Sol-kha-ne-Lubri

Sol-kha-ne-Lubri

Sol-kha-ne-Lubri

Rational is to Irrational as Irrational is to Rational. Then again, in this land, Rational is to Rational as Irrational is to Irrational, and Positives are to Negative as Negative is to Compromise; This ways are that ways, one ways are other ways. This way, that, here, over there, which way is true and what way leads fair?

Your home land is odd– a rarity, that much is a given, but even in a land of all that is odd and irregular, that doesn’t stop unhidden exclusivity in the form of a certain acceptance letter for which you had been ridden.

Welcome to Sol Kha-ne Lubris, even the richest royal families couldn’t pay their way into these academy walls.

There are two sides to every coin, parallel lines that are never meant to meet. But since when have the dreamscapes every been one to abide by those rules?

You play as… You, or– well, more accurately, you play as the ever-fantastic you, a regular in a realm of oddity and circumstance, a wonderful, enigmatic you who has just been offered acceptance into the most prestigious magical academy in the dreamscape.

And as you… You guide yourself, both physically and mentally, though the halls of this new school, making allies and (possibly) starring in a very casual(?) school romance with the next generation’s elite.

Sol-kha-ne-Lubri

۞ Play as a being of your choice, whether male, female, neither and all, no one would dare step on your shoes without being respectful of how you are called.

۞ Have your ancestry come from a land of riches, or a land of the cymbal waeves? the Victorian ages or the age of industrialism? Whether you live in a forest, a mountain, the skies or the oceans, the academy’s exclusivity is not limited to where your birth is.

۞ Care you for dolls? For stars? For royal romances? a group of 6 students are susceptible no matter how you play your advances. 

۞ Do you excel in history and language, or the art of alchemy, or physical prowess. The academy accommodates all sorts of knowledge, so no need to fret. Should you excel in none of them, then how strange that your acceptance had been granted without need for background process… 

۞ Dreamers are those who walk through your lands and think of it all as fantastical. However, one familiar dreamer in particular seems quite lost. Do you truly care for them as an equal despite your otherworldly hailing, or will you show that keeping them alive comes at a hefty cost?

Sol-kha-ne-Lubri

ღ Dottie Hendrix, The Almighty: Entitled, egotistical, and ethereal, Dottie is the top dog at this school with the intelligence to back it up. For your sake, you best hope she finds you fun to keep her company. 

ღ Ambrose Hendrix, The Lapdog: Loyal to one and only one. He isn’t afraid to use whatever means possible to ensure the safety of his allegiance, even if it means using his siblings and cousins.

ღ Loriette Kei, The Cheshire Cat: A mercenary in their own right, they work from the shadows that share the same color as their primary source power, eyes always watching, smile never waning.

ღ Lorelei Kei, The Plague Doctor: Keeping her eyes downcast but ears sharp and senses keen, they seem to have the answer for any ail that may befall you, but do you dare keep your eyes open during her procedure?

ღ Nadia, Half a whole kingdom: Birds of a feather flock together, one half of a whole. The supposed “naughty” to the “nice”, be as kind to him as you want, she has their own standards on who keeps her graces.

ღ Noré, Half a whole government: Birds of a feather flock together, one half of a whole. The supposed “nice” to the “naughty”, but is he good enough to keep in your circle of trustees?

⚜⚜ ☾ ⚜⚜ ☾ ⚜⚜ ♔ ⚜⚜ ☽ ⚜⚜ ☽ ⚜⚜

DEMO (TBA)

More Posts from Gildedgrimoires and Others

2 years ago

Clawing at the walls of my enclosure. The enclosure is the 2 week end of the semester period. It cannot end soon enough


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1 year ago

The joys of writing fantasy is nothing has the be realistic. The bane of my existence is the need to have things be accurate enough and getting nitty gritty about stuff.

Combat can be people hitting each other with sticks and vibes but I'm here trying to determine which weapons are used on horseback and how formation looks. They are fighting on the backs of dragons in a world of magic and mystery, what am I doing this to myself for? 😒

Anyways, lances are pretty cool but what else is there? From what I gather you just ram your lance and then whip out your side arm, which makes sense but also I guess I thought there'd be 30 or so different mounted weapons to choose from.

2 months ago
--The Hungry Mouth Of Bridehall Manor Lets Out Its Clarion Call. You Have Been Compelled To Answer.

--The hungry mouth of Bridehall Manor lets out its clarion call. You have been compelled to answer.

--The Hungry Mouth Of Bridehall Manor Lets Out Its Clarion Call. You Have Been Compelled To Answer.

You play as the youngest child of the Simonson family, born out of infidelity-- a perfect Victorian scandal. Due to your unfortunate birth circumstances, your parents have decided to send you away to take up a position as head housekeeper/butler at the remote Bridehall Manor after the previous one's untimely (and altogether strange) passing. You expect your time in the mansion in the Catskills of New York to be uneventful and isolating.

You'd be wrong.

The longer you stay at Bridehall, the more secrets you find hidden behind its mahogany doors, beneath its ornate wallpaper, under its rich hardwood floors, and especially within the denizens of the house themselves.

