๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ โโโโ ๐๐๐ฆ๐ฎ๐ง๐ ๐๐๐ฏ๐๐ง๐ฌ๐ข๐
SUMMARY: A weary King Edmund encounters a celestial being of moonlight given human formโand in her eyes, he finds not judgment, but the quiet promise of peace heโd forgotten to hope for.
AUTHORโS NOTE: Just because I saw a portrait of a knight and a princess under the Golden Brown song but make it a king and an enchantress. Below 500 word count.
Edmund Pevensie moved through his kingdom like a hymn half-remembered at dawnโeach gesture measured, each word weighted with the gold of hard-won wisdom. The crown upon his brow had long since ceased to be a burden; it had grown into him, vines of silver and duty twining through his dark curls until metal and flesh became one. His sword, once thirsty for justice, now rested in its scabbard with the contentment of a sated beast.
Then somethingโsomeone, emerged from the weeping willows as mist takes formโfirst a suggestion, then a certainty.
He stood at the forestโs edge, his crown catching the last honeyed light of duskโnot as a king awaiting tribute, but as a man who had long since learned to listen to the whispers of leaves.
And thenโyou appeared.
Not as a vision, nor a specter, but as the earth gives way to spring: tenderly, inevitably, and beautiful. Crushingly so.
It hummed with a warmth that had nothing to do with the fading sun. Your garment was spun from the whispers of jasmine and the last sigh of golden spring. Your hair like liquid onyx spilled down your back, threaded through with veins of quicksilver that shimmered with each breath you did not need to take, slipping through the mist like something half-dreamed.
The first thing he noticed was the scentโwild thyme and something colder, sharper, like frost on silver. Then, the light. Or rather, the way it bent around you, as if hesitant to touch your skin, dappling silhouette with fragments of stolen moonlight.
Yet, it was your eyes that seemed to lead him in his undoing.
They were the soft grey of dawn mist over still waters, twinkling sort that men charted courses by, flickering kind that danced just before the universe collapsed into itself. When you blinked, galaxies were born and died in the sweep of your lashesโtwin abysses lined with stars.
As you looked at him, Edmund felt something in his chest loosenโnot the unraveling of a noose, but the gentle slipping of a knot he hadnโt realized heโd tied. There was no judgment in your gaze, only a quiet understanding that flowed over him like soft balm.
โSon of Adam,โ You breathed, and the words unfurled like smoke from an altar, โdo you still taste the lies of winter on your tongue?โ
Edmundโs fingers brushed the hilt of his swordโnot in threat, but in remembrance. The leather groaned beneath his touch, whispering of frostbitten battlefields and the sweet, cloying rot of enchanted confections.
He could no more have refused you than the tide could refuse the moon.
โI taste only the wine of todayโs council,โ he replied, his voice the steady cadence of a heartbeat beneath armor. โThe past has lost its flavor.โ
You laughed, and the sound was the cracking of ancient ice, the first fall of snow upon a forgotten grave. For someone who loathed winter, Edmund seems to be adjusting well with the very terms you appear to represent. Then, a handโpale as a communion wafer, cold as a buried bladeโdrifted toward his cheek.
โTell me, does your lion still roar in your dreams?โ
The king did not shudder. โAll kings dream of lions,โ he admitted, his voice rough with something like wonder.
For a moment, the very forest stilled. The creek ceased its babbling, the wind forgot to sigh, and the fireflies paused in their drunken waltz. Then you smiled, and it was the most terrifying thing he had ever witnessedโbeautiful as a bloodstain on fresh snow, inevitable as a noose settling into place, yet it was as if someone had lit a candle in a long abandoned chamber.
โThey say you kneel only to truth,โ you said. The hem of your dress stirred though no wind blewโa thing woven from spider-silk and the twinkle of dying stars.
Edmund did not flinch. โI have knelt to many things,โ he replied. His breath fogged the air between them, a fleeting veil. โI know the difference now.โ
You tilted your head, and the rising steadfast moonlight slid down your throat like a knife. โAnd what does a king kneel to, when the world is quiet?โ
โTo the things that outlast crowns,โ
A pause. Somewhere, an owl calledโor perhaps it was the whispers of the winds, low and humming, the sound a blade might make if it could sing.
โKing Edmund,โ You murmured. Your fingers traced the air above his lips, close enough that he could feel the warmth in its touch. โYou are more than your regrets.โ
And as suddenly as you had come, you were goneโleaving behind only the scent of crushed violets and the unsettling certainty that the moon was watching him more closely than before.
For in that moment, Edmundโonce a king, once a traitor, now simply a manโlet himself drown in the quiet harbor of your presence. The silence around him hums with the lullabies of twilight blues, with the weight of things heโll never name.
The trees, ancient and knowing, held its breath. Somewhere, far above, a thin sliver of moon pressed through the clouds.
ยฉ FEUILLETONETTE
"Book Colin could never stay angry that long..."
