This Might Be My Fav Art Of Them So Far I Think

Illustration for Wait and Hope by @mightbewriting​.

A thing I find so interesting about many cnovels and cdramas is how different people, suffering from identical or similar circumstances and vicissitudes, make different choices and that truly separates them, villains on one side, winners (of the narrative) on the other.

Wei Wuxian x Jin Guangyao is the first one that comes to mind.

But also, right now, Xue Fangfei x Princess Wanning.

(Feel free to add as they occur to you.)

today we’ve lost a woman, an icon, ive looked up to for years

i sincerely hope she finds peace in her next life

An aye-write guide to Showing vs. Telling

I’ll bet that if you’ve ever taken an English class or a creative writing class, you’ll have come across the phrase “Show, don’t tell.”  It’s pretty much a creative writing staple! Anton Chekov once said “ Don’t tell me the moon is shining. Show me the glint of light on broken glass.” In other words, showing should help you to create mental pictures in a reader’s head.

Showing helps readers bond with the characters, helps them experience the emotions and action more vividly, and helps immerse them in the world you have created. So “show, not tell” is definitely not bad advice - in certain circumstances. But it has its place. More on that later. 

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So How do I Show? 

Dialogue

Thoughts/Feelings

Actions

Visual Details

So instead, of telling me “He was angry”, show me how his face face flushes red, how his throat tightens, how he slams his fist, how he raises his voice, how his jaw clenches, how he feels hot and prickly, how his breathing gets rapid, how his thoughts turn to static, etc.

Instead of telling me “The cafeteria was in chaos”, you could show me  someone covered in food and slowly turning crimson, children rampaging under the feet of helpless adults, frenzied shouting, etc. 

Handy Hint! Try to avoid phrases like “I heard”, “I felt”, “I smelled”, etc. These are still “telling words” (also known as filters) and may weaken your prose, as your readers could be taken out of the experience and you may lose their attention.

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Is Showing Always The Right Thing to Do? 

No! Showing is not always right and telling is not always wrong! It’s important to develop the skill and instinct to know when to use showing and when to use telling, as both can be appropriate in certain occasions. 

So, “Show, don’t tell” becomes “Show versus tell”. 

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What is Showing and Telling? 

Showing is “The grass caressed his feet and a smile softened his eyes. A hot puff of air brushed past his wrinkled cheek as the sky paled yellow, then crimson, and within a breath, electric indigo”

Telling is “The old man stood in the grass and relaxed as the sun went down.”

Both of these excerpts are perfectly acceptable to use in your writing! But both do different things, although their meanings are pretty much the same. The first example is immersive, sweeping, visual, engaging. The second example is much more pared back and functional. But both have their places in prose! 

Telling is functional. Think about when you tell people things. You tell your children dinner is ready. The news reporter tells you there’s a drop in crime rates. Your best friend tells you she’ll be late because her car broke down on the way to yours. These are brief and mundane moments in everyday life. 

So, do these deserve multiple paragraphs with sensory detail and action/feeling/thought for every little thing? Do you need to spend an entire paragraph agonising over a minor detail when there’s a sword dangling (physically or metaphorically) over your MC’s head? No. And I’ll explain why.

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When To Use Telling

As before, telling is functional. It’s brief. It’s efficient. It gives a gist of a situation without getting bogged down in detail.

Showing is slow, rich, expansive, and most certainly not efficient! 

Here’s an example of some telling: 

“Years passed, and I thought of Emily less and less. I confined her to some dark dusty corner of my brain. I had to elbow my memories of her to the side. I was too busy with other things. Finishing school, then university a year later. Life was full and enjoyable. But then, one dark cold September night…”

You can’t show this example, unless you wanted to waste page after page of your MC waking up, going through everyday life, to get to the point your actual story started. If you do that, you will likely kill off any interest a reader would have in your novel and likely, your book itself.

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Summing Up 

Showing: 

Should be used for anything dramatic

Uses thoughts, feelings, dialogue, action, and visual detail 

Will likely be used more than telling

Telling: 

Delivering factual information

Glossing over unnecessary details 

Connecting scenes

Showing the passage of time 

Adding backstory (not all at once!) 

Something that just crossed my mind

My old men 🥺 I NEED TO READ MORE GRINDELDORE 😭

Gu Juisi and his cute expressions

Writing Reference: A Historical Menu

Origin — Food — Drink

1900 — tacos, quiche, schwarma, pizza, osso bucco, paella, tuna, goulash, hamburger, mousse, borscht, grapefruit, éclair, chips, bouillabaisse, mayonnaise, ravioli, crêpes, consommé — Coca Cola, soda water, riesling

1800 — spaghetti, soufflé, bechamel, ice cream, kipper, chowder, sandwich, jam, meringue, hors d‘oeuvre, welsh rabbit — tequila, seltzer, whisky

1700 — avocado, paté, muffin, vanilla, mincemeat, pasta, salmagundi, yoghurt, kedgeree — gin, port, champagne, brandy, sherbet

1600 — omelette, litchi, tomato, curry, chocolate, banana, macaroni, caviar, pilav, anchovy, maize, potato, turkey, artichoke, scone — tea, sherry, coffee, sillabub

1500 — marchpane (marzipan), whiting, offal, melon, pineapple, mushroom, salmon, partridge

Middle English — venison, pheasant, crisp, cream, bacon, biscuit, oyster, toast, pastry, jelly, ham, veal, mustard, beef, mutton, brawn, sauce, potage, broth, herring, meat, cheese — muscatel, rhenish (rhine wine), claret, ale

Old English — cucumber, mussel, butter, fish, bread — beer, wine, water

The evolution of terms for food and drink is an interesting reflection of the history of cultural contact between English-speaking countries and the rest of the world (G. Hughes, 1988).

Source ⚜ Food History ⚜ Writing Notes & References ⚜ Word Lists

Writing Notes: Types of Plot Twists

7 Types of Plot Twists

Anagnorisis

Means "discovery."

This type of plot twist is when the protagonist suddenly recognizes something about his or herself or another character.

Deus ex machina

Latin for "God out of the machine,"

Deus ex machina means the introduction of an unexpected event or person that solves the problem.

Because it's artificial, it's rarely used in modern fiction.

False protagonist

The main character is not the true main character.

He or she is killed off early or unexpectedly.

Peripeteia

Means a reversal of fortune, typically from good to bad.

The opposite of peripeteia is eucatastrophe, where things elevate from bad (very bad) to good.

Poetic justice

Occurs when a character is rewarded (or punished) for their actions.

Poetic justice is often used to deliver sweet payback to a villain.

Red herring

The red herring plot twist is all about misdirection.

The reader is following a false direction but doesn't realize it until it's revealed.

Unreliable narrator

The unreliable narrator is someone who seems believable and trustworthy at first, but after a startling revelation, is revealed to be untruthful.

Source

some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.