Art News: Heartbreaking Basquiat drawings go on view at the Acquavella Galleries
Josep Iglésias del Marquet, 1984 [from Pintures i collage mínims (1984-1989)]
Everybody asks this as if it is a taboo to move further than the designated area of the canvas. That says so much about our thinking in strict categories, doesn’t it? In a studio, it’s very normal to sketch on the floor, the wall, a chair or a torn piece of cardboard. It was a very natural move for me. Maybe I didn’t even realize that I began doing it in the first place. I started to observe more closely how my painting behaves differently under changing conditions. Then I started to be intrigued by how color can cause extremely powerful changes to its surroundings.
Katharina Grosse, Katharina Grosse Sticks to Her Guns, by Emily Wasik, Interview Magazine, November 4, 2014 (via inthenoosphere)
staud fw19 rtw
Cy Twombly
Lindt Home of Chocolate in Zurich [building] via /r/architecture https://ift.tt/3mRu3JW
Allen Ruppersberg
Stunt Man I, Robert Rauschenberg, 1962, MoMA: Drawings and Prints
Gift of the Celeste and Armand Bartos Foundation Size: composition (irreg.): 16 15/16 x 13 ¼" (43 x 33.7cm); sheet: 22 5/8 x 17 5/8" (57.5 x 44.8cm) Medium: Lithograph
http://www.moma.org/collection/works/68155
Vogue Italia April 2021
Many friends have helped us in writing this book...