it's time to be self-indulgent, hell yeah baby!
A new life for Tomura part 7
Dry tears on my cheek
Emptyness in my heart
Its all dark in here,
When it was all soft and warm
The sheets smelling like you, soft like silk
Red eyes watching for one last prayer
My heart singing your name with loyalty
My head light as snow
It all vanish in a new dark room.
Mine.
In the cold bed of an empty room
Me and my momory already blur
It was just a dream.
đ
You knew the empty house in a quiet neighborhood was too good to be true, but you were so desperate to get out of your tiny apartment that you didn't care, and now you find yourself sharing space with something inhuman and immensely powerful. As you struggle to coexist with a ghost whose intentions you're unsure of, you find yourself drawn unwillingly into the upside-down world of spirits and conjurers, and becoming part of a neighborhood whose existence depends on your house staying exactly as it is, forever. But ghosts can change, just like people can. And as your feelings and your ghost's become more complex and intertwined, everything else begins to crumble. (cross-posted to Ao3)
Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16
Chapter 17
Thereâs something wrong with your house, but you knew that when you bought it. Right now, the thing thatâs wrong with it is the fact that every last light in the place is on when Hizashi guides his sports car to a stop in front of it. He rolls down the window and raises his voice in a holler that wakes you out of your doze and probably wakes the rest of the street up, too. âSpecial delivery, o petulant one! One human, safe and sound.â
Tomura opens the door and steps through it, which is unusual. Usually he materializes straight through the door, but this time, heâs solid enough to leave footprints all the way down the steps and along the path to the gate. You unfold yourself out of Hizashiâs car, wincing at the stiffness in your legs. Hizashiâs car is cool, but itâs sure as hell not comfortable.
Once youâve retrieved your suitcase from the backseat, you turn to face Hizashi. âThanks for the ride back,â you say. âAnd the sketches from the photos. I couldnât have done those.â
âThat wasnât the worst research trip Iâve ever been on,â Hizashi says. You figure thatâs as close to âyouâre welcomeâ as youâre going to get.
He pulls a u-turn and zooms off down the block, and you turn to face your own house. The gateâs already open, and once you step through it, Tomura seizes you, suitcase and all. Your feet leave the ground, and Tomura sets off up the path, awkwardly carrying you. âHey,â you complain. His shoulderâs wedged underneath your sternum in a way thatâs deeply uncomfortable, and one of his hands is glued to your ass. âPut me down.â
Tomura doesnât answer, and you consider thrashing until he puts you down. But heâs so stubborn that he probably wouldnât let go, and the only thing worse than being carried through the yard like a sack of potatoes would be taking yourself and Tomura down for everybody to see in an attempt to escape. You decide to stick it out. You can thrash once youâre inside.
As it turns out, you donât get a chance to thrash. Tomura drops you on the floor the instant the door shuts and climbs on top of you, and Phantom leaps over your dropped suitcase to join the party. All the air whooshes out of your lungs and it takes you a second to recover. âSo you werenât joking when you said you missed me.â
âShut up,â Tomura mumbles. His ice-cold hands slip beneath your shirt, splaying across your ribcage, grasping at your shoulder. âYou said youâd be back last night. Itâs morning.â
âTwo in the morning. Thatâs still nighttime,â you protest. Tomura makes a discontented sound. With your shirt hiked up, your stomachâs exposed, and you startle when Phantom pokes you with her nose. âHey! Iâm already cold enough.â
âShe missed you.â Tomura shifts his weight slightly, allowing you to free one of your hands so you can scratch Phantomâs ears. âI missed you more.â
Phantom would probably dispute that if she could talk. You wrestle your hand out from being crushed between your chest and Tomuraâs and swat his shoulder lightly with it. âI canât believe you put a heart in your contact on my phone.â
âYou said I could have an emotion thing.â
âAn emoji. And I said you could have the ghost one. Not a heart,â you say. âA ghost is what you are. A heart â says things. It wouldnât make sense to you.â
âItâs not that complicated,â Tomura says. Thereâs an odd note in his voice. âIâm not stupid. I know how human things work. I know what it means that you donât want people to know about me.â
For a moment youâre reminded of Hizashi, of Hizashiâs insistence that he understands humans enough to know why people do what they do. âItâs just hard to explain. That youâre a ââ
âI can pass as human if I need to. I even blink the right way. The others donât.â
âBut ââ You break off, clamp your mouth shut. Not tonight. You donât want to have this argument tonight. Not when youâve missed him. Not when you just got home. âI told my parents youâre my boyfriend. They want to meet you. When they come here weâll figure something out. Okay?â
âYouâre embarrassed about me,â Tomura says. âThatâs what ââ
âStop listening to Dabi about me,â you say. You talk over Tomuraâs question about how you knew what he was going to say. âItâs always Dabi trying to make you feel bad about yourself. Has anybody else ever said things like that to you? Anybody whoâs not a dick?â
Tomura makes an irritated sound in response, which means youâre right about this. âHey,â you say. You lift one hand from where itâs resting between his shoulder blades and start to comb your fingers through the ends of his hair. âI missed you the whole time I was gone. You staying on the phone with me all night was maybe the nicest thing anybody ever did for me. If Iâm weird about you meeting my parents, it says more about them than it does about you.â
âMmh.â Tomura still sounds unhappy, but he settles into your arms, and you feel him relax muscle by muscle. âWould you still be weird if I was human?â
âWeirder,â you say, and he snorts. âCan we get off the floor now?â
âThe floorâs fine.â
âSays the person not laying on it.â You shift around until Tomura pulls his hands out from under your shirt and moves. âIâm going to the couch.â
âI was comfortable,â Tomura complains.
âIf you let me get to the couch in the first place, you wouldnât have had to move.â
You have a feeling Tomura had something in mind for when you got home tonight, but the two of you kiss for approximately ten seconds before Phantom jumps on the couch with you, and you know Tomura would never push her away. She makes herself comfortable in between your feet and Tomuraâs and starts to snore. Ordinarily itâs a mood killer, but ordinarily you havenât been gone for a day and a half. Tomura waits a few seconds to see if sheâll wake up, then leans in to kiss you again.
In general, Tomura has one type of kissing in his repertoire â hot and heavy making out, more enthusiasm than technique. The techniqueâs there, sure, but it takes a backseat to trying to enthusiastically suck your soul out through your mouth. Except for right now. Right now his kisses are softer, almost gentle. And slow. One of his hands grips your jaw to turn your head for better access, but then it shifts to cradling it, cold fingers pressed against your cheek and your throat as he kisses you. Youâre not really sure what to make of it. But you like it.
It gives you more time for things. You have time this way, time to slide your hands beneath his shirt, tracing over the outlines of his vertebrae, a little more prominent than they should be. If he was human, heâd be almost skeletally thin, but youâd touch him like this more if you could get away with it. Maybe heâll let you sometime. Tomura makes a contented hum against your mouth and sinks deeper into the kiss.
But itâs weird. Usually when he kisses you heâs wound up within seconds. You draw back, or try to. He wonât let you, so you pull one hand from under his shirt, plant it on his cheek, and shove him back just enough to give yourself space to talk. âWhat is this about? Youâre not usually like this.â
âI never get to do it as long as I want. My body starts acting stupid, and then I burn through too much life-force and I have to go.â Tomura is holding perfectly still, even though heâs sprawled out on top of you in a way thatâs probably hard to balance. âI thought maybe if I went slower I could stay longer.â
He peels your hand away from his face and leans in again. You still have one hand on his back. With the other one free, you can run your fingers through his hair, and youâre surprised to find that itâs not tangled. This time you speak around the kiss. âDid you brush your hair?â
âNo.â
Huh. You go back to kissing him, unconcerned, until a thought crosses your mind and you sit partway up in surprise. Tomura starts bitching immediately at being jarred out of position, but you ignore him. âDid you dematerialize at all while I was gone?â
âNo.â Tomura sits up, too, but only for the purposes of pushing you back down. âCome back. Iâm not done.â
Youâd really like to keep kissing him and not thinking about anything at all, but now your mind is spinning and you canât make it stop. âWhy would you do that? That was thirty-six hours. Why would you burn that much energy?â
âWhy does it matter? I still have enough.â Tomuraâs being dumb on purpose. You know he is, and you donât think itâs just because he wants to go back to kissing. âHumans are like this all the time.â
No. Not right now. You canât have this fight right now, but â âBut you arenât!â
âArenât what?â
âHuman,â you say. âWhy ââ
You break off. Tomuraâs red eyes are fixed on yours. âSay it.â
Youâve wondered on and off if he knows this fight is coming. Now you know for sure. âNo,â you say. âNot tonight.â
âWhy not?â
âI just got home. Itâs late and I missed you and you missed me.â You pull at Tomuraâs shoulders. âI want to kiss you. I donât want to do this. Not tonight. Please.â
If he asks you any more questions, you might lose it. If he asks you what youâre so scared of, it might all come spilling out at once. But Tomura doesnât ask. He doesnât ask when the two of you are going to talk about it, either. He just thinks about it for a few seconds before leaning in to kiss you again.
It feels like kissing and making up, when the two of you havenât even had a fight yet. The real fight is coming. Tomorrow, or maybe the next day, or the day after that. One of these days youâre going to snap and tell Tomura to stop talking about wanting to be human when he threw away his chance at the real thing, and heâll probably ask you why you give a damn, and then youâll have a choice to make. Lie and say you donât care either way. Or tell him what you can barely admit to yourself: You love him, and you want a life with him. Itâs easy to imagine Tomura protesting that the two of you have a life already and having to correct him. A human life. Together.
You canât say that. He might talk about being human, but you know better than to think thatâs what he really wants. What you have with him right now is what youâre going to get, and itâs good. Itâs enough. You sink your hands into his hair and kiss him until your eyelids start to feel heavy, and you donât stop there. The last thing youâre aware of before you fall asleep is the icy pressure of Tomuraâs body against yours, and the sensation of his ribcage expanding and contracting beneath your hands as his lungs fill with breaths heâll never truly need.
Youâre a wreck in the morning, partially from sleeping on the couch all night and partially from a nightmare you had while you were there. You didnât wake up from it, and Tomura didnât notice anything â when you ask him in the morning if youâd done anything weird in the night, he shakes his head and flops back down on you, unwilling to let you move even though heâs been there for hours. You donât tell him you had a bad dream, and you definitely donât tell him what it was about.
You were in your neighborhood, or where your neighborhood used to be. The houses were ruins of what theyâd been before, and you were alone in the middle of the street. There were scraps of something floating by in the wind, something that looked like the shreds of a ribbon made of clouds and ash, and you were chasing them, grabbing as many as you could. No matter how many you grabbed hold of, there were always more, and as you raced frantically down the street, the wind kicked up, carrying them further and further away. Scattering them, until there was no hope youâd ever find them all.
In the dream you felt sick. You wanted to scream and cry, but mostly, you wanted to find Tomura. You called out for him over and over again with no answer, and you remember the exact moment in the dream when it dawned on you. When you looked down at the meager wisps of cloud and ash in your hands and realized that youâd found all that was left of him already.
You try to be normal about it. It was just a dream. But youâre creeped out after your conversation with Hizashi yesterday, and instead of being calm and collected, you wind up clingy. Youâre worried Tomura will be annoyed, but Tomuraâs pretty enthused about it, at least until you start shivering and your stomach growls. He dematerializes out of your grip. âGo eat or something. Iâm not going anywhere.â
Your phone rings while youâre waiting for your electric teakettle to finish heating up and staring at a banana, trying to summon up any desire to eat it. You answer. Itâs Keigo. âYo, humans-only strategy breakfast today. Are you in or are you in?â
âYou have to be in,â Spinner says from somewhere in the background. âYou owe me.â
You do owe Spinner. A lot. âOkay. I can come over ââ
âWeâll drive. Be ready to go in five minutes.â
You hang up the phone, feeling a little whiplash. Tomuraâs hovering close enough over your shoulder to have listened in. Heâs frowning. âYouâre leaving again?â
âI owe them,â you say. Tomura flops against your back, chin notched over your shoulder, clearly pouting. âIâm sorry. I want to stay.â
âThen stay.â
âI wonât be gone long.â You twist in his arms to face him and hug him, burying your face in his shoulder. The dream comes back to you, the memory of those scraps of essence fluttering in your hands, and you hug him tighter. The words slip out before you can stop them. âI love you.â
Tomura freezes in your arms. âWhat?â
You should stay put. You should explain yourself. You canât just drop something like that and expect him to let it go. In his spot, you wouldnât. But instead of explaining, you yank yourself out of his grip and bolt for the front door. âHey!â Tomura snaps, chasing after you. Heâs not dematerializing. That gives you the edge. âGet back here. You canât just ââ
You open the front door, book it down the steps, and step through the gate just in time for Keigoâs car to reverse out of his driveway, hang a turn, and come to a stop in front of your house. âGet in.â
Jin is in the front seat with Keigo. You and Spinner are in the back, and you think that will be everyone â but then Keigo hits the brakes outside of Aizawaâs house, and Aizawa comes shambling down the front steps, looking like hell. Keigo snorts. âLooks like somebody had a busy night.â
Jin snickers, then twists around to look at you. âDid you sleep? You look like you slept a little bit. Damn, I had a bet that Tomura was going to keep you up all night.â
The idea of the neighborhood discussing your sex life, let alone betting on it, is absolutely horrendous, even if the former ghosts are kept apprised of everything that happens courtesy of Tomuraâs unwillingness to keep a lid on his feelings. Jin waits for a comment from you, doesnât get one, and turns to Spinner. âYou hung out with him the other day. Did he say anything to you?â
âAbout what?â Spinner looks like he feels the same about this conversation as you do, which is reassuring. âWe were just playing PokĂŠmon. He was kind of mopey, but that was it.â
That reminds you â you need to thank Spinner. âHow much do I owe you for what you gave him?â
âI didnât buy new stuff. I just gave him old stuff I donât really use,â Spinner says. âHeâs not bad to play with. Better than Jin.â
âDonât be mean,â Jin protests. âI suck!â
Aizawa knocks on the passenger-side window and scares all four of you. Jin rolls it down to stare at Aizawa and Aizawa stares back. âOut.â
The five of you set off for breakfast, Aizawa riding shotgun while youâre sandwiched between Jin and Spinner in the back of the car. The tight conditions donât do much to improve your mood. âIs this really necessary?â
âYes,â Aizawa says. âIt seems the responsibility for dealing with Tomuraâs conjurer will fall to us.â
You donât know where he got that idea. From Hizashi? Hizashiâs conjurer is dead, so it shouldnât matter to him if Tomura takes himself out killing Shigaraki. Everybody else in the car seems to be on board with it, though, and itâs not like you can get out of the car. Youâre trapped. Worst of all, your phone is buzzing, and you have a bad feeling you know whoâs sending the messages. You would, if you were in Tomuraâs spot. If heâd told you he loved you and promptly ran for it, youâd start blowing up his phone with no guilt whatsoever.
You decide that for the sake of your sanity, youâre not going to look at your phone. Youâll deal with this when you get home and not before.
The restaurant the others are dragging you to is one you recognize. When you and your college friends needed hangover food after a long night, you came here. Keigo must have had a similar experience, because he orders for all five of you without looking at the menu, and once thereâs coffee in front of everybody, he looks at you. âSo. What did you find out?â
âI didnât find anything worth dragging me out of my house this early,â you say. âAsk him.â
You point at Aizawa, whoâs too busy chugging coffee to answer. He finishes his cup, takes Keigoâs, and drinks half of it before speaking up. âThereâs a strong chance that Tomuraâs conjurer has very few remaining ghosts. If thatâs the case, all Tomura needs to do in order to cut his conjurerâs access to the world between is to remain materialized.â
To remain materialized. Like heâs apparently been doing for most of the last forty-eight hours. âIf he does so,â Aizawa continues after the rest of Keigoâs coffee, âheâd leave his conjurer with close to the same degree of power as a human man possesses. Which would leave him vulnerable to us.â
âSo thatâs what this is about,â Keigo says. He steals Jinâs coffee, and you drag your cup closer in case Jinâs getting any ideas. âIf we want the conjurer dead ââ
âAnd we donât want Tomura to get sucked back into the world between ââ Spinner breaks in.
âWe have to do it ourselves.â Keigo completes the sentence. âOur thoughts are safe. They canât read our intentions. When he gets here, weâll kill him.â
âGreat,â you say. âThat still doesnât explain why Iâm here.â
âWe need to tell you because we need Tomura to buy in,â Spinner says. âIf he decides to get into it with his conjurer as a ghost, we canât help. And, uh ââ
âThe plan from before is still a good plan,â Jin says eagerly. You look at him, your mind utterly blank. âI mean, it sucks. But itâs better than nothing.â
âThe plan from before,â you repeat. And then it clicks â the plan for dealing with Garaki, and the reason why you and not somebody else need to be the one who convinces Tomura. âExcept this time Iâm the bait.â
âRight,â Keigo says. âHeâs not going to come out of hiding unless heâs got a good reason. We need to offer him something big. His wayward ghostâs human? It doesnât get any bigger than that.â
If the conjurerâs hesitating to take on Tomura, you have a hard time believing that heâll risk coming after you. But you donât need him to attack you. You just need him to show himself. Still â âIf Tomura doesnât think you can protect me, heâll never go for this plan. All of us fought Garaki. We couldnât touch him.â
âFunny you should say that, because I remember you sneaking up out of nowhere and hitting him with a stick.â
You canât keep the sarcasm out of your voice. âAnd look how much good that did.â
âA lot of good, given that he released Dabi when you struck him,â Aizawa says, and you shut up. âGaraki was connected to a thousand ghosts. Itâs likely that Tomuraâs conjurer is working with far fewer.â
âOne.â You speak before the thoughtâs fully formed, but then you realize what youâre actually saying and keep talking. âHe told me that when Mr. Yagi and his conjurer fought, he felt the other ghosts connected to his conjurer being destroyed. So unless that conjurerâs made a bunch of new haunts ââ
âHe hasnât,â Aizawa says.
