looking for/hiding the geese:
the goosies in question:
(images aren’t mine, credits to owners)
sophie hatter finally lives out every customer service worker's dream of retaliating to a mean customer AND telling them they suck and then when she thinks "wow standing up for myself was really liberating" she gets a curse put on her literally five minutes later
Technically the reason the Pevensies were told they wouldn’t return to Narnia after certain adventures is because they “learned all they can from this world,” and not because they were literally “too old.” How else could it be that Peter was too old at 14, while Lucy was too old at 10, and yet Eustace and Jill still got to go back at 16? So now I’m thinking a little bit about what that means for each of them…
Peter learned all he could after his second trip. It was during this trip that he truly learned to surrender control, and he found the strength to make a home back in England. At this point in the story, he has solidified his faith in Aslan, and is ready to find him back there.
Susan, on the other hand, couldn’t learn any more for a different reason. It is apparent from the later books that following her second trip, she forgets the country she used to love. Susan, obviously, had not yet become firm in her faith, and I think Aslan realized that she couldn’t do that in Narnia. Susan believed only when it was easy. She had to go back to her own world and forge her own path in order to eventually strengthen her faith.
Edmund finally sees what it is like to be out from under the shadow of his brother in Voyage of the Dawn Treader, in a way that he hadn’t been able to before. This allows him the final room to grow, as he is put in a position as the oldest child, and he learns to accept his role in the family. Finally confident with who he is, he is ready to reaffirm his faith, and find Aslan in his own world.
Lucy, of course, had always had faith, but she needed Narnia the longest. Perhaps she didn’t behave badly during her time in England, but she didn’t understand her world at all, and desperately craved more time with the physical person of Aslan. She would not have been able to bloom in her own world without that extra time. Lucy needed to put together the little pieces of who Aslan was a little better, but once she did, she knew she could find him in England, too.
I guess these are mostly just theories and/or headcanons, but I’m curious what the rest of you think! I really do believe “too old” is a more metaphorical thing in this case, so I wanted to examine the personal reasons for the individual characters a little closer. :)
God grant me the strength to do the things I enjoy
“Public libraries are such important, lovely places!” Yes but do you GO there. Do you STUDY there. Do you meet friends and get coffee there. Do you borrow the FREE, ZERO SUBSCRIPTION, ZERO TRACKING books, audiobooks, ebooks, and films. Have you checked out their events and schemes. Do you sign up for the low cost courses in ASL or knitting or programming or writing your CV that they probably run. Do you know they probably have myriad of schemes to help low income families. Do you hire their low cost rooms if you need them. Have you joined their social groups. Do you use the FREE COMPUTERS. Do you even know what your library is trying to offer you. Listen, the library shouldn’t just exist for you as a nice idea. That’s why more libraries shut every year
What are some of your favorite fictional teams and crews? Groups of characters whose relationship is founded on the goal of accomplishing something together. They might become close friends and important presences in each other's lives--or just finishing the mission without biting each other's heads off might be a win--but either way, they have to work together and use each other's skills. I love this type of dynamic--tell me yours!
Ok you just know that Eowyn made her brothers and all the other children of Edoras play Hera and the Dunlanders all the time when she was little:
Eowyn (wearing a red wig, holding a sword): Now Wulf, you execute Hama and I'll be stricken with grief!
Theodred: This sucks why do I have to be the harp brother
Eowyn: SILENCE. DON'T BREAK CHARACTER
Grima Wormtongue (wearing a long black wig over his normal spiky blonde hair, playing Wulf): Oh boy I hope this doesn't awaken anything in me.
"If you use em dash in your works, it makes them look AI generated. No real human uses em dash."
Imaging thinking actual human writers are Not Real because they use... professional writing in their works.
Imagine thinking millions of people who have been using em dash way before AI becomes a thing are all robots.
reblog to remind prev they're not a bother and their presence is wanted <3
im not the first artist to give this a go but this scene is sooo pretty
The Lord of the Rings is so full of goodness. It's good on a literary quality level, but it's also just crammed full of good things written by a guy who understands goodness. It's good on a literary level, good on a moral level, good in its appreciation of so many different kinds of good things. You've got the vastness of ancient myths and the homely coziness of small towns and casual heroism from the most ordinary people. It knows a hot bath is good, an ancient legend is good, giving up everything and everyone you've known in a desperate attempt to save the world is good. So many different layers of what good is, and it understands and appreciates all of them. Very few books are to-the-core Good the way that this one is.
Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
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