A Comic About Dreamers

with arcane’s focus on visual elements, something that’s been nagging on me lately is mel medarda’s final design and why it compounds the tragedy of her story:

firstly, when we see mel in her flashback, she’s already wearing her significant white/gold, but tempered with blue—noticeably missing her mother’s greys and reds, even then, showing her idealogical differences

then in piltover, we see mel as her own self-actualization—all white and gold and black, colors connected to power, and with an elegant cut that still places her slightly apart from piltover fashion. it shows her place as a non-combatant (long skirt) and someone privileged (the pure white) and wealthy (the gold. so much gold.). this is mel medarda at the pinnacle she’s worked so hard to achieve—it’s elegant because she is elegant

which of course becomes subverted when we do see the gold accessories taken away and the white dirtied when she’s kidnapped by the black rose—this is the first and only time we see mel in actual disarray, and it shows how vulnerable she is when she’s outside the political sphere

and after her transformation, we have this costume change, where aside from the increased gold (now representing magical ability instead of just wealth), we have mel in a a skin-tight catsuit style getup, allowing for greater movement, and her hair done in micro-braids in a style that won’t affect her center of gravity. at first, when i was watching, i was confused (especially about the hair), but then i realized—

this isn’t mel dressing herself to reflect a change, this is leblanc’s vision of mel, where power is swiftness and she is markedly different than others in a way that is now impossible to ignore

and she tries to return to her previous sense of self with the white hood, going back to a trademark of her style, but notably this is an outfit worn to conceal, not reveal and show off like her previous iconic dress, and her change is visibly with even just the hood off

and when mel accepts black rose’s help and betrays them and her mother dies, the white hood disappears—try as she might, she cannot go back to who she was, and she stands before noxians as a mage and mother-killer and a wolf, something dangerous

and then, when we see mel leaving piltover, she’s wearing nothing of her original self, but a combination of black rose’s getup and her mother’s colors. there is almost nothing of “mel” in this outfit, as if she’s been subsumed by these two identities—noxian and mage

even her makeup has shifted, with the red line under her eyes and the gold in her lower lip directly copying her mother

this isn’t a mel who’s realized herself in a new identity. this is a mel who, when faced with the enormous loss of her brother, mother, lover and former identity, has fallen into the definitions and roles that were presented to her, and who is now primed to continue the cycles started by her predecessors

and moving on from arcane, i think it would be fascinating to see mel in one of the newer shows to see how she grapples with this and if she either falls back into tradition and dooms herself, or if she’s able to break free and reforge her identity on her own terms

the herald’s favourite

Viktor baby get behind me, people who’ve never seriously had to reckon with their own mortality or what it really means to live in constant, high-level pain for the rest of their life keep trying to create takes on you

(this is not an endorsement of the whole Herald eugenics thing, but if I keep seeing garbage analysis about Viktor and the Hexcore (before he died the first time) I will take notes from Jayce and start bashing things with a hammer)

Lil summer redraw bc I missed him :3

Isha really wanted to go to work with aunty Sevika today

my favorite timestuck dynamic

I'm a simple bitch. i believe the purpose of government should be to improve the lives of its citizens and protect its most vulnerable members. unfortunately i live in a day and age where this gets me labeled an enemy of the state

Is this anything

Arcane really said ‘transphobes don’t get to enjoy the catgirl’ and I salute them for it