Just be careful not to drown in the deep, deep black of its shadows.

--The Hungry Mouth Of Bridehall Manor Lets Out Its Clarion Call. You Have Been Compelled To Answer.

+ Customize your MC-- what's their attitude towards society? How do they feel about working at Bridehall? What are their thoughts on the supernatural?

+ Also, choose your gender,* interests, personality, name, and more.

+ Discover more about the (troubling) history of Bridehall and the people that have lived in it.

+ Experience the world's most uncomfortable carriage ride.

+ Romance 1 of 5 ROs-- the matriarch, the minister-in-training, the runner-up, the major, or the phantom.

+ Befriend those who live there, or make enemies. Connection is a fragile thing, especially in a place like Bridehall.

+ Blood sacrifices! If you're into that sort of thing.

TW: Gore (not extremely descriptive), mentions of infidelity, violence, brief suggestive content, mentions of animal death, mentions of drug use. This IF is recommended for those 15+.

================================================*Disclaimer: Because this IF is inspired by the 1880s, gender roles are still sort of a thing. There is an option to play as femme/masc non-binary, but based on your presentation, that affects whether you are the housekeeper/butler and how you are treated in society. However, there will not be any transphobia/intentional misgendering in this IF. It's just not something I want to write. I'm not non-binary myself, so I'm very open to suggestions on things to change relating to this topic.

================================================

--The Hungry Mouth Of Bridehall Manor Lets Out Its Clarion Call. You Have Been Compelled To Answer.

🌑Harriet Margrave -- the matriarch -- (she/her) {FMCs only}

| Assured. Respectable. Intimidating. The wife of Amos Margrave, although she doesn't like it when people bring it up. She runs the house, some might say with an iron fist. She seems to have taken a dangerous liking to you.

| However, beneath her strong, cool exterior, she's not all that she seems-- you catch glimpses of something dark and curious lurking. It's up to you to decide whether it should never see the light of day or, perhaps, to be consumed entirely by it.

| Harriet is in her late 40s, with ash brown hair always kept in a neat, complex updo and deep blue eyes that shift with tones of green in different lights. She has a light but rosy complexion and stands at around 5'7. She tends to wear a lot of black, as if she's in perpetual mourning, although she doesn't mind an occasional blue accent.

"Low and deep Spake in mine ear her voice: "And didst thou dream, This could be buried? This could be sleep? And love be thrall to death! Nay, whatso seem, Have faith, dear heart; this is the thing that is!" Thereon I woke, and on my lips her kiss." -- snippet of Assurance (1887) by Emma Lazarus

================================================

🌒Ansel Margrave -- the minister-in-training -- (he/him)

| Flighty. Devout. Gentle. A hopeful future Methodist minister, he's recently been plagued by supernatural visions (or so he says,) and your arrival and the circumstances surrounding it do nothing to calm his worries. You may be able to reassure him otherwise.

| As you get to know him, he may reveal that he has far better reasons to be afraid than you might think. Will you walk with him through his troubles, or leave him to wander the solemn corridors of Bridehall on his own?

| Ansel is in his early 20s, and he looks much like his mother with his ashy brown hair and pale complexion, although due to its lack of rosiness it sometimes borders on ghostly. He'd like to dress more vibrantly but fears reprisal from his clerical peers, thus, he usually sticks to muted greens and browns. He stands at around 5'9, and wears spectacles.

"In solitude profound, As shadows fall, what memories, Thick as dew-drops on sun-risen meadows Troop around thee!" -- snippet of Night In Egypt (1880) by George Vaughan

================================================

🌓Cecil/ia Blumenthal -- the runner-up -- (he/him or she/her)(corresponds to the MC's gender)

| Independent. Scrappy. Creative. C's been working at Bridehall for practically their whole life, climbing the ranks until they could finally reach the position of head butler/housekeeper they deserved-- until you came along. In their eyes, you have everything you want on a silver platter, and how much work have you done to get it? None. In short, they've got a real bone to pick with you. Will you play into the feud, or maybe try to change their feelings? Honestly, best of luck on that one.

| Because of how long they've been at Bridehall, C knows more about its history and secrets than they let on. Much, much more.

| C is in their mid-20's, with shiny brown curls that F!C keeps in an artfully rushed bun and M!C keeps just a bit too long. They have coffee-brown eyes and warm, tanned skin dotted with freckles. They stand at 5'6. They prefer to dress for convenience rather than style, but they always wear a tarnished silver brooch in the shape of a bird-- F!C pins it to her collar, while M!C pins it to his lapel.

