This is my roman empire!!!! WHAT A WONDERFUL WAY OF SEEING IT!!!!
I'm SOBBING
I want to point out how the final fight in Epic is not in song 38 but song 40.
How after Odysseus became "the monster" he then, was the last boss to fight
And Penelope fights him.
Because she fights for her husband, for the man beyond the trauma, for the man WITH the trauma, for the man she will always love and will wait forever if necessary.
She makes him angry, he gets furious and Penelope is the only character so far who matches that fury and tames it.
And Penelope wins.
She defeats the "monster".
And all it's left... it's just a man. Her man.
Okay guys, I’ve given the gentle reminder as many times as I can without seeming passive aggressive, as a result this is your not-so gentle reminder. Stop tagging your x OC works as x reader for the love of all that is divine. This isn’t a threat, it’s not some long article about how you’re a deadbeat or whatever; The simple fact of the matter is the tagging system was created to help readers find EXACTLY what they are looking for with [relative]ease, and that can’t be if YOU are making them sift through content that has fuck all to do with what they are looking for.
Now there are a couple of assumptions I’ve made seeing some of you guys’ posts. Most of them fall under the writer being insecure and thinking their work will not be seen if they don’t use the x reader tag and I am here to tell you that is simply untrue. I know plenty of people who actively seek out x OC works, and while I am not among them as being called by the name of someone I am obviously not in fiction breaks the immersion for me, this should NOT discourage you from being transparent in your posting.
“It’s called block and move on.” No, it’s called be a good human being and stop evading responsibility for a messy system that doesn’t HAVE to be messy, and thus is so only because you’re making it that way. You are not a singular. There are other people JUST like you doing the same thing further perpetuating the convoluted channels.
Overlooking how self serving it is, it’s also very inconsiderate concerning people that simply struggle to find stories in some already dead or dying fandom. You have no reason to tag it as an x reader unless it is, an x reader.
It’s obnoxious, and frankly, rude.
Again, I’ve given a couple of gentle reminders already but some of you are failing to respond so allow me to put it in words geared more for… I don’t know, hardier audiences I suppose. As always thank you for your time and I hope you have an absolutely wonderful rest of your day[genuine].
I couldn't have said it better 👏
i just love this scene. the way geta is taken aback by the poetry. he's guarded, wary, trying to unpack the underlying threat - a wild animal faced with a machine for the first time. he knows there's something dangerous here, but he can't determine the extent of it.
caracalla, as he is one to do, breaks the tension. he doesn't sense the threat, not like geta does. caracalla is happy with the turn of events, so geta backs down accordingly - but not without a little threat of his own, just so lucius knows that geta isn't oblivious to the harm.
it's the same way acacius threatens geta w/ the consequences of more war. geta's gaze shifts to the side. he knows acacius is right. but caracalla chimes in, giddy about bloodshed, and so geta doesn't pursue the potential threat. he allows it to slide.
geta is the sharper twin. he can smell blood in the water. but he doesn't follow up on his suspicions, especially not when caracalla delights in the source of the threat.
caracalla was always geta's greatest liability and weakness. love killed him in the end.
Harpy hare- eraserhead vers.
And that is why we hear the melody of "Just a Man". Because that's what Odysseus is. Not a monster or something else. He is just a man who wants to come home.
And Penelope is the one who helps him see that.
Still thinking about EPIC because I just love how EPIC handles Ody’s guilt.
Now, I don’t think I need to deep dive on how Odysseus’ guilt drives him in Act I. We’ve been obsessing over that for ages lmao, but very briefly: He feels awful for killing the infant Astyanax, and tries to force Polites’ “Open Arms” philosophy in order to ease that guilt.
Then, in “Monster,” Odysseus grapples with how his guilt leads him to make mistakes, asking: “What if I’m the one who killed you / every time I caved to guilt?”
And the implication is that gives up his guilt, deciding he needed to be a monster who “threw that guilt away.” And yet.
He never does.
He never stops feeling guilty—not about what he does in Act I, and not about what he does in Act II. We see it in how he agonizes over Zeus’ impossible choice in “Thunder Bringer”; in “Love in Paradise” when he’s haunted by the ghosts of his loved ones. And it’s not like he’s unaware of what he’s doing—Odysseus knows he’s been trying to suppress his feelings, most of all guilt and remorse.
