A Decorative Synagogue Plaque Indicating The Times Of Prayer, [detail], By Abraham Pavian, Hermannstadt

Marilyn and Marlene

Photo by Milton Greene, 1955

Glamorous❤Vintage❤Soul

“Upritchard’s proclivity for painting her characters’ skin in tones such as jaundiced yellow, mossy green, or calming lavender— sometimes in two tones or even a rainbow of hues—or having the patterns of their clothing continue onto their faces and hands, as if they have evolved to be able to camouflage themselves within their immediate surroundings, suggests that these creatures may signify a future race. But the combination of recognizable referents that appear to leave her figures nearly paralyzed—their partially opened eyes in a continuous state of rueful pondering— is what the viewer will recognize as disconcertingly familiar, a state of mind that syncs up perfectly with the contemporary moment.”

Hammer Projects: Francis Upritchard closes on Sunday: http://bit.ly/1GpKIbQ

Yemenite Jewish bride getting ready

Picture titled ‘Algerian Jew’ from the Jewish Encyclopedia.

Algeria’s Jewish community dates from the Roman invasion and the destruction of the Second Temple.  Read more about the Algerian Jewish community here.

And see synagogues of the Algerian Jewish community here.

8 About Art: Alanna Martinez

Your Twitter bio states “ask me about art & pasta anytime” so we must ask: For the love of pasta, what’s your favorite pasta dish?

Pasta is a beautifully versatile food, you can go so many ways with it, but my favorite pasta dish is about as simple as it gets. For the pasta itself: this dish goes best with shells (cocciolettte), campenelle, or penne. Add a whole lot of unsalted butter—at least a tablespoon—or you can substitute olive oil. Then, a generous amount of pecorino romano cheese. Then some pepper, and salt if you don’t think it’s salty enough already. Then enjoy! Simply put: pasta with butter and cheese. You can’t go wrong.

Do you have a personal background in the arts? How did you get started?

I grew up in the art world. My father is an artist, and I grew up in his studio. I went to an arts high school in Manhattan where I had a traditional conservatory-style education—drawing, oil painting, watercolor, basic anatomy, etc. After basically doing four years of art school in high school I was hesitant to do another four years at the college level, but I wasn’t ready to stop studying art all together, so I chose to attend a liberal arts school where I focused on photography, sculpture, and art history. While in undergrad, I ran the school’s visual arts publication, so after I graduated I looked for publishing opportunities in the art world and landed an internship at an art magazine. And that’s where I fell in love with art writing.

If so, what’s your favorite medium to work in?

I love the freedom of sculpture. In undergrad, I hit a point with photography where I started exploring video and installation in my work, and thankfully my professor suggested the following semester I sign up for a sculpture class to see if would open up new possibilities for my work. I was blown away by just how much it did.

Today, there are a lot of artists on Instagram. Are you seeing this trend? Any must follows you recommend?

Instagram is a great medium for artists to show off their work in the studio, and give people a view of how they see the world. I follow a lot of galleries, institutions, and artists, but I’ve also discovered a lot of comic artists and illustrators through Instagram and fallen in love with their work.

Are there any cities with an up and coming art market we should know about?

Plenty—though there are more up and coming regions than cities. Really, the Internet has widened the market exponentially. You can be a collector anywhere, and having a foothold at major fairs all over the world is becoming all the more important. Cities with multiple fairs, or new biennials are definitely ones to watch.

What’s your all-time favorite museum that you frequent?

The Met. It’s my favorite museum in the world. Something about it feels like home, even though there’s a massiveness to its collection and halls that makes me feel like I’ll never be able to know every inch of it. My favorite room holds the Panoramic View of the Palace and Gardens of Versailles, painted by John Vanderlyn between 1818 and 1819. While it’s meant to transport you—through minute detail and photographic realism—to the palace’s gardens, there’s something surreal and otherworldly about the palate and wide-angled perspective.

Any can’t miss art events happening this summer in NYC?

Works by French artist Pierre Huyghe are all over the city this summer, and not to be missed. His roof garden commission is currently on view at the Met—where visitors will also have a breathtaking and unique view across Central Park—and his sculpture Untilled is up in MoMA’s sculpture garden, in addition to screenings of his film The Host and the Cloud. I’m also excited personally to see the Brooklyn Museum’s “Rise of Sneaker Culture” and “FAILE” exhibitions.

Any advice for those interesting in breaking into the art market as a writer?

See as much art as you can, read everything being published by outlets you’d want to write for, and remember that tearing people down is not a critic’s main job. Instead, be open to discovering what’s new and exciting and sharing that with others.

Sonia Delaunay, Flamenco Singers, known as Large Flamenco, 1915-1916. Tate Modern, London. © CAM – Fundação Calouste Gulbenkian / © Pracusa 2014083.

About:

Sonia Delaunay’s innovative explorations of color and form began with a quilt she made for her son in 1911 that would spur a breakthrough in the history of abstraction. She had moved from Moscow to Paris at age 20, where she first encountered Post-Impressionism and Fauvism, inspiring her to push further toward non-objective art. Along with her husband, Robert Delaunay, she developed a bright blend of Cubism and Futurism that would be dubbed Orphism by critic Guillaume Apollinaire in 1910—though Delaunay preferred the term “Simultaneous Contrasts”. In addition to painting, she created textiles as “exercises in color,” under the Maison Delaunay label, even creating costumes for Sergei Diaghilev’s Ballets Russes. In 1964, Delaunay became the first living woman to be given a retrospective at the Louvre.

Source:  artsy​ - http://bit.ly/1J7BPUq

Brad Wilson’s Affinity II series of animal portraits || See gallery

Photographer Brad Wilson, based in Los Angeles, started his Affinity series of animal portraits in 2010. These are the second part of this series. Brad takes the pictures in a photographic studio, just feet away from the animals. Some, such as the mountain lion and tigers, are deadly. 

Lady in gold : the extraordinary tale of Gustav Klimt’s masterpiece, Portrait of Adele Bloch-Bauer / by Anne-Marie O'Connor

Contributor to the Washington Post Anne-Marie O’Connor brilliantly regales us with the galvanizing story of Gustav Klimt’s 1907 masterpiece—the breathtaking portrait of a Viennese Jewish socialite, Adele Bloch-Bauer. The celebrated painting, stolen by Nazis during World War II, subsequently became the subject of a decade-long dispute between her heirs and the Austrian government.

Prime Minister Benjamin Netanyahu and his wife Mrs. Sarah Netanyahu receiving the four species  from Chabad Rabbis at the Prime Minister’s Sukkah.

Also seen in the photograph the Chief Rabbis of Israel.  

We sold out of our October Dalai Lama issue two weeks early and had to do a second print run. Thanks to everyone in #Vancouver and #victoria for making this issue a record breaking success for the Megaphone vendors. #changethatworks http://ift.tt/1Xx9BuX