John Lennon, Paul McCartney and George Harrison with Bernie Andrews for a recording of ‘Saturday Club’ at the Playhouse Theatre, 17th December 1963
Bullfight Arles France 1965
Pattie Boyd, George Harrison and Brian Epstein
John looking mischievously Paul while the pretty boy is oblivious
Jeremy just wants to escape from the creepy hug
Bonus
Paul is so happy to fly, he is too much innocent in this movie, a wild John behind him as usual
Every friend group should include:
John Lennon & Paul McCartney at the Teatro Adriano in Rome, Italy | 28 June 1965 © Doug Luke
btw i wonder if this is my girl eileen from the famous i don't really care if the beatles break up i only come here for paul get back interview
The Walrus was Paul
Probably what happened during Magical Mystery Tour
Lennon-McCartney
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A little bit more of my Beatles art. I’ll try not to spam you all with too much of it…I’m sure most of you are here for SPN!
Me abusing the replay button during this momentous Mclennon moment.
Now and Then 😭 dropped.
And then back to back with Love Me Do - this song still makes me weak. John's harmonica is amazing! (eventhough he felt uncool with it in later years) for me you are the coolest musician ever!
Thank you The Beatles for the joy of music!
Now and theeeennn……..
“John and Paul are essentially a legendary world-changing love affair that ends in heartbreak — like Burton and Taylor, but with no touching. They are the thing the other was looking for. A major part of their lives was settled the day they met at Woolton fair — they were completed, reborn and undone with each other.” (Caitlin Moran)
“Out of the mouth of anyone else, “John” is just a name, a mere monosyllable. But when the name is uttered by McCartney, the ghostlike presence of John Lennon suddenly descends on the evening. Lennon’s name, so simply invoked by McCartney, takes on the power of a talisman, conjuring up an entire shared cultural scrapbook of images defining musical collaboration and the purest of camaraderie. McCartney owns the pronunciation of “John” the way Katharine Hepburn made “Spensah” Tracy her own.” (Interview with Paul McCartney, 2001)