âThen it could work,â Keigo says. âLetâs come up with a plan.â
Thankfully, breakfast arrives before the planning starts in earnest, so the server doesnât have to interrupt a conversation about how to get away with murder. The how-to-get-away-with-murder conversation includes you only tangentially. Your main role is to be here, memorize the plan, and present it to Tomura as totally simple, easy, and low-risk. You pick at your breakfast, horrified to find that you wish you were more involved in the planning. As terrible as it is, it would be better than thinking about whatâs going to happen when you get home.
Eventually the group settles on a course of action. Youâll take off your bracelets to expose yourself and give them to Hizashi instead, hoping theyâll hide his powers long enough for the conjurer to close in on you. Once he does, Hizashi will restrain him, someone will contact Tomura and order him to materialize, and everyone else will kill the conjurer once he loses access to the world between. Youâre pretty sure Tomura will have issues with multiple parts of the plan, and you say so, but as Spinner points out, Tomura wonât be able to stop the plan once itâs in motion without endangering you. Youâre inclined to point out that all Tomura has to do to stop the plan from ever getting going in the first place is to stop you from leaving the house, but youâre pretty sure he wonât do that. In fact, if heâs mad enough at you about this morning, thereâs a good chance he wonât let you back in.
Youâre hoping to get home immediately after breakfast, but everyone else decides that they might as well run errands while theyâre out and about. You get dragged to the dry cleaners, the grocery store, the game store, and the makeup counter at the nearest department store before Aizawa puts his foot down. On the way back to the neighborhood, everybody quizzes you about the plan, making sure youâve got all the details. Youâve got them. Youâve also got a pit of dread yawning open in your stomach, and it gets worse the instant Keigo makes the turn onto your street.
You wonder if the other ghosts have felt anything emanating from your house, or if Tomuraâs kept a lid on his feelings for once. Now that you think about it, youâve got no idea what Tomura might be feeling right now. Keigo comes to a stop in front of your house and you square your shoulders. Youâre about to find out.
The front door swings open as you climb the stairs, then shuts and locks behind you. Phantom runs to greet you, just like always, and you sit down to cuddle with her. Thereâs no sign of Tomura. With Phantom cuddled in your lap and licking your chin, you fish your phone out of your pocket and check your messages.
Tomura â¤ď¸: did you mean it
Tomura â¤ď¸: you canât just say that and run away
Tomura â¤ď¸: if you didnât mean it donât come back
Tomura â¤ď¸: i donât need you
Tomura â¤ď¸: i donât need any of this
You set your phone down and push it away. Then you look up and out at the empty space in front of you. âI meant it. I wouldnât have said it if I didnât mean it.â
Tomuraâs voice echoes out of everywhere and nowhere. âThen why did you leave?â
âI wasnât planning to say it right then. Or like that,â you say. âIt sort of just â came out. Sorry.â
âHow long?â
âHuh?â
âHow long?â Tomura demands. He materializes partially in front of you, and Phantom scrambles out of your lap and runs to him. Based on the way sheâs acting, you can tell heâs been hiding from her all day, and he feels guilty enough about it to materialize the rest of the way. Heâs petting her, fussing with her ears, and when he speaks again, his voice is quieter but just as intense as before. âHow long have you loved me?â
It crosses your mind that you could lie. Moreover, that you should lie. That you should say itâs something recent â the last few weeks, or maybe the last month at the very most. So recent that it barely means anything at all. But youâve been in love with Tomura a lot longer than youâve wanted to admit to, and you owe him the truth. âA while.â
You donât have to specify much further than that. Tomura gets it. âFuck,â he snarls, and Phantom startles, shies away. âSorry. Sorry. No, donât ââ
âShe just needs a second. Let her go.â You watch as Tomura loosens his grip. Phantom scrambles away, runs in a little circle, shakes so hard her ears flap, and comes cautiously back within reach. âI donât understand. Why does it matter how long Iâve felt that way?â
âA month ago. That was my chance! If Iâd known then â if youâd told me instead of â I would have ââ
Tomura breaks off, and your chest tightens. âYou wouldnât have,â you say, but thereâs a note of uncertainty in your voice. You donât know that. Youâve fallen into the trap of thinking you know whatâs going on in Tomuraâs head before. âThatâs not how it works. You have to want it ââ
âMore than anything else? Yeah.â Tomuraâs jaw is clenched. Heâs scratching hard at the side of his neck. âExcept I didnât want to change and find out you didnât want me more.â
This is the fight youâve been dreading. Itâs almost a relief to get it out in the open at last. âDonât pin this on me,â you say. âYou werenât sure before, but youâre sure now because I said three words?â
âTheyâre important!â Tomura snaps. âEverybody knows that. If Iâd known you were sure about me ââ
âThatâs not what âI love youâ means,â you say. Tomura glares at you. âIt means Iâm serious about you. It means I donât want anybody else. It means I see you in my future, and I like the fact that youâre there. But itâs not a sure thing. Thereâs no such thing as a sure thing.â
You shut your eyes for a moment, pressing the heels of your hands against them. âIf you were waiting on me to say something so you could decide about being human, it must not have been what you really wanted.â
âYou donât know anything! The others were sure when they changed!â
âI donât think they were,â you say slowly. âAizawa was unconscious when Hizashi embodied himself. Spinner was barely conscious when Magne did it. Neither of them could have gotten an answer from their human. Himiko and Eri didnât ask Jin and Shinsou if they could be their little sisters before they did it.â
âSo?â Tomuraâs voice is sharp and bitter.
âThey didnât have a sure thing,â you say. âThey changed anyway. If being human was what you really wanted, it wouldnât have mattered whether I loved you or not.â
âYou donât know anything,â Tomura says flatly. âIt doesnât matter now. This is how youâre stuck with me.â
âIâm not stuck,â you say. Tomura scoffs. âIâm not, Tomura. This didnât happen because Iâve been hoping youâll embody yourself permanently the whole time.â
âThen why?â
Why does anybody fall in love with anybody else? âIâll answer that when you tell me why you let me stay here instead of scaring me off like everybody else.â
Itâs quiet in your house. Phantom loses patience with the two of you and trots off into the living room, leaving you and Tomura to stare at each other from opposite ends of the front hall. Youâre not going to try to answer his question, and he looks like heâs got no plans to answer yours, and contests to see which of you is more stubborn usually end with neither of you getting what you want. You edge a few inches backwards and lean against the door, posture open and legs loosely crossed. You know what this pose looks like to Tomura. Itâs all the ground youâre willing to give, which means the ball is firmly in his court. All you can do is wait.
Tomura dematerializes, and your heart sinks â but then a rush of cold sweeps over you, and he settles into your lap like he always does. âYouâre stuck with me like this.â
âIâm not stuck,â you say, rolling your eyes. âI havenât been waiting for you to embody yourself. I guess neither of us know if we want that.â
Tomura rolls his eyes in response, you feel him relax slightly. âThere are some things I know I do want,â you say. âI want to stay here with you. I want to call you whatever I have to call you so people stop questioning what you are to me. I want to introduce you to my parents ââ
âNo, you donât.â
âYes, I do.â
âYou donât. You think Iâll act weird ââ
âIâm counting on it,â you say, and Tomura gives you a surprised look. âIf weâre weird enough to them, itâll be a long time before they come back.â
Tomura laughs at that. You hear him laugh infrequently enough that it still makes you feel like youâve won something. âI like it best when itâs just us,â you say. You wrap your arms around him, pulling him closer, and he lets you do it. Heâs fully relaxed now, which makes you feel sort of bad for what youâre about to say. âAnd I know I want us to have sex. Today. What do you think?â
âDonât be stupid,â Tomura says, because heâs an asshole. He twists in your arms and presses his lips against yours â lightly enough that he can talk, and so can you. âIâve only been waiting for a week.â
His voice goes rough and raspy in a way that makes your skin crawl with anticipation, but itâs not like you havenât been waiting, too. âWe could have done it earlier, but you were too busy being mad that I had to leave.â
Tomura protests, but you kiss him again, and he stops talking in a hurry. Youâve spent a lot of time making out with Tomura by now, and you know what he likes. You know how to wind him up at lightspeed, which has the effect of winding you up at lightspeed, which is great when the two of you donât have a lot of time on your hands. Itâs not so great when youâre trying to have sex. But youâve been thinking for a while about how to make this work. Step one involves making Tomura come.
Tomura catches on quickly, but not quickly enough. Heâs already grinding against you, his cock already hard and straining the confines of his pants, his breathing harsh and unsteady in your ear when you bow your head to kiss his neck. âWhat are you ââ he breaks off, struggling to form words. âHey. If you â if you donât stop ââ
âDo you want me to stop?â you ask. âI will.â
âNo,â Tomura says through gritted teeth. You slide one hand between the two of you, tracing the outline of his cock through his pants. âHey! I thought we were supposed to ââ
âHave sex?â You keep touching him, your stomach twisting with desire at the needy, desperate sound he makes. âWeâre going to. I need you to come for me first.â
âWhy?â
âDo you want me to stop?â you ask again. You draw back from kissing Tomuraâs neck to look him in the eye and your stomach twists again, harder this time. He looks so pretty, his face flushed and his dilated eyes shrouded by too-long eyelashes, and heâs shaking his head. No, he doesnât want you to stop. Good. âThen youâll see soon.â
You kiss him. Heâs squirming in your lap, hips rocking unevenly as he chases the scant friction provided by your hand, and your mind goes temporarily blank as you imagine your positions reversed, your legs hooked over his hips as he thrusts inside you. The thought distracts you to such a degree that Tomura notices â and because Tomuraâs an asshole, he points it out. âAre you getting off on this?â
âWhat else am I supposed to do?â you respond. âYouâre just too pretty.â
Tomura startles, and you say it again. Better yet, you elaborate on how hot it is that he wants you this much, how much you like his desperate squirming in your lap as he seeks release. It doesnât take much. A few sentences, and a strangled sound escapes from Tomuraâs mouth as he shudders, throws his head back. A damp patch blooms through the fabric of his pants. You yank him closer, pressing your mouth against his throat. âStay here, Tomura. Stay with me.â
He mumbles your name, and you kiss him again. When he speaks up, he sounds a little more like himself. âNow what?â
âNow we go upstairs,â you say. âThis next part will be better with the bed.â
Tomuraâs a little shaky as he gets to his feet, and you hold his hand on the way up the stairs. Heâs holding onto his physical form pretty well. You shoo him over to your bed, shut your bedroom door, and head into the bathroom to retrieve your still-unopened box of condoms. Tomura leans back on his hands and watches you through half-lidded eyes. âWe need those?â
âYes, we do,â you confirm. You set them down on the bedside table and start taking off your clothes, starting with your jeans.
Youâve been naked in front of Tomura before. Fully naked when you didnât know he was there, partially when you did, but getting purposely, completely nude in front of him is something new. You lose your underwear next, and take your bra off without removing your shirt. When you glance over at Tomura to see how heâs taking this, you find that heâs taken off his shirt and is in the process of peeling off his pants. He glances down at himself, grimaces. âWhy did I have to do this first?â
âSo youâll be less sensitive for this,â you say. You decide to leave your shirt on for now. âI want to make sure you last.â
âI can last as long as I need to.â
You remember the time the two of you tried edging â tried being the operative word â and wince. âThen it was just to make sure. Are you really going to complain about getting to go two rounds instead of one?â
This really isnât a good time for Tomura to hit you with that dumbest-person-ever look, but heâs doing it anyway. âItâs not fair,â he says. If thereâs something youâre supposed to understand about that sentiment, you donât have a clue what it is. âWhat if you canât last?â
You laugh before you can stop yourself. âMost women donât come from just this kind of sex by itself. Me lasting isnât going to be a problem.â
âThatâs stupid. Why are we doing it if youâre not going to like it?â
âIâll like it,â you say. Your face heats up just thinking about it, but Tomura doesnât look convinced. âItâs complicated. Do you really want to talk about this right now?â
âNo. I want to do this.â Tomura reaches over, grabs you by the hem of your shirt, and yanks you onto the bed. âIf you wonât come from sex, you have to come from something else.â
Like always, Tomuraâs got weird ideas about how sex is supposed to work. You try to tell him that, but heâs already pushing the hem of your shirt up to bare your breasts, scraping his thumb along the underside of one while his lips close around the opposite nipple. Your skin is tingling. One of Tomuraâs legs slips between yours and your hips lift against it involuntarily. Tomura draws back, smirking. âYouâre already so wet. I barely did anything. You like watching me that much?â
âYes.â You had a better retort, but heâs fiddling with your other nipple now, and itâs hard to focus. âYou watch me all the time. I donât get to watch you?â
âOnly when I want you to.â
Once the two of you are done here, youâre going to introduce Tomura to the concept of hypocrisy. The thought forms in your head, then slips away as Tomura pushes your legs apart and sprawls out between them. Cold air brushes over your clit as he exhales, followed a moment later by his tongue. A gasp sneaks out of your mouth. Tomura makes a pleased sound, parts your folds with his thumbs, and dives into eating you out in earnest.
In general, Tomura is about as good at teasing as he is at edging, which is to say heâs terrible at it. He likes being told heâs good at things, and no matter how much he makes fun of you for getting off on him, he gets off on you just as much. But heâs teasing you today, absolutely merciless with it, his mouth barely leaving your skin while the pressure of his tongue and lips remains unbearably light. You lift your hips, seeking more friction, and he pins you down and continues at the same steady, insufficient pace.
âTomura,â you plead. You know heâs weak to hearing you say his name. âPlease, Tomura. I need you. Please ââ
âWhat?â
âMore,â you whisper, and Tomura stops, because heâs an asshole. âPlease. When do I ever make you beg?â
Tomuraâs cheek is pressed against your thigh. His mouth is wet, and you feel his lips curve into a smile. âSay it.â
Your brain is so scrambled that it takes you a second to realize what he means. And once you do, youâre borderline appalled. âNo.â
âWhy not?â Tomura accents the question by sliding two fingers inside you, torturously slow. âYou said it before.â
âHumans donât say âI love youâ during sex,â you say. The slow motion of his fingers is driving you insane, half because you know what he can do with them if he wants to and half because youâre a few minutes away from having his cock inside you and youâve been thinking about it for weeks. âBesides, why should I say it again? You never said you loved me.â
Tomuraâs only response to that is to bury his face between your legs. It doesnât worry you. Itâs impossible to worry about anything other than whether heâll stop, but even if you could, you wouldnât be worried about this. Youâve never expected Tomura to feel the way a human would about things, or express how he feels in the type of words humans use. Youâve always been willing to take what you can get, and if what you can get is the full focus of his attention and enthusiasm on making you come so hard you see stars, thatâs more than fine with you.
You sit up as soon as your headâs stopped spinning, only to immediately find yourself squirming away from Tomura, whoâs more than ready for round two. You put a hand on his chest to hold him back. âCondom first.â
Itâs been a while since you had to deal with a condom, but itâs not the kind of thing you forget about. You decide itâll be easier to do it yourself than to try to talk Tomura through it. You pry open the box, noting as you do that the collective expiration date is sooner than you thought it was, and get to work, trying not to think about the fact that youâve had an unopened box of condoms in your possession long enough for it to practically expire. Tomura seems on board with the condom situation until you try to put it on him, at which point he makes a face. âI thought you had to wear it.â
âNo, this time you do.â You havenât been on birth control since your last relationship, but youâll make an appointment with the doctor tomorrow and get back on it. If nothing else, you can be confident that Tomuraâs not going to give you an STD. âJust to be safe.â
âFine,â Tomura says, rolling his eyes. You shove at him until he sits back and leans against the headboard. âHurry up.â
You were never uncertain about whether making Tomura come at least once before trying to have sex was a good idea, but now youâre convinced â even after that, heâs sensitive enough that putting on the condom makes him twitch and moan. For your part, youâre reminded all over again just how big he is, and you feel a sharp twinge of nerves. You shove it away. Youâre not a virgin. You can handle this. This is why you decided to be on top.
You straddle Tomura carefully, leaning down for a kiss to settle your nerves. Heâs enthusiastic as always, and itâs a struggle to pull away long enough to speak. âWeâll go slow at first. If one of us needs to take a break, we can.â
âA break?â Tomuraâs eyes are dilated. His hands slide up beneath your shirt. Either theyâre not as cold as they used to be or youâre getting used to them. âWhy?â
âTo compose ourselves so we donât finish too soon.â Youâre being very charitable in describing it as a âweâ thing. âOr so I can adjust.â
Youâre hoping Tomura wonât ask what you need to adjust to, and to remove the possibility entirely, you position yourself appropriately and start to sink down on his cock. It should be easy. Youâre wet. Youâve already come once. Youâre not a virgin. But Tomuraâs easily the biggest youâve ever slept with, and itâs been a while. The stretch is bordering on painful. More than bordering on it. Your eyes are watering.
Tomura sucks in a breath, eyes squeezed shut. One hand grabs a fistful of the pillows on the bed. The other seizes your hip like a lifeline, hard enough to leave ghost marks and real bruises. The pressure on your hip distracts you slightly from the pressure between your legs, and you sink down a little further, a whimper escaping from your mouth. Tomuraâs eyes fly open at the sound. He shifts beneath you, and the sudden motion combined with your weak efforts to relax allow you to settle down the rest of the way, your body flush with his and his cock seated fully inside you.
You can feel your muscles straining, struggling to adjust. Tomuraâs hold on your hip tightens even further. âDonât move,â he hisses. Youâve got no intention of it. âI canât â I want ââ
âWhat?â You set your hands on his shoulders and cling desperately. You want to bury your face in his shoulder, but youâd have to lean forward, and youâre supposed to be riding him. You picked this position. You have to make it work, and the longer you have to adjust, the more accustomed you get to the pressure building up inside you. You need to hold still. You feel like youâll split apart if you move. And at the same time youâre starting to feel â good. âTomura?â
He shakes his head, jaw clenched. The hand on your hip loosens and slides down to cup the curve of your ass, shifting you forward and upwards ever so slightly. Even that slight change in position electrifies you. You gasp, and Tomura presses on your hip to shift you back to the same position as before. Then his hand slides to your ass again, and you figure out what heâs doing. You figure out what youâre doing, too. You take the motion Tomura outlined and shift slowly through it, at your own pace and under your own power.
