Oh I Am So Sad And Only A Hunger Games Graphic Novel Made By @gremlinddrawss Could Make Me Happy Again..Oh

Oh I am so sad and only a hunger games graphic novel made by @gremlinddrawss could make me happy again..Oh what will I do..SAVE ME GREMLIN‼️

(Sorry,I am just so obsessed with you AND your art)

(Not in a creepy way..Or maybe…)

Guys Stop Tempting Me To Drop Everything And Make That Graphic Novel PLS

guys stop tempting me to drop everything and make that graphic novel PLS

More Posts from Edensparty and Others

3 weeks ago
Andor Appreciation Day 2 - Everyone Has Their Own Rebellion
Andor Appreciation Day 2 - Everyone Has Their Own Rebellion
Andor Appreciation Day 2 - Everyone Has Their Own Rebellion

Andor Appreciation Day 2 - Everyone Has Their Own Rebellion

@andorappreciation

1 year ago

THIS!!!!!

I always laugh when people paint Peeta as a soft, innocent, almost a push over type of guy. Like this boy was eating Katniss up in arguments, making innuendos while on his deathbed, and beating up guys if they threaten his girl. Like come on now.

1 year ago
I Feel Like It’s Missing Something…Tips Would Be Appreciated!

I feel like it’s missing something…Tips would be appreciated!


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1 year ago

I will always say this:

They’re so sibling coded,you cannot convince me otherwise.

Romantic?HELL NO NUH UH GET AWAY!!

Everlark for life.

Siblings?Yes.

Gale and Katniss as annoying siblings with Gale being all popular and Katniss is like:Wtf?

And the girls are drooling over him and Katniss is just done,but then when Peeta Fuckin Rizzlark walks by she is all purring and shit and Gale is like:Don’t say shit about me,girl.

i don’t know if this is a hot take but…….. i LOVE platonic everthorne

specifically platonic everthorne in AUs

if it cannon compliant. no thank you

canon divergent?? depends on how it’s done

AU?? GIVE ME ITTTT

romantic everthorne? no thank you sir


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8 months ago

Holy shit.

The cover page for a digital comic. A trailhead information board stands in a lush green forest, with a trail map, and two signs pinned to the wood. The text on the signs read: "BY BECKETT JONES" and "THE TRAVELER'S WARNING."
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a work boot, a leather-bound journal, a compass, and a colorful rock bracelet. 

The first panel is a Forest Service gate on a dirt road, slightly ajar. The road goes out of sight into leafy green shadows. There is one wooden sign nailed to a tree, and two white and green signs secured to the gate. The text on these signs reads:
"TRAVELER, STOP! 
IF YOU TAKE THIS ROAD YOU WILL BE 
FUNDAMENTALLY CHANGED
FOR BETTER OR WORSE."

The second panel is a crumbling concrete barrier on gray, driving rain. There are evergreen trees in the background. There is a hand symbol pointing to the right engraved into the barrier, and text that reads:
"YOU WILL RETURN FROM 
THIS JOURNEY 
IRRECOVERABLY ALTERED 
IN WAYS" 

 The third panel is a waterfall with conifer trees, behind a glossy red sign with "no swimming"white symbols. White text on the sign reads:
"YOU CANNOT COMPREHEND 
BEFORE YOU UNDERGO 
THIS TRANSFORMATION."
Two comic panels on an off-white background. An espresso machine portafilter is pictured in the negative space in the page. 

The first panel is of a red rock slot canyon, with a rushing green river at the base. A rusted yellow sign stands in the water, with a flash flood symbol and text that reads:
"NO ONE ON EARTH 
WILL UNDERSTAND THE 
METAMORPHOSIS"

The second panel is a wooden sign hanging from the eaves of a roof, in front of a snow mountain scene. Stars twinkle in the night sky. Warm red text on the sign reads:
"EXCEPT THOSE WHO EXPERIENCED IT 
WITH YOU. THE PEOPLE WHO LOVE YOU." There is an arrow symbol and two foamy mugs also depicted on the sign.
Two comic panels on an off-white background. Objects depicted in the negative space of the page include a key ring, a pocketknife, a stuffed toy bluebird, and a bandana. 

