I wrote some of this earlier as a reblog to one of @feelabitfree posts, but I feel like more people could be interested in the subject, so I’m putting it in its own post for the general tag.
So this is about John Nettleship, the man who was one of JK Rowling’s inspirations to create the character of Severus Snape.
He was Head of Science at Wyedean School in Sedbury, Gloucestershire, where he taught Chemistry to JK, who began studying at the school in September 1976. Her mother, Anne, worked as a technician in the Science department from 1978. He was often known as “Stinger” by pupils due to his last name being “Nettleship”.
Yes, those are images of Mr. Nettleship in his science lab.
I learned that John, even though he was surprised and mortified at first, later on felt honored for his connection to Severus and wanted it to be remembered. This is all taken from this article, which provides detailed information about… a bit of everything (really), from people who knew him well. There is also this condensed version of it. (And I’d say: do visit the source, there’s a lot of interesting info on other stuff about Snape in there).
John at the time that he taught Rowling was in his thirties, like Snape in the books; whip-thin and (in the words of a former student) “ghostly white”, with swinging curtains of long and often rather greasy black hair, a burning gaze, an intense manner, irregular teeth and a rather large nose, and was often a bit scruffy and unkempt, even though he was always fastidiously clean.
This is John in 1976, 4 weeks after JK started at Wyedean.
He was a lifelong Labour Party activist and he later became a much-re-elected local councillor.
An innovative, inspirational teacher and an advocate of child-centred learning, John cared deeply about teaching and about his students, but when Rowling knew him his first marriage was failing and he was dazed with insomnia, which explains why Snape is so angry and excitable. He also had to compensate for looking about eighteen - and for the children’s mockery of his social clumsiness.
(…) As a child he suffered extreme physical abuse from youths running a Cub Scouts troop. At the school he taught at before Wyedean his colleagues marginalised and bullied him for his outspoken independence, and at both schools he endured Marauder-like verbal and physical attacks from certain students: but at both there were also students who admired and supported him.
(…) He remembered Rowling, who had spent her break-times in the office he shared with her mother, with fond admiration, and became an active fan who conducted Snape-tours while wearing an academic gown, and lectured on likely local inspirations for people and places in the Potterverse.
Photos of John when he was 39 and 41 years old, respectively (second one was cut by himself because he didn’t want the entire world seeing his nipples, but the writer of the article makes a point to stress that he had remarkably thin arms).
John did the Rowling family a great favour, for as Head of Science at Wyedean Comprehensive in Sedbury he hired Anne Rowling, a woman already partially disabled by multiple sclerosis and almost certain to get worse, at a time when no-one else would, and took her on as a Biology lab. assistant. He remembered Anne as a jolly, humorous woman with what she herself called “a dirty great laugh”. He was enormously fond of her and fought the school tooth and nail to get improved disability-access for her: in particular, to have a lavatory installed in the science block so she wouldn’t have to struggle back to the main building several times a day. All that is unambiguously good in Snape, his intelligence, wit and passion for his subject, his showmanship and fluency, his protectiveness of others, his courage, love, loyalty, honesty, dedication and sense of duty, his independence and his moral seriousness, is identifiably derived from John.
There is some discussion in the article about how he believed he probably had Asperger’s Syndrome and so some of his behaviour was actually due to missing social cues and not out of spite and rage as JK maybe interpreted (and wrote Snape’s background in order to explain).
In JK’s drawings of him, Snape often has a stubble and is shown wearing a Dracula-collared cloak which are never described as such in the books, but could be inspired by John and this high-collared hippyish jacket he used to wear.
Also, let me show the Snape fandom this thing his son made because it is adorable and you’ll feel proud:
Now I want to finish this long ass post with this: John also enjoyed singing! And if you’re interested in hearing the original strong baritone voice that inspired our favorite overgrown bat, you can do that right here (there’s also a video on the link).
daisies (1966) 🎀
Blaming Snape for creating Sectumsempra is like blaming a woman for carrying pepper spray in her bag for self-defense after being repeatedly harassed by a specific group of men. Can you really blame a victim for creating a weapon to protect themselves against their tormentors, while at the same time praising the Marauders' ingenuity for creating tools to spy on, stalk, and invade others' privacy purely for fun and bullying?
What kind of ridiculous logic is that?!
I’m gonna publish this Letterboxd review because omg this movie is so great and this review express specifically how I felt when I first saw it. The setting, the animation, the entire movie is just WOW
Angel’s egg reminds me alot of the Geneis song and I have no words to describe how the song makes me feel (This is said by someone who is not currently a big fan of Grimes, because the quality of his music has worsened a lot ) I know that Grimes takes inspiration from anime and her songs It seems to be taken from a technological world like this movie.
Probably the religious symbolism of the song reminds me of the movie, which also uses religious symbolism too to talk about philosophical themes but I don’t know.
