I know I've been posting more about politics lately, and it's caused me to lose a chunk of followers.
But I'm a queer person with a degree in political science and its an election year. I'm old friends with several of my city council members. I've been to trainings on how to run elections. I spent my college years working for nonprofits (and being the world's worst canvasser). I'm close with more than one person who works for unions, and I have family members who work for government agencies.
I think about politics in a very pragmatic "I know how the sausage is made" kind of way. We're in a vise press, and there's only one way to release the pressure.
The revolution ain't coming. There is no one to save us but us.
So yeah, I'm going to be pissed if your answer is "let them tighten the vise -- there's no way out of the vise, it doesn't matter if they loosen or tighten it."
There's a difference, and anyone telling you otherwise is likely a psyop or someone who fell for a psyop. This literally happened before, and it's happening again.
Stop falling for it.
hey if you’re a federal worker you may want to use a vpn and check to see if the “american accountability foundation” (elon) doxxed you. suggesting a vpn bc there’s an IP logger on the domain.
Why is chubby Gerard so slutty like stop playing around and fuck me🙄
i love saving shit like this off pinterest
Missing the half a joint I left sitting in my ashtray like she's my wife and I'm a soldier at war overseas
May Directed by Lucky McKee (2002)
“The appearance of a feature film and a season of television are now often indistinguishable from each other. Random shots from prestige horror films could be visually interchangeable not just with one another but with footage from American Horror Story or Stranger Things. Horror for the bourgeoisie requires uniformity - almost a kind of minimalist ideal - in its appearance. Ironic, then, that Guadagnino’s Suspiria was given an Independent Spirit Award in 2019 for its cinematography, which flies in the face of Argento’s original film. The sameness in appearance across these works is so prevalent that it functions as a visual shorthand for a product that bears a resemblance to genre works of the past but more importantly signals to the consumer not just a more expensive, sleek, desirable version of genre but a socially-acceptable, ‘legitimate’ one. The remake model is merely a platform for cinematic house-flipping, the sale of a now-fashionable neighborhood, rebranded.”
i am thinking… again