THIS 20TH ANNIVERSARY POSTER FOR LUCASFILM ANIMATION IS AMAZING

ANDOR 2.04 Ever Been to Ghorman?

the way you draw barriss makes me so happy shes so pretty

thank you!! here have another drawing of my daughter who's never done anything wrong in her life

If Imperials celebrated Life Day

Just like with the Death Star Krennic is being killed by his own creation once again

if thrawn hadn't been gobbled up and wormholed by those purgill he'd be so mad abt his favourite art shop owner killing himself

“Chewbacca is… a Maoist. Hera Syndulla? A Trotskyist. Ahsoka Tano? A Social Democrat. Ezra Bridger? A Posadist. Lost! All of them, lost. I am the only one with clarity of purpose.”

And we must ask ourselves. is Star Wars Episode III: Revenge of the Sith the greatest and most important movie of all time. well it’s definitely possible

“The dark is generous and it is patient and it always wins – but in the heart of its strength lies its weakness: one lone candle is enough to hold it back. Love is more than a candle. Love can ignite the stars.”

luke hull, the production designer of andor, says it is a very visually light show, and he’s not wrong, but it is deeply interesting to me how the brightest and lightest part of andor is the empire.  in most other star warses, the empire is depicted as, well, dark; it’s vader’s looming shadow, the grimly lit death star. the empire is a creature of malice and hatred, a Bad force led by the shadowy darkness of palpatine - the empire reflects its morals and character. this is an effective way of queuing in to an audience primed by a lifetime of light versus dark good versus bad metaphors the situation at hand; in anh the tantive is visually very white, vader brings a darkness (literally) in with him. the light in star wars is the rebellion - leia’s pure white dress, mon’s r1 and rotj garb, luke’s white outfit. they are the hope, and so they are the lightest points of the movie. the rebel hq is white, blindingly so - look, you get my point.  in andor, however, this is flipped. luthen’s fondor is often shadowy and greyish, mon gives her speech disavowing the empire a primarily grey colourscape, the radio tower to luthen on ferrix is dark, the backroom of the gallery is dark, but the empire is a blindingly sterile white again and again and again. narkina-5, the isb building, dedra’s flat. it’s a very deliberate brightness, one that contrasts with the more naturalistic lighting at play in rebel-led scenes and places; the imperial need for control is so desperate because it is so unnatural. the empire has to continually signal its presence, has to continually signal what it claims to offer; Light, Order, Reason. it’s an inescapable brightness, a pervasive presence. you can retreat into the shadows but not the light.  and at the same time, that pretence is so deeply hollow! there’s a clinical aspect to the light of the empire, a constant oppressive artifice to it; it smothers mon in the embassy, isb uniforms and stormtrooper armour has to be perfectly smooth and pressed, in contrast to the aforementioned rebels. dedra’s torture of bix strips the bright and clinical facade away, revealing the empire not as a medical organisation, treating the illnesses of the galaxy, but as a cruel creature, fed by and greedy for the desire for power and control and harm that those that make it up embody. dedra and the false light of the empire are symbionts; in the light she must be composed (as the empire demands of its subjects), it is only in the dark that she can be vulnerable. the light is more intuitive than the dark, but that is the exact framing that andor’s empire relies upon. it is easier to comply than to resist, but that light is false and cold and will burn you in time.

CARRIE FISHER Larry King Live (September 12, 1990)

Star Wars: Revenge of the Sith (2005) / Keisha Castle-Hughes as Queen Apailana