herbert west comes with one of those drink labels that say “shake well”
it's immediately clear that both the creature and victor find some of their greatest comforts in nature and that's one of the key features that connects them and proves they're not so different from each other, but i've also noticed that they tend to admire different TYPES of nature
victor tends to amaze at "the high and snowy mountains [...] immense glaciers [...] the rumbling thunder of the falling avalanche [...] the supreme and magnificent mont blonc" (65), typically finding the most comfort in the "savage and enduring scenes" (64) which tend to be colder and rougher yet unchanging; while the creature found that his "chief delights were the sight of the flowers, the birds, and all the gay apparel of summer" (94). there is probably something to be said about the creature's affinity for spring and summer, the seasons of rebirth, of NATURAL and beautiful life, a direct contrast to his unnatural, coldly scientific, "wretched" rebirth that he abhors so much
i was discussing this idea with a friend, who added that victor finding solace in the frozen and dead beauty of wintery environments, a typically less-favoured season, could reflect how victor often refuses himself the typical joys of life. throughout the novel, he struggles with his self-worth because of the guilt induced by his creation of the creature and the deaths that then followed, and the only reason he even desires peace and comfort is because he knows he needs to present himself that way to his family in order for them to be happy ("i [...] wished that peace would revisit my mind only that i might afford them consolation and happiness" [62]). i built on her idea by noting how the creature acknowledged that he "required kindness and sympathy; but [he] did not believe [him]self unworthy of it" (94), a completely contrasting stance from victor, who finds himself undeserving of the many comforts offered to him by his family
furthermore, it seems that victor finds beauty in glory & majesty ("[the scenery] spoke of a power mighty as Omnipotence--and i ceased to fear, or to bend before any being less almighty than that which had created and ruled the elements" [64]), while the creature finds beauty in warmth & growth. both characters seem to find what they desire(d) in the versions of the natural world that they admire most
to reference what i said in the beginning about the connections between victor and the creature, this observation only contributes to my understanding that victor and the creature are incredibly similar, and many of their identical traits involve a rejection or a reversal of the other; they both ardently wish for each other's destruction, they both ruined each other, they're the reason that the other is simultaneously a victim and a villain in their own sense, they both hate themselves but for reversed reasons (victor hates himself for what he's done rather than what he is, while the creature hates himself for what he is more than what he's done), and now this--they both find solace in nature, just opposing kinds. like father, like son
I hate it when Frankenstein adaptations make Henry a hater… like bro he is NOT. A hater. “Dearest Frankenstein,”???? Nursing Victor back to health??? Uh yeah that’s totally hater behavior
victor frankenstein the type of guy to say “the world just wasnt ready for my ideas” and the idea was an 8-foot tall homonculus he constructed out of graverobbed body parts
Update: They have coats :]
link to my other post with these dolls
finished (ㆁωㆁ)
I felt like I needed to slightly redesign some of my Frankenstein designs, soooo :3
close ups! ↑ ^_^
it's been a long time since I posted full drawings here goddamn
♡₊˚ 🧪・₊✧
soft jazz music plays as the love of walton’s life enters on-stage, the world goes all pink and slo-mo and dreamy. record scratch, pans to victor frankenstein coughing up a hairball
"some destiny of the most horrible kind hangs over me, or surely i should have died on the coffin of henry" son or "i wish that i were to die with you; i cannot live in this world of misery" daughter
victor's belief that he's responsible for the deaths of his family (by extension of creating the creature) was borne out of excessive guilt, i might go as far as to say bordering on delusions of persecution. id argue walton was more directly responsible for deaths than victor ever was (several members of his crew died on his ship as a result of his inexperience and persistence), but first and foremost the creature was responsible, not victor, and to suggest otherwise i think is blatantly ignoring the creature's autonomy. he had a cultivated understanding of morality and the world's evils and chose, while knowing and feeling that it was a moral wrong, to murder. i think, eventually, it is this willingness to deliberately go against his own morals to commit evil acts that victor considers monstrous, not just the creature's monstrous appearance in of itself, which is one of the defining factors of his choice not to create the female creature.
if anything, id argue this passage is actually proof of victor acknowledging his "failure as a parent" or rather his duty as a parent, its just not done so directly. this is a story being told in retrospect, and that fact colors victor's narration because he already knows the events that are being described. in this sense, the quote seems more of an acknowledgement of this than anything else, particularly with the language of "creature" and "being to which they had given life" used to describe a child, which, like youre saying, are both blatant parallels to how victor describes the creature. if you look at this and then consider it within the context of victor and creature's confrontation on the alps, where victor does actually explicitly admit to his duties as a creator, i think it changes things:
For the first time, also, I felt what the duties of a creator towards his creature were, and that I ought to render him happy before I complained of his wickedness. These motives urged me to comply with his demand.
and then, later:
I was moved [...] I felt that there was some justice in his argument. His tale, and the feelings he now expressed, proved him to be a creature of fine sensations; and did I not as his maker, owe him all the portion of happiness that it was in my power to bestow?
in both quotes victor mentions he feels he owes the creature happiness, i.e. the same "train of enjoyment" he experienced in his own childhood, and it is the feelings the creature expressed (stemming from his mistreatment by victor, but also more importantly by society as a whole; i think people tend to overinflate the importance of the creature's "abandonment" by victor in the grand scheme of things) that push victor to this idea. that is, victor pretty directly admits to the effect of his absence on creature.
Victor Frankenstein admits multiple times that him creating the creature led to multiple deaths so he’s responsible in that sense but he assumes it’s because he created a monster but in my opinion, he knows him failing as a parent/abandoning the creature is why it turned out the way that it did, he just won’t admit it, and this passage from chapter one is my prime evidence.
I was their plaything and their idol, and something better—their child, the innocent and helpless creature bestowed on them by Heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me. With this deep consciousness of what they owed towards the being to which they had given life, added to the active spirit of tenderness that animated both, it may be imagined that while during every hour of my infant life I received a lesson of patience, of charity, and of self-control, I was so guided by a silken cord that all seemed but one train of enjoyment to me.