Best Version Of The NY Kiss That I Can Find So Far For Anyone Interested - We've Seen From A Distance

jon snow (special interest is taxes) versus theon greyjoy (the reason that adderall was invented) little sad gayboy duel is happening in my mind always

like these morons cannot put two and two together. ask yourself why a conservative would want to restrict what a teacher does. well what does a teacher do. teach. now why would conservatives want to control what people are taught. well,

hey @codedredalert ! so I’m you’re gifter the @kidlawexchange2020. sorry for the wait. 

for all the manga I’ve read i clearly can’t make a decent comic. but please look past that! i tried to umm get that ~pining kid angst~ to shine through. 

i hope your holidays have been going well! please enjoy the comic. 

closer images below the cut. please don’t click for better quality, you’ll just see how bad it is that way.

"The best response to anyone who wants to take seriously Nietzsche's fantasies about savage hunters chopping pieces off each other's bodies for failure to remit are the words of an actual hunter-gatherer — an Inuit from Greenland made famous in the Danish writer Peter Freuchen's Book of the Eskimo. Freuchen tells how one day, after coming home hungry from an unsuccessful walrus-hunting expedition, he found one of the successful hunters dropping off several hundred pounds of meat. He thanked him profusely. The man objected indignantly:

'Up in our country we are human!' said the hunter. 'And since we are human we help each other. We don't like to hear anybody say thanks for that. What I get today you may get tomorrow. Up here we say that by gifts one makes slaves and by whips one makes dogs.'

The last line is something of an anthropological classic, and similar statements about the refusal to calculate credits and debits can be found through the anthropological literature on egalitarian hunting societies. Rather than seeing himself as human because he could make economic calculations, the hunter insisted that being truly human meant refusing to make such calculations, refusing to measure or remember who had given what to whom, for the precise reason that doing so would inevitably create a world where we began 'comparing power with power, measuring, calculating' and reducing each other to slaves or dogs through debt.

It's not that he, like untold millions of similar egalitarian spirits throughout history, was unaware that humans have a propensity to calculate. If he wasn't aware of it, he could not have said what he did. Of course we have a propensity to calculate. We have all sorts of propensities. In any real-life situation, we have propensities that drive us in several different contradictory directions simultaneously. No one is more real than any other. The real question is which we take as the foundation of our humanity, and therefore, make the basis of our civilization. If Nietzsche's analysis of debt is helpful to us, then, it is because it reveals that when we start from the assumption that human thought is essentially a matter of commercial calculation, that buying and selling are the basis of human society — then, yes, once we begin to think about our relationship with the cosmos, we will necessarily conceive of it in terms of debt."

- David Graeber, from Debt: The First 5,000 Years, 2011.

Shoutout to Paul Landers for being the one to conduct the stage tours for the blind fans. Even when there was only one applicant in Hamburg, Paul was there on time and did the full tour. He did not rush. He did not skimp. He answered questions and chatted and took selfies and gave a hug. Bless this man. I guarantee you that that fan will never forget it.

How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?

The Tragedy of Hayakawa Aki - chainsaw man, tatsuki fujimoto

grief lessons: four plays by euripides, anne carson // chainsaw man, tatsuki fujimoto // deathless, catherynne m. valente // “untitled,” 2016, ink on paper, kara walker // james, clementine von radics // slide tackle, japanese breakfast // how to cure a ghost, fariha róisín // red glove, holly black // the letter, richard paul evans // interview with james hall, richard siken // ptolemaea, ethel cain // iq84, haruki murakami // the godfather, mario puzo // god's silence, franz wright // crush, richard siken // tumblr user ojibwe // when i was done dying, dan deacon

there’s like, half an hour before doffy’s birthday ends for me so there is no way in HELL i’m not gonna post my SHITTY ART.

honestly i only colored the three most important parts of his look because i’m a lazy ass not because there’s any meaning behind it

Request 04/10 from twitter.

Some random dude accused me of drawing them the "wrong" way. What's the word for this kind of phobia? I'd like to know.

(I apologize if I use harsh words, English is not my native language. In this pic, they are not gender-bend, nor trans-sexual/transvestites?

I mean, Pudding's in woman's suit and Sanji is wearing man-size dress. Men can wear dresses, right? I'd really love to know how to call this in English.)