Presenting their majesties Attolis Eugenides and Attolia Irene, featuring Gen's hook, Irene's earrings, and color coordinated outfits.
consider: teenagers aren’t apathetic about everything they’re just used to you shitting all over whatever they show excitement about
I've been using these as illustration warmups for the past five weeks
blind fic exchange!
a detective wakes up to the most beautiful woman he's ever met
a man dreams of death, and only his brother can help him
a new kindergarten teacher and the shenanigans of his peculiar students
happy reading ♡
Thank you for the recs! I ended up picking the third one, and it was really cute! I'm not familiar with the fandom, but I enjoyed the first chapter.
Okay, today I used the phrase “we don’t want to throw the baby out with the bathwater” in a meeting, and my coworker (who is older than I) started laughing because he’d never heard it before.
Now I’m confused. I thought it was an admittedly old-fashioned but generally understood figure of speech. Am I wrong?
Feel free to reblog so this reaches people with different linguistic backgrounds from my own!
Fic that appears to be an AU where the characters have a little low stakes meet cute and are having a sweet little romance, only for it to be revealed that no, this is in-universe and they both have amnesia and all the other characters are trying to find them and are losing their fucking shit
Oh my god oh my god Faramir put Éowyn in (okay something closely resembling) the HOLY ROMAN EMPEROR’S CELESTIAL MANTLE.
*it’s not clear when you first look, but it’s showing stars in the celestial sphere. I swear.
McCluskey, Astronomies and Cultures of Early Medieval Europe
(X)
Shut up I’m having a fan moment. Clenching my fists. I love the stupid star mantle. This mantle is a celebrity to me.
I'm being stupid again...
I previously had a Coulson thought the other day, but couldn't remember where he grew up, so I googled it, right? Then I did some v v light research about the area, and uh....
You've gotta be joking me...
Petition to start referring to Susan Pevensie's arc as "The Tragedy of Susan" rather than "The Problem of Susan." Her arc is not defined by the "problem" of growing up; it is the tragedy of forgetting she is a queen.
In Prince Caspian, we see the seeds of this. "It's no good behaving like kids now that we are back in Narnia," Peter tells her when she is afraid of entering the treasure chamber in the ruins of Cair Paravel. "You're a Queen here." Aslan does not chide her for being too grown-up to believe in him; he lends her his breath for bravery so that she can stop listening to her fears. Susan's "problem" in this book is in fact that she behaves more like a child than a queen.
In many ways, Susan's arc parallels Prince Rilian's in The Silver Chair. He is the Lost Prince; she becomes the Lost Queen. He is enchanted to forget who he really is. The Green Lady twists his birthright so that he is going to conquer his own land and rule as a usurper--the land where he is meant to be the rightful ruler! He unconsciously trades his role as the true prince for a false kingship (similar to Edmund trading his birthright as a true king of Narnia for the Witch's false promise to make him a prince ... hey, you'd almost think this was a theme or something).
Susan likewise trades her identity as queen for a false substitute in England, exchanging the substance for the shadow. She is a child pretending to be a grown-up, not actually being grown-up. Lewis never says there's anything inherently wrong with "lipstick and nylons and invitations," but they are merely the outward trappings of society. What makes a person a king or queen comes from inside. When Rilian returns to Narnia, he is instantly recognized for being a prince, despite his lack of a crown or any of the other formal trappings of royalty. He is recognized because he is no longer hidden by the armor of the Green Lady--and so he looks like himself. In fact, he not only looks like himself, he looks like his father. (Which is also how Lord Bern recognizes Caspian in the Lone Islands, despite Caspian not having any outward proof of his kingship--Caspian looks and sounds like his father. Shasta is recognized as a prince because of his resemblance to his brother--oh hey, we've got another theme going.)
Susan has put on the armor of the world, and in doing so has lost herself as queen. That is what makes her arc a tragedy. But! There is always, always hope. Rilian is rescued. Shasta is restored to his true identity as Prince Cor. Edmund is redeemed. Aslan breathes on Susan. Caspian's kingship restores right order to the Lone Islands. No one is ever irredeemably lost.
Once a king or queen of Narnia, always a king or queen of Narnia.
Even when they themselves have forgotten who they truly are.
Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
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