Every So Often I Almost Forget That Cleo Is The Absolute Best Ever, But Then Something Like This Happens:

Anyone looking to make a proper Scooby-Doo adaptation please remember:

Fred is the charismatic face of the group and the strategizer. Later adaptations made him a massive himbo who chugs respect for women juice and those have become necessary parts of his character.

Shaggy is cowardly but also incredibly resourceful; let us not forget his skill at ventriloquism. Make Shaggy the skill monkey, who every episode mentions some weird skill he has that's previously unmentioned; that'd be an amazing running gag. Also, bring back the dry humor Casey Kasem injected into the og character.

Scooby is Shaggy's best friend, the other half to his two-man comedy routine. Independently of Shaggy, Scooby is also prone to be a bit mischievous and just kind of a little scamp. Play up both of those things.

Velma is the smart nerdy one, who also had a really dry sense of humor. I don't know why she was turned into the "I'm surrounded by idiots" character because, while as I stated, she always had a dry sense of humor, she was never mean to her friends and never talked down to them, or anyone else. Bring back the chipper Velma from like Witch's Ghost or Zombie Island. Let Velma be a little cutie pie. Also keep her as a lebian

Daphne was... originally really just "The Girly One" but later adaptations have fleshed her out, like making her essentially the muscle of the group, which is just amazing and should continue. She's also been cast as the oddly resourceful one. Shaggy is the skill monkey, Daphne is the one who has a tool for literally any job. Human Swiss Army Knife, which again, would be an amazing running gag.

Have Shaggy and Daphne bounce off-the-wall ideas for a plan together, Fred steps in to ground them, while still using their ideas, and incorporating Velma's theories about the case.

Make references to Flim Flam and Hot Dog Water

A Scooby-Doo adaptation should not be difficult, and must be done with love.

I tried!!!! Inspired by absolutely stunning dance scene from this animatic - https://www.youtube.com/watch?v=KgPYshUbk9g

They are going to cause problems <3

Help finding a favorite artist?

So I'm telling my younger brother about my days on the old BATIM Amino community and remembered a really good comic that I was following. So I re-log into my account so I can find and send him the comic only to find out it's no longer there Can someone help me find a Royal Panic who has an Bendy OC's named Britt, Gabriel and Vladimir The Magnificent

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

What if Double Life was an RPG?

Never have I been more grateful for Philza’s borderline paranoid cautionary tendencies built from being a hardcore player. I was so worried for Chayanne but the man built him a a reinforced bunker with no entrances

WHAT IS IT WITH SKIZZ AND THE NUMBER 3???

I don’t get it man, this guy. THIS GUY. He just CAN’T SEEM to escape the number three. Don’t believe me?

What about the fact that he’s died 3rd every single series he’s been in? Yep, both in 3rd life and in last life, this man died third. And in the exact same way too, foolishly charging into the enemy with no plan other than bloodshed. Which fails.

What about THIS????

LIKE YOU CAN’T TELL ME THAT A LITTLE BIT SUS. IN 3RD LIFE TOO. 3RD LIFE. WHERE THE FIRST 2 KILLS WERE HIS.

What about the fact he’s only ever had 3 lives assigned to him?

What about the fact that in B.E.S.T, S is the 3rd letter?

What about the fact that he missed Double Life, the 3rd season of the Life Series??

What about the fact that because he missed Double Life, he’s been apart of 3 seasons of the Life series???

AND NOW. WHAT ABOUT THE FACT THAT IN SESSION 1 OF LIMITED LIFE, HE DIES 3 TIMES IN THE FIRST SESSION????

LIKE WHAT IS HIS DEAL??? WHY IS HE SO HAUNTED BY THE NUMBER 3??? HOW DOES THIS KEEP HAPPENING????

And I mean, he’s usually portrayed as an Angel in fanart. and 3 is considered a holy number. The Rule of 3, the Trinity, and its symbolism in numerology… (yes that’s a thing. don’t ask me how I know.) It all ties together. And it ties together to the man whose heart is too big for his head. To the man who, despite all the flair, has never killed in anything but self-defense, in the service of another. To the guy whose entire schtick so far in Limited Life is not to kill, but to appreciate the time he has and the people he’s around. To the guy who’s drawn as an angel.

I KNOW THIS SOUNDS LIKE A CONSPIRACY THEORY AND IT MIGHT BE BUT LIKE, YOU SEE IT DON’T YOU??? THE PATTERNS???? IT’S INSANE. I DON’T GET IT.

Now idk what you could do with this as like a design thing. Could have like a third wing sticking out of his neck so he’d have 3 wings? Could have a halo with 3 rings? Idk man, I ain’t the artist, but I feel like there’s potential here.

Could also have Dove symbolism? Y'know, doves and angels, doves usually being associated with peace and Skizz having a very nonviolent and more negotiating approach. I mean he spared both Scar and Bdubs in 3rd Life, he chose mercy when really, he could have killed them together with the Red Army. And after Skizz dies is always when everything goes to true shit. After his death came the final battles of Dogwarts in 3rd life. After his death, the Wither was summoned in Last Life and everything fell into slowly decaying chaos. First goes the canary, the first warning that time has run out. Second goes an innocent other, to hammer in that there’s no return. And to complete the rule of 3, the dove follows the canary. The death of peace, a final warning. That now there will be no more.

im a little insane about skizzleman okay.