DID YOU HEAR ABOUT TIM

Are you down too fuck

*to

Red light, green light 🌗

MR BARTHOLOMEW HENRY ALLEN THE SECOND

The parallel in the umbrella academy where in ‘I think we’re alone now’ it says ‘the beating of our hearts is the only sound’ and Vanya using the beating of her heart to bust out of the cage thing is god tier foreshadowing and you can’t convince me otherwise.

11/10 movie will watch again

“Did you hear that?” whispers Callum to the more hardened criminals around him. They snort in derision at his caution, just the new guy being on edge about the job, but he keeps his gun held tight in his hand.

“I heard it too.” says Tony, the other new guy. He doesn’t look as worried as Callum because fine maybe Callum is a bit nervous about this whole ‘becoming a criminal’ thing but he can see that Tony holds his gun with just as tight a grip. “Sounded a bit like laughing, yeah?”

The rest of the gang goes very still and Callum feels like he might be missing something.

“Yeah,” Callum agrees cautiously, “like a little kid.”

Someone swears. Everyone turns so that someone else is defending their back.

“What’s the problem?.” Callum asks, also turning to keep someone at his back.

The laughter sounds again, clearer this time and that’s definitely a little kid. It makes even some of the more hardened men in the room flinch.

“Anyone here got a problem shooting a kid?” asks the member of their group that Callum thinks might be in charge.

What he really wants to say is yes I do have a problem shooting a kid that really isn’t what I thought I was signing up to here but Callum thinks that saying any of that would be a very good way to have the guys shoot him instead of the kid. He doesn’t want that either so he stays silent and pretends that he’s cool with everything that’s happening here.

Turns out that he doesn’t need to worry about shooting any kids.

Turns out that kids are more likely to shoot you.

They don’t even see the boy before there are sharp things knocking the guns out of their hands and, just as Callum tries to pick his up, tiny fingers are around his neck and he’s blacking out before managing to put up even the imitation of a fight.

~

Callum wakes up he doesn’t know how long later. He’s in the ally behind the warehouse he’d been in when he got knocked out. A kid in a domino mask is perched on the street light across from him.

“You should get a different job,” the kid says to him, “you’re too scared for this one.”

Callum would have loved to have said something cutting back, the kind of one liner the real bosses can come up with in an instant, but his throat is sore from being squeezed shut and his head is swimming so all he comes up with is a raspy, “am not” as he tries not to puke.

“Your hands are shaking.”

Shit, they are. Callum sends as scathing a look as he can at his traitorous hands. The effort of that actually does make him puke and he’s forced to ignore the somewhat pitying look the kid is sending his way.

“Yikes, you really aren’t suited to this kind of thing, are you? Maybe you should try and get one of those construction jobs going at that place round the corner. Oh! Or you could be a chef! I think you’d make a great chef.” The kid looks behind himself at something Callum’s vision is too blurry to see. “I’ve gotta go, but it was nice meeting you. Hopefully see you never, yeah?”

The kid backflips off the street light for no discernible reason.

Callum lies on his back and stares at his hands for twenty minutes until they stop shaking. For the whole time he thinks about how the construction place round the corner already rejected him and there aren’t any jobs for chefs in this part of town.

Scars, India Lawton / Becca Stadlander / This Party Never Ends, Diana Zhuk / Burning House in Winter, Bettmann Archive / Daria Golab / Shadow Work, Indigo / Painting Disaster From A Distance, Motohide Takami / Burn it Down, Brian Luong / Red House, Morten Schelde

So I enjoyed the batman a normal amount

continuation of this

It’s honestly ridiculous for her to be so floored by the sight of Catra in a suit.

Adora is the most powerful being in the universe. She’s made of starlight, her past lives span eons, Gods would bow to her and pray she stayed nice enough to deign that they live on.

But one look at Catra in that stupid suit and that stupid bow tie that isn’t even done up and that’s the whole point of them what the fuck Catra. One look at all of that and she’s practically incapacitated.