In “Six Hundred Strike,” Poseidon rhetorically asks “How will you sleep at night?” He wants to know how Odysseus is going to live with his guilt, if he even still feels guilt. Odysseus answers his rhetorical question literally, “Next to my wife.”
Which, not only is that just a raw line, but it also does give a rhetorical answer. Odysseus knows that he isn’t going to be okay, that the guilt will way him up inside for the rest of his days, but he also knows he can count on Penelope. That she will help him shoulder his burden.
And he’s prove right in “Would You Fall in Love with Me Again.”
Because, finally. After twenty years, Odysseus is home, safe and sound—and all at once the guilt hits him. The pain and regret over every decision he had to make comes crashing down the moment he no longer had to suppress it.
And he hates it; he hates himself for making those choices, even when there was no other way to get home.
So he tries to dehumanize himself once more—to convince Penelope and himself that he’s become some kind of remorseless monster. Because that’s how he coped with it last time. That’s how he survived “Monster.”
And Penelope sees right through his bullshit. She cuts through his guilt and self-loathing to tell him, in no uncertain terms, that he is still human; that he is loved. And in doing so, tells him that it’s okay to grieve, to feel that guilt and let it go. He’s suffered enough.
Where do I even begin? I have dreamt of being an animator ever since I was a little girl, growing up with the Disney animation renaissance era as well as a non-stop barrage of anime, in particular Dragonball Z. I even wrote in my high school yearbook that I dreamed of one day working for the studio that worked on Dragonball Z just so I can animate for that very series. And I made sure everyone knew it LOL
The dream didn't materialize, but after decades of struggle, I got something far better than I could ever have imagined. I get to animate at the comfort of my own home. I get the career I've always wanted, and am able to generally work at my own time. I get to work with a wonderful team (drawmisu, Camalemsy, Novi, Nathan Kuan, Jenny) who are generous with their time and talents and are fun to work with. And I get to work with wonderful clients who have changed my life and afforded me and my family the comforts we are enjoying, from Mortius, to Casper Fox, but most of all to Jorge Rivera-Herrans, whom I fondly call simply as Jay.
Jay gave me the amazing opportunity to be part of the roster of talented (skillented according to Casper) animator for the official EPIC: The Musical animatics and animations. He entrusted me with his vision, is just an overall joy to work with, and as some of you may know during the Vengeance Saga, literally saved my life for the simple fact that he commissioned me two animations (Dangerous and 600 strike finale), which allowed me, who does not have health insurance, to afford expensive care for a bad case of pneumonia. Without Jay, I would not only have reached my dreams, but I would literally not be here typing this. (Don't worry, with the generosity of my clients, I am actually now shopping around for a good health insurance company....which I know is a hot button topic right now, but I don't live in the US and our private health care here is often times better than public).
But I digress.
With the premiere of the Ithaca Saga, comes the conclusion of the concept album of EPIC: The Musical. But as Jay mentioned, the journey is far from done. I have so many things planned: more commissioned animatics from clients whom I also consider dear friends, more EPIC fan animatics and animations, more musical animatics from other IPs, an animated short, an animated trailer for my upcoming animated pilot episode, and so much more in the future!
Everything I have, the happiness and contentment that I am experiencing right now would not be possible had my paths not crossed with Jay's and his wonderful EPIC the Musical project. Our paths would not have crossed where it not for the EPIC fans who relentlessly tagged him in my animated works, which made him take notice and reach out. And I would not have become a big fan of EPIC, where it not for my cousin Julia, who had been relentless in her goal to turn me into an EPIC fan ever since the TROY saga dropped (I will never stop thank you, pinsan! Love you so much!)
This is not goodbye. This is see you again soon.
REAL SOON.
Bye for now, you guys! This has been Gwendy from NS2D Studios saying, I will see you, when I see you.
