Anaïs Nin, from a novel titled "A Spy in the House of Love," published in 1954
Andrea Gibson, The Madness Vase
― Fyodor Dostoevsky, White Nights
— Franz Kafka // Richard Siken
Franny Choi, from “Catastrophe is Next to Godliness”
Manhattan is a Lenape Word, Natalie Diaz | Winter Without You, Sarah Kay
[ Text ID: It is December and we must be brave. / It is December and nobody asked if I was ready. ]
"The Brothers Karamazov", Fyodor Dostoevsky (translated by Constance Garnett)
hey sorry your boyfriend said that russian classics are about that life is bleak. yeah he meant dostoyevsky and tolstoy. no, he didn't look beyond any of the lowest lows of the stories. he didn't even see the overarching themes of beauty and hope and connection. frankly we have all been laughing about him and we're gonna beat him up now. sorry
I am not meant for casual love. I was born for soul consuming love and obsession.
“Dickens told me,” Dostoyevsky recalled in a letter written years later, “that all the good, simple people in his novels … are what he wanted to have been, and his villains were what he was (or rather, what he found in himself), his cruelty, his attacks of causeless enmity towards those who were helpless and looked to him for comfort, his shrinking from those whom he ought to love… . There were two people in him, he told me: one who feels as he ought to feel and one who feels the opposite. From the one who feels the opposite I make my evil characters, from the one who feels as a man ought to feel, I try to live my life.”
― Fyodor Dostoevsky, Letters of Fyodor Dostoevsky to his family and friends