The first panel is a road with a center stripe in a sagebrush plain, with big orange clouds in the sky. A coyote slinks across the road. A big green highway sign with white arrows reads:
"MAY CEASE TO TRULY KNOW YOU. 
WALKING BACKWARDS 
WILL NOT HELP YOU"

The second panel is of a high alpine wildflower meadow, with a glaciated Mount Tahoma in the background. A wooden stake reads:
"WALKING FORWARDS" 
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a headlamp, a trowel, and a plant sprig in a ziplock bag. 

The first panel is a wildfire sunset above a barbed wire fence surrounded by blooming fireweed and evergreens. An orange wildfire hazard sign reads: 
"IS INEVITABLE 
YOU CANNOT STAND STILL" 
A gray jay sits on the top of the sign, eyeing the viewer. 

The second panel shows a dilapidated wooden shack, covered in moss and white and orange mushrooms. Evergreens and leafy undergrowth surround the structure, and a Pacific gray tree frog sits on a leaf in the foreground. Text carved into the wood reads: 
"YOU MAY NO LONGER RECOGNIZE 
YOUR HOME" 

The third panel is a chinook salmon run in a green forest. Underwater reeds flow on the river. A white sign nailed to a tree trunk, with water symbols and text that reads:
"IT CANNOT STAND STILL
EITHER."
Three comic panels on an off-white background. Objects depicted in the negative space of the page including an ammonite fossil on a leather cord, a green nalgene, a peach, and a pulaski. 

The first panel shows a gray ocean storm, with waves crashing against big, dark rocks. A tsunami hazard zone sign reads:
"IF YOU SURVIVE THIS" 

The second panel shows a round orange bouy floating in a sea illuminated by bioluminescent plankton. Stars glitter overhead. Text on the bout reads: 
"YOU WILL BECOME PART  OF A WORLD"

The third panel shows a pair of dolphins in the water, adjacent to a white boat. A red sticker on the gunwhale reads:
"THAT DOES NOT YET EXIST"
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a pair of sunglasses and a machete. 

The first panel shows a dessicated greater frigatebird cradled in the branches of a tree on a sandy shoreline. Pink flagging has been tied to a branch, and black handwriting reads:
"IF YOU DIE HERE"

The second panel shows a blacktip reef shark swimming on a coral reef. And underwater sign affixed to steel chain shows a skull and crossbones, and text that reads:
"YOU WILL COME BACK"

The third panel is a GPS unit held up to the sky, showing a GPS track and text that reads "WRONG." Seabirds fly overhead. 
Three comic panels on an off-white background. Objects shown the negative space of the page are a snickerdoodle cookie and hale koa flowers threaded on a string. 

The first panel shows a pair of hands holding a sooty tern with a radio tag. Another pair of hands write in a notebook, and handwritten text on the page reads:
"TRAVELER
YOU HAVE BEEN WARNED" 

The second panel shows the leg of the sooty tern, which has been fitted with a birdband. 

The third panel is a pair of fingers holding the birdband so that engraved text faces the viewer. The text reads "AND NOW YOU MUST GO." 

A short comic I made about my experiences as a seasonal worker, and the way places change you.