“Cat got your tongue?” leers Bow.

“Fuck you.” Adora says, more seriously than she meant to. Bow takes a step back, surprised at her vehemence, but seems to get it because he touches her arm and whispers a quick ‘sorry’ as he leaves.

She tries to brace herself for Catra’s approach. It doesn’t work. When she purrs “Hey Adora” in that smug voice she does when she’s feeling powerful Adora can’t help her face scrunching up in annoyance the way it always does. It makes Catra laugh which just makes Adora’s face scrunch up even more and the worst part is that she still kind of likes the sound.

Adora prays for the stars to give her strength. It doesn’t work. In fact, she thinks they might be laughing at her too.

Dan Powell is seven years old and if he’s certain of one thing it’s that he loves stories.

Not quite the same way as Mark. Mark prefers his words drenched in the mud and grit of the reality he thinks is true.

“Doesn’t it make the stories taste bad?” Dan asks, “Doesn’t it make them grind against your teeth and cut against your tongue?”

Mark just laughs. “I can stomach it. It’s way cooler than all that unreality fluff you like.”

Dan laughs but inside he’s frowning. The stories he likes are real. It’s just that what he counts as reality and what Mark does must be very different things.

Dan likes stories about odd things. He likes stories about monsters and cults and old, old gods. He likes weird. The stories don’t have to have a hero either, Dan is perfectly happy without a happy ending, just so long as there is an ending. When Dan starts a story leaving it unfinished has never been an option. When his parents read him bedtime stories, always a chapter at a time, he picks the book up once they leave and gets through as much as possible before passing out with the book falling wide open over his face.

Dan like stories and he likes endings and he likes weird. So when he overhears some people on the subway talking about the Visser Building and the odd happenings within, he can hardly not go searching for the endings of that tale.

The next day he walks down seedier streets than any seven year old should really be walking down to get to the Visser Building. He wonders if it’s odd that he didn’t need to look at any maps before coming here. It’s probably normal, he decides, I’m just good at finding odd things.

Dan is good at finding all the stories at the school library that probably shouldn’t be available to children as young as him and no one finds that strange. This is just more of the same.

As he walks into the Visser Building an overwhelming feeling of rightness comes over Dan. This is where you’re meant to be, it whispers, stay here forever and all will be right, right, right, it sings. Dan thinks the whispers make a very good point but he has to be home for dinner otherwise his parents will worry. So he won’t stay. This time.

He walks through the corridors. Some of them feel like mazes. Some of them tilt downwards so harshly that they feel like slides. All of them are new and interesting and definitely full of stories. Dan turns on the tape recorder he stole from his Dad. Mark is always going on about how a journalist needs a good record of everything that happens and this feels like the sort of story Dan is going to need to replay to fully understand.

“This is Dan Powell recording.” he says into it, trying to sound as serious and adult as he can. There isn’t really anything else for him to say after that since all the things he’s feeling are too new and unexplainable to put words to so he just lets the tape recorder go. The whirring of it is nice background noise and Dan likes the way the machine feels in his hand. Almost as if it’s a part of his hand.

Something about that thought may be significant, but before Dan can examine it too thoroughly he’s rounding a corner and face to face with a woman about to knock on a door and holding a tape recorder just like his own.

She looks surprised to see Dan. As if Dan isn’t meant to be there. Dan thinks this is a bit unfair as the woman’s presence doesn’t sing to him like the rest of the building does so she definitely isn’t meant to be there. She looks like she’s nice though and she hasn’t shouted at Dan for trespassing yet so Dan doesn’t say that. He just stands there, listening attentively to the twin whirring of two tape recorders.

“Hello,” the woman says after a moment, cautious. “I’m Melody Pendras, do you live here?”

“No. I’m Dan Powell.” Dan holds his hand out for Melody to shake since he’s sure that’s what he’s meant to do. Melody smiles as if this is a little funny but bends down and shakes Dan’s hand seriously enough that he forgives her.