I just feel the need to put into words this feeling. This need to talk about a movie hasn’t happen to me since I saw the movie Perfect Blue lol un películon también, tremenda fumada psicológica eso sí, pero de la buena y que Aronofsky consiguiera los derechos para hacer más tarde the black swan es lo mejor que pudo pasar, es que hola? Natalie Portman en esa película fue simplemente lo mejor de su carrera.
Angel's Egg (1985) dir. Mamoru Oshii
Snirius flirting stage. They are really normal
Soy una persona autista. Normalmente me pongo los cascos incluso cuando estoy con amigos o familiares. Eso me provoca un sentimiento de culpa al pensar si estoy siendo contradictoria: “¿Estoy haciendo esto porque me siento incómoda con mi familia?” La realidad es que no. Mi familia es de las pocas personas con las que me siento a gusto, segura. Con ellos, todos mis fantasmas pasados, todas mis heridas, sienten lo que es el alivio, lo que es el bienestar, lo que es estar tranquila. Ahí sé que no todo es hostil, y que, por lo tanto, no es necesario estar en alerta.
Ahí es cuando pienso que quizás no es una contradicción, que más bien es un acto de supervivencia. Como un puente que une dos necesidades que, a veces, no saben funcionar juntas. Una necesita protegerse, quiere estar a salvo y a gusto, y aunque se encuentre en un lugar seguro, solo sabe actuar de la única manera que ha aprendido: aislándose, permaneciendo en la intimidad, en las sombras. La otra necesita amor, no quiere estar sola y disfruta de la compañía.
La música se vuelve un ritual, un intento de calmar un momento abrumador, una forma de abrir una puerta entreabierta. A veces solo llego a asomarme; no quiero abrirla del todo por el miedo que siento. Algo me susurra y me aconseja. Ese algo me dice que aún no es seguro abrirla por completo. Es una voz que probablemente parte del miedo, una advertencia disfrazada.
Es una lucha constante entre mi necesidad de estar conmigo misma, de intimidad, y mi necesidad de conectar.
Soy tan sensible que, a veces, interactuar con otros se me hace demasiado. Interactuar se vuelve una lucha por ser vista, por pertenecer a los lugares en los que mi cuerpo está, pero no los siento como propios. Es una lucha de identidades, de querer ser vista por alguien verdaderamente, ya ni siquiera sé por quién. Lo busco desesperadamente: puede ser un familiar, un amigo, o quizás solo quiero ser vista por mí misma.
Solo quiero ser vista, y no a través de fragmentos de otras personas. No quiero que mi identidad se forme a partir de cada señal de rechazo que recibo, a veces disfrazadas de comentarios inofensivos, otras veces simples miradas, y en las peores ocasiones, señales claras de que no quieren que forme parte de ese lugar. También está la ansiedad de no saber qué hacer con eso. ¿Qué puedo hacer? Lucho, ¿pero para qué lucho? ¿Qué busco exactamente?
En esos momentos me siento como el monstruo de Frankenstein. Ese monstruo que ni siquiera tiene nombre y que, como un niño pequeño, camina torpemente a la deriva. Una criatura hecha de partes ajenas, incompleta, tan extrañas que hasta a mí misma me cuesta comprenderlas.
Cada rechazo dibuja una nueva identidad. Una identidad creada sin consentimiento, armada con pedazos de otros, que ni siquiera son propios. Una identidad formada por comentarios que resuenan como ecos, por prejuicios que desfiguran partes de mi identidad, por palabras degradantes que hacen daño a mi autoestima. Que se acumulan en capas para construir una narrativa condenada desde el inicio a vagar en busca de pertenencia, amor, comprensión, como si ese fuera su único destino, ser incomprendida desde el principio.
El deseo de buscar una identidad propia se hace presente y no se detendrá hasta que lo consiga
Leonora Carrington (1917-2011), Tarot, Major Arcana.
Aunque esta película me guste, me traen malos recuerdos de un compañero que tuve que estaba obsesionado con la memoria y ponía siempre esta película de ejemplo. Que salí de ahí conociendo una muy buena película de animación, pero también salí de ahí con traumas :’)
Esta línea lo ejemplifica muy bien. Enseñanza de esto, no hagáis trabajos con gente que aunque en un principio parezca que tengan una forma de pensar interesante nada garantiza que salgas de ahí bien parado. Pd: también por él conocí la película persona, que es una muy muy buena película, así que tampoco fue tan malo conocerlo.
rough sketch of everyone’s favorite greasy ball of hate for my harry potter tarot project. in very loose terms the heirophant has a lot to do with religion and/or devoting yourself to some kind of group or cause, reversed it means being in a group which no longer represents your beliefs. perfect for snape’s character arc!
Hyperfixating pt. 3
Requiem (2025)
I’m not a big fan of Dali's paintings, but the way this man writes and his sketches are much better than his paintings for far. I absolutely love it. I have his tarot and it is a mix between a compilation of his sketches with collages. As a tarot reader, I love doing tarot readings with his cards, inspire me a lot.
Salvador Dalí Snake charmer 1966
9w8 sx INTP | 21 | Spanish Here I talk about tarot and sometimes I do movie reviews.
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