1 year ago

FINALLY SOMEONE ELSE GETS IT‼️‼️‼️

I don’t think that we talk sufficiently about how crazy the line “and it could be true now, couldn’t it?” is. Because the natural next sentence should be something along the lines of “if the Capitol had gotten their way.“ But it’s not. It has everything to do with Katniss’s personal reservations about marriage and family warring with what she might want otherwise. Granted, of course, these reservations have to do with the society she is living in and the atrocities in which the Capitol citizens are complicit, but the thing that is holding her back is not lack of innate desire. It is a self acknowledged wall of defense that makes her recoil. Also, realistically, given the way we see preparations for the wedding unfolding, which I imagine would put it sometime near or a little before the summer of the Quell (perhaps after her birthday? to appease her mother at least from a PR standpoint?), that would be one fast honeymoon pregnancy. Sure, she could reasonably anticipate the pressure for them to have children, but I just don’t get the sense that this unrealized Capitol future is what she’s referring to at all. I think she’s strongly implying that were she not living in the nightmare of Panem (especially one without her father) she would feel free to fall for Peeta, and it wouldn’t be completely outside the realm of possibility for them to have had a very young marriage (and pregnancy). Now, that’s cultural, as per Coryo’s musings in the prequel, and I don’t know that I’d recommend that course of action for Katniss, but it’s wild that she’s even theoretically open to it. It tells you so much about the themes of this series, as embodied by Katniss. A young person should have the chance to make such a happy choice unburdened by the thought of dire consequences, but in a world where people are metaphorically (and almost literally) encouraged to eat each other, there is no freedom for that. The ultimate irony is that every reader that buys into the “Katniss has no time for love! she has a war to fight” line utterly misunderstands why Katniss becomes a force for change: yes, she has no time for love, and no one does, and that is wrong. The Capitol wants her to have the picture perfect domestic ending. Coin wants her to go out in a blaze of Mockingjay glory. The point of Katniss is that she wants neither prescribed end. Katniss wants something that is her own choice, and she spends a lot of the final book thinking that suicide is the answer, the act of autonomy. She comes full circle when she realizes that going on living is the act of autonomy, and only then is she able to begin to figure out who she is when she isn’t in defense mode. We don’t see much of it, but that’s the entire point. We’re not supposed to. She doesn’t give us intimate details about Peeta and her children because those things are most precious to her, now that they are true. She expects us, the readers, to have come to care for her enough to give her the privacy she deserves.


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1 year ago

actively succumbing to blood poisoning

Actively Succumbing To Blood Poisoning

literally had no heartbeat five seconds ago

Actively Succumbing To Blood Poisoning

Peeta Mellark, everyone: death itself cannot stop him being a cheeky little shit to Katniss

1 year ago

MY FAVORITES

Will Byers is so Padme Amidala coded to me:

Princess happy:

Will Byers Is So Padme Amidala Coded To Me:
Will Byers Is So Padme Amidala Coded To Me:

Deep heartbroken sadness:

Will Byers Is So Padme Amidala Coded To Me:
Will Byers Is So Padme Amidala Coded To Me:
Will Byers Is So Padme Amidala Coded To Me:
Will Byers Is So Padme Amidala Coded To Me:

Silently pissed off:

Will Byers Is So Padme Amidala Coded To Me:
Will Byers Is So Padme Amidala Coded To Me:

Cute outfits:

Will Byers Is So Padme Amidala Coded To Me:
Will Byers Is So Padme Amidala Coded To Me:

In love:

Will Byers Is So Padme Amidala Coded To Me:
Will Byers Is So Padme Amidala Coded To Me:

So yeah to me Will is so Padme Amidala. Like thats the star wars character he is most like.

Bonus the guys they're both are in love with:

Will Byers Is So Padme Amidala Coded To Me:
Will Byers Is So Padme Amidala Coded To Me:
6 months ago

Haven't posted in 1.3 billion years but just wanted to say that Everlark is still my comfort couple and I think about them at 5am and make up endless stories in my head where they fall in love and have really hot se....

Haven't Posted In 1.3 Billion Years But Just Wanted To Say That Everlark Is Still My Comfort Couple And

Yes I am aware I have problems. But lack of imagination isn't 1 of them.

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edensparty - Eden💋
Eden💋

Neurodivergent Lana del Rey😻😻I hate autocorrect

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