“I Can’t Carry It For You, But I Can Carry You,” Is One Of The Rawest Lines In All Of Fiction And

mc pls let the dumbesties hold hands. it’s important for their mental health.

No I'm fine...just rip my heart out I wasn't using it

they will literally Not stop saying they love each other akdkkakskaksksksk my heart!!!!

Fourth’s hands in the back of Gemini’s head while dancing. That’s it, that’s the post.

OUR SKYY X MY SCHOOL PRESIDENT (2023)

MY LOVE MIX-UP (2024)

The care is in the details (3/?):

Mhok gets into a fight with Porjai's a**hole of a boyfriend and, in the heat of the fight, he forgets about Day.

A carbon copy of the situation that got him into prison a year before.(and that P'Aof so *graciously* reminds us by filming and editing both scenes as mirrors T_T)

And when he loses his temper, he loses his sense of duty too.

(There's a theory going around that ponders what if, in the first episode, the call he receives and dismisses without answering before the fight is either from his sister or Porjai - to tell him about his sister's death:

Something that probably is haunting him ever since.)

So, in the fight scene in the market, when the shop owner comes to see the disaster they both have created, he says the magic words:

'Who will take responsibility?'

And that's when Mhok snaps out of it and remembers Day.

He panics and becomes desperate because he has made the mistake of letting his temper get over his common sense again and that could mean he could lose another person he cares about.

His reaction when he eventually finds Day says everything:

Teary-eyed, anguished and relieved at the same time (the way he breathes out speaks volumes). He didn't lose Day like he lost his sister, he finally found Day safe and sound.

I'm sorry, I really am. You're ok now. I'm right here, okay?

And he cares so much that he will make sure he's not letting him go ever again.

Part 1 / Part 2

The Slovak edition of Good omens is really nice in design, I wanted to make a version with the Crowley and Aziraphale from the Tv :]

mum said it’s my turn to do the good omens + text posts meme pt. 5 (pt.1 / pt.2 / pt.3 / pt.4)

One difference between the Lord of the Rings books and the Peter Jackson films that I find really interesting is what the hobbits find when they return to the Shire.

In the books, they return from the War, only to see that the war has not left their home untouched. Not only has it not left their home unscathed, battle and conflict is still actively ravaging the Shire. They return, weary and battle-scarred, to find a home actively wounded and in need of rescue and healing. All four launch themselves into defending their home and rousting those harming it, and eventually succeed. But their idyllic home has been damaged, and even once healed, is never quite again the Shire they set out to save.

In contrast, in the Jackson films, they return to a Shire shockingly untouched by the horrors of war. The hobbits of the Shire talk, in the Green Dragon in Fellowship of the Ring, about not getting involved with issues "beyond our borders," and it seems those issues have not invaded their sanctuary. After having been bowed to by kings, dwarves, elves, and men alike at the coronation in Gondor, their only acknowledgment upon returning home is a skeptical head shake from an older hobbit.

One of the most poignant scenes to me in Return of the King (and there are a considerable amount) is the scene where Frodo, Sam, Merry, and Pippin are sitting in the Green Dragon. The pub patrons bustle around them, talking loudly, clapping excitedly, drinking cheerfully, just as they had in the beginning of the story. But the four hobbits sit silently, watching almost curiously at what was once familiar but is now foreign to them. Their home has not changed. But they have.

Which is the deeper hurt? To come to your home to find it irrevocably changed, despite all you did to keep it untouched and the same? Or to return home but no longer feeling at home, because it is only you that is irrevocably changed?

last twilight ✽ episode 2