Ringo’s photo <3
i mean he really couldn't have been clearer
You can tell which of the Beatles wrote each song cuz it’s usually like
Paul: I love you I love you I love you I love you (watch out there is a homicidal freak in your area and he IS going to get you).
John: I hate myself and want to die but also I’m on a lot of hard drugs, so that’s cool I guess (I love you too Paul).
George: I’m spiritually enlightened and also I smoke a lot of weed.
Ringo: the ocean. Sea creatures and submarines.
First at all I apoligize for my grammatical mistakes, I'm not a native speaker and surely I am not fluent. Anyway today I rewatched Elliot Roberst's video on Now and Then and guys if before with his video on Get Back while he was commenting the infamous flirting moment between John an Paul as "This moment is very revealing...just perfect" on Now and Then he mentions clearly mclennon and in the end says "They’re letting us know that someday down the long and winding road across the universe, they will return to each other.”
I love this man aside from being a very good content creator he is such a fan
In conclusion his video as taken me to another content creator of my country, and the most interesting thing is the comment
He talks about the tape of Now and Then and the idea who was written for Paul: he says "è una cosa tanto romantica" it's such a romantic thing. My mind in the moment was blowing what a coincidence but for being clear he doesn't believe it because there a no clearly proofs, Yoko could have written that for organize the tapes why John should have written for Paul he didn't know he would have died... a very rational reasoning you can agree or disagree but it's not the point of my post
Te point is that I am always more convinced that even hetero men beatles's fans secretely HOPE John and Paul were a thing
The Beatles recording session mistakes are pure gold and here are some of the best moments:
0:06: JOHN: That’s not it!!
0:57-onwards: *weird noises*
1:35: PAUL: And if you saw my love, I’d love her… *pfffff*
2:01: JOHN: There’s nothing you can do that can’t be done PAUL: I believe you, Johnny! JOHN: There’s nothing you can sing that can’t be sung. PAUL: There sure is! *continues random ‘Johnny’, ‘you’re right, boy!’*
2:20: JOHN: I’m ready to sing for the world, George. If you just give me the backing!
3:41: *loud guitars* JOHN: Little less of George! It feels I’m singing in a sock.
4:22: “RINGO!!”
4:36: PAUL: We’ll do it anyway, We’ll just blast that bit, that one bit.
5:47: JOHN: Don’t slow down, for Christ’s sake. Or I’m giving you no more drugs!
6:22: JOHN: I just can’t get anywhere near ‘light’ now.
6:34: PAUL: I’ll try to remember, John. And if I don’t it’s just too bad, isn’t it?
6:50: PAUL: George, what did it sound like? Were the bass doing a funny thing, did it sound any good or did it sound like just utterly crap? [..] I did it well, see. Told you! Meh, hello to you and see how you like it.
…and my personal favorite:
3:59: PAUL: Do that again. [to George:] You made a mistake. I KNOW YOU DID! GEORGE: No. *mumbling and grumbling*
It’s just about a gang of weirdos who love each other singing from the literal rooftops and, for a few minutes, bringing colour to a grey city. It’s about how all good things must come to an end but by simply happening they’re still significant. It’s about the constant battle between art/people/LOVE against forces that want them to conform. It’s about how friendship can literally change the world. It’s about hope. It’s about the power of dreaming. It’s cold and their fingers are going numb and the uniformed police officers, ever-present in the background, are making them unplug their instruments. But they just plug them back in!!! Maybe they can’t finish the concert but they’re finishing the song if it’s the last thing they do and they’ll even crack some jokes while they’re at it. Poetic cinema…
This review analyze perfectly all the movie's problems. Lars Land deserve much more credit for all the beatles content she creates, please give a chance to her channel
Why I’m obsessed with this scene from Get Back - Part 3:
A very human Paul McCartney being nervous and anxious about the progression of the project.
Paul’s only responding to John and discussing his worries with him and remains quiet while the others talk.
Several people trying to talk to John but his eyes constantly shift back to a silent Paul (of course the camera decides to zoom in on John’s face at that moment)
John’s attentiveness and trying to talk Paul through his worries.
George’s coat.