The stretch of Tomuraâs cock is easier to work through now that you know how to make it feel good. Each movement is still enough to drive the air out of your lungs, and your face heats up with a flush that spreads down your throat until your entire body feels hot and slick with sweat. Tomuraâs flushed, too. He moves unsteadily beneath you with uneven jerks of his hips, trying to match your rhythm but either too inexperienced or too undone to manage it properly. The hand not grasping your hip slides beneath your shirt, along your back, fingernails sinking in. Nobodyâs ever done that to you before. Itâs really hot.
Tomuraâs usually noisy when the two of you hook up â noisy, but never talkative unless youâre teasing him. At first you think this will be like that, and at first it is. The desperate noises escaping from his parted lips are as familiar as they are intoxicating, and your body tenses with desire in response. Tomuraâs head falls back against the headboard, his chest heaving. And then, to your shock, he opens his mouth and speaks.
âYou feel good,â he says, his voice raspier than youâve ever heard it. âSo good. So tight and hot and wet. You want this. Say you want it. Say you want me.â
You forgot about this part of sex, the part where anything feels reasonable if it keeps him inside you and keeps that almost-unbearable tension building through your body, radiating from the inside out. âI want you.â
âSay it again.â Tomuraâs crimson eyes open, focus on yours. The intensity of his gaze and the sensation of his nails digging into your back and the feeling of his slow, almost experimental thrusts is almost too much. Youâre not sure you can talk. âSay you want me like I want you. I wanted you before I knew how to want things. You feel so good. Fuck ââ
You donât have a praise kink like Tomura does, but youâve never been immune to the sound of his voice. âI want you,â you say again. âSo much, Tomura. I â ah ââ
Heâs moving faster now, not matching your pace so much as setting your own. You need that. You didnât know how much you needed it until Tomura seized control, but for the first time in a long time, youâre completely at his mercy, letting him take the lead without direction or argument. You like the role you play in your relationship, and you wouldnât want it to be different, but every so often it feels good to go along for the ride.
But itâs not a ride anymore. Tomura rolls the two of you over, pinning you beneath him. His cock slips out of you as you change position, and when you reach down to help him guide it back into place, you register something odd about the slickness of the condom. Any thought about it at all exits your mind as Tomura thrusts back into you. You hook your legs over his hips, gasping at the change in angle. âI want you,â you say again, and Tomura shudders, swears. âI want you, Tomura. I need you. Tomura, please. Please ââ
You can feel him trying to control himself, trying to outlast you, and youâre about to tell him not to â except you donât have to tell him, because the pressure building within you lasts for exactly three more thrusts before it snaps. Youâve never come just from something inside you before, but thereâs a first time for everything, and you note through the haze that it makes a certain kind of sense. Tomuraâs not like anyone youâve met before, let alone slept with. Of course youâd come from just his cock.
Your back arches, your legs locking tighter around Tomuraâs narrow hips, and although your vision is blurry, you can see him staring down at you, his hair falling around his face, his eyes dilated and his mouth open and panting. Your muscles clench tight around his cock and his jaw drops, the filthiest moan youâve ever heard drifting through his cracked, parted lips. His hips jerk in the frantic thrusts that mean heâs close, the ones you remember from the times youâve used your hands or your mouth, the times heâs rubbed himself to orgasm against your leg, your hip, your ass. What he says is familiar, too. âTell me again. Tell me ââ
âI love you,â you say. Youâre his first â first handhold, first orgasm, first kiss, everything. If you have it your way, youâll be his only. âYouâre mine.â
Tomura comes, his body shaking, his eyelids fluttering. Heâs so pretty. You tell him that and feel his hips twitch weakly again. Sometime â next time, maybe â youâd like to roll the two of you over and ride him to overstimulation, until heâs a sweaty, sticky, shuddering mess beneath you. That kind of thing will be easier once youâve got birth control worked out. Right now thereâs a condom to deal with.
Tomuraâs physical form is fading fast, but he still manages to pull out, and heâs the one who alerts you that thereâs a problem. âIt broke.â
You slide one hand down between your legs and find that the condom is one hundred percent broken â and your fingers come away covered in some mix of your own wetness and Tomuraâs cum when you dip them inside yourself to check. Tomuraâs faded almost completely, but you can feel him watching, and feel his anxiety, too. Thereâs something endearingly human about it. Ordinarily youâd be unhappy, too, but you find yourself oddly calm. âItâs fine.â
âItâs fine?â
âYeah. Not ideal, but Iâll pick up the morning-after pill on my way to work tomorrow.â Youâve never used it before, but you had friends who did, and while itâs expensive, it seems relatively low-impact. âIâm not worried about it.â
Itâs quiet for a second. âSo we can do it again.â
âYes,â you say. âNot right now. I donât think either of us has the energy for that.â
âI had to use some of your plants.â Tomura sounds guilty. âThe â what do you call them. The ones that die every year.â
âAnnuals. Itâs okay.â Itâs late October. They were dying anyway. âIâm glad you did.â
You donât plant very many annuals. You wish youâd planted more â enough to give Tomura the energy to stay with you, so you wonât have to fall asleep alone tonight. But at least youâll fall asleep amidst the evidence of everything you do have, instead of thinking about the one thing you donât.
You get up from the bed on absurdly shaky legs and dispose of the condom in the bathroom trash, then set about cleaning up. You canât clean up all the way, courtesy of the condom fiasco â according to your college friends, who definitely had more adventurous sex lives than you did, cum leaks out at its own pace. You and Tomura didnât bother getting under the covers, so you peel off the duvet and swap it out for a quilt from the closet. Then you start getting dressed.
You have to undress the rest of the way in order to put on clean clothes. Youâve just taken off your shirt when a cold hand lands on your back, scaring the hell out of you. You twist around, looking for Tomura, but heâs not materialized, and his hand lands on your back again. âWhat are these?â
It takes you a second to realize what heâs referring to. âThe scratches? You did those. When I was on top.â
âThey hurt.â
You shrug. The soon-to-be bruises on your hips hurt more, and youâre sorer than expected, courtesy of Tomuraâs size and his enthusiasm towards the end. âItâs fine.â
âYouâre really calm,â Tomura says suspiciously. âWhy?â
You were thinking about putting on real clothes. You change your mind and get into your pajamas instead. âSex is always sort of weird. I was expecting that. But sex for humans releases all kinds of stuff in our brains that makes us feel good, even if itâs not the best sex ever. And this was really good. So I feel calm. How do you feel?â
Tomura doesnât answer. You open the door to your room in case Phantom wants in, then get into bed and curl up tight. The cold settles in around you a few moments later, and you hear Tomuraâs voice in your ear. âI thought humans werenât supposed to say I love you during sex.â
âSometimes humans donât do what weâre supposed to do,â you say. Tomura snorts. âItâs usually sort of a mood killer.â
âI liked it.â For a moment, Tomuraâs physical presence feels real. You feel the weight of his arm draped over you, the solidity of his body curled around yours â and then heâs gone. âI love you.â
You didnât need to hear him say it. You knew how he felt about you. But itâs nice to hear it anyway. You fall asleep fast, with a smile on your face.
You knew the empty house in a quiet neighborhood was too good to be true, but you were so desperate to get out of your tiny apartment that you didn't care, and now you find yourself sharing space with something inhuman and immensely powerful. As you struggle to coexist with a ghost whose intentions you're unsure of, you find yourself drawn unwillingly into the upside-down world of spirits and conjurers, and becoming part of a neighborhood whose existence depends on your house staying exactly as it is, forever. But ghosts can change, just like people can. And as your feelings and your ghost's become more complex and intertwined, everything else begins to crumble. (cross-posted to Ao3)
Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17
Chapter 18
Thereâs something wrong with your house, but you knew that when you bought it. This morning, the thing thatâs wrong with it is the potted plant thatâs heaved over the fence into the front yard just past three am. The sound of a terracotta pot shattering wakes you up, and when you fumble for your phone to check the time, you see that youâve got a text from Dabi. Your dumb horny idiot wouldnât leave me alone until I gave him a plant. Whatever the hell he wants, I hope itâs worth it.
As far as Dabi goes, it could be worse. You send him a thumbs-up and a thank-you and wonder idly if Tomura really thinks one potted plant is going to get the two of you through a second round of sex. But when Tomura materializes in your room seconds later, he doesnât try to start something. Instead he crawls under the blankets on your bed and wedges himself in beside you. Phantomâs excited to see him. She walks all over you to plop down between the two of you, her wagging tail thumping against your cheek.
You shift her to one side to avoid the onslaught and peer at Tomura through blurry eyes. âWhat?â
âGo back to bed.â Tomura sets Phantom down on your stomach and presses close against your side, wrapping one arm around you to hold you even closer. âI mean it. Go.â
You donât like being told what to do, but you have work in the morning, and youâre still worn out from last night. You close your eyes again.
Itâs a busy morning, so busy that your plan to get the morning-after pill before work is derailed within two minutes of your alarm going off. You were so tired last night that it was all you could do to make dinner, feed Phantom, and go back to sleep, which means you now have to shower and pack a lunch in addition to all your usual morning chores. And somewhere in the middle of that, you have to explain the plan for killing Tomuraâs conjurer to Tomura himself.
Tomura, as predicted, is not pleased. His first protest is that he can do it himself, at which point you text Hizashi to come over later and explain â from outside the fence â what happens to ghosts who kill their own conjurers. Tomura follows up by pointing out that the others werenât very helpful handling Garaki, and you counter with Tomuraâs own statement about being his conjurerâs only remaining ghost. Finally, Tomura gets around to what seems to be the main point of contention. âI donât trust them. Not with you. Not from him.â
Tomura doesnât talk about his conjurer very much. From what heâs said, he barely remembers him. But you knew heâd say something like this, and you have a response ready. âIf youâre materialized, heâs cut off from the world between. Heâll just be a human. And humans die.â
âDonât copy me,â Tomura says. He knows youâre quoting what he said to Garaki. âWhoâs supposed to kill him, anyway? If they try this stupid plan.â
âThe rest of the adult humans,â you say. Then you think about it. âProbably Keigo or Aizawa. And probably Aizawa. Heâs got a gun.â
âSpinner would. And Jin.â Tomura speaks with a lot more certainty than youâd expect. He sees the way youâre looking at him. âWhat?â
âNothing.â The electric teakettle hisses and you pour hot water into your travel mug before dropping in a tea bag. âUsually you arenât nice about them.â
âThey came over while you were gone. For games.â Tomura crouches down to pet Phantom, whoâs come over with her favorite toy. âHimiko, too. It wasnât bad.â
You didnât expect that. You didnât think heâd do anything but hang out with Phantom while you were gone, and you suddenly feel guilty for not asking. But youâll ask more when you get home from work, or text him about it on your lunch break. Right now you have to get moving. âSo, the plan?â
âI havenât said yes yet.â
âWeâre not doing it today,â you say. âJust think about it. If youâve got ideas, we could use them. Your last plan was pretty good.â
Tomura looks pleased with himself. You gather up your work backpack, plus all the research youâre bringing to Mr. Yagi in exchange for his and Izukuâs notes on his masterâs journal, and head for the door. Phantom follows you. So does Tomura. âGet more plants on the way home.â
You say goodbye to Phantom and feed her a treat. âPlants are expensive.â
âTheyâre everywhere outside. Those donât cost anything.â
He wants you to go out, dig up random plants, put them in pots, and bring them home so the two of you can have more sex. âIâm not stealing plants in my work clothes,â you say. âMaybe after dinner.â
Tomura grins. He dematerializes from behind you and reappears in front of you, leaning against the front door and blocking your path. âI want a kiss first.â
âI was going to kiss you anyway.â Your hands are full, but you step forward anyway and press your lips against his.
You havenât kissed him since last night. The two of you donât usually kiss unless someoneâs trying to start something, and kissing him goodbye on your way out the door to work has always felt a little too intimate, a little too serious for whatever the two of you are. Except now the two of you have said you love each other. You defined the relationship. You went all the way, to the degree that youâre having to make an effort not to walk funny. You can be serious, because it is serious. A goodbye kiss is something youâre allowed to have.
Youâre five minutes late by the time you stagger out the door, and as you push the speed limit to get to work on time, you find yourself wishing you had someone you could tell about all of this. Maybe not the sex part. Probably not about that. Definitely not about that â but the rest of it. The part where youâve got a boyfriend who loves you in whatever way ghosts love humans. Itâs the kind of thing youâd talk to your old friends about, but theyâve found their own lives and pulled away, just like you did. Thereâs got to be somebody else. As you cruise the courthouse parking lot looking for a parking place, your usual spot long since snagged by somebody who got here early, youâre horrified to find yourself considering telling Nakayama.
The spot you find is way back in the corner of the lot, almost out of sight of the doors. If it was dark thereâs no way youâd think about parking here, but itâs broad daylight, and youâve got pepper spray somewhere in your backpack for the walk back after work. You take a second to get yourself organized, then grab your backpack and get out of the car, walking around to the passenger side to lift your research folder off the seat.
You donât see a shadow fall across you. You donât hear footsteps. The first thing you notice is something touching your shoulder, and the last thing you see is an enormous hand swathed in a wet, stinking handkerchief coming down over your nose and mouth. You have time to identify the smell â not alcohol, something stronger, chloroform? â before the world starts to blur at the edges. Somewhere in your head, alarm bells are ringing. Youâre in danger. Youâre being kidnapped. Somethingâs gone really wrong.
By the time the realization settles over you fully, itâs too late. All you can do is throw your elbow backwards, connecting weakly with something solid, before everything goes black.
You come to with a splitting headache and all the adrenaline and terror you didnât have time to feel before flooding through your veins. As soon as your eyes are open, youâre fighting, but thereâs no point â your arms and legs have been shackled down at the wrists and ankles, and thereâs a restraint pinning you to the table at the waist. Youâre trapped. Itâs not even funny how trapped you are.
When you look up, all you can see is the bright glare of a fluorescent light, the kind that gets shined on your face at the dentistâs office. When you turn your head to the right, thereâs nothing. When you look left, you see a rolling cart with a tray on top of it. The tray is covered in sharp, shiny metal implements. Surgical implements.
This canât be happening. You thrash, trying to find any give in your restraints, but thereâs nothing. Itâs around then that you realize youâve been stripped of your shoes, socks, shirt, pants â youâre down to your bra and underwear, like some parody of a kidnapping in a movie. But this isnât a parody or a movie. Itâs real. Whoever brought you here is planning to hurt you badly. Maybe kill you. Probably kill you.
âDonât worry. I donât plan to kill you.â The voice issues from somewhere behind you, and it rings a distant bell in your head. Too distant, when the rest of you is worried about whether your kidnapper can read your mind. âIn fact, my plan hinges on your survival. I have great things in mind for Tomura, and the death of his human at my hands will not improve his listening skills.â
âShigaraki Akira,â you say, and Tomuraâs conjurer laughs. âI know who you are. We all do.â
âYes, you made it quite far in your investigation! Tomura certainly chose his human well,â the conjurer says. He sounds delighted by it, which is the opposite of how you expected him to sound. âItâs quite unusual to see a human so bent on protecting a ghost â and terribly unfortunate that Tomura wasnât quite so careful when it came to you. So full of ghostly power â you were all too easy to spot.â
You have the incredibly stupid thought that this wouldnât be happening if the condom hadnât broken, then push it aside. The conjurerâs voice is familiar. Youâve met him before. When? Where? âWhere did you find me?â
âYou donât remember?â The conjurer sounds surprised. Then he laughs at himself. âOf course. You canât see me. My apologies.â
Footsteps behind you. A shadow falls over you, and although itâs hard to see the conjurerâs face, you know exactly who youâre looking at. âMy fellow gardener,â the man who gave you his handkerchief the day Garaki died says. His smile sends a bolt of pure terror down your spine. âWe meet again.â
All this time youâve been plotting against Tomuraâs conjurer, and heâs known where you are. Heâs known where you are for more than a month. You thrash against the restraints harder than before, watching as Shigaraki picks his way around the table youâre strapped to and reaches the cart with the instruments. He pulls on a pair of gloves, and somewhere behind you, a door opens. More footsteps. Shadowy figures come to stand along the walls, and Shigaraki continues to talk.
âItâs quite a strange existence your neighborhood has carved out,â he remarks, lifting one tool after another to the light and studying them. âSo many beings who once held immense power, leading such quiet, mundane lives. I must say, Iâve never understood the appeal of humanity, of mortality. Why should we settle for one life, one world, when we could have so much more?â
Silence falls, and stretches. Tomuraâs conjurer glances at you. âThis isnât a rhetorical question. Iâm interested in your answer. What is so wonderful about mortality?â
âItâs not wonderful,â you say. Shigaraki Akira arches an eyebrow. âThe world between is worse.â
âAh, I understand. Youâve stared into the abyss, and you donât like what you saw.â Shigaraki raises one hand and beckons, and eight shadowy figures converge on the table, holding down your arms and legs even tighter. If you couldnât get out before, youâve got no hope of it now. âPerhaps you simply need to look a little longer. You will get the chance.â
When he speaks again, heâs not speaking to you. âHold her down tightly. We must remove all traces, or our plan will be spoiled before it can begin.â
âWhat plan?â you ask desperately. âWhat are you going to do to me?â
âFor all your impressive qualities, youâre only human,â Shigaraki Akira says, almost indulgently. âIn order for you to properly partner Tomura, I must make you into something more.â
Thereâs something about that you should understand. Something you should know. But then the blade of a knife meets your skin, carving deep through its layers and down to the fat beneath it, and your ability to understand anything at all vanishes into a helpless howl of pain.
