Some of y’all really need to learn the difference between “This character is badly written” and “This character is a bad person” and “This character isn’t my personal cup of tea.”
dreamy/physcedelic atmospheres, descriptions of cake omg, unlikeable narrators, flowery af prose, sexy skies, gritty alleyways with prowling raccoons, platonic love, sisterhood, isolated individuals who ramble about vague philosphical concepts and art,,,,,
i’m very curious about this so reblog in the tags with the recurring things in your wips that make up your Writer Brand™
This thunderstorm cured my writing burnout.
Foreshadowing, agreed! But also—
Queue those random eating scenes and insufferable monologues. Can’t forget the matching character’s mood to an ornate object or cloud pattern.
I’ve come to realize that I’m an underwriter. Hbu?
These are all so cool, I'd love to be added to your taglists!! 🥺🥺
˒✦ : WRITEBLR ⋅ INTRO ⌁ ◌༉‧. 🌱໑
hi! my name is celeste and i’m new to the writeblr community!
i write under the name celeste ephine (she/her) although, you can just call me celeste. i’m african and native american, seventeen years old, and queer. i have an intj mbti type and my big three are: cap sun, sag moon, and virgo rising. my interests include neuropsychology, witchcraft, podcasts, and romantic academia. oh, and i’m wayy better at descriptions than i am with dialogue.
my writing style is a bit interesting as i tend to write mostly for romantic/dark academia, dark fantasy, psychological thrillers, and historical fiction. i love exploring themes of moral ambiguity, divination, mythology, and the occult. i also write poetry and dabble a bit in prose and screenplay.
here’s a sneak peek at some of my wips:
* - names are subject to change (i’m a tad bit indecisive)
descs are going to be vague since i’ll do a proper intro post for each wip
𝐓𝐇𝐄 𝐒𝐋𝐀𝐔𝐆𝐇𝐓𝐄𝐑 𝐎𝐅 𝐍𝐈𝐆𝐇𝐓𝐈𝐍𝐆𝐀𝐋𝐄𝐒 | psych thriller + dark fantasy
a pagan cult makes blood sacrifices to the gods in an attempt to delay an ancient and horrific force from destroying the world
𝐎𝐅 𝐅𝐄𝐀𝐒𝐓 𝐎𝐑 𝐅𝐀𝐌𝐈𝐍𝐄 | dark fantasy
in which a soothsayer and freedom seeker set out on a quest to destroy the remnants of the old gods. for what is existence, without something to exist for?
𝐃𝐄𝐀𝐃𝐖𝐀𝐓𝐄𝐑 𝐂𝐎𝐑𝐏𝐒𝐄𝐒 | dark fantasy + occult fiction
the bonepicker’s daughter gets more than she bargained for when she seeks refuge in a mad ruler’s city that’s on the verge of war
here’s a few blogs that inspired me to join the community!
@starshots @acrimoneous @laketrials @astolacs @herondalelucies @zalighart @zuiderhaaks
Made this mood board using Canva with some free images from Unsplash. Slapped on some snippets I wrote and shared a little while ago,,,,,and yeah.
By the way, one told me second drafts could be so brutal.
Thanks @glasshouses-and-stones for tagging me! I've been busy with my studies, but writing. Planning on making an intro post about Liquor and Locusts when I have time, oddly it's gotten some interest after years in my asks. But for now here's a random excerpt from a chapter I'm revising this afternoon.
Tagging: @orphanheirs @tildeathiwillwrite @defeatistwriter, and anyone else who wants to join. Happy Saturday :)
I want to read this :oo
[TRANSCRIPT/TAGLIST AT END OF POST]
TINY FLEA
[OLD INTRO]
GENRE/S: Speculative, horror, dystopian pandemic, soft elements of sci-fi & supernatural.
SETTING: The fictitous town of Tiny Flea, New South Wales, Australia; 2024.
AUDIENCE: Adult.
POV/TENSE: Third person limited (multi POV), past tense.
STATUS: First draft.
CONTENT WARNINGS: Horror themes (incl. psychological&body horror); violence and gore; bugs/parasites; murder/death; alcoholism/smoking; unreality; paranoia; religious themes; portrayals of bigoted beliefs; discussions/mentions of abuse; references to grooming & coercion. (Note: may be updated later).
CONCEPT: In the year 2024, a parasitic disease breaks out in Tiny Flea, a fictitious town in NSW, Australia. In an attempt to control the spread of the parasite, the town is closed off from the rest of the country. The story follows several perspectives, showcasing how each person deals with their newfound circumstance. Some band together in order to survive, to try and restore order and to discover the true nature of the parasite. Others, however, have more sinister intentions...
SYNOPSIS:
Returning to his hometown of Tiny Flea after serving a twelve-year prison sentence, thirty-six year old Gavin DeRossi is eager to redeem himself. However, any hopes Gavin had of going back to a normal life are dashed when he finds his hometown in the grips of a parasitic pandemic. Worse still, both of his parents, the people he considered to be his only allies left in the world, are dead—killed by the mysterious brain parasite which plagues the town.
Banding together with a ragtag group of survivors, Gavin is determined to save the town of Tiny Flea by learning more about the true nature of the parasite. The answers he finds, however, are far more bizarre than he ever could have anticipated...
TRANSCRIPT 1: In the eyes of Gavin DeRossi, Tiny Flea had been aptly named. Hovering somewhere between being classified as a town or a city, the place he had grown up was a blood-swollen parasite. It had latched onto the surface of his youth, sucking dry his aspirations and potential, leaving him nothing but a bloodless, lifeless host for the countless memories it had left him with. But oh, how he’d missed it.
TRANSCRIPT 2: Gregory wasn’t entirely sure what Graham’s condition was. Lying on his back on top of the bedcovers, he didn’t look obviously unwell. He wasn’t injured. He hadn’t thrown up. His face, however, was contorted in pain. He struggled and thrashed about in a pathetic sort of manner, like a weakened animal making a last-ditch effort to fight off its attackers. It was his eyes, however, which told Gregory that his father-in-law’s death was at hand. His eyes, normally a lively grey, were dull, staring lifelessly ahead at nothing. His body protested against his fate, but Gregory recognised that his eyes belonged to someone who knew that they were facing death head-on. He had seen those eyes once before.
TRANSCRIPT 3: He checked his wound one last time before going to sleep, and was satisfied. It no longer looked inflamed. Without a doubt, it would heal without much trouble at all. But the wound had already done its damage, regardless of whether it was infected or not, regardless of whether it healed cleanly or left a ragged scar. Unbeknownst to Craig, the larvae had already begun to move beneath the skin.
TAGLIST (ask to be added or removed): @aetherwrites @ljscrawls @chloeswords @avi-burton-writing @kitblogsthings @ravens-and-rivers @writerlywonders @alicewestwater @bookpacking @theelectricfactory @ryns-ramblings @alexsidereus @kowlazovdi @ezrathings @sunwornpages @bijouxs @pamsdrabbles @melpomeny @peepos-prose
Old books kind of ruined me for that. Cue me staring at my own three paragraph run on sentence while editing and not even understanding it
i love reading old books because they invent such ways to create a long ass sentence
beforehand I'll do like a brainstorm/word vomit in my notebook to get ideas flowing. when actually writing I'll light essential oil candles, open pinterest, wordbook and google, and drink like a gallon?? of ginger tea and disapear for like 3 hrs.
do any of you have writing rituals? tell me about them!
writeblr /// tangents about my wips It’s all lit-fic, mystery, and noir around here Project Istanbul
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