“Veil Of Smoke” By Unknown Photographer ◇ Cigarette Smoke Caught Between Transparency And Touch

“Veil Of Smoke” By Unknown Photographer ◇ Cigarette Smoke Caught Between Transparency And Touch

“Veil of Smoke” by Unknown Photographer ◇ Cigarette smoke caught between transparency and touch

More Posts from Fitzcrozier and Others

4 months ago
“there Is Nothing Outside Of Yourself That Can Ever Enable You To Get Better, Stronger, Richer, Quicker,
“there Is Nothing Outside Of Yourself That Can Ever Enable You To Get Better, Stronger, Richer, Quicker,

“there is nothing outside of yourself that can ever enable you to get better, stronger, richer, quicker, or smarter. Everything is within. Everything exists. Seek nothing outside of yourself.” ― Miyamoto Musashi

Kami Art by Gordiart

1 year ago
Miniature English Drawing Room Of The Late Jacobean Period, 1680-1702
Miniature English Drawing Room Of The Late Jacobean Period, 1680-1702

Miniature English Drawing Room of the Late Jacobean Period, 1680-1702

Narcissa Niblack Thorne & Unknown Artisans

c.1937

Art Institute of Chicago (Reference Number: 1941.1189)

3 months ago
Watercolour Portrait Of Ada King, Countess Of Lovelace Also Known As Ada Lovelace, ca. 1840, Possibly

Watercolour portrait of Ada King, Countess of Lovelace also known as Ada Lovelace, ca. 1840, possibly by Alfred Edward Chalon.

Ada Lovelace, is celebrated as the first computer programmer. In the early 19th century, she wrote detailed notes on Charles Babbage’s Analytical Engine, a pioneering mechanical computer.

Among these notes was an algorithm designed to compute Bernoulli numbers, which is recognized as the first published computer program. At a time when computing was an uncharted territory, Lovelace envisioned the potential of machines to perform complex tasks beyond basic arithmetic.

Her foresight and contributions laid the groundwork for modern computer science.

She was also the daughter of the poet Lord Byron.


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2 months ago
Rainy Day In Kyoto
Rainy Day In Kyoto
Rainy Day In Kyoto

Rainy day in Kyoto

11 months ago

The way Aegon desperately wants to fill the conqueror's armor, even when it's evidently too large for him to fully take up. He looks like a boy slipping into his father's coat, a boy whose idea of his father as this invincible figure, who he can never quite reach, is destined to be popped some way or another.

Aegon isn't the only one who clings to the idea of the conqueror as this ideal. His shadow looms large over all of House Targaryen, this almost mythical figure whose legacy all Targaryen try to claim for themselves. They chase after his ghost, believing that to truly be a Targaryen, one must be like him: ruthless, powerful, and above all, victorious. They forget—or perhaps choose to ignore—that his victories were bathed in blood, that his crown was forged in fire and brutality. His legacy is a cursed throne, a throne that cuts most who sit upon it, a throne that pits people against each other.

Generation after generation, Targaryens name their children are after him. Aegon. A name dripping in history and blood and crushed dreams. They hope that this name will bring with them the strength and glory. A babe born to me, wearing the Conqueror's crown. But these hopes are often dashed. These children are caught in the endless cycle of violence that defines their bloodline. They keep meeting more and more horrific fates—murder, madness, betrayal.

The prophecy that the Conqueror himself used as justification for all the blood he spilt, the prophecy so many Targaryen feel like is theirs to fulfill—the promise of a hero who will save the world—only serves to further the rot. This prophecy, ever so vague and open to interpretation, is a way for them to give purpose to the endless wars and the pain. The Conqueror was no savior; he was a man driven by ambition and thirst for power, a man who saw kingdoms as prizes to be won and people as obstacles to be removed. He was a man who saw himself to be superior to others on the basis of what flowed through his veins.

7 months ago
Red Vineyards At Arles (1888) By Vincent Van Gogh

Red Vineyards at Arles (1888) by Vincent van Gogh


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1 year ago
Please, Picture Me In The Weeds. Before I Learned Civility.
Please, Picture Me In The Weeds. Before I Learned Civility.
Please, Picture Me In The Weeds. Before I Learned Civility.
Please, Picture Me In The Weeds. Before I Learned Civility.
Please, Picture Me In The Weeds. Before I Learned Civility.
Please, Picture Me In The Weeds. Before I Learned Civility.
Please, Picture Me In The Weeds. Before I Learned Civility.
Please, Picture Me In The Weeds. Before I Learned Civility.
Please, Picture Me In The Weeds. Before I Learned Civility.

Please, picture me in the weeds. Before I learned civility.

@ryebreadgf/@delicatethunders/@ 1victiim23 on twitter/orson scott card/unknown/origin of the marble forest - gregory orr/i can’t unsee my childhood - nivya/unknown/@inanotherunivrse/seven - taylor swift

1 year ago
THE OCEAN; WHERE EVERYONE CAME FROM
THE OCEAN; WHERE EVERYONE CAME FROM
THE OCEAN; WHERE EVERYONE CAME FROM
THE OCEAN; WHERE EVERYONE CAME FROM
THE OCEAN; WHERE EVERYONE CAME FROM
THE OCEAN; WHERE EVERYONE CAME FROM
THE OCEAN; WHERE EVERYONE CAME FROM

THE OCEAN; WHERE EVERYONE CAME FROM

slothrust – horseshoe crab, @randomingoftherandomness​ , kirsten sims, hrvoje majer, jfk, dunkirk (2017) dir. christopher nolan, haevn – the sea

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fitzcrozier - sin eater
sin eater

emma. 19. lost amongst the fauna and flora of the plains.

217 posts

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