Itâs terrible enough to drive you into unconsciousness, but Tomuraâs conjurer doesnât let you stay there. When you pass out, the knife lifts, and the process doesnât begin again until you wake. You donât know why you have to be awake for this, unless heâs trying to torture you, but he sets the knife down every so often to assure you it isnât personal. How could it not be personal? Heâs carving into your skin, peeling back long strips of it with agonizing slowness, stopping only when you fall unconscious or when his hands grow too slick with your blood to hold the blade. Thereâs no rhyme or reason to where heâs cutting you. Your left shoulder. Your right forearm. A spot on the side of your torso that feels like it takes hours upon hours to peel back. Every time you black out, you pray that you wonât wake up, that the conjurer wonât be able to rouse you. And every time, your eyes open again.
It's been quiet in the room, save for the conjurerâs voice and your unheeded screams, but after some endless amount of time, you hear another voice. âToo much blood loss,â it says, low and rumbling. âWeâre running out of excisions.â
âThereâs nothing to worry about. I expected her to be strong-willed, and we have plenty of excisions left for my purposes,â Shigaraki Akira says. âWhen we exhaust our options on the anterior, weâll turn her to expose the rest. The one on her back is quite fresh.â
Whatâs on your back? You know Tomura left scratches there last night â and then you understand what the conjurerâs doing, what heâs spent the last interminable hours carving out of your skin. Heâs removing the marks Tomura left on you. All of them, one by one.
You donât know why he thinks Tomura will be happy with this. Seeing whatâs been done to you will enrage him. You wonder what time it is, whether anyoneâs noticed youâre missing, whether anyoneâs asked where you are. How long will it take Tomura to realize you arenât coming home? How long is he going to be angry at you before he realizes that somethingâs gone wrong? You think of him pacing inside the house, Phantom following him, anxious because he is. You wish you were anywhere but here, but more than anything, you wish you were home with them. Youâre never going to see them again. Your throat, raw from screaming, closes off. Tears begin to drip down your cheeks, and the next time the knife cuts into your skin, you endure it in sobs instead of screams.
Your other arm. Your opposite shoulder. The other side of your waist. At some point the conjurer inserts an IV, and fresh blood begins to flow drop by drop into your veins. He wants you alive. Why? You try to make yourself listen to what heâs saying, to learn anything that might help you survive, but thereâs nothing. Just the friendly exterior, the friendly voice, and the hands cutting you apart piece by piece.
âI canât call this failure Tomuraâs,â he muses as he carves a piece of flesh out of your upper arm. âHe doesnât know any better. Toshinori, on the other hand â the fact that I snatched you from under his nose will haunt him for the rest of his pathetic human life.â
You want to defend Mr. Yagi, but thereâs nothing left of your voice. Itâs almost as raspy as Tomuraâs, and youâve barely used it for anything but sobs and weak whimpers of pain. The conjurerâs voice takes on a dangerous note. âNothing to say? Your stubbornness was charming at first. Now itâs getting excessive.â He jabs the knife into your skin, peels a strip back, and you wail like a wounded animal. âThereâs no point in resisting. No one is coming for you. No one knows where you are. No one even knows youâre gone. The longer you resist, the worse it will be.â
No one knows youâre gone. That means itâs still the same day, because if heâs been watching you, he knows what time youâd be expected home. How is it the same day? It feels like itâs been forever. âThatâs right,â the conjurer continues. âThe longer you hold out, the more painful this will be. When it ends is entirely up to you.â
When it ends? Your mind is too hazy with blood loss and pain to come up with an answer, and before you can even come close, the knife bites into your skin again. You pass out almost instantly. He revives you just as quickly. It begins all over again.
You can tell the conjurer is growing frustrated with your unwillingness to do whatever it is he wants you to do. You also have a feeling heâs running out of marks to carve away, and sure enough, he orders for you to be uncuffed and rolled over, so he can reach the marks on your back. They uncuff your legs first. Nobodyâs trying too hard to prevent you from running, which makes sense. You canât run. You donât even know that you could stand.
When your right handâs uncuffed, the conjurer takes one look and bursts out laughing. âHow did I miss this?â he asks, pulling the bracelet from your wrist. âShimuraâs work. Of course sheâd continue to plague me from beyond the grave.â
Conjurers canât touch the souls of the dead. If you die, youâll be free of this. Free from him. The thought comes to you, settles around you, comforting and cold. You donât have to survive this. It can end. You can go.
Shigaraki Akira laughs. âSo this token was the underpinning of your resolve. Moonfish, retrieve the ghost. Weâre ready.â
His voice is benevolent again, almost cooing, with a sickly undertone that makes you want to tear off the rest of your skin. He uncuffs your other wrist without looking, without spotting the bracelet there, covered in blood and practically glued to your skin. âI imagine Tomura will be very fond of my gift. Once your binding is complete, heâll have no need to embody himself again.â
A ghost. He called for a ghost, and heâs talking about binding â a Nomu. Tomuraâs conjurer is planning to turn you into a Nomu. He tortured you until you lost your will to go on, and as if you needed proof that he succeeded, youâre lying completely unrestrained on the table without even the faintest urge to run. âAs for this,â Shigaraki continues, âitâs only fitting that I break Shimuraâs last trinket on the day I break her ghostâs will.â
He raises the bracelet and slams it down on the table. You hear it crack. A sheet of white light blasts through the room.
You donât understand whatâs happening. It feels like it happens too fast, and at the same time, you see it in slow motion. Shigarakiâs blown backwards, clawing at his face and howling. The table you were tied to tips and overturns. Thereâs a sharp sting as the IV comes out of your arm, and pain explodes through your body as you hit the ground and sprawl out. Your mindâs a second or two behind the times. Youâre sprawled out on the ground. Your arms and legs are free. You could get up, if you wanted to. You could run.
You struggle to your knees, try to stand, and realize that crawlingâs your best bet. In the wreckage of the laboratory, nobodyâs paying attention to you â theyâre all trying to aid Tomuraâs conjurer, whoâs still howling in pain. You gather your strength and whatâs left of your resolve and crawl for the door.
The operating room was clean and pitilessly bright, but the hallway outside is dingy, and crawling through it feels like itâs going to give you twenty kinds of diseases. Itâs that thought that forces you to your feet, and not a second too soon. One of the conjurerâs minions is hurrying down the hallway towards you, carrying a matte-black box thatâs rattling in his grip. You donât even think before you act. You reach out and swat it from his hands, and the instant it strikes the floor, the ghost inside it bursts free.
The ghost could kill you. You see her thinking about it, but then the conjurerâs servant lunges through her, towards you, and she materializes all at once. Youâve never seen a ghost trap someone else with its own body before, and itâs hideous. So is whatâs happening to the minion â massive dents are appearing in his body, like the way a car looks after a few rounds in a demolition derby. His eyes are blank as his body deforms, but the ghost looks at you. She has dark skin and pale hair and a look of unrestrained fury in her red eyes. âRun.â
You donât need to be told more than once. You set off down the hall as fast as you can go, stumbling on almost every step. If anyone catches you, youâre doomed, but if you can get out of the building, maybe â you think about your home, Phantom. Tomura. But even if you make it out of here, you donât know where you are. You donât have money or your phone or your ID. You donât even have clothes. When you hit the street, youâll be doing it bloodstained and in your underwear, and thereâs no guarantee that youâll make it that far. You remind yourself again. Phantom. Tomura. You have to.
Something seizes you from behind, and your destroyed vocal cords shudder around a scream â but itâs only the ghost from the box. She begins to drag you down the hall, much faster than you were able to move on your own. âIâll get you out, but thatâs it,â she says through clenched teeth. âWhatever you did in there, do it again as soon as weâre outside.â
You still have the other bracelet. You nod and struggle to pick up speed, but the ghost makes an irritated sound and yanks you completely off your feet. Itâs faster this way. Still, youâd give almost anything not to see the long smear of blood your body is leaving on the ground, and of course being dragged around like this hurts. Everything hurts. Youâve never felt pain like this before. All you want is for it to stop.
No, thatâs not all you want. You want to go home. You think of Phantom, think of Tomura, and hold on tight as the ghost kicks down a door and drags you through onto the street.
Itâs almost full dark. The air smells sooty and metallic, which tells you that youâre in the old manufacturing district, a long way from anybody who could have heard you scream. The ghost drops you next to the building and gestures impatiently. âDo it. Youâll need every second of a head start.â
You raise your left hand and bang your wrist against the wall of the building. Not hard enough. You throw yourself against the wall, hoping your body weight will do the trick, but thereâs no luck there, either. âWeâre too close,â the ghost says suddenly. âGive me that.â
She pries the bracelet off your wrist, drags you five feet, ten feet, twenty feet away, then hurls the bracelet against the wall from a distance. The blast of light takes a chunk out of the side of the building, and the entire thing begins to collapse â but thatâs all you see of it. The ghost drags you away from the damaged building, towards the more populated downtown. As bad as being dragged across the floor in the warehouse was, being dragged across concrete is worse. You black out after about three seconds, and this time, thereâs no conjurer trying to wake you up.
The next time you come to, youâre huddled in an alleyway, limbs flopping uselessly as the ghost tries to stuff you into a set of clothes that smell freshly stolen. âGo out there,â she snaps at you once she sees youâre awake. âSomeone will see this and help you. This is as far as I go.â
âThank you,â you mumble. âYou got me out ââ
âWe got each other out. He dropped my box because of you.â The ghost straightens your shirt, then hauls you upright by the front of it. âGood luck, human.â
âWait,â you say, and the ghost glances at you again. âWhatâs your name?â
âRumi.â The ghost dematerializes and vanishes completely.
Rumiâs saved your life, and now sheâs saving her own. The rest is up to you. You lean against the wall for a moment, fighting off the urge to lay down and give up, then start down the alleyway and into the street.
Itâs a street you recognize. You lived near here, in the last apartment you had before you bought your house. Itâs been almost two years. You donât know anyone here you can ask for help, so you struggle down the sidewalk, pausing at one of the cityâs few remaining payphones before realizing that you donât have anyoneâs number memorized. You could look through the phone book â Mr. Yagiâs almost certainly listed â but that would take money and time, and youâre getting unsteadier on your feet by the second. You spot the sign for the train station up ahead and aim for it. The train will take you out of the city, and maybe you can sit down.
Hopping the turnstiles is something youâre familiar with, but your muscles are desperately weak. You get one leg over, then get stuck, and sprawl out hard on the tiles on the far side. You know you leave smears of blood when you get to your feet, but the clothes Rumi stole for you donât show it except in slick, dark spots, and there are so many of them that it probably looks like a pattern in the fabric. You leave the bloody outline of your body on the floor and pick yourself up again, dragging yourself onto the first train that pulls into the station. You hope itâs the right one.
On board, you huddle in your seat, shivering. Youâve always liked the cold, but youâre used to being cold on the outside â from air or water or wind or from Tomura wrapping himself around you, visible or not. This cold is crawling up from inside you, cold like the world between, hollowing you out one cell at a time. No matter how tightly you curl up, you canât shake it. It hurts so badly. Everything hurts, and thereâs no one to help you, and youâre so far from home. And even if you make it, youâre a mess. Youâll have scars, horrible ones, and enough nightmares to keep you awake for the rest of your life. Imagining going back to work, back to your life, feels impossible. Whatâs the point?
The point is Phantom, who loves you. The point is Tomura, who loves you too, who will never forgive you if you leave him like this, or at all. You have to keep it together for them. At least long enough to see them one more time.
By some miracle you got on the right train, the one that runs all the way out of the city proper to reach your stop. When you hear your stop called, you haul yourself upright and stagger off the train, leaving another bloodstain on the seat you were in. You almost make it down the stairs from the platform, but you miss a step and fall down three more, sprawling out headfirst on the concrete. You barely bring your arms up in time to shield your face. And then youâre stuck. You donât have the energy to pick yourself back up again, and even if you could, itâs still miles between you and home. Instead of trying to rise again, you curl up, whimpering when the movement breaks the few scabs that have managed to form over your wounds. You have a hard time imagining you have any blood left to lose.
This is it. This is how you die, then â in a bloody heap on the sidewalk, because you could escape but you couldnât make it home. Youâre going to leave him. Itâs the last thing you want, but you canât help it. Maybe you can find some way to stick around, just like Yoichi did, but deep in your heart you know youâre not that strong. Youâll leave Tomura, go where humans go, and youâll never see each other again.
The thought makes you cry, but crying hurts your throat, and the horrible raspy sounds youâre making do a great job of covering up the sound of a car pulling over. Then the sound of footsteps. But thereâs no way you can miss the sound of your own name, shouted in a familiar voice. âHey, where have you been?â Spinner demands. âIf you donât get back soon, Tomuraâs going to â wait, are you okay? Did you fall?â
âI knew I smelled blood!â Himikoâs here, too. You hear a car door slam shut, and more footsteps darting towards you. âA lot of blood. Not all of itâs hers.â
âDid she kill somebody?â A hand reaches out and shakes your shoulder, then recoils â just like youâre doing, because their hand came down over one of your wounds. âFuck, look at this. She didnât try to kill somebody, they tried to kill her. Get her up.â
Hands seize you â at least three sets of hands, three people pulling you upright. âCareful,â Spinner is pleading. âDonât touch the blood ââ
âI canât do shit about that. Itâs everywhere.â Now you can place the third voice â itâs Dabi. What is Dabi doing out here? âSomething fucked her up bad.â
You force your eyes open and see that youâre being carried towards the dark shape of the Buibaigawara familyâs minivan. Jin is in the driverâs seat, and you see him grinning at you. âHey, there you are! We gotta get â Himiko, shit, is that blood? Did you do that?â
âI wouldnât,â Himiko snaps at him, sounding more than a little hurt. âSomebody cut Tomuraâs human. We have to take her to the hospital.â
âNo.â The voice from the passenger seat sounds more like Kurogiri than Shirakumo right now. âWe must return to the neighborhood.â
âYouâre not the one with her blood all over your hands. She could be dying!â Spinner protests. âIf we get her to the hospital ââ
âSheâs vulnerable to the conjurer,â Kurogiri says. Dabi, Spinner, and Himiko dump you into the middle row of seats in the van and he twists around to look at you. âHeâs the one who did this.â
âI got away.â You cringe from the sound of your own voice. âHe got hurt. Maybe dead.â
âDid you see the body?â Dabi asks. You shake your head. âIf you didnât see it, heâs not dead.â
âHeâs right. If Tomura wasnât materialized when it happened, the conduit was still open, and he could have used Tomuraâs power to survive.â Spinner looks miserable. âWe canât know for sure.â
âWe have to go back,â Kurogiri repeats. âJin, drive.â
The minivan lurches into motion. Himiko and Spinner are trying to figure out what to do about your injuries, while Dabi gets on the phone. âWeâve got her. Pull everybody back,â he says. You canât hear the other personâs response, but you hear Dabiâs answer. âShe looks like something mauled her.â
âItâs not that bad,â Spinner says hastily, trying to reassure you. Itâs â sweet. âYouâre going to be fine. I bet theyâre not as bad as they â holy shit ââ
Himikoâs just pulled up your shirt. Spinner rolls down the window in a hurry and sticks his head out, gagging, while Himiko stares for a moment with her jaw dropped. Then her pupils narrow to slits, sheer rage settling over her face. âHe cut out Tomuraâs marks,â she says. Dabi swears into the phone, then swears again as the person on the other end of the line barks at him in response. âIâll cut him.â
You always thought Tomuraâs thing about not touching other ghostsâ humans was just a weird Tomura thing, given how much time Dabi and Hizashi spend lowkey threatening you, but apparently itâs not. The idea of someone removing a ghostâs marks on their human is enough to seriously piss off Dabi, Himiko, and Kurogiri at once, until the car is crackling with their fury. âCan you guys cool it?â Jin asks anxiously. âIâm a nervous driver.â
âYou sped the whole way here!â
âI was nervous about finding her. Now Iâm nervous about you guys blowing up my momâs car,â Jin says. âWhatâs going on is fucked. I want to kill something! But if even I can pick up on what all of you are doing, Tomura will, too.â
âWe canât let that happen,â Spinner says at once. âIf he finds out about this heâll go ballistic. Thereâs no way heâll stick to the plan.â
âYou canât just hide it. I could smell her blood from down the street.â Himiko peers at you, her pupils dilating again. âAnd her soulâs not right. Itâs unstuck, kind of. Itâs wrong. Heâll know. Heâll know his marks are gone, too.â
Dabi hangs up the phone, then dials another number. He speaks while itâs ringing. âIâm letting the humans know. He canât read them like he reads us. When we get back, you all get on her and stay there. You too, Kurogiri. As long as she smells like the neighborhood he might not notice.â
âSheâs still bleeding,â Spinner says loudly. âIf we bring her back and she dies ââ
âKeigo knows doctor shit. He can help her.â Whoever Dabiâs calling picks up the phone, and Dabi starts talking. âYeah, weâve got her. Sheâs fucked up. Hereâs what weâll do ââ
Youâre among friends now. People who will help you, whether itâs out of obligation or because they care, and now that you know youâre not going to die alone, itâs somehow harder to hang on. The drive back to the neighborhood goes by in a long, slow blink, punctuated by Himiko and Spinner repeatedly shaking you awake. âCome on,â Spinner says, still sounding sort of like he wants to throw up. âYou have to make it through this. Tomuraâs naming his PokĂŠmon all kinds of stupid shit and youâre the only one who can talk him out of it.â
âStay awake,â Himiko tells you. Sheâs been patting your cheek lightly, which you donât mind. Your face and neck are the only parts of you that the conjuror left untouched. âYouâre my only human girl neighbor. Iâll be sad if you die. Tomura will be so sad if you die. You donât want him to be sad, do you? You love him. Humans donât want the people they love to be sad.â
âGhosts donât, either,â Dabi mutters. Then, to Jin: âPark at the top of the street, across the street. Everybodyâs falling back to my house and the idiotâs. We could use the extra barricade.â
Jin skids to a stop at the top of the street, and Spinner opens the door. You see people hurrying up the street towards you and identify them distantly â Keigo, Hizashi. They reach you just as everyone else is hauling you out of the car. Hizashi takes one look at you and swears, his pupils narrowing to slits just like Himikoâs did. The embodied ghosts never look more inhuman than when theyâre angry. âWhen he gets here, Iâll kill him myself.â
âCalm down,â Spinner begs. âIf he figures it out ââ
âHe knows sheâs back. If youâre any good at lying, Spinner, get down there and tell him weâre hiding her in my house so the conjurer wonât find her when he comes looking for him.â Hizashiâs a good liar, and itâs a logical plan, but you absolutely donât want to be left alone with Hizashi right now. âKeigo, Dabi, with us. Everybody else, battle stations. Shigarakiâs on his way here, and heâs not happy.â
The group splits, Himiko bolting down the street while the others follow at a slower pace. Youâve had enough of a rest that you think you can maybe walk a few feet, past Atsuhiroâs house and up Aizawaâs front steps, if only so Tomura doesnât spot you being carried and catch on to whatâs really happening. Keigo hovers next to you, ready to catch you if you stumble, while Dabi and Hizashi trail behind you. âWhat are you doing up here?â Dabi asks Hizashi. âHe trusts you about as far as he could throw your rotting corpse.â
âSo, pretty far, then.â Hizashi ignores the disgusted noise Dabi makes. âHe trusts my human more than me, and my human can lie to him better than I can. And since heâs got my human right now, heâs got all the leverage on me he needs to make sure Iâm right here to take the hit against his asshole conjurer.â
âFucking asshole. And I thought ours was bad.â
âOurs didnât need us like his needs him.â Hizashi snarls low under his breath. âCutting out the marks is a new low. It would have been better if heâd just killed her.â
âDonât say that,â Keigo snaps at him. You push open the front door, then stumble over the threshold into the house. Keigo catches you, guiding you towards the kitchen, and â âHey, calm down! I just need to get a look at your injuries!â
You canât look at the kitchen table without feeling sick. âIâm not laying there.â
âFine. The living room. Get on the floor.â
The floor is fine. It has a carpet, and Keigo yanks a pillow off the couch for you to prop your head on before he pulls out a pair of scissors and starts cutting away your bloody clothes. He studies you and sucks in a breath. âOkay, cleaning these out and bandaging them is the best I can do, but itâs not going to be enough. The skinâs the biggest organ in the body and right now itâs got a bunch of holes in it. You need antibiotics and some of that fake skin as soon as we can get it, or sepsis will set in and kill you.â
âYou canât just stitch it up?â Dabi asks. âThatâs what you did for me.â
You wonder what the story was there. âThese are too wide for me to do it with what Iâve got here,â Keigo says. He looks down at you. âThe cleaning part is going to suck. Can you keep quiet?â
You nod. He doesnât look convinced, so you clear your throat and try to talk. âI can take it. It wonât be as bad as when it happened.â
âWhat happened, exactly?â Hizashi asks. Heâs at the front window, while Dabi leans with his back to the door. âWeâve been careful. You had those bracelets. When did we get made?â
âSame day ââ The cleaning process starts in earnest, and you hiss in pain. âSame day we killed Garaki. I left to get the plants. I met him at the nursery.â
Dabi makes a skeptical noise. âYou had the bracelets. Those things work. He shouldnât have been able to tell.â
âHe could.â You bite the inside of your cheek and try not to howl. What was it that Shigaraki said? âHe said I had ghostly energy. That I was full of it.â
âUgh. Donât tell me shit like that. I donât want to know.â
âThatâs not what he meant,â Hizashi says suddenly. He turns to look at you, and if you didnât know better, youâd say he looks like heâd seen a ghost. âWhen did you meet him? Before Tomuraâs lesson or after?â
The fact that Keigoâs helping you instead of hurting you on purpose doesnât make what heâs doing hurt even less. You squeeze your eyes shut. âAfter.â
âFuck,â Hizashi mumbles. âItâs my fault.â
âHuh?â Keigo sounds puzzled. âIt sounds like bad luck.â
âItâs not. I made Tomura practice discharging power before the fight, and I made him practice on her.â Hizashiâs voice is full of venom. âHeâs got the self-control of an elephant on an acid trip, so of course he overdid it. The bracelets wouldnât have done shit to hide her after that. Anybody who was looking could have seen her from space.â
You remember something he said that day: Sheâll glow in the dark until it wears off. Hizashi was trying to make you leave, but all he did was turn you into a walking signpost pointed directly at the neighborhood. Is it his fault? Blaming him would feel good, maybe, if none of the rest of this had happened. You donât want to think about it. All you want is not to hurt anymore.