imagine you are a maid who works for ithaca's royalty. you're not, like, always the most up to date on gossip, because you have things to do and knowing what date the king and queen went on this week is not going to make the floors any less dirty. so, whatever. one thing even you know, though, is that the king is leaving for war. which sucks, probably, you've heard things about war, and also your cousin's part of the crew headed to troy and the queen looks like she's about to stab whoever tries to touch her so you really hope they stay safe and come back in one piece, for everyone else in the palace's sake at least. still, it doesn't change the fact that the floors need cleaning. so you get cleaning. and then you wake up one day with men in the palace. suitors, they call themselves. and you're like, okay, whatever, guests. except they never leave. they just. stay. day after day after week after month and then suddenly it's years, just hanging around. and, really, do none of them have jobs? goodness. and they have absolutely no respect for the workers of the palace, which is a bit frustrating because your back is hurting from how much extra cleaning you're doing for no discernable reason other than just because the suitors find some nonexistent dirt. still, whatever, it doesn't really matter to you, so you clean the floors and try your best to avoid running into any of them. you have things to do. the prince is cute, and he waddles around everywhere and gets his muddy little prints on everything but you feel nothing negative towards him because he's cute and tries to awkwardly make conversation. so you give him a smile and scrub the floors clean and go back to your room and fall asleep, exhausted. and years pass, and you age, and your hair starts graying and you wonder if maybe it's time to retire but the fearful and tired look in the younger girls' eyes makes you stay. you can't just - leave them. whatever. clean the floors. there's something to do with the queen and a shroud and lying, you're not entirely sure. your job is to clean floors and the queen is polite when you dart into her room occasionally, so. whatever. and then fifteen, eighteen, twenty years later - you're barely out of bed when one of the girls barrels into your room, screaming with excitement - the king is back. the king is back and he brings destruction in his wake. you hurry upstairs and you are greeted with a docked bow and a familiar face, now older and warier and more haggard, and you pause. he looks at you, and his eyes are - sharp, bright, focused, but also a bit unclear. like he's looking at one thing while also avoiding it. he blinks, once, and then looks away. a movement from the other side of the room - a suitor, you recognize, one who takes extra pleasure in watching the girls scrub the floor in front of him - and then there's an arrow lodged into his chest, followed by a scream of agony and then nothing. well. alright. you look around for a couple of moments, then turn back around and head to the kitchen, rooting around the storage cupboard for spare cloths. this whole return is well and good and there's probably political stuff happening here but, like, you don't really care. the king is cleaning house, and you should too. that's your job.
Molliter Nix Cadit - Softly the Snow Falls
Please Note:
Caracalla goes to great lengths to cure your home sickness, in more ways than one 💍🎄🥂✨
Slight time skip, fast slow-burn, strangers to lovers
Not sure if this will be OOC for Caracalla- author has not seen movie but has seen some spoilers - I heard Dondus is a boy in the movie- author took creative liberties and she’s a gal now
Reader wears braids in hair and is referred to as female- no other descriptors !! Viking/Norse communities ‘adopted’ people from all walks of life and never had just one ‘look’
Language translations list at the end of story (It’s just Google translate rip) xx
🕯️🕊️🎄🥂🕯️🕊️🎄🥂🕯️🕊️🎄🥂🕯️🕊️🎄🥂🕯️
Rome seemed worlds away from your home the closer and closer you got to city center
The sounds, smells, and colors were dulled to your senses as you were brought before the young emperors through the palace gates
Your home in the North had seen much destruction, not from the romans, but other enemy ships and villages
And so you’d fled away with other young woman and children in hopes of peace, of freedom
You should have known it wouldn’t be so simple
You stood facing petty theft from a roman carriage with food, you plead in your broken tongue as best you could for them to spare you- the bread in your hands ripped and flung away
It was fate that Geta had allowed Caracalla to bring Dondus to the city hearings today to keep his boredom and episodes at bay- she was usually always able to calm him
The bread landed close to the emperors feet and Dondus leapt down at once, never one to turn away a snack
With tears in your eyes you watched as a pet was allowed the full loaf over you and you hung your head in defeat- your fate was in their hands
Ever the lady, Dondus ran to share a piece of bread with her master, looking at you with her wide eyes
Caracalla took the piece of bread and popped it in his mouth before speaking
“Where is she from? She’s not Roman, nor Greek?”
A guard bowed and spoke “She hails from the North, the savage lands”
His eyes glittered darkly realizing she was so far from home, from family or friends- only you, all alone, and what was a poor girl to do? Caracalla could use some fun, he’d tired from the same concubines and you looked so different from any Roman citizens
Your hair in serval braids marking victories over your enemies while on the road, dark eye makeup and clothing to blend into the grey, cold Earth- you stuck out like a sore thumb in the richly colored city
He declared no harm to fall you and ensured you’d be treated as his guest, Geta rolled his eyes but had no objection to his brothers latest conquest
Caracalla had you and your few belongings moved to a room in his wing of the palace- gifting you every finery the next morning, including a glorious rose water bath and large breakfast right to your bedside.
