I did this instead of writing
So the backstory of Princess Wanning is absolutely devastating. It’s not justification for her to continue the cycle of murder and abuse once she returns home but it definitely makes sense.
She must hate her brother and pretty much everyone who got to stay home in return for her being a hostage and I completely get her gut reaction to Xiang Fang Fei. It’s easier to be a good person when you’ve never had to suffer hell.
From her perspective, a man she is drawn to for his goodness has chosen an innocent girl who has never had to go through what she did. It must have been like torture.
Fang Fei is the mirror to this. She *does* go through hell thanks to Wanning but it didn’t make her lash out at innocent bystanders. Of course, we have no idea how long Wanning was in this situation for. How young was she?
We normally get this amount of depth and backstory for male villains so interesting we got it for the female villain here too. I find Wanning far more sympathetic than Shen Yurong (who I love) who did all this shit for greed and cowardice
7 Types of Plot Twists
Means "discovery."
This type of plot twist is when the protagonist suddenly recognizes something about his or herself or another character.
Latin for "God out of the machine,"
Deus ex machina means the introduction of an unexpected event or person that solves the problem.
Because it's artificial, it's rarely used in modern fiction.
The main character is not the true main character.
He or she is killed off early or unexpectedly.
Means a reversal of fortune, typically from good to bad.
The opposite of peripeteia is eucatastrophe, where things elevate from bad (very bad) to good.
Occurs when a character is rewarded (or punished) for their actions.
Poetic justice is often used to deliver sweet payback to a villain.
The red herring plot twist is all about misdirection.
The reader is following a false direction but doesn't realize it until it's revealed.
The unreliable narrator is someone who seems believable and trustworthy at first, but after a startling revelation, is revealed to be untruthful.
Source
Source: abdul_rabby___
Hades, sweating: So, uh, I wanted to ask you-
Persephone: Oh FINALLY, you're proposing!
Hades: What- how did you know?!
Persephone: You dropped the ring six times during dinner.
Hades:
Persephone: I even had to pick it up once.
I have likely not added many that I've reblogged to this list. Please feel free to roam my blog and/or ask/message me to add something you'd like to see on this list!
Look by @writers-potion
Voices by @saraswritingtipps
Show, Don't Tell by @lyralit
5 Tips for Creating Intimidating Antagonists by @writingwithfolklore
How To (Realistically) Make a Habit of Writing by @byoldervine
Let's Talk About Misdirection by @deception-united
Tips to Improve Character Voice by @tanaor
Stephen King's Top 20 Rules for Writers posted by @toocoolformedschool
Fun Things to Add to a Fight Scene (Hand to Hand Edition) by @illarian-rambling
Questions I Ask My Beta Readers by @burntoutdaydreamer
Skip Google for Research by @s-n-arly
Breaking Writing Rules Right: Don't Write Direct Dialogue by @septemberercfawkes
International Clothing
Too Ashamed of Writing To Write by @writingquestionsanswered
"Said" is Beautiful by @blue-eyed-author
Hey, my cute little Muses!
Let's talk about something that's as essential to writing as coffee is to my life: description. Yep, those juicy, detailed snippets that paint a picture in your reader’s mind. Buckle up, because we're diving deep into the wonderful world of words!
First things first, let's get this out of the way: dialogue is awesome. It’s the sassy sibling of description that gets all the attention at family gatherings. But description? Description is the unsung hero, the one who quietly makes everything beautiful and meaningful.
Example Time!
Imagine a scene where two characters meet after years apart. You could write:
Dialogue Version:
“Hey, long time no see.”
“Yeah, it’s been a while.”
Description Version:
The air hung heavy with unspoken words as Jane stepped into the dimly lit café. Her heart raced, a drumbeat echoing the years of separation. Across the room, a familiar figure turned, his eyes widening in surprise. The years had etched lines into his face, but his smile – that same old smile – was unmistakable.
See the difference? One is a quick text exchange, the other pulls you into the moment, making you feel every heartbeat.
Let’s get real. My early attempts at description were… let’s say, less than stellar. Picture this: me, hunched over my laptop at 2 AM, trying to describe a sunset. I wrote, “The sunset was nice.” Genius, right? Shakespeare would be proud.
But over time, I learned to appreciate the beauty of weaving in details. Descriptions don't just tell you what something looks like; they tell you how it feels, smells, sounds, and tastes. They make your world vivid and real.
Another Example!
Consider a spooky old house:
Dialogue Version:
“Look, it’s an old house.”
Description Version:
The house loomed ahead, its windows like dark, empty eyes. The wind whispered through the broken shutters, carrying with it the faint scent of decay. Each step on the creaking porch felt like an invitation to the unknown, a call to uncover the secrets hidden within its ancient walls.
You feel that shiver? That’s the magic of description.
Here’s the kicker: “show, don’t tell” doesn’t mean you have to ditch description for action-packed dialogue. Description is a vital part of showing. It’s about making your readers experience the story, not just read it.
Show, Don’t Tell Example!
Tell Version:
John was scared.