Itâs cold, and getting colder. You think some of that could be the blood loss, and the fact that your clothes are partially in tatters once again, but when you exhale, you can see your breath. Keigo notices, too, and you watch the blood drain from his face. âGuys ââ
Hizashi and Dabi are huddled by the window. âThese canât all be his,â Hizashi is hissing.
âTheyâre not. Iâve seen some of them before,â Dabi hisses. âTheyâre like you. They came here on purpose, and now theyâre free.â
âAnd theyâre following him?â Keigo says, incredulous. âWhy?â
âFor kicks? I donât know.â Hizashi shrugs uselessly. âIâm a little out of touch these days.â
You can hear low whispering from outside the house, and the air is getting colder by the second. If everybody else is down at the other end of the street â âCall them. Warn them ââ
âThey know already,â Hizashi says grimly. âTrust me.â
Just like Garaki before him, Tomuraâs conjurer speaks first. The mirror sound of his voice makes you cringe and curl in on yourself. âGood evening, Tomura,â Shigaraki Akira says. âWhat a quiet life youâve led since we last saw each other.â
Dabi and Hizashi rose to the bait instantly when Garaki called out to them. Tomura stays silent. âNot even a greeting?â Shigaraki asks, and clucks his tongue. âI suppose I never taught you manners.â
âYouâre trespassing.â Tomuraâs voice rings out, vibrating with power. âThis is my neighborhood. Get out.â
Shigaraki clucks his tongue again. âPoor thing. I see now that Iâve been neglectful. I should never have left you with the impression that this was your home.â
âHow many are out there?â Keigo asks, keeping his voice low.
âHundreds,â Dabi says, and the floor feels as though itâs fallen out beneath you. âNomus. Embodied ghosts. Live ones.â
âNone of them are his,â Hizashi says. Thereâs a savage note in his voice. âHeâs only got one.â
Tomura hasnât responded to his conjurerâs latest taunt. His conjurer speaks again. âYouâve built quite a comfortable existence for yourself, havenât you? A secluded kingdom. Servants who bend to your whims. Even a human of your own.â
âWhat human?â Tomura scoffs. âI donât have a human.â
Even knowing heâs trying to protect you, even knowing that heâs lying, your heart sinks. âYou know better than to lie to me,â the conjurer says. That almost-indulgent note is back in his voice. You roll to one side and dry-heave onto Aizawaâs carpets. âWhere is the human girl? Has she failed to return home?â
âSheâs home,â Tomura snaps. âSafe from you.â
âHave you seen her?â Shigaraki inquires. He sounds honestly concerned. âWho told you that sheâs home? The others? The ones who fear your wrath so deeply that they have every reason to lie?â
âSheâs here.â This time, itâs Shirakumo who answers â Shirakumo, not Kurogiri. âYou know Iâm telling the truth, Tomura. So is Himiko.â
âYes, your human is home,â the conjurer agrees. âBut safe? I think not. Dabi, Hizashi, Keigo â come out. Bring Tomuraâs human to him.â
âNo,â Tomura says, but thereâs an uncertain note in his voice. âStay where you are.â
âCome out,â the conjurer repeats. âNo one will harm you on your way. Tomuraâs human is in a delicate condition. I wonât risk anyone dropping her.â
Heâs pretending like heâs not the one who did this to you. Like he really cares about making sure you get back to Tomura safely. âStay where you are,â Tomura orders again. âYou canât trust him.â
âIâm the only one here whoâs telling you the truth,â Shigaraki says. âHizashi, Dabi, Keigo. Bring the human out. If you wonât, Iâll be forced to send my friends to retrieve her â and unlike me, they donât much care about preserving your lives.â
You lift your head with an effort and see Dabi and Hizashi trade a glance. Then they turn from the window and come towards you. âItâs strategy,â Hizashi insists as he drops a coat over you, as Dabi hoists you upright. âIf they come get us here, weâre all dead. Your house is a lot easier to defend.â
But he wouldnât let you go back unless he thought it wouldnât matter. Heâs playing all of you, and youâre too weak and exhausted to see what his endgame is. Youâre semiconscious as Keigo, Dabi, and Hizashi carry you down the front steps, but you keep your eyes open with an effort, and you see the conjurerâs army parting the way to make a path, one that runs straight as an arrow down the street until it reaches your house. Hizashi sets a brisk pace, just below a jog, and you jostle along between he and the others. You donât see where the conjurer is, but you hear his voice. âVery good,â he says, encouraging. âA wise choice. Iâm sure Tomura will be merciful in turn.â
You hear the othersâ voices as you get closer to the house, all of them trying for damage control. You start agitating to be set down. You canât risk Tomura losing his temper on the others, and the worse off he thinks you are, the angrier heâll be. He needs to see that youâre fine. Youâll be fine. Keigo sets you down carefully, then steps in close, arm around you to hold you upright. You survive the step up onto the sidewalk and shuffle along until youâre walking parallel to your own fenced yard. You have to keep walking. You have to keep walking long enough for Tomura to let Hizashi and Dabi in, or heâll strand them outside.
The gate swings open as you reach it, and Tomuraâs voice drifts in from nowhere. âShe wasnât wearing that when she left,â he says. Dabi steps through, then Hizashi, and he shuts the gate behind him. You have time to register that every last one of your neighbors is inside the property line before your vision begins to blur. Itâs not blurry enough to block out Tomura as he materializes at the top of the front steps. His next question is for you. âWhy were you late?â
You canât talk. Talking will give it away. You climb the first step, then the next, and itâs not until youâre just outside the warm glow of the porch light that your legs give out.
PLS DO SHIGGY THIGH FUCKING HCS thank u ily
I honestly didn't think I'd write on here again but I can't sleep and it's like 5:30 in the morning lol. So I'll write some thigh fuckin' headcanons to ease the stress đ (also TW: for thigh fucking, somnophilia, long post in general LMFAO. If I missed anything I apologize. Also it's now 6:19 after finishing it so there's probably typos I've missed after briefly skimming this so Im also sorry for that LMFAO)
(EDIT after writing. I'm so sorry this ended up not being headcanons and was just a full on drabble I found of pulled out of my ass but I hope you still enjoy it lol)
Now truthfully I havent even watched/finished the seasons after season 4 lol. I'm in the middle of season 5 still because I'm severely depressed and can't enjoy anything. But that doesn't mean I don't still love shigaraki and tbh I still read fanfiction from time to time about him or dabi.
I feel like a lot of people paint shigaraki as either absolutely vile and grimey or just aloof and soft with a grumpy attitude. And I feel like it's a bit of both. Which really plays into his sex life (if he'll ever have one). But even without a sex life, his personality most certainly plays into his fantasies and kinks.
I want to also emphasize that fantasies are just that, fantasies. Shigaraki most likely has plenty of fantasies that he'd never dream of acting out with his partner should he ever have one. I feel like even if he had some sick fantasies or kinks, and you happened to be okay with it, he would still be iffy because if this man, for whatever reason, picked you out of everyone else?? He's not going to treat you like absolute garbage. Shigaraki is definitely not the nicest person by any means, but by God if he cares about someone he fucking cares. Esp because you're probably the only person who actually loves him in his entirety. So if he's into noncon, somnophilia, predator/prey play, or whatever, it's going to be a while before he gets comfortable bringing up any of those fantasies with you.
Now that I've gotten that out of the way, you're wondering "goddamnit ash shut the fuck up and tell me the thigh f-" wELL THATS TOO DAMN BAD YOU LISTEN TO SEGGSY MONOLOGUE OR YOU GET NOTHING. ty luv u.
Okay so his fantasies right ? What are shigarakis kinks ? Does he have any? Oh absolutely. And they range from either something as light and soft as hickeys and tying you up in silk while eating you out for 2 hours to nipple clamps and making you wail with hot tears and shoving a dildo down your throat telling you take it like you've taken every other mans cock down your throat because he knows stupid sluts like you are always capable of doing those things if you know it'll make your pussy soak the sheets.
Now it's not his top fantasy, but thigh fucking. And God do you have the prettiest thighs. It doesn't matter is there's stretch marks, if they're chubby, skinny, or if you have immense scarring on them he LOVES them. He loves how soft they are. He loves how they look in shorts or a skirt (esp when you keep trying to pull them down a bit because they're a size smaller than what you wanted so they don't pudge out). He loves how your delicate hands lay on top of your thighs while you fiddle with your fingers out of nervousness. He loves the way they move when he walks behind you, you have a walk that puts any model to shame. He just loves them . And by God does he throb at thought of getting to push his cock past your sweaty or oily thighs. The head of his dick barely kissing your clit each time he thrusts. But that's not the biggest and best part at all. He wants to wake you up to it. You've told him countless times he can wake you up to any sexual acts but he's still nervous. But he's really horny right now. And you're sweaty from the lack of AC and you're naked on your side sleeping away. But he genuinely can't think of anything else other than how wet your pussy must be right now and how slick your thighs must be from the heat of the room. His cock is absolutely aching to slide between your thighs and folds. He has never felt so hungry until he met someone with a body as inviting as your own. He's been stroking for the past couple minutes but it's just not enough .
He peels off the throw blanket you have over you because despite the heat you always love your blanket to sleep. But even after the blanket is removed you still don't wake . He slowly examines your body and grazes his hand down your body. Going over your shoulders and arms to ribs to hip bone. Finally meets that beautiful soft ass of yours. He gentle lifts your thigh to angle and can see your pussy . Its so wet and glistening from the lights on the street coming in through your window, beaming in and lighting up your skin to a beautiful warm glow.
He lifts up one of your slick folds, seeing your pretty clit and rubbing his thumb in tiny circles on it. He can't take it anymore and slides his cock between your thighs, his shaft rubbing your leaking pussy and making your clit throb even more. You may be asleep but your cunt is always awake and ready to be touched by him.
He starts thrusting slowly to building up that pressure in his groin to make his orgasm feel even better in the end. He can feel you coating his shaft with your juices more and more with each desperate thrust he makes to your thighs. Your thighs are so sweaty and warm and grip his dick so nicely taking any and every drop of cum he wants to and could ever give you. He can hear slight wet sounds coming from your cunt with each thrust that keeps getting more rapid and animalistic with each thrust because you dont know how to stop being such a needy whore all the time even in your sleep. Before he knows it you're gushing and your cum is on the sheets making him go over the edge. Now he's spitting thick, white shots of cum all over your thighs while drops of it roll down your skin onto the bed as well. You're still mostly asleep, but youve adorned a dazed smile on your face with a satisfied tomura passed out next you .
I have chat with an ai of Tomura ans oh lord isn't he cruel like the real one ! When things began to Spice up, he immediatly ask me to be for everything and worse he made me do all kind of turturously pleasurable things for 1h15 ! Like how ?! Plus it was litteraly taking all control even if is ans ai, the website had to censor him so many time he kept going đ man its the best i'm in love (but also angry 'cause hz torture me for an hour and 15 minutes)
You gave up on love a long time ago, but you keep getting invited to weddings, and after eleven receptions spent at the single's table, you're almost at the end of your rope -- until first-time wedding guest Shigaraki Tomura asks you to show him how it's done. (5.7k words, modern AU, no quirks.)
This fic is for @arslansenkai, who saw my milestone post and requested the prompts âholding handsâ + âlistening to the otherâs heartbeatâ + âwhispering in their ear, lips touching the skinâ from this list. Thank you so much for the prompt! I really enjoyed writing it and I swear all three of your prompts made it in here or there.
You hate weddings. You donât remember when you started hating them, but you know why you started â right around the time when you realized that youâd never have another one of your own, that youâd always be attending someone elseâs, and doing that all by yourself, too. Add in the cost of a new dress and new shoes (God forbid you wear the same thing twice in one year) and travel accommodations and a wedding present, and weddings become a big, expensive, depressing waste of a weekend. No matter how much you like the people who are getting married.
And you do like them, this time, even though theyâre the twelfth couple from your department at Ultra, Inc. to get married in the last three years. Ochako and Himiko are the kind of couple who shouldnât make sense, but somehow do â the kind of against-all-odds couple whoâd make you believe in love if you didnât know better. You were rooting for them, youâre glad theyâre together, and getting their save-the-date still made you want to drown yourself in the toilet. You opted to drown in vodka instead. You need help.
You need help, and youâre going to get it. After this wedding. So you can figure out how to say no the next time you get an invite. Because out of all the indignities about going single to a wedding, getting stuck at the same table at the wedding reception as the other people who couldnât snare a date is possibly the worst.
Most couples have at least a few single friends, but Himiko and Ochako are the last of their respective circles to couple up. Or almost-last. The singles table at their wedding included exactly five people at the start of the reception. You, an older woman named Magne, a guy your age whose place-card says Todoroki Touya but insisted that he goes by Dabi, another guy your age whose place-card says Takami Keigo but insisted you call him Hawks, and one more guy your age whose place-card says Shigaraki Tomura and who barely looked up when you introduced yourself.