“Then why are you here?”

Dan frowns. “The same reason as you.” He gestures towards her tape recorder. “I want to know the story.”

Melody starts frowning as well. “That’s a very dangerous thing to want.” she says.

“I know. It’s okay though. Getting to the end is worth it.”

Dan feels Melody re-evaluate her opinion of him. He feels the way her eyes land on him shift until it’s a lot more like how she looks at the rest of this strange, strange building. “I think you would fit in here very well.”

Dan nods in agreement. “Thanks. You wouldn’t.”

Melody laughs lightly. “I hope you’ll forgive me for finding that to be a good thing.” Dan shrugs. It’s not a good thing. It’s not a bad thing. It just is. “I need to get back to work but it was nice to meet you, Dan.”

“It was nice to meet you too, Melody. I hope your story doesn’t end badly.”

Melody looks at Dan very oddly but before she can say anything the door she had been stood in front of swings open and she becomes too caught up in greeting the occupant to notice Dan fading back into the shadows of the Visser Building.

~

Dan ends up having to leave to get home for dinner before finding anything else important. Then he has a playdate with Mark the next day. Then he goes to his school’s very small creative writing club the day after that. Then there’s a disciplinary meeting between his parents and his teacher about the somewhat disturbing story he wrote and Dan gets grounded for the rest of the week.

When Dan finally gets a chance to return to the Visser Building all that’s left is rubble and the odd blood splatter and something else.

The something else is calling to him. The whirring, crackling, spinning of a tape recorder with nothing left to record is loud in his ears despite the fact he know no one else can hear it. His hands are too small and his body too weak to lift the rubble but he aches to do so.

“You lost, kid?” a voice asks from behind Dan. He turns to see a woman who definitely doesn’t care if Dan is lost or not.

“No.” Dan pauses so that he doesn’t sound too demanding or rude. Then, “Can I have the tapes?”

The woman’s eyes narrow and Dan is struck by how unlike Melody she looks. Melody had a kind face, all arranged in the most welcoming shape. The whole time this woman has been looking at Dan she’s kept her face twisted into something mildly disgusted.

“What tapes are these?”

Dan points to the rubble. “The ones in there. They have a story on them, I need to know how it ends.”

“Huh.” the woman says, looking at Dan like an artefact in a museum. “If you were a little older I would know a lot of people who would be interested in employing you.” She tilts her head to the side as if considering Dan. “Do you like cities?”

Dan hasn’t thought on it much before but the concept of living anywhere less full of stories than New York kind of makes him want to tear his skin off. “Yes.”

The woman’s eyes gleam with interest. “Do you have friends?”

Dan thinks to how Mark can make him laugh hard enough to snort milk out his nose and yesterday he fixed the plaster on Mark’s knee just right when the school nurse did it wrong. “Yes.”

The interest in the woman’s eyes dulls a little. “A pity. Still, far more useful than most people will ever be.” She reaches into a pocket and pulls out a card with the letters LMG on it and a phone number. “My name is Iris Vos. Once you’re old enough to be useful, maybe get a degree or something, call this number and tell them that I sent you.” She turns away from Dan a little. “That should give me some credit with the bastards.” she mutters to herself.

Dan looks down at the card. It’s in pristine condition, just like he supposes everything of Miss Vos’s must be. The numbers have an odd shine to them though and Dan finds himself wondering if there might be something interesting there. “Thank you for the opportunity.” he says, because he’s certain that someone said that after receiving a job offer in one of the TV shows his dad watches. Miss Vos nods so Dan guesses he probably said the right words and she walks off towards people in suits holding official looking clipboards.

Dan wants to know how this story ends. He needs to know how this story ends. The curiosity burns in his stomach like acid and fire and hatred and wonder and Dan isn’t sure how many years he can last before it finds a way to destroy him. He’s always loved endings after all, perhaps a little too much.

So Dan tucks the card very carefully into his pocket and spends a moment hoping fervently that one day he’ll be old enough to be useful.