After you were dressed in the softest rose shades, complimenting your figure draped in glittering finery
You saw little of him throughout the first weeks dedicating time to lear the roman culture and language.
When the servants found you presentable he had you accompany him throughout the day.
Between meetings and social gatherings you felt as much of a pet as lady Dondus, who affectionately rode on your shoulder most evenings.
It was one evening she joined you in your room, both resting on a table as you scribbled away in a journal.
You’d written so many stories from your first day and escaping death to the witness of gladiator tournaments and the place gardens.
It felt as though you’d entered your own Valhalla and praised your Gods for a safe journey. The solstice was approaching and though the Romans had their own celebrations and Gods you’d not forgotten yourself or family.
It was a quiet, early morning, not even the servants had rose out of bed
Caracalla, unable to sleep his mind plagued- and venturing out of bed, found you weeping in the gardens. The pines so similar and different to yours back home
He sat softly next to you bringing you close in a warm embrace, wrapping an outer layer of his toga over you keeping you warm on the stone bench
“Why do you weep, Dulcissima?”
Your journal beside you, you’d opened the page with your writing about the winter solstice- ‘Yule- the Winter Solstice” is what you called it
Visions of spiced cakes, roasted meats, ale and mead, every recipe you could remember, drawings of Yule decorations and traditions, gift giving and the stationary scent of dried oranges hit Caracalla full force
Not only inviting him into world but realizing you were terribly homesick, the festivities of Saturnalia looking so similar were no help
He was determined to do everything in his power to impress you with a Yule festive fit for a Goddess
It was a week of strait planning and preparation, forgoing his formal duties in favor of planning a perfect feast.
He’d demanded the largest pines found in the city displayed in the grand hall of the palace
Droves of servants rapidly created ornaments, bits, and bobbles made of metal by the hundreds, placing each one on the tree with care despite the task at hand
Meticulous effort went into creating each recipe to perfection, in Caracalla’s eyes nothing was good enough, he’d tasted every dish and hoped it was close enough to your meals back home
You arose the day of the festival, maids preparing the bath in Caracalla’s room and leading you in, scrubbed down with rich oils of vanilla, cinnamon, clove and cherry
You were dried and dressed in a deep green and gold stola with a soft white fur collared cape
Your hair was styled in sweeping, grand braids with gold pieces and a pine wreath replaced the traditional laurel
You felt like an Goddess dressed so nicely for what felt like the most incredible day
You’d spent your time the past week crafting a gift for Caracalla, a beautiful new blade, bronzed handle carved with the sacred runic words *Viska, Sigur, and Ast, the last word you’d treasured the most
You found yourself growing fonder and fonder of Caracalla’s company and the time he made for you each day grew longer and longer
He’d said he found it impossible to stay away plucking the nearest flower down to place behind your ear the first month of your stay
That memory felt so familiar now as Caracalla met you on the steps “You look divine, Carissima - You’ll outshine all here!”
You could say the same for him, looking nothing less than regal in a long emerald toga and donned a golden laurel
You blushed as you took his arm guiding you to the grand hall with a confident stride, the tree aglow with candle light and strung with red berries
You delighted all night with a large feast, music, you friends company and relished the grandeur Calla had spent so much effort to display for you
He made you feel welcome, invited and included- he warmed you from the inside out
As the festivities died down he pulled you aside to the gardens, they were decorated with silver and gold garland illuminated by the moonlight
You walked hand in hand stopping on a stone bench with a cover when a light snow began to fall
“It seems you’ve brought Aquilo’s spirt to Rome this season- it was a wonder I found you” he sighed caressing your face
You grabbed his hand lifting your gaze to his “It seems that Rome is becoming more like home the longer I stay”
“I have one more surprise for you, Dulcissima!” He whispered excitedly, leaning closer to you “Dondus?”
She dropped down to a lower branch dropped a bundle of leaves into his hand before scurrying off for more treats from the grand hall
“Have you ever heard the story of visci, Cor Meum?” He said, taking you hand once more
You shook your head never hearing this story but recognizing the plant and the tradition it carried back home you hoped this story would lead you down the same path
You giggled with a blush as he pulled you in by the waist holding the bundle over you head his lips moulding perfectly to yours in an unbreakable kiss
It seemed to last a lifetime in only a few moments and he knew he could have no other in his life
“Mea Omnia please be mine? I’ll give you anything you could desire- you’ll want for nothing except to spend you days committed to your passions- I’ll treasure you always. With you by my side I will be unstoppable in every way- Make me feel alive- whole. Become my Empress?” He held a crafted ring with delicately placed emeralds surrounding a lavish diamond in the center, inside was carved the symbols of Mars and Venus- a true work of art.
