This painting is quite small (smaller than A5 I believe) with miniature details, which you see enhanced here. I used tiny brushes to make it and applied the paint in many thin layers. I would have wished to show you the physical piece. Unlike big paintings, you need to hold this close to you and get closer and closer to see each detail. I love that.
I am immensely captivated by early Renaissance landscape art. How they paint each tree and rock, the bizarre architecture, the blue mountains far away, the silence and magic… It just feels like somewhere I know and very real. This is a painting that come about because of those feelings.
Sadly I still lack a name for it. Well, maybe...
Castle of Alchemists, 2020
Drawings made on sticky notes, late 2017.
Lokum Yiyen Gündüz (The Day Eating Turkish Delight) January 2018
I was listening to Empire Ants as I was about to fall asleep, so an image suddenly and randomly flashed in my head. (When the music changes beginning from 2:12)
You know, when you see a dream, even if it is meaningless you get really touched by it. So the same happened to me with this one and I felt like drawing what came to me. The image in my head was so blurry though. I had to make it concrete, which was tough. I'm not even sure if it was Noodle that I saw.
Anyway, I hope you like this speed painting.
Back in 2009, I was a 13 year old mad for Avatar. I made several series in which I designed outfits for the Gaang and proudly captured them bending. 11 years later, I returned to this same ambition with my current approaches. It is extremely satisfying to have them next to my old work. Not so much because they are technically more advanced, but rather because they show how I am still the same girl, in a little bit of a different way.
This is a real time recording of me improvising to five songs from Nightwish's Imaginaerum, while I am hearing them for the very first time! It was really fun to do, because I was mostly playing without care.
This kid is so damn cool when he fights.
Still life study of a flower from a dying bouquet, under the window light.
He was returning home, wondering if...
I made this drawing for simple reasons at the time, but later realized it was the ancient imagery of the Goddess on the lion throne. The way her hair is loose on one side and done on the other means something I cannot quite understand or express, but is fascinating.
It is just a little real quick sketch but I really like her so decided to post it.