"I was angry with my foe: I told it not, my wrath did grow. And I waterd it in fears, Night & morning with my tears: And I sunned it with smiles, And with soft deceitful wiles. And it grew both day and night. Til it bore an apple bright. And my foe beheld it shine, And he knew that it was mine." -- snippet of A Poison Tree (1794) by William Blake

================================================🌔 Marshall Ward -- the major -- (he/they)

| Outgoing. Empathetic. Perfectionist. A new arrival at Bridehall like you, he's an old family friend of the Margraves who plans to stay for the autumn. He's the perfect picture of polite society-- porcelain smiles and impeccable manners. Despite the divide between him as a guest and you as the help, he insists on making a connection with you. One that may be a bit too strong for his own good.

| Now, you don't know much about the military yourself, but it is a bit odd that a non-retired military officer was permitted leave for an entire season, and whenever you ask questions surrounding his arrival, you only get heavy silence in return. It's as if there's a tight wire of secrecy underlying his sunny veneer, and the more you press, the more it's likely to snap.

| Marshall is in his early 30s, with pushed-back blonde hair and an impeccably combed mustache. They have light skin and have a small scar running across their cheek, and he stands at 6'2. He is very meticulous in the way he dresses and is particularly fond of red ties with embroidered patterns on them.

"Volleyed and thundered; Stormed at with shot and shell, While horse and hero fell. They that had fought so well Came through the jaws of Death, Back from the mouth of hell, All that was left of them, Left of six hundred. -- snippet of The Charge of the Light Brigade (1854) by Lord Alfred Tennyson ================================================

🌕Annabelle -- the phantom -- (she/her)

| Mysterious. Quiet. Ethereal. Every so often, out of the corner of your eye or the reflection in a mirror, you catch a glimpse of her. Is she even real, or is she simply a product of your own mind, spiraling ever deeper into instability? Whatever she is, you feel an indescribable, intangible pull to her that may become very hard to resist.

| Annabelle is inextricably linked to the house and its history. If you dig to learn more about her, you may unearth the very roots that Bridehall stands on. Roots that it would very much like to keep underground.

| Annabelle appears to be in her mid-20s, although the semi-translucent, filmy aspect to her makes it a bit hard to tell. She has very dark skin that glitters and shines under moonlight, and she seems to be perpetually wet, as if she had just been thrown in a pond. She wears a pale pink dress a decade or so out of date, and stands at about 5'3.

"For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling-- my darling-- my life and my bride, In her sepulchre there by the sea-- In her tomb by the sounding sea. -- snippet of Annabel Lee (1849) by Edgar Allan Poe

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1 year ago

Gnomeo and Juliet AU where they’re humans living in 14th century Italy

7 months ago
Page one of a comic for the first day of Ectoberweek 2024. The first panel shows the rotting corpse of Danny Fenton dressed in a white hazmat suit half way dug up. There are three people standing around the body, of the three, two pair of legs visible while the remaining person is outside the scene only present by the shovel in the foreground used to dig up the corpse. The first speech bubble reads "wait, isn't that...", second reads "oh God, we shouldn't h- *puke* bury it back, let's get out of here" the third and last one reads "should we call someone or?". Next panel below shows the timestamp of the event. Sunday, september 5th, 2004. the following panel shows Dash Baxter walking down the hallway of Casper High during the next day, the subsequent panel zooms in on his eye as he spots something in shock.
Page 2 of the comic. On this page theres three big panels, the first one shows the back view of Danny Fenton walking through Casper High's hallways with a bunch of people represented as black silhouettes around him, second one is a close up to Danny walking through the hallway, head slightly rotated and looking ominously behind his back while his eye glows slightly, last panel is a black square with text that reads "Monday, Sep 6th, 2004. We found the corpse on Sunday. So why is Danny Fenton still ALIVE?"

They found the corpse on a Sunday. So why was Danny Fenton still alive?

Ectoberweek 2024, day 1

probably my only contribution for this year because I’m busy with uni, but we’ll see

[ID in alt text]

1 year ago
I Have Made Good Progress In The Prologue, Mhmm. Another 1000 Words In. I'm Nearly Done With This Half

I have made good progress in the prologue, mhmm. Another 1000 words in. I'm nearly done with this half of the prologue, then I can get on to the next bit. And then...code it...

Very happy with today's progress 😌

1 year ago

Wish there were more bronze age fantasy. I've considered it. Stone age too, but I don't think there's a lot of Neolithic life info eitherrrr.


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2 years ago

Oh yeah, for sure. Go right ahead dude!

update #2

I cannot for the life of me determine if I am over-planning or improvising too hard, but I feel like if I don’t get to the next stage now I’ll never get anything done.

So I wasn’t going to add in ‘Personality Stats’ at first to make things easy on my first try, but I like them and practice makes perfect if I want them in potential future projects. 

Most likely you will have: Charming v Reserved, Genuine v Insincere, Optimistic v Pessemestic, Warm v Cold (Kind vs crueler), Reckless v Careful, Teamworker v Solo Act.

I’ve been mulling over these for a while now, and will mull again. So as always, things are subject to change.

2 years ago

“Find me a house where no one can ever come. I like talking to you, but to no one else in the whole world.”

— Virginia Woolf, from a letter to Lytton Strachey wr. c. September 1925 


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gildedgrimoires - under construction
under construction

Hik | They/Them | Aspiring IF writer, we're workshopping stuff rn | Expect project related art now and again

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