It wasnât the worst singles table youâd ever sat at, at the start. Then Magne bailed to sit with somebody she knew at a different table, and Dabi and Hawks hit it off and then snuck off to God knows where, and then it was just you and Shigaraki sitting at your table in the far back corner of the reception hall. Thatâs how itâs been for an hour, and the only interaction the two of you have had is when youâve passed the tableâs bottle of champagne back and forth, filling your glasses and then draining them out of sync. Itâs depressing. After going to eleven weddings in two years, you can hang in there with the best of them, but youâre pretty sure youâre about to crack.
Your glass is empty, and when you reach for the bottle, you find that itâs empty, too. You want to get more, but youâre not going to look like a lush in front of your weird tablemate. âHey,â you say, and Shigaraki looks up from the screen of his Switch. âThis is empty. Iâll go get more if you want it.â
âIt doesnât matter,â Shigaraki says. You raise your eyebrows. âThis will suck just as bad whether Iâm wasted or not.â
âYeah,â you admit. âBut then youâll be able to pretend it sucks because youâre wasted, not because youâre stuck at the singles table yet again.â
âYet again? Sounds like youâre projecting,â Shigaraki says. You shrug. It would hurt more if you hadnât heard the same thing from at least one person at the last three weddings you went to â usually towards the end of the reception, usually when everybodyâs getting weepy and ridiculous. Youâre ahead of schedule this time. âSure. Iâll take more.â
Two tables over, a group of happy couples have abandoned their champagne bucket in favor of the dance floor â or the photo booth, or something. You swap your empty bottle for their full one and come back over, hoping Shigaraki will have gone back to his game and forgotten you existed. No such luck. Heâs sitting up, watching you, as you sit down, fill your glass, and slide the bottle back across the table to Shigaraki. âYet again,â he repeats. You down half your glass in a single swallow. âIâm only halfway through the first one of these stupid things Iâve been to and Iâm already done. How many times have you put yourself through it?â
âEleven,â you say. Shigarakiâs red eyes widen. âNo, thatâs just people from work. If I count friends from school, itâs, uh â sixteen.â
âIf youâre this miserable, stop going.â
âIs that what you do?â you challenge. âWhen your friends invite you to celebrate the happiest day of their lives, you just donât go?â
âMy friends know better than to invite me to shit like this.â Shigaraki copies you and drains half his glass in one go. âI wouldnât have come to this one, except Toga critical-hit me with this guilt trip about how weâre her family and she needs her family to be here ââ
You did notice a conspicuous lack of parents or relatives on Togaâs side of the aisle. âAnd I said Iâd go if I didnât have to go alone,â Shigaraki continues. âDabi was supposed to be doing time with me. Figures heâd score a hookup and bolt.â
âI didnât know you knew each other,â you say. They barely talked when Dabi was sitting here. âHow do you know Himiko?â
âJuvie,â Shigaraki says, and youâre not sober enough to keep the surprise from showing all over your face. He snickers. âNot what you expected?â
You shake your head. âIs that where you know Dabi from?â
âAnd Spinner,â Shigaraki says, pointing out a purple-haired guy at a different table. âAnd Twice. Magne was a peer counselor or something. If I hadnât met them I probably would have killed myself in there.â
You canât stop your surprise from showing this time, either. Shigaraki grimaces. âDonât read into that.â
âNo promises,â you say. Shigaraki snorts and lifts his glass partway, then drains it. âSo youâve known each other for a while.â
âYeah. Iâm guessing youâre friends with the girlfriend. Wife.â Shigaraki refills his glass again, but leaves it alone for the time being. âHow long have you known her?â
âWork,â you say, then facepalm. Youâre lucky you manage to do it with the hand not holding your glass of champagne. âTwo years or so. I already worked there when she was hired. I kind of watched the whole thing with Himiko from the sidelines.â
Thatâs how you always watch relationships play out at work, or anywhere, really. Pretending to be happy, really being happy, and still feeling like youâre pulling a tarp over the sinkhole in your chest. âSo the wife invited you and you showed up even though you knew youâd hate it,â Shigaraki concludes. âYouâre crazier than me. Iâm never going to another one of these things again.â
âNot even your own?â
âDo I look like the kind of person somebody marries?â Shigaraki finishes his whole glass in a single swallow. You were thinking about trying to keep up with him, but if you try that, youâll throw up all over the dress you had to buy, which is probably dry-clean only or something worse. âI donât get why anyone goes to these things.â
âTheyâre supposed to be fun,â you say. You feel bad picking on Ochakoâs wedding. Itâs not Ochakoâs fault that youâre single, bitter about it, and this close to drunk on alcohol she paid for. âBut theyâre usually only fun if you go with someone.â
âI went with somebody. He ditched me to hook up with a guy who named himself after a bird.â
You snicker at that. âI meant a date,â you clarify. âIf your date ditches you to hook up, then youâve got bigger problems than whether youâre having fun at a wedding.â
âHeâs not my date. Iâm not gay.â Shigaraki looks up. âDid you think I was gay?â
âI really didnât â think,â you admit. You didnât come to the wedding looking for a hookup. If you had, youâd have tried to put a move on Hawks before Dabi could. âThe activities are more fun with a date.â
âActivities?â Shigaraki asks. âLike games?â
âUh, sometimes,â you say. You know Ochako set up lawn games outside, and the sun wonât set for a while. âSometimes thereâs an art project youâre supposed to do for the couple, as a keepsake or something. I went to one last year where you were supposed to write a good wish, fold it into a paper crane, and then hang it off a branch of this tree theyâd bought.â
âToo much work. What else?â
âDancing,â you say, although you felt like that was pretty obvious. âAnd Himiko and Ochako have a photo booth.â
Shigarakiâs nose wrinkles. âWhy?â
âAs a keepsake for the guests, I guess,â you say. âAgain. More of a couple thing.â
âHuh.â Shigaraki pours half a glass this time but still finishes it in one swallow. Then he stands up. âLetâs do it.â
You freeze in the act of pouring yourself another glass. âWhat?â
âIâm never coming to another wedding. Youâre bored and drunk ââ
âIâm not the one whoâs been treating glasses like shots.â
âSo letâs do it,â Shigaraki says, like you didnât say a word. âIf this is the last one I go to, I want to get my moneyâs worth. Do you have something better to do?â
You were this close to taking out your phone and opening up Tinder. You shake your head. âFinish that,â Shigaraki says, and you finish the half-glass you just poured and get to your feet. âWhereâs the stupid photo booth?â
You lead the way. Even in heels, youâre faster than Shigaraki â heâs meandering a little bit, possibly due to all the champagne. You reach out and grab his hand to pull him back on course. He jumps, stumbles into an empty table, and glares at you. âWhat are you doing?â
âYou wanted the wedding date experience. Holding hands is included.â At least you think it should be. If you had a real date youâd want to hold hands with them. Shigaraki follows you a little more closely than before as you make your way up to the photo booth. âIt looks like they have props. Should we use them?â
Shigaraki hasnât let go of your hand. He picks up a fake mustache on a stick. âWho would use this?â
âMe, maybe?â If you had a wedding date, youâd want to be spontaneous and fun. You lift it out of his hand and hold it up to your face. âWhat do you think?â
âNo.â Shigaraki takes it away, puts it back, and picks up a flower crown. âHere.â
âNo, thatâs for you,â you say. Shigaraki argues, but you pluck it out of his hand and settle it on his head anyway. âSee? It looks great.â
âIf Dabi sees me wearing this stupid thing ââ
âHeâll be jealous,â you say. The crown would look stupid on Dabiâs spiky black hair, but the pastel shades of the flowers look nice with Shigarakiâs blue-grey hair. âOkay. Now you can pick one for me. Iâll even do the mustache.â
âNo,â Shigaraki says again. He sorts through the props and comes up with a headband with bunny ears. âThis one.â
You two are going to look ridiculous. Itâs hard not to laugh, and you havenât even seen the full effect yet. You put on the headband, thankful that you went for a low-effort hairstyle thatâs easy to fix, then pull the curtain on the photo booth and wedge yourself into it. Shigaraki follows you in.
Itâs a really tight fit. You were pretty sure the photo booth was a couple activity, but now youâre sure â you love your friends, but you wouldnât want to end up most of the way into any of their laps. You have to stop holding hands to try to get situated, and while youâre still trying to figure yourselves out, the photo booth takes the first picture. Shigaraki grimaces. âWait. That probably looked stupid. Where ââ
The booth takes the second picture while heâs talking, and you snort. Thereâs about a ten-second interval to get positioned correctly. You manage to face front in time, but your elbow lands on Shigarakiâs thigh as youâre trying to steady yourself, and he flinches away. You drop out of the frame as the booth snaps the third photo, and it occurs to you that the only part of you visible in the picture will be the bunny ears. Based on the location of the ears in relation to Shigarakiâs body, itâs going to look pretty compromising. You hope no one sees that picture. Ever.
Shigarakiâs snickering as you sit up. âNice one. I want a copy of â hey!â
Youâve elbowed him on purpose this time, just in time for the fourth photo. The fifth photoâs probably going to be blurry. Youâre both lightly shoving each other, trying to get each other out of your personal space without pushing either of you out of the photo booth itself. The sixth photoâs probably the only one thatâs worth anything, and it wonât be very good, either â Shigarakiâs flower crown is off-kilter, and youâre pretty sure your headbandâs falling off. The printer begins to whir, and the two of you sit in silence as the booth prints out two sets of photos. You pick one up. Shigaraki takes the other. A second later, youâre both laughing.
The photos look even worse than you thought, and somehow that makes them better. The photo where itâs just your ears in the frame features Shigaraki staring down into his lap, looking all kinds of startled, while the photo where youâre pushing each other is blurry enough to be a still from a found-footage horror movie. In your opinion, the first photo is the funniest. âWe look like that meme with the cat,â you wheeze. âThe one with the loading circle over its head.â
âThe last one looks like a mug shot,â Shigaraki says, his laughter so raspy that it borders on a witchâs cackle. âAfter a bar fight ââ
The idea of getting in a bar fight in your wedding outfit sets you off. You slump sideways at an angle and end up with your head against his chest for a few seconds, surprised that you can hear his heartbeat and surprised at how fast itâs beating. âWhich of us won?â
âWe both lost,â Shigaraki says, and you laugh harder. The two of you look disheveled as hell, and not from anything fun. âNumber two is the worst one. You look good and I look like a dumbass.â
âYou just had your mouth open,â you say, wiping your eyes. Youâre probably smearing your makeup, but who gives a shit. You didnât do that good of a job on it anyway. âAnyway, thatâs the wedding photo booth experience. What do you think?â
âI want to go again,â Shigaraki says. This time, you manage to turn to stare at him without throwing any elbows. âFor good ones. No way do peopleâs girlfriends let them leave with just the stupid ones.â
You would, but then again, thereâs not a big enough difference between how you look in bad photos and how you look in good ones for it to matter. âWe can do one more,â you agree. âLetâs lose the props.â
Without the flower crown and bunny ears, the silliness factor drops significantly. Now you look less like a couple of drunk clowns pretending to be a couple and more like two people who could actually be together. It weirds you out, but you promised the whole wedding date experience. In the seconds before the first flash goes off, you tilt your head onto Shigarakiâs shoulder.
Shigaraki startles, and as soon as the flash goes off, he pushes you away â but only so he can tilt sideways. Heâs taller than you, enough so his cheek rests against the top of your head. Four photos left. When you glances over at Shigaraki, you see that his tieâs crooked, so you fix it for him, burning another photo in the bargain. The fourth photo is Shigaraki shifting the neckline of your dress to cover your bra strap, which is weird but plausible for a coupleâs photo booth experience. He has a birthmark just below the right corner of his mouth. You aim for it when you kiss his cheek quickly for the fifth photo.
Shigaraki startles again, and you sit back â but not too far. Youâre still close enough that Shigaraki only has to lean forward a few inches for his lips to meet yours.
You werenât planning to kiss him. Itâs not much of a kiss, and it doesnât last long, but your heart is still racing as the booth spits out your second sheet of photos. Youâre almost scared to look. Shigarakiâs hesitant, too, and when you both flip the sheets over to check, he says exactly what youâre thinking. âShit.â
The first set of photos were a joke. The second set â either you and Shigaraki are really good actors or youâre both really drunk, because they look way too plausible for comfort. The ones where youâre fussing over each otherâs clothes are probably the worst offenders on that front, but youâre most alarmed by the last two. Youâre smiling as you kiss his cheek. You can see the corner of your mouth turned up. And you didnât see where Shigarakiâs hand was when he kissed you, but the photoâs preserved the evidence. Itâs right by the side of your face, curved like he wants to cradle your jaw in his hand.
Exactly sixty seconds ago, the two of you were screwing around in here. Now it feels like thereâs static running back and forth between you, and you scramble out of the booth in a hurry, almost tripping over your feet. Shigaraki gets out, too, leaning against the booth to steady himself. Without a word, he takes both of your sets of photos and tucks them into his suit jacket along with his sets, then fills your suddenly-empty hand with his own. âNow what?â
The static shock is between your hands now. âMy hand is humming,â you say, like an idiot, and Shigaraki tightens his grip. âUm, I think there are some games outside.â
âFine.â
Itâs warm outside, but getting cooler as the sun begins to set. There are a lot of games, and most of them are being ignored in favor of a bunch of the goofiest guys from your office playing cornhole while their girlfriends/boyfriends watch. You determine instantly that youâre not coordinated enough for anything that involves throwing something, which leaves you exactly one option. âHow about that one?â
âJenga?â
âJenga XL,â you say. Shigaraki snorts. âMy hand-eye coordinationâs too bad right now for a throwing game. This will be safer.â
Whoever was playing the oversized Jenga last left the blocks in a heap. You and Shigaraki canât hold hands while you stack them up, and as you do, your assumption that Jenga would be safer than something else gets tested in the most embarrassing way possible â and of course Shigaraki points it out. âYouâre short. If this thing falls on you itâll flatten you.â
âIt wonât fall,â you say with more confidence than you feel. âIâm good at this.â
âGo first, then, if youâre so good at it.â
You get a block out without trouble, but you have to rely on Shigaraki to re-stack it for you, which he does, wearing a really frustrating smirk. âYou should have worn taller shoes.â
âI canât walk in taller shoes,â you say. âOr dance. Are you going to want to dance?â
âIf itâs part of the wedding date experience, yeah.â Shigaraki carefully extracts his block and sets it on top of the tower. Heâs not all that much taller than you. If the game goes on long enough, heâll have trouble re-stacking. âThey donât exactly teach dance classes in juvie.â
âItâs not that kind of dancing,â you say. Shigaraki looks relieved. âIf itâs going to be that kind of dancing, they warn you on the invitation. A friend of mine who got married last year only played swing music at her reception. She sent out a certificate for free lessons with her save-the-date.â
âControl issues?â
âI think she just wanted stuff her way,â you say. You ease another block out of the tower and hand it over to Shigaraki. âHers was nice. Everything ran on time, and she sent out thank-you notes six weeks after the wedding.â
Shigaraki stacks your block, then pulls out one of his own. You realize with a jolt that heâs missing the index and middle fingers from his left hand. âWhatâs the worst one youâve ever been to?â
âUm.â You donât want to say this. You really donât â but you drank too much, and you should be honest. âMine.â
âYouâre married?â
âDivorced,â you say. âThree months after the wedding. I didnât have the ring on long enough to get a tan line.â
Shigaraki doesnât say anything. The tower is getting unstable, so youâre careful as you wiggle out one of the side blocks on a row about halfway up. You keep an eye on Shigarakiâs shadow as you do it, bracing yourself for him to walk away. Would you walk away if he told you he was divorced? No, but youâre divorced, so it matters less to you. âThree months,â Shigaraki repeats. âHowâd that happen?â
âYouâre lucky you arenât asking me that six years ago,â you say. âWith how much I drank tonight, Iâd have gone off.â
âGo off. I want to hear it.â Shigaraki actually looks interested. âAnyone who fucks this up deserves it.â
Heâs gestures at you. You donât know what to make of that, and youâve got a block halfway out of the tower. You go back to work on it. âHow do you know it wasnât me?â
âI know,â Shigaraki says. âHowâd it happen?â
âThis is pathetic,â you warn. Shigaraki gestures for you to go on. You sigh. âWe were together since high school. Midway through college I got a bad feeling that we were drifting apart and I couldnât take the suspense, so I tried to end it. And he popped the question. We got married six months later and three months after that he knocked up my cousin.â
âDamn,â Shigaraki remarks.
âTheyâre still together,â you say. âThe kidâs in primary school this year. And every year around the holidays my aunt and my cousin pick a fight with me about how I need to be nicer to him, because weâre all a family now.â
You finally manage to extract the block, and Shigaraki takes it from you before you can offer it to him. You canât read his expression, and just like when you sensed things with your ex were falling apart, you canât take the suspense. âPathetic?â you prompt.
âYour ex is a loser.â
âYou havenât seen what my cousin looks like.â
âHeâs still a loser,â Shigaraki says. He pulls out a block. âI get it, though.â
Your stomach clenches. âWhat do you mean?â
âIf my girlfriend was leaving me because I was dicking around, I might do something like that, too.â Shigaraki sets his block on top of the tower. Your options for blocks to pull are getting slimmer by the turn. âPopping the question. Not knocking up your cousin.â
âI have other cousins,â you say. Shigaraki snorts. âI thought you said you werenât getting married.â
âI said nobody was going to marry me,â Shigaraki corrects. Whatâs the difference? âYour turn.â
Youâre out of blocks at shoulder height. And chest height. And waist height. You crouch down instead, doing your best to balance in your heels, and start trying to wiggle a block loose on the fourth level up from the ground. Shigarakiâs voice follows you down. âIf you were ready to ditch him, why did you say yes?â
Now youâre at a real risk of crying. Six years of intermittent only-when-youâve-got-the-money counseling hasnât made a dent in this one thing. You remind yourself that Shigaraki canât see your face and work on keeping your voice steady. âI was the one who asked him out in the first place, back in high school. I always had this weird sense that we wouldnât be together if I hadnât. So when he proposed I thought it meant he was choosing me, like I chose him. Which was a stupid reason to say yes.â
You wanted to believe. You wanted to believe so badly that you were worth it, and now youâre divorced at twenty-eight, barely talking to the half of your family that took your cousinâs side, going on a grand total of one real date in the entire time since then that you got up and left partway through because you couldnât fake hope or excitement for one second longer. The kiss you planted on Shigaraki in the photo both was the most action youâve gotten in two years, and youâve put more effort into the fake wedding-date experience than you have into even looking for a hookup. Youâre pathetic. This is pathetic. You should be embarrassed, and you are.
