“Do it scared” but please realize that, if you Do It Scared too much and don’t let yourself rest + relax + have fun in between, you will fuck yourself up. If you “do it scared” all day every day, you will burn out badly and quickly. Sometimes this is temporarily necessary but please keep this in mind.
as requested by anon. Enjoy and feel free to make any changes !
Sexy
“Feel like another round?”
“You were great last night…”
“Wow, you look even better in the daylight.”
“My clothes look better on you than they do on me.”
“I had no idea you were into that stuff…I’m glad I found out.”
“We didn’t even get to use the toys last night.”
“You should play with my hair some more…”
“I don’t remember ever having this many hickeys. But I don’t mind.”
“That was a workout.”
“I don’t know your name. But you can share it with me, so I know what to scream this time.”
“The fun doesn’t have to end.”
“I think I can convince you to stay…”
“Don’t pretend like you’re asleep. Should I find a way to wake you up?~”
“We could order pizza and just stay like this all day.”
“I love your bedhead.”
Awkward
“Oh no…what did we do?”
“Hi! You need to leave.”
“I’m sorry…who are you?”
“Ugh…I drank so much.”
“I can’t believe I did this again.” / “I can’t believe we did this again.”
“Where are your clothes?”
“…I’m sore in such weird places.”
“Hey, sorry! I’m gonna go. Right now.”
“You didn’t seem like you were having such a bad time last night.”
“Someone’s coming. Is that your mom/partner/spouse/etc.?”
“I think this was a mistake.”
“*trying to sneak out while half-dressed*”
“Your foot is in my face.”
“Did we use protection?”
“*sees ___ and screams*”
I try to always update this post, so if you are looking for something specific, please check first in this post.
Tread with care; this blog is not spoiler free. SPOILERS ≠ LEAKS. Please don’t send leaks to the askbox.
Tags to block if necessary: - “jjk manga spoilers” for manga spoilers - “le-ask” for ask posts - “anw working is shit” for my rambling
Jujusanpo audiodrama
Let’s settle this! Limitless cursed technique! (extra comic from vol. 15)
Abyss of Math Course: part 1, part 2, part 3, part 4
Cursed Object Picture Book Deluxe (Extra materials about cursed object from Jump Giga Autumn 2021 bonus)
Jump Giga Autumn 2022 extra material: Unraveling the Gosanke Akutami-sensei’s Q&As
Jump Giga Early Spring 2023 Extra: Akutami Gege-sensei talking about Prison Realm Boundary
Character short profiles in the 3rd Popularity Poll
Official Jujutsu Kaisen Fanbook (on-going)
List of pages currently translated:
Itadori Yuuji
Fushiguro Megumi
Nanami Kento
Ryomen Sukuna
Uraume
Kenjaku
Fushiguro Touji (and Kon shiu)
Hakari
Zenin Naobito
Tsukumo Yuki
Ieiri Shouko
Iori Utahime
Haibara Yu
Yaga Masamichi
Getou Suguru
Kusouzu (death painting) brothers (Choso, Eso, Kechizu)
Cursed technique: Limitless
Chart of all technique terms
Cursed tools
Akutami Gege’s Bible : Movie, Manga
Akutami Gege’s Q&As
Excerpts of JJK 0 light novel: Nanami’s black flash scene The Kyoto students battle
General Meta tag
Character analysis: Itadori Yuuji • Nanami Kento • Fushiguro Megumi • Fushiguro Touji • Kugisaki Nobara • Zenin Maki • Yu-un
Nanami and Itadori
Fushiguro and Itadori: not your usual rivals • the cogs in the machine
Tsukumo Yuki and Kenjaku
What’s going on in the second opening?