Show Version:
John’s hands trembled as he gripped the flashlight. His breath came in short, sharp bursts, and his eyes darted around the dark room, searching for the source of the eerie noise.
In the “show” version, you’re right there with John, feeling his fear. Description brings out the emotions without simply stating them.
1. Depth and Atmosphere: Dialogue can be snappy and fun, but description sets the scene. It creates the mood and builds the world your characters inhabit.
2. Character Insight: Through description, you can reveal a character’s thoughts and emotions in a way that dialogue alone can’t.
3. Pacing and Tension: Good description can slow down a moment to build suspense or quicken the pace to heighten excitement.
Remember, balance is key. Too much description can bog down your story, while too little can leave readers feeling disconnected. It's all about finding that sweet spot.
So, next time you’re writing, give a little extra love to your descriptions. Think of them as the cozy blanket that wraps around your story, keeping it warm and inviting. And if you ever find yourself writing “the sunset was nice,” just know you’re not alone – we’ve all been there.
Keep writing, keep describing, and remember: every detail counts!
Until next time,
Museadvicecorner (a.k.a. the person who has way too many notebooks)
P.S. If you need me, I'll be here, trying to describe the indescribable and failing gloriously.
Your feedback on my blog would mean the world to me! If my posts make you smile, why not fuel my caffeine addiction? Any support is super appreciated, even a comment too. Got any topics you want me to dive into? Just holler. Need some custom writing prompts? Hit me up anytime! :-) Also I'm thinking of starting a writing community do tell me what you think about it (◠‿◕)
I haven't posted in a long time. I'm getting busy these days huhuhu
Hey, my cute little Muses! It's your favorite (or maybe not) self-proclaimed advice-giver who still can’t get her own writing life together. Today, we’re tackling the age-old advice: “Show, don’t tell.” A rule that’s as confusing as trying to assemble IKEA furniture without the instructions. I mean, who needs those, right?
"Show, don’t tell" is like that elusive treasure we all chase in our writing journeys. It’s supposed to make our stories vivid, our characters relatable, and our readers engaged. Instead, it often leaves us feeling like we’re playing literary Twister with our brains. So, let’s dive into this mess, shall we?
Imagine your character is sad. (No, not just because they’re reading my blog.) Instead of saying, “John was sad,” you could show it:
- Tell: John was sad.
- Show: John slumped on the park bench, staring at the ground as if the answers to life’s miseries were etched in the cracks of the sidewalk.
See? Now, John’s sadness is palpable. You can almost feel the weight of his despair. Or maybe you just feel the weight of your own struggles trying to craft such sentences. Either way, it's a win-win.
Sometimes, you just need to get to the point. Not every moment needs to be a cinematic masterpiece. Here’s a hint: if you’re bogging down your story with endless details, you might be overdoing it.
- Tell: It was a cold night.
- Show: The icy wind howled through the leafless trees, its chill biting at the skin like a thousand tiny needles, making every breath visible in the frosty air.
Yeah, I know. The second one sounds fancy, but do we really need a weather report? Unless your character is battling the elements, a simple “It was a cold night” will do. Save your energy for the scenes that matter. Like the one where your protagonist has an existential crisis (which, let’s be honest, is probably inspired by your own).
Finding the balance between showing and telling is like finding the perfect coffee-to-milk ratio. Too much milk and it’s bland; too little, and it’s just bitter. The trick is knowing when to be a barista of words and when to just dump the coffee and move on.
Here’s a worthy example (and by worthy, I mean it won’t make you want to claw your eyes out):
- Show: The corners of her mouth twitched upward as she watched the puppy stumble over its own feet, a laugh bubbling up from her chest.
- Tell: She was amused.
Both have their place. Use the first when you want the reader to be in the moment with the character. Use the second when you just need to convey information quickly and get on with your life (and your story).
Let’s be real. We all either overuse or underuse this rule. Some writers show everything, turning their stories into long-winded epics that make "War and Peace" look like a quick read. Others tell everything, creating a narrative that’s as exciting as a grocery list.
“Show, don’t tell” is crucial, but like most writing advice, it’s not a one-size-fits-all. Understand it, play with it, and most importantly, don’t stress over it. Remember, even Shakespeare probably had days where he was like, “To show, or not to show, that is the question.”
So, go forth, write brilliantly, and remember: if all else fails, you can always come back here for more advice (or just to feel better about your own writing skills by comparison).Happy writing!
Until next time,
Muse Advice Corner (a.k.a. the person who has way too many notebooks)
P.S. If this post didn’t help, at least you can say you survived reading it. That’s an achievement in itself.
Your feedback on my blog would mean the world to me! If my posts make you smile, why not fuel my caffeine addiction? Any support is super appreciated, even a comment too. Got any topics you want me to dive into? Just holler. Need some custom writing prompts? Hit me up anytime! :-) Also I'm thinking of starting a writing community do tell me what you think about it (◠‿◕)
You run a café on the edge of life and death. Souls who have been departed from their bodies temporarily, such as in comas or near-death experiences, can relax in your quaint cafe for as long as they need before they can either return to their bodies or begin their journey to the afterlife.