But you got your stupid block out. You straighten up and hold it out to Shigaraki, who stacks it for you. You canât read his expression, and youâre a little too dysregulated to be anything but blunt. âThatâs my tragic backstory. Whatâs your damage?â
âWhat, going to juvie doesnât count?â Shigaraki crouches down to pull a block from the opposite side of the same row you just weakened. Heâs doing it right-handed; heâs waving his left with its missing fingers at you. âThis doesnât count? The fact that I donât have eyebrows doesnât count? Your problem is being a dumb kid with a shitty family and a shitty ex. My problem is that I exist. Weâre not the same.â
He straightens up and drops his block on top of the tower. You can see that heâs tenser than before, and you canât think of anything to say that wonât sound patronizing. âI didnât notice about the eyebrows until you said something.â
âGreat.â Shigaraki wonât look at you. âYour turn.â
You crouch down again. The row below the row Shigaraki just knocked down to one block seems like the safest bet. You start pulling at it, frustrated at the way it sticks. âCareful,â Shigaraki says after a second. âIf you donât watch out ââ
The tower topples. Youâre crouched down, with no chance of getting out of the way in time, and all you can do is sit there, stunned, while three dozen giant Jenga blocks crash down around your head. The corner of one catches your temple, digs in, and you flinch. But the blocks are light. Youâre startled, and humiliated, and possibly bleeding a little bit, but youâre fine. âAre you okay?â Shigaraki asks. You give a thumbs-up, and he crouches down next to you. âI donât believe you. You look â shit, your face is bleeding.â
âIâm good,â you say. âItâs a good thing we took pictures already. This is not part of the wedding-date experience.â
âIâm done with that,â Shigaraki says, and your heart sinks. Even though it shouldnât. Even though none of this mattered to begin with, even though you know better, you hoped. You werenât hoping for anything much â just to keep having fun, just to not spend the rest of the wedding alone. âYou have a purse, right? Do you have napkins in there or something?â
âYour suit comes with a pocket square.â You pluck it out of his pocket and press it to your temple. âIâll pay for cleaning it.â
âDonât bother. It was my dadâs. He doesnât have much use for it in solitary.â
Shigaraki helps you up while youâre still processing that one and tugs you away from the wreckage of the Jenga tower, onto a bench. The view of the sunset is really good from here. Further down the lawn, you can see Himiko and Ochako and their photographer doing a last round of pictures, and you slide your feet out of your shoes. Itâs that point in the wedding. Youâll probably stay here for the rest of the night.
âDo you need ice?â Shigaraki asks. You shake your head. It doesnât hurt, or maybe the fact that the sinkhole in your chest is eating the tarp you put over it just hurts more. âDo you still want to dance?â
âYou said you were done with the wedding date thing.â
âYeah. Iâm done with the part where itâs fake.â
Maybe you hit your head harder than you thought you did. âWhat do you mean?â
âSeriously?â Shigaraki sounds annoyed. âI let you put a flower crown on me.â
âIs that some kind of mating ritual in juvie?â The instant you say it, you feel bad, but Shigaraki laughs. âIf youâre trying to say something, say it. I donât do very well with ambiguity on my best night and Iâm still kind of drunk.â
âSame here. Otherwise Iâd sit on this, and my friends would spend the rest of their lives listening to me bitch about how I didnât ask out the girl from Togaâs wedding.â Shigarakiâs hand lifts from his lap, rises to his neck, then falls back. âI want to dance with you. Toga and her wife are having an after-party at their place, and I want you to come to it with me. And I want your number so we can hang out again sometime when weâre not wasted. Because I like you.â
You must have hit your head really hard. âWe met three hours ago.â
âSo? Toga said she knew she was going to marry the wife the first time they made eye contact,â Shigaraki says. That sounds like something Himiko would say. Youâve met her a few times at work parties and sheâs always struck you as a little intense and a little off-the-wall. âDo you want to dance or not? Make up your mind.â
You want to say yes. What comes out is something really stupid, so stupid that you canât look at him while you say it. âThis is the kind of thing that happens to other people.â
âWhat, meeting somebody who asks you out?â
It sounds stupid when he says it like that. You keep his dadâs pocket square pressed to your temple and try to explain. âThe whole thing where you meet somebody when you werenât expecting to meet anybody and things click, at least on your end, and since you know itâs just on your end you try not to get your hopes up â but the other person tells you that it clicked for them, too ââ
âThatâs dumb.â Shigaraki doesnât sound like heâs being mean. You could almost call it affectionate. âForget who it happens to. Iâm asking you out. Do you ââ
Screw it. If this is some kind of hallucination, you want to enjoy it. If itâs real, you donât want to miss out. You turn back to face Shigaraki. âYes.â
He grins, and you notice a scar over his mouth, too. âGood. Now what?â
You think about kissing him. You decide to try hugging first, which involves getting at least as close to him as you did when you were in the photo booth, on purpose this time. Shigaraki isnât particularly tall or bulky, but when you hug him, youâre surprised to notice that heâs hiding some muscle underneath his suit jacket. Kind of a lot of muscle. Huh. Shigaraki notices that youâre investigating a little bit. âWhat?â he asks, his mouth against your ear. âDid you think all I do is game?â
âI donât know what you do all day,â you say. âWe didnât get to that part yet.â
âWe will.â Shigaraki draws back from you, and you loosen your grip even as his hand rises to cradle your jaw. This time you see the kiss coming from a mile away, and this time, you lean in.
Everythingâs different this time, except the thing that startles the two of you apart â the bright flash of a camera going off. âTomura-kun!â Himiko squeals from somewhere nearby. âI told you youâd have fun at my wedding. Who is that? Sheâs so cute!â
For a second youâre worried Shigaraki doesnât know your name, but he must have been paying more attention than you thought he was when you introduced yourself, because he introduces you to Toga without missing a beat. âSheâs one of my coworkers,â Ochako explains, smiling at you. Even through the smile you can see the incredulity on her face, and you know youâll be getting a lot of questions about this when she gets back from her honeymoon. âIâm so sorry we had to put you at that table. I wanted to put you with everybody from work, but they all had plus-ones ââ
âItâs fine,â you say faintly. Himikoâs photographer takes another picture, this time of all four of you talking. âIt worked out.â
âSheâs coming to your party,â Shigaraki informs Himiko. âI invited her.â
âOh, good!â Himiko turns her attention to you. âItâs going to be so fun! We have games and movies and weâre going to stay up all night.â
âYou should come inside now,â Ochako says. âThere are mosquitos out here, and weâre supposed to have cake soon ââ
âAnd weâre going to do the Time Warp. I put that on the playlist for you special, Tomura-kun,â Himiko says. She glances at you. âItâs the only dance he knows.â
Shigaraki flushes, grimaces, but you tilt your head against his shoulder again, lacing his fingers with yours for the third time tonight. You donât know what he does all day when heâs not at weddings he doesnât want to go to. You donât know if what he said about his dad being in solitary confinement was a joke or not. You donât know what happened to his hand or where he got his scars, or even where his eyebrows went. But you know he likes you. You know you like him enough to give things a shot, at least for tonight, and thatâs better than youâve felt in a long time.
And you know he can dance, even if itâs only the Time Warp. For right now, you donât need to know any more than that.
Just a naked shiggy đ
Game night
oh god i needed thisđĽşđŤś
As your shift in the daycare came to a close today, something triggered a terrible panicking trauma response in you. You've locked yourself in the storage closet in an attempt to get away from it all. When Sun eventually manages to get the door open, his heart breaks at the state he finds you in. Cue 4k words of ensuing caretaking and comfort.
Pairing: Sun/Reader/Moon Word Count: 6,014 Contains: [NSSI/Self-Harm] [panic] [PTSD] [crying] [emotional & physical hurt/comfort] [bandaging wounds] [undressing (not the sexy kind)] [caretaking] [cuddling] [literal sleeping together] [established relationship] [GN!Reader]
âSunshine? I know youâre hurting right now⌠but you need to let me in there with you so I can helpâŚâ
A faint rattling comes from the locked doorknob, shortly followed by silence.
You barely hear it from where youâre slumped, back against the far wall of the pitch dark supply closet.
Youâre far too consumed in your own suffering to even consider the impact of your actions right now. You have to make these feelings stop. You have to make it all go away. You canât take anymore today.
Through your panicked haze and ragged breathing, your ears barely pick up on the faint sound of metallic tinkering, and Sunâs muttering on the other side of the door.
âOh, for heavens sake⌠why does the supply closet even have the ability to lock from the inside in the first place?â
Your panicked breaths come faster and faster, until you begin to feel lightheaded from it all. The pain of your memories. The fear of whatever trigger had set you off this time. The shame of causing Sun such distress, having to see you like this.
You told yourself youâd never let them see you in such a state, yet here you fucking are. Trembling and soaked in sweat, tears, and snot, curled up on the cold tile of the supply closet floor.
It was bound to happen eventually, you suppose. You could lie and say you were doing better but this always comes back to drag you down again eventually.
You register the sound of a bolt shifting, before a few small screws fall down and roll across the floor in different directions. You watch the door creak open slightly, and thin, long robotic fingers snake their way around the edge and take hold of the loose doorknob before it can fall and clatter to the floor.
You feel your stomach drop at the knowledge that your time in hiding has come to an end. The door swings open slowly, the daycareâs bright lights casting into the room. The light makes a path all the way across the floor, from the open doorway across to your darkened form curled uncomfortably in the back, like a wild animal, cornered.
You lift your head enough to glance at him and you catch the sight of his silhouette, backlit in a way that has him looking more intimidating than he likely realizes. You instinctively curl back down into yourself and miss the way he subconsciously shrinks in on himself when he sees your apparent fear.
Heâs the last person on earth that you should fear. He just wants to help you. He was built for this, wasnât he? Taking care of the vulnerable?
Whyâd they have to make him look so terrifying, then?
He pushes his own thoughts aside, his hand curling around the doorframe in search of the light switch. He quickly locates it, flipping it up and flooding the room with fluorescent light.
The proper sight of you breaks his mechanical heart.
Your hair is an absolute mess and your clothes are all bunched up around you as youâve contorted yourself to take up the least amount of space possible. Like someone was trying to hurt you even though you were alone in here. He doesnât even need to do a full body scan to tell that you have been hurt, actually. When his optics pass over your left hand, warning signs flash across his vision.
Injured. Youâre injured.
In his daycare. Under his supervision.
Oh, no. No no no no no.
Not you. Not like this. Not ever.
He has to fix it. Fix you. Make it better.
Yes. Yes, he can make it better. He- he can fix this. Itâll be okay. Youâll be okay. You have to be. He⌠needs you. They both do. You have to be okay.
Theyâll make it better.
You keep your head tucked away into the pulled-up hood of your jacket, waiting. You donât even know what youâre waiting for, exactly. Yelling? Screaming? Panic? Anger? Disappointment? Rough hands, grabbing, pulling, hurting you again?
If you were thinking straight right now youâd know this isnât necessary. Youâd remember where you are, and who youâre with, and that you are absolutely safe here. Sun and Moon wouldnât ever lay a hand on you in anything other than love. Their touches donât hurt. Neither do their words.
Youâre not thinking straight right now, though. Your mind is somewhere else entirely. Completely caught up in the past, your mind replaying all the bad that youâve ever encountered, like itâs trying to teach you a lesson you already know. Trying to warn you of a threat that is no longer there.
Sun slowly lowers himself to the floor and makes his way over to you on all fours in the least terrifying way he can.
His voice is about as quiet as he can get it to go but you still flinch when he breaks the silence.
âSunshine, are you here with me right now? Can you hear me?â
Youâre about halfway here and halfway gone, to be completely honest, but you manage to nod your head, the movement stiff and jerky. Your muscles are all so goddamn tense itâs a wonder you can move at all.
âDo you think you can take a deep breath for me?â
You try to, and fail miserably, the air catching in your throat and coming back out as a choked sob. Gods, you canât even breathe right, can you? You shake your head vehemently, tangling your messy hair even further in the process as you start mindlessly muttering apologies between short, quick breaths.
âIâm-Iâm sorryâŚÂ Iâm sorry, I'm sorry, I'm so so sorryâŚâ
Sunâs hands flex open and closed, held firmly down at his sides to prevent their urges from taking over and just allowing himself to scoop you up into his arms the way he wants to.
âHey⌠e-easy, love. Thereâs no need for apologies here, you havenât done anything wrong.â
Your tears pick back up again at that, voice accidentally coming out in a sudden shout, only muffled by the balled-up sleeve youâve brought up to try and hide your face.
âYES I HAVE! I-I-I donât know what⌠but I must have done something⌠something to end up like this.â
Itâs getting harder for Sun to close out of the numerous warning pop-ups that flood his vision. His voice is a bit more strained when you hear it again.
âNo-no-no not at all! You havenât done anything to make this happen. This is just⌠something that happens sometimes, yeah? And-and-and Iâm here now to help you through it!â
He eyes your left hand again, lying lifeless on the cold tile beside you. Itâs completely red and swollen, with long, angry red lines running down along your forearm and the back of your hand. He knew heâd heard the sound of repeated, dull banging when he first discovered youâd locked yourself in here, but he hadnât wanted to think about what you might be doing to yourself.
Heâs gonna find out now, though.
Losing yourself in your panic again, you shakily pick your stiff hand up off the tile, balling it into a fist as you bring it up just to slam it back down on the cold, hard floor with as much force as you can possibly muster. Sharp pain runs through your wrist as the already swollen joint is forced to take the impact of yet another hit. A hiss of pain is immediately ripped out of you, and you revel in the small relief that it brings, forcing you to take a deep breath to distract yourself. Youâd been at this for a solid thirty minutes now, based on Sunâs calculations of when this whole ordeal started.
Sunâs body locks up at the sight, and he canât even feel the black, watery fluid that begins to leak from beneath his eyes, running down along the curves of his faceplate like tears.
Heâs paralyzed. Stuck in between two equally important rules.
They sound off on repeat like warning sirens in his mind.
[ Protect you. ]
[ Never touch you without permission. ]
[ Protect you. ]
[ Never touch you without permission. ]
[ Protect you. ]
[ Never touch you without permission. ]
Heâs forced to sit there, glued to the ground and watch as you lift your fist and slam it back down once again, your body reeling forward in response to the pain.
He suddenly feels Moonâs presence fighting to take control in their shared headspace.
He watches on helplessly as an unauthorized edit is made to one of the rules cemented in the forefront of his mind.
[ Protect you. A̾T̸ ̜A̜L̜L̜ ̾C̾O̴S̴T̡S̴.̸ ]
He immediately breaks from his paralysis just in time to reach forward, his movements lightning fast, and wraps his massive hand around your fist as it makes its way towards the ground once again. He moves your connected hands downward together, trying to follow the motion so as to not hurt you any further by suddenly stopping you mid-swing.
Your hands both slam down onto the tile, but you hardly feel the pain this time. Sun registers that the back of his hand took the brunt of the impact, no real damage done given his sturdier components, and his body nearly collapses from the sudden relief.
His other hand quickly reaches out and loosely wraps itself around your wrist, needing to hold you still. Heâs careful to not aggravate the swollen joint, nor the stinging lines of broken skin youâd torn across the back of your hand.
You stop crying in your shock, and your head jerks up to look at him, and the both of you stare at each other, unsure, for a long quiet moment.
He breaks the silence first.
âIâm sorry. I-I-I know we canât touch you without permission but-but-but you werenât LISTENING and I-I-I had to. You were hurting-hurting-HURTING yourself.â
His repetitions are getting noticeably worse, and so is his volume control. Heâs stressed beyond his limits, clearly.
Your remaining panic evaporates at the realization and guilt suddenly takes over, washing over you in waves that threaten to drown.
Your right hand is trembling as you pull it away from your face, poking out of your sleeve and reaching out towards him, no longer caring about the absolute hell you must look like right now.
You grab onto one of his upper arms and pull yourself towards him with what little strength you have left in you. He sat up straight as a board in response to your sudden shift in position, clearly not expecting you to fall right into him. He quickly recovers though, gingerly adjusting you to be more comfortable in his hold.
Your voice is miserable and thick with tears when you speak, face making a mess of the soft, colorful ruffles around his neck. He doesnât mind it at all, at this point. They can be washed.
âDonât, please⌠donât apologize. JustâŚâ
You let out a shaky sigh.
âjust hold meâŚÂ please.â
Thatâs permission enough for him, and he quickly gathers you further up onto his lap, adjusting so heâs leaned back against a cabinet and you can lay against him.
âOkay⌠okay. We can do that.â
He slowly brings your injured hand up to inspect it better in the light, and mutters another string of quiet apologies when you whimper in pain. From a quick scan he can tell that nothing is broken- thank heavens - but it will definitely bruise something awful. He also quietly takes note of the way your sharp nails mustâve broken skin, as thereâs tiny dried specks of blood along your forearm when he cautiously lifts your sleeve.
The injury warning pop-ups are still flashing in his vision, but theyâre easier to see through now. Youâre stable. Youâre safe. There will be time to patch you up once they get you calm.
Speaking of they, Moon is now throwing an absolute fit inside their headspace, more impatient than ever to be released so he can do his job. You need to be calmed, you need to be soothed, you need to rest.
[ LET ME OUT LET ME OUT LET ME OUT ]
Sun shoots him a silent response as he brings a hand up to cradle the back of your head against his chest, heart breaking all over again at the way you still tremble against him.
