"So, Tell Me. How Are You Today?"

A quick scribble of my favorite bean before I go to the hairdresser later

starting a collection

Let’s talk Limbus Company!

Something I recently noticed is that Limbus Company’s Abnormality numbering system is slightly different from that of Lobotomy Corporation. Whereas L Corp. used one letter and two numbers, the Company threw in an additional number to the set that throws everything slightly off. Additionally, there’s a few extra variations we see in Limbus that we don’t in Lobotomy, so without further adieu, here’s what I think the different parts of Limbus Company’s Abnormality designations mean, gathered from what we already know and have theorized about L Corp’s system:

Letter — Denotes the Abnormality’s origin as one of the following:

• Original — Spawned from nothing but the thoughts and desires of the Dreamer and therefore the purest type of Abnormality

• Trauma — Spawned as the fallout of the Dreamer’s grievances with the City

• Fairytale — Based on literature or folklore, generally originating from outside the City

• Myth — Based on artifacts and ideas discovered from the days before the City, but could also be exclusively religious in nature (it is difficult to tell given we currently only have two known examples to go off)

• Sin — Reserved for Peccatulae

• Donator — Granted to L Corp. from an outside source

First Number — Denotes the shape of the Abnormality as follows:

1 - Humanoid Organism

2 - Non-Humanoid Organism

3 - Supernatural Being

4 - Object without Moving Parts

5 - Object with Moving Parts

6 - Undefined

7 - Breaching Tool

8 - Peccatulum

9 - Standard Tool

Second Number — Denotes the District in which the Abnormality was first encountered by Limbus Company.

Third Number — Unique identification number given to each Abnormality within a District.

So, for a few examples as proof of this theory’s validity:

S-08-04-01, Peccatulum Gulae, is a Peccatulum (Automatically making it S-08) and the first Abnormality we meet in the game’s first dungeon in District 4 (Making the last two numbers 04-01).

M-04-04-05, Doomsday Calendar, is based on the stone calendars created by Mesoamerican cultures of the real world (M-04). It is the fifth Abnormality encountered in District 4 (04-05). Also, from now on, I won’t be bothering with the third number because it is somewhat arbitrary.

T-04-10-05, Have You Become Strong, takes the form of a large, plastic freight container and can be presumed from its combat event to be formed from a dreamer who was involved in or witnessed some kind of industrial accident (T-04). It is found in District 10 (10-05).

F-05-10-18, Baba Yaga, is based on a Russian folk character, a witch known as… Baba Yaga (F). Specifically, it is based on the hut that the witch lived in that walked about on fowl’s legs (05). It is found in District 10 aaand you get the idea.

Now, the weird one that kind of threw a wrench in this entire thing initially was F-04-03-04, Ebony Queen’s Apple. This Abnormality is an Aberration of Snow White’s Apple from Lobotomy Corporation and Library of Ruina, automatically making it a Fairytale-type due to its association with the popular children’s story. Though some might argue it should be considered a humanoid or non-humanoid organism, this apple has already fallen from its tree and is therefore more in the inanimate object category, making its first number 04. Make sense so far? Of course it does. The strange thing about this Abno is that, despite making its debut appearance in District 4, its second number is 03. So, why is this?

There are two possible theories. One is that the Abnormality is not one of a kind, and that a previous team from Limbus also sighted the exact same creature in District 3, which opens up an entire can of worms about the uniqueness of Abnos. The second is that, shortly before the fall of L Corp, the Ebony Queen’s Apple was transferred from a Branch in District 3 over to the one Yuri worked at, which ALSO has weird implications.

Anyway, I’ve rambled on way too long about this, now. I don’t really have a good way of ending this post, so I guess I’ll just say that Limbus is still a relatively new game, and I’ll be making sure to check how future Abnormalities fair in this classification system.

Ciao!

limbus company POLAND 🇵🇱🇵🇱🇵🇱 (translations in caption as always)

I made these

It’s something

after the candle is blown out what does the flame look like?

drew these gregs + physically shipped them out for some mutuals n they both got them finally 👍

Just a silly little chibi doodle of my favorite old people (Ratched and Winston) 🤍

Winston is in Ratched's custody to help her deal with the paranoia. Of course she likes her hegemonic therapist, why wouldn't she?--

Winston belongs to @faust-the-plague

Tips from a Beta Reading Writer

This one's for the scenes with multiple characters, and you're not sure how to keep everyone involved.

Writing group scenes is chaos. Someone’s talking, someone’s interrupting, someone’s zoning out thinking about breadsticks. And if you’re not careful, half your cast fades into the background like NPCs in a video game. I used to struggle with this so much—my characters would just exist in the scene without actually affecting it. But here’s what I've learned and have started implementing:

✨ Give everyone a job in the scene ✨

Not their literal job—like, not everyone needs to be solving a crime or casting spells. I mean: Why are they in this moment? What’s their role in the conversation?

My favourite examples are:

The Driver: Moves the convo forward. They have an agenda, they’re pushing the action.

The Instigator: Pokes the bear. Asks the messy questions. Stirring the pot like a chef on a mission.

The Voice of Reason: "Guys, maybe we don’t commit arson today?"

The Distracted One: Completely in their own world. Tuning out, doodling on a napkin, thinking about their ex.

The Observer: Not saying much, but noticing everything. (Quiet characters still have presence!)

The Wild Card: Who knows what they’ll do? Certainly not them. Probably about to make things worse.

If a character has no function, they’ll disappear. Give them something—even if it’s just a side comment, a reaction, or stealing fries off someone’s plate. Keep them interesting, and your readers will stay interested too.

“what that mouth do” gnaw on bone and chew through ligaments