Sweetheart, he repressed his jealousy as much as he denies Whistledown by being intimate with her so when the Cressida plot emerges, he conciously hurt Penelope physically because of his unadressed anger.
In contrast, show Colin refuses to be taken by passion because he doesn't want to deduce the sanctity he and Penelope shares in those sacred moments. Not when he's processsing his hurt and overcoming his trauma response.
And speaking of the trauma response, the Marina Thompson plot wasn't even in the books, even Eloise and Theo's. And rewatching season one had built how much damage it really did to show Colin and his family amongst other things LW wrote about them. He actually had more motivation to act on his pain, yet still reacted way better than book Colin ever did.
I was surprised to see that Whistledown wasn't even as controversial as she is in the show. She barely done damage, all she has to say was that he's too charming in which the only thing he could personally complain about.
It's the only book I read in Bridgerton series because I couldn't get enough of Polin, but the only nice thing about it was their first meeting. I would rather divorce the two versions of him. I'm so relieved that Pen was the one to do THE speech. Because it's HER moment. It's about her coming out in the shadows and reclaiming accountability for the triumphs as much as the hurt she had inflicted.
Historical romances, stories of young, innocent love, clandestine meetings, that longing for a kiss, then parting of ways, that train taking one of them far away, writing letters and waiting for them, letters lost or left unread, a lover holding the other as a brutal wave makes them lose their balance, sticking together through the best and the worst of itโstories that break your heart but leave you smiling through the tears.
Lidia Yuknavitch, from Reading the Waves: A Memoir published in 2025
oh the urge to be part of a hedonistic slightly deranged secret society
poems to read while having breakfast at the heartbreak hotel
I know I am but summer to your heart (Sonnet XXVII) by Edna St. Vincent Millay
What lips my lips have kissed, and where, and why (Sonnet XLIII) by Edna St. Vincent Millay
Time does not bring relief (Sonnet II) by Edna St. Vincent Millayย
I Am Not Yours by Sara Teasdale
[you fit into me] by Margaret Atwood
You by Carol Ann Duffy
Be Near Me by Faiz Ahmed Faiz
Blessed be the spectacle by Lev St. Valentine
You Are Tired (I Think) by E.E. Cummings
Hope you're well. Please don't read this by Lev St. Valentine
To Say Dark Things by Ingeborg Bachmann
Lilichka by Vladimir Mayakovski
Love and Hate by Elizabeth Eleanor Siddal
Sanctuary by Jean Valentine
the winter sun says fight by Peter Gizzi
The More Loving One by W. H. Auden
A Primer For The Small Weird Loves by Richard Siken
Dirty Valentine by Richard Siken
Morning by Frank O Hara
We Don't Know How To Say Goodbye by Anna Akhmatova
You'll Live, But I'll Notโฆ by Anna Akhmatova
from โAn Attempt at Jealousyโ by Marina Tsvetaeva
The Last Toast by Anna Akhmatova
In Dream by Anna Akhmatova
Mad Girl's Love Song by Sylvia Plath
Talking In Bed by Philip Larkin
He wishes for the Cloths of Heaven by W.B. Yeats
La Belle Dame Sans Merci by John Keats
i like men that make things happen
Perhaps one of my biggest assets has been my capacity to live in the present. Donโt lose yourself in planning, daydreaming, scourging, constantly preparing. The best time is now!
"it's okay, i can peel back the layers of you until i find the soft and gentle core of you you've had to work so hard to hide"? no. no, it's okay, i know you're hollow; i'm here anyway. you don't have to pretend it isn't masks the whole way down. whatever face you want to wear, i still love you. i don't need you to be good or unflinching or the antonym of violence. if i did, i wouldn't be here. i wouldn't ask that of you.
I do not want a connection that simply brims.
I want a love that echoes in the passage of time. That takes notes in the margins of my silences, memorizes the cadence of my quiet. That lingers not for the warmth of my body, but for the architecture of my thoughtsโthe labyrinthine halls of very being, dimly lit by longing, waiting to be known.
Let us meet, not in the frenzy of skin on skin, but in the cathedral of our mindsโwhere your philosophy touches mine like prayer, where we undress one another not with fingers, but with words and hopes and the intangible extractions of our unsaid exploits.
Is it not the most sacred act, to be read deeply?
I do not want possessionโI want presence. Your eyes on me like a scholar, your voice in conversation like candlelight.
Soft.
Careful.
Eternally curious.
Unravel me like a question you want to live the answer to.
dorian only thinks his portrait is beautiful because he sees it as a depiction of his fleeting youth and identity, but the truth is the portrait is actually a reflection of basil, the artist, who put too much of himself in it. itโs not dorian who is beautiful, but rather basilโs pure love for him, which in turn is a reflection of basilโs soul and true nature. by loving dorian, and embracing his love through art without shame, basil has created the most precious thing, even if it is fleeting. much like romance, all art is quite useless, but it touches the human spirit nonetheless, and thatโs important
๐๐๐ ๐๐๐๐ ๐ธ๐ฏ ๐๐๐ ๐๐๐๐
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