if i'm not DISGUSTINGLY in love with at least one (1) of the characters in any given piece of media it is not for me. if i have no one to crawl and weep for? can't get into it. if there is not one single character that makes me want to bash my head through a wall and then write ten thousand (fictional or academic) words about them then what is the point. respectfully
A man that loves you will:
- Elevate and support your goals
- Encourage your personal growth
- Celebrate your successes
- Stand by you during tough times
- Nurture your confidence and self worth
- Value your opinions and ideas
- Make you feel safe and secure
- Respect your boundaries
- Prioritize your happiness
- Inspire you to be your best self
out on a cold sunday morning and older bf!simon gives you his jacket.
you know, the tactical one?
black, thick, union jack on the left sleeve, more pockets and zips than you can shake a stick at.
the one that smells unequivocally like him.
he puts it round your shoulders and you immediately wrap up in it. shit, you wouldn’t half mind a stake out in siberia if you had this on.
warm and surprisingly soft on the inside (like someone else you know)
simon refuses to let you give it back, even when his skin is visibly prickled with the cold. swears down that he’s just fine.
truthfully, he is.
he’d spend forever freezing his bollocks off if it meant seeing you with “L.t Riley” stitched over that big heart of yours.
-ˏˋ. dialogue ˊˎ-
⋆ “i know you said you weren’t hungry, but i made you something anyways.”
⋆ “you seemed a little off on the phone, so i wanted to make sure you had something nice to come home to.”
⋆ “i heard you reminiscing about it the other day, so i called your mom and got the recipe.”
⋆ “hey, hey- i know you always say you don’t have time to eat breakfast before you leave, so i got up early to make you something you could eat on the go.”
⋆ "you know i don't mind that you can't help me while i'm cooking. wanna help me plate it up now?"
⋆ “of course i remembered what you like, why do you think i always have it made fresh when you come over? i’m not actually a psychic.”
⋆ "well you said you were craving [insert food] and it's too late to run to the store to grab it so yeah, i made it for you."
⋆ “come on, i can see you’re starving. just let me make you something, you know i don’t mind.”
-ˏˋ. actions / scenarios ˊˎ-
⋆ practising cooking a dish from their friend/partner's childhood in secret before serving it to them for the first time
⋆ gently reminding them to eat
⋆ always having the ingredients for their comfort meal on hand in case they have a bad day
⋆ navigating around their sensory issues with food while cooking for them without being asked
⋆ dropping off food for them during a stressful day
⋆ being patient as they teach the other how to cook
⋆ learning how to prepare food from their home country for them
⋆ wordlessly setting a meal down in front of them after they come home at the end of a long day
"Why do you need to talk to them?"
"You seem to enjoy their company more than mine."
"Are you cheating on me?"
"I saw how you looked at them."
"Why did they text you?"
"You never laugh like that with me."
"Who were you with last night?"
"You’re always so secretive with your phone."
"I bet you’re hiding something from me."
"I don’t trust your friends."
"Why did you stay out so late?"
"Who is more important to you, me or them?"
"You never make time for us anymore."
"Are they more interesting than me?"
"You didn’t tell me you were meeting them."
"I feel like you’re replacing me."
"Why do you need to dress up for them?"
"Are you trying to impress someone else?"
"Why didn’t you invite me?"
"I bet you wish you were with them instead."
Here are some tips for writing relationships your readers can get behind:
The two characters must have things in common - a hobby, a philosophy, a background. There has to be some element that connects them.
Your readers will root for relationships in which the characters fit together better than they would with others.
Also, make their traits compatible. Have them share some characteristics or have their strengths and weaknesses be complementary. Is the one hotheaded? Maybe the other keeps their cool well in situations of conflict.
There are endless possibilities. Just make sure there’s a reason these two people like/love each other.
Personally, this is the best way to get me to love a couple.
Have them share secrets, open up about their feelings and tell each other things they haven’t told anyone. Have them cry in front of each other and comfort each other.
This can be taken to a whole new level by having them understand the other’s emotions even without speaking and already offer comfort. Keep in mind that this will probably only be possible with long-established couples.
And having them open up is also a great way for them to discover all the things they have in common/love about each other.
I cannot emphasise this enough: DO NOT MAKE YOUR COUPLES GET TOGETHER TOO QUICKLY.
One of the best elements of a romantic subplot (or even main plot) is the tension. Your readers want to see the pining! They want the build-up.
And no, I’m not saying that you should introduce endless, petty obstacles. That can become tedious and appear forced.
Just give your characters time to sort through their feelings. Make them fall in love slowly. Have them be unsure. Insert SOME obstacles/conflicts.
Have them almost kiss a few times. Not all the time. Too many almost-kisses can become frustrating. But you should throw a few in there.
And, if you feel comfortable with it, add some sexual tension. Have them notice each other’s bodies and imagine what they’d like to do to each other (that sounds more explicit than I intended :) )
This could just be me and my rejection of unhealthy romances, but I will not root for abusive relationships.
Have your characters be kind to each other, support each other and truly care for each other.
If your characters are constantly putting each other down, physically/emotionally abusing each other or going against the other’s wishes, they’re not in a healthy relationship.
A great way to write a healthy relationship whilst still maintaining the tension, is to have the conflict in the relationship be external. Instead of having the conflict be due to internal struggles between the two characters, have obstacles enter from outside.
Your readers should want them to be together and for that, they should be good for each other.
I find it beyond adorable when two characters are still figuring out their feelings for each other, but the fact that they’re perfect for each other is crystal clear to everyone around them.
Have their friends tease them about the relationship. Have family members ask after the them. Have their loved ones conspire to get them to admit their feelings.
If your other characters are rooting for them, your readers will probably do so as well.
Plus, this means that the chemistry between the two characters is so strong that it’s obvious, which is always good for an exciting romance.
That’s all I’ve got for now. If you have any further questions about writing OTPs or any other aspect of writing, feel free to message me or pop me an ask.
Speaking thoughts aloud:
I love Cullen. Everything about him. His strengths and his flaws.
I love his story. Every bit of it. As it is written.
I may have wished for more. For him to be a companion so we could dive deeper into his character and arc. To see things handled a bit differently only because his story had the potential to be truly fantastic.
But even so, for me, it was.
He may not be perfect in Inquisition, he may still have some growing to do (and my opinion of what that growth looks like is not the same as others, which is okay), but in truth, that makes me love it—love him—all the more.
It keeps the theme of his story that has been there from the beginning:
What it means to be human.
To have hopes, dreams, ideals, ambitions. To have preconceived notions and to have them proven wrong. To have your heart and mind at odds. To have doubts, struggles, fears. To have your heroes fail you. To have your friends turn against you. To have your ideals used against you. To be broken. Used. Abandoned. Violated. Manipulated. To have that pain twist and corrupt. To have that pain weaponized. To weaponize it. To lose your way…and yourself. To face your sins. To claw after redemption. To seek atonement. To have faith as your shelter in the storms of life. To want to serve something greater than yourself.
“I have decided to take Seeker Pentaghast's offer. The Circles have fallen. I can give no more to the Templar Order, nor it to me. The Maker has shown me a new path; I must take it.”
Hands bloody, tears streaming down your cheeks, throat raw from prayers and penitence, heart trembling with the fear that you’re too far gone as you dig through the refuse of your own making to find yourself—who you truly are—again.
To persevere.
And against all odds to find life, freedom, purpose, hope and even love in the end.