Tragedy of Haibara Yu
The goose who holds a reed between its mouth
Stronger through death
“Above heaven under heaven, I am alone the honored one”
Enlightenment
About the soul : soul, body, and Heavenly Restriction • soul in the brain
Jujutsu world : how to be a strong jujutsushi • rebirth • moving forward
Mythology in Jujutsu Kaisen
Compilation of Audiodrama links
The first year trio go to Yokohama to watch a movie, jjk phantom parade stream
Enoki Junya (Itadori’s seiyuu) narrating Itadori’s thought when he fights Mahito in Shibuya, Jump Festa 2022
Night Gourmet, Nanami-only audiodrama bonus DVD 4
After the Walkway excerpt, plant Trio, bonus DVD 8
About me
My favorite jjk characters
Interview of Akutami Gege in Mando Kobayashi
Why do you call the first years “plant trio”?
Fushiguro/Itadori ship manifesto
The infamous Itadori pregnancy theory
Official media tag
Where to read jjk in japanese?
"Would you still love me if I-" I would still love you if we reincarnated a million times and you killed me in each and every one of them. And I would be grateful that your face is the last thing I get to see before I die in every lifetime. Next.
Part 1
Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.
Specifically when you have your narrator taking an action instead of just… writing that action. Examples:
Character wonders/imagines/thinks/realizes
Character sees/smells/feels
Now not all of these need to be cut. There’s a difference between:
Elias stops. He realizes they’re going in the wrong direction.
And
Elias takes far too long to realize that it’s not horribly dark wherever they are
Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:
Elias stops. They’re going in the wrong direction.
I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.
Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:
…but it’s just another cave to Elias.
Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.
I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.
I’ll let dialogue cut off narration, like:
Not that he wouldn’t. However, “You can’t expect me to believe that.”
Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.
There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:
Blinding sunlight reflects off the window sill
And
Sunlight bounces like high-beams off the window sill
It’s up to you and what best fits the scene.
Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.
Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.
Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.
Red like lipstick stains on a wine glass hints at a very different image and tone.
Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?
Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.
I do it all the time just like this.
Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.
Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.
Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.
Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.
Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.
We came and we saw and we conquered.
The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.
—
All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.
*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.
“Pack your precious belongings,” the villain whispered into the hero’s ear. “This place is going to burn tonight.”
Too many beds
Accidentally kidnapping a mafia boss
Really nice guy who hates only you
Academic rivals except it’s two teachers who compete to have the best class
Divorce of convenience
Too much communication
True hate’s kiss (only kissing your enemy can break a curse)
Dating your enemy’s sibling
Lovers to enemies
Hate at first sight
Love triangle where the two love interests get together instead
Fake amnesia
Soulmates who are fated to kill each other
Strangers to enemies
Instead of fake dating, everyone is convinced that you aren’t actually dating
Too hot to cuddle
Love interest CEO is a himbo/bimbo who runs their company into the ground
Nursing home au
Villain and Hero going round after round until Hero finally slips up and Villain gets the upper hand, pinning them hard against the wall. Hero’s panting, bruised and bloody, eyes narrowed and defiant, daring Villain to do their worst. And Villain can’t help but give in to impulse and kiss them.
Bonus: Hero freezes up, completely shocked, and does nothing to stop them.
Bonus bonus: Hero freezes for just a moment and then melts, kissing back.
Bonus bonus bonus: Hero kisses back with purpose and then uses the distraction as a chance to finally stun and capture Villain.
it drives me bonkers the way people don’t know how to read classic books in context anymore. i just read a review of the picture of dorian gray that said “it pains me that the homosexual subtext is just that, a subtext, rather than a fully explored part of the narrative.” and now i fully want to put my head through a table. first of all, we are so lucky in the 21st century to have an entire category of books that are able to loudly and lovingly declare their queerness that we’ve become blind to the idea that queerness can exist in a different language than our contemporary mode of communication. second it IS a fully explored part of the narrative! dorian gray IS a textually queer story, even removed from the context of its writing. it’s the story of toxic queer relationships and attraction and dangerous scandals and the intertwining of late 19th century “uranianism” and misogyny. second of all, i’m sorry that oscar wilde didn’t include 15k words of graphic gay sex with ao3-style tags in his 1890 novel that was literally used to convict him of indecent behaviour. get well soon, i guess…
mtsf dump from twtr : )