Windows of Opportunity - Drag0nst0rm - The Silmarillion and other histories of Middle-Earth - J. R. R. Tolkien [Archive of Our Own]
At this point, Gil-Galad had not had any particular expectation of ever meeting Maedhros.
He certainly did not expect to turn around and see him climbing through a window.
More thoughts on the rest of season one:
Raina keeps talking about what she and Skye will become even way back here.
A guy stabs May and she later uses the same knife on him, just like with Izel later.
The contrast of Quinn hugging Skye to shoot her again more effectively with Coulson cradling her body hurts.
Garrett doesn't realize that all the kerfuffle is because Hydra has revealed themselves until Skye decrypts the signal.
When Coulson locks May up in the cage, you can see Ward trying to figure out if she's Hydra too. He's so confused for a minute, and it's hilarious to me.
Speaking of Ward, Raina tells him how she would manipulate him if that's what she wanted to do and then immediately follows up and does it, but he totally falls for it.
I forgot how intense (and ridiculous) Fitz's one-sided grudge against Tripp is. The Moby Dick bit is great.
Daniels tells Audrey something like, "I'm a monster, but you can save me," which is interestingly similar to how Ward is treating Skye in these episodes.
Speaking of which, the cello continuing to play over Skye discovering Koenig's body is amazing.
Skye says May left because she didn't care at all, but it's the opposite—she cares too much.
While they're talking by the pool, Jemma says Fitz will never have to find out what it would be like if she were Hydra, but thanks to the Framework, she will have to see him that way. Poor babies.
Garrett sarcastically tells Deathlock/Mike that he loves him right before a cut to Fitzsimmons in the pod.
Coulson says Skye was compassionate, not weak, when she chose not to let Ward die, whereas Garrett calls any sign of compassion in Ward weakness. It really hammers home how much of a difference it makes who finds you.
I've recently started rewatching Agents of Shield with my sister who hasn't seen it before, so here are some rewatch-inspired thoughts about the first half of season one:
The Bus Kids are all such babies! Especially Skye.
May gets knocked out in each of the first two episodes. It's definitely taking her a moment to readjust to fieldwork.
So many Shield water bottles.
Even though I know what Ward actually is, he still makes me like the version of himself we see here.
May and Coulson's one-sided conversations are amazing.
I honestly can't remember. Did Ward's younger brother die in the well? The flashes we see aren't super clear.
Interesting that Coulson tells Skye that there was a little girl in Bahrain, but he doesn't mention that she died.
I'd never realized that we get a glimpse of the carvings during Coulson's flashbacks of being revived.
Speaking of which, I thought looking at the carvings was what triggered his instinct to carve, but the drawings on the whiteboard in Eye Spy don't seem to set him off.
I love the way that when Coulson is kidnapped, he doesn't say the "Previously on" or "We'll return in a moment" bits. I remembered that from later seasons, but it's a nice touch to start it now.
Mod comment: I've been getting quite a bit of Anne content on my dashboard because of this tournament. Apparently they're making an anime that is coming out soon?
the story
The worst thing you have ever done cannot be undone.
There will be rejoicing in endless ages because of it.
Happy Good Friday ✝️
“And I will put enmity between thee and the woman, and between thy seed and her seed; it shall bruise thy head, and thou shalt bruise his heel.”-Genesis 3:15 KJV
Even as far back as the book of Genesis, God revealed His plan of salvation for mankind. That even though the devil (the serpent) would decieve and manipulate to bring sin into the world, and have Christ crucified (bruise His heal), it would all be in vain! Christ would arise the third day, defeating death and the devil! (bruise his head)
Inspired by this LOTR roommate post, I present you with the Jane Austen character roommate picker!
Spin it one time only to get your character, and then vote:
One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.
Eilonwy held up the golden ball. He took it, cradled it reverently in his hands, and whispered something she could not make out. He looked her in the eye. “Did you know this was your mother’s?”
Warm gladness bloomed in her chest. “I thought it might be,” she said, “because I couldn’t imagine Achren giving it to me. But I wasn’t sure. She never tried to take it away.”
“No,” Gwydion said, that wistful smile back on his face. “She coveted it, beyond a doubt, but it would have done nothing for her. But for you…” he hesitated. “Can you use it?”
“I can do this.” She took it back and cupped the smooth sphere, raised it glowing before his face. A spark of glimmering gold mirrored it in both his eyes. She felt from him a rush of emotions so palpable it almost knocked her over, too many, too intense even to unravel one from the other. He was looking at the light as though transfixed, and with an effort that felt like a dam breaking, he tore his eyes away and gently pushed her hand down, blocking the glow from his vision.
I'm beginning to think that eucatastrophe may be one of the most important elements of a true Christmas story.
When Scrooge wakes up and discovers that it's still Christmas morning and he can spread the joy of Christmas and make everything right before it's too late.
When the Grinch returns to Whoville and gives all their presents and decorations and the feast back to them.
When Kevin McCallister's family comes back home just in time for Christmas - not only his mom who's been trying so hard to make it back, but also the rest of them who had to wait for the next flight - and the old man gets his family back too.
And especially, especially, when George Bailey gets to live again, and discovers that everyone in town has been pitching in what they can to help him pay off his debts - and not just for the $8,000! Sam Wainwright gives him $25,000 and he's the richest man in town!
Eucatastrophe. It's so perfect for Christmas because Christmas itself is the beginning of the greatest eucatastrophe of them all.
Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
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