yes yes we all see how jayce has to follow the steps of viktor's journey, to climb all the way up from the lowest bottom (zaun) to the highest top (piiltover) with a damaged leg...
but why is his leg damaged? it is not the fall down that leads to the fracture. no. it's his hammer.
jayce's leg is crushed by his own hammer. the same hammer he used as a weapon, betraying his and viktor's original hextech dream of progress, hope and prosperity, for zaun and piltover both. the same hammer he used to kill a zaunite child. the same hammer, the symbol of jayce's choice: confrontation over progress, council chamber over a science lab, everyone else's expectations over viktor, golden boy over partner. the same hammer, a promise broken.
it's the consequence of his own actions that damages jayce's leg.
his hammer - with everything it symbolizes - crushes him. so later we see jayce dismantle it to brace his leg.
jayce lets the past go with all it's mistakes, leaves it behind and climbs up, and then, and there, he gets a new hammer. a new promise. a new oath.
i understand now. my place was always here in the lab with you
and here’s everything all together!
thank you everyone for your support of this little project!
(the chariot will have two versions - with norb and with todo)
(i just couldn’t leave norb out sorry)
I WISH IT HAD ALL BEEN DIFFERENT!!!!!
The greed they talk about in the bible
some arcane pirate au sketches
qpr sashisu speaks to me
I am squeezing them until they go pop
AHHHHHH I’m in love with everything about this
I need someone to draw this:
Odysseus, covered in blood, ragged and looks like death warmed over: *wearing a sash that says “most valid crashout” across it with Hermes/Athena bestowing a pageant crown upon him*
Optional skewered Poseidon in the background
tfw the autoimmune disease makes you too tired to sit up straight but the joint/rib pain makes it too painful to slouch
spreading my viktor wolfcut agenda
with arcane’s focus on visual elements, something that’s been nagging on me lately is mel medarda’s final design and why it compounds the tragedy of her story:
firstly, when we see mel in her flashback, she’s already wearing her significant white/gold, but tempered with blue—noticeably missing her mother’s greys and reds, even then, showing her idealogical differences
then in piltover, we see mel as her own self-actualization—all white and gold and black, colors connected to power, and with an elegant cut that still places her slightly apart from piltover fashion. it shows her place as a non-combatant (long skirt) and someone privileged (the pure white) and wealthy (the gold. so much gold.). this is mel medarda at the pinnacle she’s worked so hard to achieve—it’s elegant because she is elegant
which of course becomes subverted when we do see the gold accessories taken away and the white dirtied when she’s kidnapped by the black rose—this is the first and only time we see mel in actual disarray, and it shows how vulnerable she is when she’s outside the political sphere
and after her transformation, we have this costume change, where aside from the increased gold (now representing magical ability instead of just wealth), we have mel in a a skin-tight catsuit style getup, allowing for greater movement, and her hair done in micro-braids in a style that won’t affect her center of gravity. at first, when i was watching, i was confused (especially about the hair), but then i realized—
this isn’t mel dressing herself to reflect a change, this is leblanc’s vision of mel, where power is swiftness and she is markedly different than others in a way that is now impossible to ignore
and she tries to return to her previous sense of self with the white hood, going back to a trademark of her style, but notably this is an outfit worn to conceal, not reveal and show off like her previous iconic dress, and her change is visibly with even just the hood off
and when mel accepts black rose’s help and betrays them and her mother dies, the white hood disappears—try as she might, she cannot go back to who she was, and she stands before noxians as a mage and mother-killer and a wolf, something dangerous
and then, when we see mel leaving piltover, she’s wearing nothing of her original self, but a combination of black rose’s getup and her mother’s colors. there is almost nothing of “mel” in this outfit, as if she’s been subsumed by these two identities—noxian and mage
even her makeup has shifted, with the red line under her eyes and the gold in her lower lip directly copying her mother
this isn’t a mel who’s realized herself in a new identity. this is a mel who, when faced with the enormous loss of her brother, mother, lover and former identity, has fallen into the definitions and roles that were presented to her, and who is now primed to continue the cycles started by her predecessors
and moving on from arcane, i think it would be fascinating to see mel in one of the newer shows to see how she grapples with this and if she either falls back into tradition and dooms herself, or if she’s able to break free and reforge her identity on her own terms
babygirl you WILL be subjected to my hyperfixationsCall me Violet | she/her | 20 | ace lesbian, peer-reviewed demiromanticViolet_Storm_Cloud on ao3Feel free to dm, I love to discuss!
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