your morning coffee again. get it yourself. here you go, I gave it to you anyway. you disgust me. I will always be somewhat in love with you. I will be yours forever. you're not mine anymore. you will always be mine. fuck you. let's fuck, for old time's sake. did you steal my cd? no, no. keep it.

“I have a deeply hidden and inarticulate desire for something beyond the daily life.”

— Virginia Woolf

George Sand, from a letter to Gustave Flaubert written c. September 1871

Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!