I'm obsessed, actually, like parts of the story that reflect Eowyn's (and Eomer's but mostly Eowyn's) story from LotR sort of in an "each stanza rhymes" kind of way until it occurs to you that Miranda Otto is narrating with this sort of implication that it's Eowyn herself telling the story and reading it through her own experiences plus the fact that it's mostly a behind the scenes sort of story and all the great deeds were attributed to other people (Hera isn't even named in the appendices) alongside the explicit statement that Hera isn't remembered in any of the songs, making this something Eowyn either heard passed down in a non-traditional way, reconstructed from historical evidence she found herself, or possibly learned about from Gandalf, which loops back around into Eowyn's own complex with regards of all the great deeds being done by the men and not remembered for great deeds in songs -- and like okay maybe I'm reading too much into it but I'm obsessed okay
watching every season of jet lag vs my responsibilities as a college student
Both Selfish; you each lose 2 points
You Selfish, prev Cooperative; You gain 2 points
You Cooperative, prev Selfish; You lose 1 point, prev gains 1 point
Both Cooperative; You Each gain 1 points
(ps make sure to say what you voted)
Making this post long so you have to scroll to see prev's tags.
Steve actually dies dies when the plane crashes and his spirit remains. Hes attached to Peggy and as far as he can see, its more of an attachment of love then unfinished business.
Peggy cant see him or hear him. The closest he gets is in her dreams. Its not perfect and not every night. He's still unsure of how he can communicate to her but theres some peace of reliving memories in her mind.
She talks to him but still cant see him as time goes on.
Peggy does often feel watched. Sees a flash of famiar baby blues but just chalks it up to the various lack of sleep to grief. She feels comforted during storms where thunder rattles her bones, like a famiar weight is around her shoulders once more. And her dreams...reliving the dances they shared in private in her rented apartment, or conversations where they whispered sweet nothings.
During tense moments of anger or fighting, she gets overwhelming senses to say things she doesnt know to exist but fully believes somehow (and it turns out to be true), or last minute tactic changes she isnt aware was an option (just like how Steve saw outside the box).
Its like Steve is there, still changing and saving her life. She never voices this but shares the private thought.
One day (maybe during S1 of AC or pre-AC by a few weeks), she's hurt to the point she almost dies and is thankfully saved by others quick thinking and Steve clinging to her hand, begging her to hang on.
He has a thought, a selfish one that if she does die, she would get to be with him but Peggy doesnt deserve to die. Not like this. She doesn't deserve to perish like this. No one does.
She has so much work to do. To change the world. Hed give his life a thousand times over for her to survive.
When Peggy's eyes flutter open, she takes in the early morning light, the curtains fluttering in the wind. The sweet smell of grass and a cool wind blowing on her, tickling her hair.
"Thank God you're alive," she hears a voice that she never thought she'd get to hear again. She thinks it must be a hallucination but she doesnt care. Steve is beside her, still wearing his old and tattered uniform he's died in, but there, holding her hand and its ice cold and he smells of cold and the sea but hes here.
It turns out, after she was hurt, so close to death, Peggy can now see Steve.
‘I am in fact a Hobbit in all but size.’
Happy Birthday J.R.R. Tolkien!
The first verse of What Child is This but over a painting of the Pieta
“Being a good writer is 3% talent and 97% not being distracted by the internet.”
— the writer reblogs, being distracted by the internet (via hughsdancys)
idc if you reblog this from me but reblog it every time you see one of your friends or mutuals have reblogged it
One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.
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Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
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