An excerpt from Neil Gaiman's book "The Ocean at the End of the Lane":
"I said, "I'm sorry I let go of your hand, Lettie." "Oh, hush," she said. "It's always too late for sorries, but I appreciate the sentiment. And next time, you'll keep hold of my hand no matter what she throws at us." I nodded. The ice chip in my heart seemed to warm then, and melt, and I began to feel whole and safe once more."
I hope the next time, whenever and wherever it is, they will hold each other's hands.
"I'm very good at forgivenness"
Yes, we know! -_- Please stop doing this!
Definitely wrong! Don't bother husbands with women and clarinets!
There are only 2 small mentions of the 20s in the series:
00:29:19 S1E1
[Aziraphale]
"I have several very nice bottles of Chateauneuf-du-Pape in the back. I picked up a dozen cases in 1921, and there's still some left for special occasions."
00:38:04 S2E1
"You see, the record shop was opened by my great grandmother in the 1920s. Originally, our shop was in a corner of Mr. Fell’s bookshop."
I didn't find anything else. But it seems to me this time and the event that happened then are important.
In 1920s, great-grandmother Maggie's record store appeared at the Aziraphale bookshop. In 1921, Aziraphale somehow gets several bottles of French wine (it is stored in the back room, that's the name of Maggie's store). Who was Maggie's great-grandmother?
This wine is for special occasions. Aziraphale and Crowley drink it in 1941 in a romantic candlelit setting. The second time they drink it is in S1E1, when they decide to act together. (Even in the final episode of S1, they drink regular champagne at the Ritz.)
Everything French in the film is connected with love. And Aziraphale has certain difficulties with this. He talks easily about divine love for people and the like. But when it comes to romantic love, it confuses him. (and he couldn't learn French.)
In general, I would be interested to find out more about the events of the 1920s and I hope to see this flashback in S3.
These people have done a unique work. They discovered and deciphered The Hidden Morse Messages.
@theastrophysicistnextdoor
Here's my theory "The Hidden Morse Messages."
1 SHE’S IN MA PHONE (or He's) Ma phone is an outdated name for a magnetophone. During World War 2, german engineers developed a device for recording sound on magnetic tape.
Crowley uses such a device and even gets inside - into it magnetic field. Together with Hastur. And we know that you can get stuck there, just like Hastur got stuck. Who exactly is this "She" or "He" who is in the "ma phone", I do not know yet. Perhaps the "dreadful eternity" itself.
2 HAVE A DREADFUL ETERNITY
- it is said to someone who is stuck in this "dreadful eternity"
- it is said about some eternity that has become dreadful, because it has become closed perhaps. (It's a little difficult, I know).
3 TOMMY’S A LEGEND I think we're talking about Tommy Westphall here. And about Tommy Westphall universe hypothesis.
In short, there is a kind of crossover of all (or many) shows /series in the consciousness of Tommy Westphall. A little more: In a 2003 article published on BBC News Online, St. Elsewhere writer Tom Fontana was quoted as saying "Someone did the math once… and something like 90 percent of all [American] television took place in Tommy Westphall's mind. God love him."[9] (link 2) When directing episodes for the eighth series of the revived Doctor Who in 2014, Ben Wheatley had the art department create a replica of Tommy Westphall's snowglobe, which Wheatley placed in the TARDIS set as a reference to the hypothesis.[11] (link 2)
4 PAUL’S OUR MIXING HERO Re-recording mixer Paul McFadden. He was actively involved in the creation of a huge of TV series. This man literally lives in the universe of a TV show. (Tommy Westphall universe).
He was not only a sound engineer, but also a dialogue editor. I wouldn't be surprised if he is the co-creator of this magic (secret dialogues and hidden hints).
5 HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS
Here is one of my generalizing theories of Morse messages. We are really stuck in the universe of Good Omens, like a hellish web. This universe is full of references to literature, music, series and movies. In addition, a large of dialogues in the series are written in such a way that you can read between the lines and find new meanings. We literally "lick the walls." That is, we examine every pixel on every damn frame. Heaven (the creators) suggests that we give up all hope of saving our long-suffering souls. But they cheer us up - it's a sweet eternal damnation. Heaven looks down on us because we will never be able to find all the hidden meanings.
In this post: 20% jokes 5% sarcasm 20% pathos 100% love and admiration for the creators of Good Omens 40% hope to find another meaning of these secret messages 15% of the fatigue from Googling.
p.s. I'm going to formulate a more complex theory, good luck to me
On the signs above the heroes it says "Honey sweets" and "Sky suits" (yes, there's an extra letter e, but who cares). Angels call the human body they are in on Earth a suit.
sweetest honey candies
Have you tried to give him gifts?
"Uh, does saving his human body count as a gift?"
No, it's not
Well, OK, what did you give your angel?
A fly.
Are you fecking kidding me?
Well, I also brushed my teeth.
A fly and a clean mouth? It won't work with mine.
A variant with memory loss?
It's kind of harsh.
Well, you know, everything is a little harsh for you - love spell, binding, molestation. Are you a demon at all?
Yes, I just have my own methods…
Whatever you say. Invite my and Gabri's grandchildren to your ineffable wedding.
"demonic growling"
https://www.tumblr.com/dream-in-fall/756703713357414400/the-theory-of-the-name-anthony-j-crowley?source=share
I want to add to my theory. I thought about it and finally became convinced that the name Anthony J. Crowley means Antony Juliet. Crowley took the names of two Shakespearean characters who tragically died of forbidden love. Antony and Juliet both died from the sword \dagger. Their loved ones (Cleopatra and Romeo), respectively, died of poison. In the finale, Crowley was supposed to die from poison (holy water), and Aziraphale from a pillar of fire (a symbolic fiery sword). Now there is one less reason for a sleepless night.
Oh, Aziraphale, your bookshop burned down, I'm so sorry!
Crowley, you'll cry about your car later! Go do what I can do myself, but I want you to do it!
He's so incredibly handsome! At the same time, 100 things are happening in me - I want to stare at him forever without blinking, I want to eat him, I want to be him, I want to become Aziraphale and kiss him. I know this is an unhealthy topic. I hope when I write another 10 or 20 posts with such nonsense, I will be able to heal my heart.
Crowley dials the numbers on his safe: 31 10 and 66, or maybe 67. I've been thinking for a long time that these numbers mean something, because we can see them well. If you have your own version, please share it with me. My theory is that the last digit is 67 - that is, 1967 - it was this year that Aziraphale brought holy water for Crowley in this thermos, which is now in the safe. Maybe that day was October 31st, or is it just that Crowley loves Halloween?
This theory seems pretty logical, but while I was thinking about it, I went through some funny and slightly crazy versions. Here is one of them: 311067 is a color in hex format. Here it is:
We know that Crowley and Aziraphale's joint miracle was violet. I don't think the authors have complicated the safe code so much, but there is definitely something to think about the meaning of colors in the film - namely red, blue, violet, gold. These colors definitely have a semantic load in the series.
"Of all the gin joints in all the towns in all the world, she walks into mine"
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