[ You know I would if I could. We have to wait for the lights to go out. Have patience. Itâs nearly your turn. ]
He outwardly flinches at the sudden sharp volume of Moonâs voice in his mind.
[ PATIENCE? I just had to sit back here and witness them actively HARMING themselves like a helpless SPECTATOR and youâre telling me to have PATIENCE, SUN? REALLY? ]
Sun settles you back down against him when you stir in response to his sudden movement, assuring you once again that you havenât done anything wrong.
[ Moon. Please. Look at them. Now is not the time to be fighting. ]
Moon doesnât reply, so he adds on.
[ I⌠sincerely thank you⌠for editing the rule for me, you know? ]
He hears Moon sigh in exasperation, and feels the tension in their headspace begin to slowly dissolve.
[ âŚyeah. Youâre welcome. Donât make me have to do it again. ]
As if on queue, the lights power down in the plex all at once, and their transition begins. They feel the way you suddenly tense at the realization, and they hush you as their voice shifts from Sunâs into Moonâs.
âShhh, shh, shh. Youâre okay. Everythingâs alright, little star. No need to be scared. Iâm right here. Youâre still safe.â
You keep your head buried in the fabric when you speak.
âMoon?â
âYes, sweetheart?â
âAre you⌠mad at me?â
He struggles to keep it together when he hears how scared you sound.
âNot at all, doll. Never. Never mad at you.â
He brings your left hand back up a bit to get a better look at it through his own eyes, and his body releases a soft burst of warm air from his vents.
âMad at ourselves? Mmmaybe. But thatâs none of your concern. Itâs over now. Weâre gonna fix this. We promise.â
He shifts a little, and whispers a soft question.
âMay I move you up to our room so we can clean you up?â
You nod against him, humming in unenthusiastic acceptance.
His movements are incredibly careful and fluid when he picks the two of you up off the floor. Walking out of the storage closet, he calls down his tether and adjusts his grip on you to assure that you wonât slip.
You cling tight to him with your good hand, and close your eyes to avoid the unpleasant sight of being so far up in the air. Before you know it, youâre being lowered onto their bed so carefully one would think youâre made of glass.
When you finally detach yourself from his chest so he can put you down, you finally notice the dark tear-tracks leaking from his eyes. They shimmer, reflecting the dim string-lights hung throughout the room. You reach out to him, trying to wipe them away and failing miserably, smearing the dark stains further across their faceplate.
He gently takes your hand and brings it to his smile, pressing the equivalent of a kiss against your skin before placing your hand back down in your lap.
âDonât you worry about us right now, star. You do that enough already. Itâs your turn to be taken care of now.â
He shifts from his crouched position by the bed and moves to stand, intending to go fetch the first aid kit. You stop him by clinging to his hand with a nervous whine when he pulls away. You donât even recognize how small and vulnerable you sound when your thoughts slip out of you.
âWhere⌠where are you going?â
He crouches back down to your level, brushing your messy hair back away from your face.
âJust need to run down and get some things to patch you up with, doll. Iâll be back within a minute. Do you think you can wait for me here while I go do that?â
Heâs slipped into caregiver mode, speaking to you like heâd speak to a frightened child in the daycare, but honestly⌠right about now, you donât feel much different. His kind, patient tone works wonders to quiet your lingering fears.
âOkay⌠yeah, I can wait.â
He moves to press another kiss to the crown of your head when he stands back up, whispering to you.
âVery good. Iâll only be a moment. Wait here for me, starlight.â
You donât count the seconds it takes him, but from what you can tell he stayed true to his word, for it couldnât have been more than a minute before he was swinging himself back onto the balcony, arms full of various items.
He quietly sets them down one by one on a table in the room, and turns to you, crouching down again to be on your level.
âNow, patching up injuries is usually Sunâs thing, but Iâm fully capable of it as well, if youâll let me.â
You nod in silence, looking down, letting the shame, guilt, and embarrassment wash over you again. He picks up on it, and is quick to reassure you, crouching even further down and tilting his head at an angle so as to catch your gaze again.
âHey, hey, hey⌠you donât need to be ashamed of this. Weâre not angry with you, and you donât have to explain anything tonight if you donât feel up to it . â
Some of the tension bleeds out of your shoulders at that, and you take a resolving breath before granting him permission to tend to you, holding your left arm out towards him.
ââŚThank you.â
He takes it in his, and reaches to grab a cleansing wipe from his pile of assorted things.
âItâs our honor to care for you, love.â
He hesitates, looking you over for a moment before setting the wipe back down and turning to you.
âItâll be easier to do this if we take your jacket off first. Would you like assistance?â
You raise your arms out away from you, nodding sheepishly.
If he could smile any bigger than he always is, he would have.
âAlright, then. Mind your handâŚâ
He gently removes your jacket and folds it over the back of a chair. Then, returning his attention to your arm, he tears the pouch open and pulls the cloth out.
âThis will sting at first, but itâs necessary, okay?â
You nod, only wincing slightly as he cleans your scratches and then pulls out a tube of some sort, twisting the tiny cap off with nimble fingers.
âThis will help you heal.â
You watch quietly as he takes the utmost care to evenly coat each red, stinging line with the ointment, and in the back of your mind you wonder if this is a bit overkill for a few scratches⌠but youâre hesitant to turn him down. It couldnât hurt, and you were rather enjoying the treatment. Far, far more than youâd like to admit, honestly. The torn lines of skin run all the way down your forearm to meet your knuckles, and he doesnât miss a single spot.
He then turns away, pulling out a thin roll of gauze, and gestures for you to hold your arm out once again. When you offer it, he begins wrapping your arm up, starting from your hand. Heâs extremely careful to not put undue pressure on your swollen palm and wrist, and once itâs secured around your hand, he winds the dressing all the way up around your arm, covering every little wound.
Youâre nearly in a trance by the time he fastens the bandage in place and pulls back, pilfering through the other things he brought. You snap out of it when his voice breaks the silence again.
âWould you like my assistance while changing into something more suited for sleep?â
You nod before you even really register the inquiry, still too caught up in how good it felt to be bandaged up the way he did. Itâs not like he hasnât seen you undress before, anyways, so you donât dwell on it too much when he guides you to stand and helps you remove your wrinkled work clothes.
Digging around in their dresser, he pulls out a plush pair of your sleep pants that you leave here for unplanned nights like this, and an oversized Superstar Daycare logo t-shirt.
He squats down, letting you use his shoulders to support your unsteady frame as you step into the pants, pulling them up around your waist before guiding you to sit back down on the bed. Reaching for the shirt and motioning for you to lift your arms, he makes sure the sleeve doesnât catch on your bandages as he drapes it down over you.
Youâre tempted to collapse back into the mattress then and there, but heâs not done coddling you yet.
He begins climbing all around you and gathering up every pillow in the room, propping you up and placing them around you to form some sort of⌠protective nest, you suppose? Whatever heâs doing, it seems like very important work in his eyes, so you let him fuss over the arrangement âtil his heart's content, watching him with a small smile and tired eyes.
Once he seems satisfied with his work, he gently picks your left hand up and places it on its own special elevated pillow. He takes a ridiculous amount of care to make sure all of your bruising fingers are spread out in the best possible position, and then looks to you in question.
âIs this okay? Comfortable like this?â
You nod with a bemused smile, and he tilts his head for a moment, gauging your expression. Whatever he makes of it, he seems content now, and so he returns to his duties.
Reaching back to the table, he pulls over an ice pack, carefully wrapping it with soft fabric before situating it over your hand and wrist. He spends a few quiet moments just holding it there, practically staring straight through the ice pack and down into your injured hand. Thereâs something almost⌠far away about his voice when he speaks this time, but itâs gone again before your tired mind can question it.
âThis should help bring the swelling downâŚâ
You give him a tired smile, and a quiet thank you in acknowledgment.
That seems to snap him out of whatever momentary daze he had slipped into.
He moves back, stopping to take stock of the things he brought with him for a moment before grabbing a wet-looking washcloth and settling himself down on the bed in front of you.
âYouâll sleep better if your face isnât all hot and tear-stained.â
Youâre not gonna decline him, but you do feel compelled to say something.
âYou really donât have to go to such lengths like this, Moon⌠I donât really feel like I deserve all this pampering after the burden Iâve been here lately...â
His body language visibly falls, seeming almost hurt by your words.
âLetâs get one thing straight, doll.Â
You are no burden.Â
Second of all, if you think that this is pamperingâŚâ
He lets out a small, sad laugh, looking down and obviously thinking something over internally.
ââŚthen youâve need to raise your standards, love. This is just basic care.â
He turns back to meet your gaze again.
âBesides. Weâd be some pretty awful caretakers if we couldnât even do this, wouldnât we?â
His faceplate spins until itâs done a 180, reversing its path and righting itself once again as he speaks. That gets a small smile out of you, and you drop the subject, closing your eyes and leaning in to let him wipe the mess of your breakdown from your flushed skin.
Once youâre cleaned, he steps away for a moment, placing the damp cloth back atop the first aid kit on the table. Heâll put everything away in the morning, but for now, heâs quite hesitant to leave your side again. The small mess of assorted items and todayâs dirty clothes will have to wait until tomorrow.
Leaning down to pull their belled slippers off, he places them neatly away to the side. You eye his long fingers as he lifts the back of their neck ruffles, deftly undoing the small bow holding them on, and watch as it unravels. He tosses the fabric onto the same chair he hung your jacket from, and your eyes follow his hands as they move down to his waist, fingers working to undo the tie that holds their pants up.
You avert your gaze as the star patterned fabric drops to the floor, pooling around his ankles. Itâs not like thereâs anything about each other you havenât already seen before, but it still feels a bit inappropriate to just sit here doing nothing and watching him undress.
As you lean your head back to stare up at the sea of glow-in-the-dark stars that decorate the ceiling, he steps into the longest, softest pair of black palazzo pants known to mankind, a rare find of yours from a lucky trip to a thrift store.
You hated it when you first found out that they either had to sleep in their work clothes or nothing at all, so you had begun to buy up any casual clothes you could find whenever you happened across something that might fit their unusual frame.
He wraps the ties around his thin waist twice, tying them into a neat bow in the front. He then grabs a baggy, cream colored open-front cardigan and slips one arm after the other into it. Loosely wrapping the sides across his front, he turns and makes his way back over to the bedside. He didnât particularly care one way or the other about wearing any sort of shirt to bed, but you often fell asleep on him and werenât a big fan of waking up with your cheek adhered to the silicone of his chest plate.
When you notice his approach in your peripheral vision, you pull your lidded gaze away from the stars above you to look at the Moon beside you.
He settles himself down right next to you, careful to not disturb the nest heâs created, and then reaches out to the bedside table one more time, returning with a bottle of water and a packet of your favorite crackers, which he presumably snatched from the daycareâs pantry.
Why on earth it is that this is the gesture that finally does you in will forever remain a mystery to you, but at the sight of him presenting you the food and water, your eyes well up again with tears you didnât think you had left.
He visibly falters for a moment, unsure if heâs done something wrong. He drops the crackers down onto the bed, freeing a hand to reach out and cup your cheek, guiding you to look at him. His voice is heavy with a quiet concern.
âHey, hey, no more tears⌠Why are you crying again, starlight? Is something still hurting you?â
You smile in spite of your shining eyes, and lean into his touch.
âTheyâre good tears this time, Moon. I just⌠Thank you. For everything, for all of this, thank you. Both of you.â
He seems to relax a bit at that, and his thumb runs over your cheek to brush away a stray tear. His eyes get that distant look in them for a moment and you realize heâs listening to Sun.
âThanking us is not necessary, but youâre very welcome all the same.â
He opens the water bottle for you, assuring that youâve got a good grip on it before he lets you take it. As soon as it hits your throat you realize just how thirsty you were, greedily downing about half the bottle before Moonâs hand appears in your line of sight, gently ushering it away from your pursed lips.Â
âPlease pace yourself, starlight.â
You swallow your current mouthful of water as you watch him open the package of crackers, expecting him to hand it to you before you remember that youâve got a bottle in one hand and an ice pack on the other. He picks one piece out of the package and as he brings it up towards you, you connect the dots quickly enough.
âOpen.â
Oh, brother, heâs really giving you the full treatment tonight.
You feel heat return to your cheeks once again, albeit for a different reason this time around. Your voice comes out in a mixture of embarrassment and want.
âYou donât have to feed meâŚâ
His faceplate angles down to the side, cocking his head at you. If he could smirk youâre sure he would be right now.
âBut we want to.â
He gently nudges the cracker at your closed lips and you side-eye him as you part them just enough to snatch the food in between your teeth. You pull away with a small smile as you chew, and for some reason you struggle to look him in the eyes.
If circumstances were brighter, heâd likely be teasing you for being so shy, but tonight⌠Tonight, he sets the jokes aside. He patiently feeds you one cracker after another, reminding you to take a small sip of water every few bites. At some point, when your mind slows down enough for you to notice the silence permeating the room, soft music begins to play from the speaker hidden in his chest.
Itâs the tune that he reserves especially for nights like these with you, one that he never plays during nap time. In spite of how little Sun and Moon have to call their own, they still manage to find small parts of themselves to share only with you.
Once youâve finished your snack, you let him place the remainder of your water back on the side table. When he turns back to you, ready to get you laid down to sleep, youâre fixing him with a thoughtful stare. His faceplate tilts 45 degrees, his tone curious.
âWhat are you looking at?â
Your tired gaze roams across his faceplate, following along the smeared oily tear tracks he seems to have forgotten about. You then look past him, over his shoulder, and your eyes land on the still-damp cloth on the table.
âWould you hand me that cloth for a second, please?â
Heâs silent for a moment, processing your question, but eventually reaches behind himself to retrieve it for you. When he places it in your open right hand, you use it to gesture out in front of you.
âCan you move to sit in front of me for a minute?â
He tilts his head the opposite direction in confusion once again, but does as you requested. You motion for him to lean down a bit until his face is level with yours.
Once you can reach him, you pinch one corner of the cloth between two fingers and set to work wiping away the dark tear tracks. You follow the path theyâve made down from beneath their eyes, around the inner curve of their cheeks and down to their mouth. The trails of inky fluid had weaved their way through the crevices of their smile and eventually converged, pooling in the bottom curve of the crescent moon.
You feel his eyes, now tiny pinpricks of red in a black void, following your every movement. Not really in a dangerous sort of way⌠he just seems more taken aback than anything. When youâve wiped every last trace away, you meet his gaze briefly as you give him one final look over, and you give him a small smile.
You go to hand the cloth back to him and he doesnât move to take it, still sitting there with his hands clasped in his lap and staring straight at you. Oh god. Knowing your luck, your attempt at returning the favor has broken him. Cautiously reaching out, you take one of his hands in yours and maneuver it until itâs face-up. You ball the cloth up and place it back in his palm as your hand comes to rest over top of it, eyes darting across his frame in search of any movement, any sort of response.
âAre you still with me, Moon?â
At your words, his faceplate suddenly clicks back and forth a few times before making one full rotation, the bell on the end of his hat grazing the pillows below you along the way. Life seems to finally return to him, and his fingers close around the cloth in his hand as he leans back. Silently, he moves from his spot seated in front of you to return the cloth to the table before settling himself back down in his prior spot beside you. You turn to look at him, uncertain, and his gaze is settled on the bed sheets when he speaks.
âI never left you.â
Your tired mind struggles to understand what exactly that means, looking up at him with furrowed brows.
âHuh?â
He tilts his faceplate to look down at you, still being a head taller than you even when youâre sitting next to him.
âYou asked me if I was still with you.â
His hand reaches out and he carefully laces his long fingers between yours.
âI never left.â
A warm feeling spreads through your chest at the sincerity in his voice and in that moment, you canât do anything other than lean into him, gently resting your forehead against his shoulder. After a little while of just breathing in the moment, you speak again.
âI just⌠wanted to return the favor. You two take such good care of me, wiping your tears is the least I can doâŚâ
One of his hands comes up to cradle the back of your head against him.
âItâs entirely unnecessary but we both appreciate it nonetheless. We really do. Weâre just⌠not used to it. Being treated so gently is⌠unfamiliar to us.â
You pull your left hand out from beneath the ice pack in order to wrap your arms around him in a proper hug, talking into the fabric of his cardigan.
âOh, come on, guys⌠youâre starting to sound like me now.â
Moon resists the urge to reprimand you for moving your hand, instead allowing their body to lean into the embrace, wrapping long arms around your soft, vulnerable body. His voice sounds far more exhausted than any animatronic's voice ought to when he speaks.
ââŚitâs well past your bedtime, little star.â
You put the last of your energy into squeezing him as tightly as you can before you finally let go, allowing him to re-situate you however he deems fit.
You know that thereâs a heavy conversation to be had tomorrow, and youâre gonna have to find a way to hide or explain away the remnants of your obvious injury to little questioning minds on Monday. Youâll have to think of all the right things to say to anyone who may ask questions, and youâll come up with something, youâre sure. One thing you can find comfort in though, is that you donât have to worry about any of that with Sun and Moon.
They deserve a more detailed explanation of course and theyâll get it when youâre ready, but at least for tonight⌠the three of you can rest knowing that youâre safe and understood in each other's arms. None of you are strangers to this, and you both know that things will be okay again. One step back doesnât erase any of the progress you made beforehand.
So for now, you breathe in deep and focus on the feeling of gentle, strong arms wrapped around you, keeping you safe from anything that may seek to harm you.
Even if thatâs yourself.
A/Ns: Crisis Text Line provides free, 24/7 support via text message. They're there for everything: anxiety, depression, suicide, school. Text HOME to 741741. Or, you can click the link here to visit their website for more information and resources. As usual, if you want to see all of my commentary and additional context in regards to writing this fic, you can find that in the notes right here on AO3!
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18+, minor don't interact with the 18+ contentTomura shigaraki's biggest simpArtist, writter
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