Girls From Around The World Share Their First Periods

Maria Fabrizio On Being Subtle

(Illustration for “How A Woman’s Plan To Kill Herself Helped Her Family Grieve”) 

Maria Fabrizio is an artist working out of Columbia, South Carolina. During the week she illustrates news headlines for her blog, Wordless News.

From mental health issues to how listening to music can speed up healing, Maria has transformed difficult-to-visualize health issues into provocative illustrations that balance sensitivity. As a visual producer for Shots, I often call Maria when we have a tough story that could benefit from a smart and emotional concept.

So I called her up to chat about it. Our discussion has been edited for clarity and length. 

Health issues can be particularly difficult to illustrate. How do you tease out ideas from challenging topics like mental health, aging, fertility—many of which are more internal?

A lot of times like that you can’t use photography because you don’t want to show an actual person. You want to make the concept broad enough so that people can reflect on it or put themselves in that position.

I like to start off with a metaphor. There was a piece earlier in the year on suicide and dementia, and deciding when the right time to go was. I thought of winter. And the feeling that winter is a time when things are dying. There’s also this bird flying away and this woman is letting it go. She’s making that decision. The timing was right. It’s hard to find the right level of sensitivity and abstractness so people can project onto topics that are difficult. 

(Top: Illustration for “If You Have Dementia, Can Hasten Death As You Wish?” Bottom: Illustration for “Women Want To Stay In The Game, But Life Intervenes”)

One of our favorite illustrations is the fireflies… what was the story behind that?

It was in the summer. I remember feeling like, “I don’t know how I’m going to do this.” At the same time I got the assignment I had been reading this blog by Eric Meyer– he is a coder and internet guru. His daughter was dying of brain cancer. She was young, five years old, and I was reading this blog and reading the piece you sent and I was so depressed. I went out on my back porch. The fireflies were coming out super early. The piece you sent me was all about this woman being surrounded by her family before she decided to end her life.

That was the only sketch I sent for that one. And I just said, “I hope this works.”

You’ve talked before about the importance of subtlety. It made me think of this one you made for a story on drinking and where the line exists between having had just enough and too many. The woman’s body posture hints at what she’s thinking. I’m remembering that you reworked her posture to get it right.

Being subtle or being quiet, especially for something like decision-making, is crucial in getting that tension right. In this one, I drew her like 15 times. She’s looking down, her left foot is way off the glass but she also looks really relaxed. I wasn’t drinking when I made this, but I did try and get in the mindset—ok, what does it feel like when you’ve had a couple drinks and you’re relaxed and you’re like should I have another one? And I felt like the martini glass was the right level of fragile for the concept. It’s all very subtle.

Illustration for “Rethinking Alcohol: Can Heavy Drinkers Learn To Cut Back?”

All illustrations by Maria Fabrizio for NPR

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Margaret Hamilton (b. 1936) is a computer scientist and engineer who, as Director of the Software Engineering Division of the MIT Instrumentation Laboratory, played an important part in the Apollo space programme. Her division was responsible for developing the onboard flight software for the missions that put the first men on the Moon, and she was the supervisor and lead programmer of the project.

She graduated with a degree in abstract mathematics, during a time when computer science and software engineering were not yet disciplines in their own right. She worked for the SAGE Project, used by the military in aircraft defense. Since 1986 she has been the CEO of Hamilton Technologies, an organization which she founded.

Consent: If you don’t get it, you don’t get it. Take the pledge to help stop sexual assault at ItsOnUs.org.

Asexuality is an orientation in which a person does not experience sexual attraction to any sex and/or gender. They do not feel an intrinsic desire to make sex a part of their relationships with other people. However they may still be able to experience other types of attraction, and desire relationships with other people.

Check out the following websites to learn more about asexuality, join in on the community, and/or help increase asexual visibility and education.

Asexual Visibility and Education Network

International Asexuality Conference (Worldpride Toronto 2014 Affiliate Event) (June 28, 2014)

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What’s problematic with this caste-is-dead narrative is that not only is it incorrect and untrue but also that it benefits the savarna in ways that keep the social stratification intact. By denying the current impact of caste on the Dalit’s access to resources, the savarna uses his/her caste privilege to compete for the same set of resources while justifying his/her resentment for affirmative action policies. In so doing, the savarna leverages the widely popular anti-government stand to criticise reservation schemes but continues to reap the benefits his/her caste privilege offers him - social mobility; access to education, healthcare, and career opportunities; possession of ancestral land, property and wealth; trans-national networks and partnerships; and the ease of social acceptance for his/her lifestyle, choices, behaviour and relationships. The savarna, in effect, looks as if s/he is liberal and modern - liberal enough to criticize the state, and modern enough to not believe in the caste system. But if the savarna is indeed that modern, should we not expect him to remove the sacred thread, or not speak in a dialect that gives his/her caste away, or not be particular about marrying into the same caste, or say no to caste-based rituals and festivals? If indeed s/he is that liberal, isn’t it only logical that we expect him/her to shame the state for not addressing caste-based atrocities, or not display selective outrage for only terrorist attacks and animal torture, and show action-oriented solidarity with anti-caste movements? Shouldn’t the savarna demonstrate his/her newly discovered modern identity, which s/he claims is very different from his/her conservative parents, in ways that are more credible and believable? And more importantly, should we not expect the savarna, especially the one who wears the progressive and politicized label, to primarily question his/her privilege and his/her family’s on account of being dominant caste? Most often, the savarna, regardless of his/her social labels, does not feel the need to live up to any of the above expectations; s/he believes his caste privilege also offers him immunity from all kinds of criticism. S/He is at liberty to pick and choose aspects of his identity and lead a lifestyle that is under no compulsion to corroborate his cover story. His/Her privilege allows him to practice caste under the guise of ‘cultural roots’.

Christina Thomas Dhanaraj, “Caste, Friendship, and Solidarity” (via asianamericanfeminisms)