A soft gasp left you, eyes welling with tears at his truest, most vulnerable confession
“Of course my Calla! How could I turn away your love, your bewitching displays of affection? You see me as I am and who I am becoming, as I see you” you pulled out your gift to him, the dagger embellished with your language, a sacred blessing for you lover
“It’s blesses the wielder with wisdom, victory, and love, things you now have much success in” you said, a giddy lilt in your voice. He swung you around laughing softly holding you close and slipping your ring on your hand
“I shall wield it every day if I must, vanquish anyone who would try and take you away from me!” He taunted and slipped the dagger into an inner pocket
Now strolling arm in arm again he pulled you in for another kiss, the snow softly coating you both in the silent, perfect night
🕯️🕊️🎄🥂🕯️🕊️🎄🥂🕯️🕊️🎄🥂🕯️🕊️🎄🥂🕯️
Anyways!! Thanks for reading, I hope you enjoyed xx
📜Tag list: @doodle-with-rhy @s-lverwing @certifiedcodbabygirl
Language Translations:
Title - Molliter Nix Cadit - Softly the Snow Falls
Dulcissima - Sweetest
Carissma - Dearest
Viska, Sigur, and Ast - Wisdom, Victory, Love
Aquilo - Roman God of winter and the North wind
Visci - Mistletoe
Cor Meum - My Heart
Mea Omnia - My Everything
Thank you for saying it!!!! Hope that more fiction will use this....so please Authors! Use this! It has so much potential!
I think that more fanfiction should be written with the aim to tackle the original meaning of hanahaki. Because when the concept of hanahaki disease was originally created, it was intended to be a metaphor for suppressing one’s feelings.
Your feelings are this beautiful garden of flora inside of your chest. When you express how you feel honestly, you allow for it to grow freely. But when you hide how you feel out of fear of rejection, and try to make it smaller and smaller, the flowers become cramped inside of you, until you choke on your own feelings. Every flower you cough up is something you’ve felt, but refused to say.
The whole “dying” thing is intended to be more symbolic especially. You’re killing off bits and pieces of yourself and how you feel, because you’re afraid to express yourself.
It’s not really supposed to be, “The one I love doesn’t love me back, and I’m dying from it.” Rather, it’s more along the lines of, “Repressing your emotions is bad for you, and it’s better and healthier to express them freely, even when it’s scary.”
Which is to say that, one, the cure for the disease should be telling the person that you are in love with how you feel. How the other person feels about the person afflicted should have nothing to do with it, as the trope is meant to be about feeling your emotions unapologetically.
And that, two, it’s not an inherently romantic trope. Obviously, it has romantic applications, but it can be written for any situation where a character is hiding how they truly feel. This can include a refusal to address a specific trauma, a desire to indulge in something that they’re ashamed of, and even really practical things, like wanting to ask one’s boss for a higher position.
Although (as an aromantic person myself) I don’t agree with this conclusion about the trope, this application would also avoid people calling it arophobic. When the thing killing the character is a refusal to be honest with themselves, rather than an unrequited love, it’s on nobody’s hands but their own to save their life.
There are a ton of ways that this interpretation of the hanahaki disease could be applied in new and interesting ways in fanfiction, and I’d love to read what things people could come up with!
I still find it damn annoying! Mythology doesn't belong to anyone. There are stories based on metaphors and phobias coming together to make sense to things people wanted to explain back then! If we can't use golems, then this means we aren't able to use greek monsters, like Cerberus, or Thor, or even the words Angel and the Devil......
Mythology was made to be shared and people do make stories to share with the world. The book of Enoch and Genesis became works that inspire many! This is not cultural appropriation is appreciation! Artists use these mythological creatures because they don't need to explain whole new beings, because they are already well known.
Again, if we can't use these, then why are they publicly known and open. If this information shouldn't be made public and not be used by others then it should have been a Mystery School!!
And I hope no one gets offended by calling religious stories mythology, because it is the right term. Mythology doesn't mean that it isn't correct. Just look up the defenition!!! It means a collection of allegory stories, especially one belonging to a particular religious or cultural tradition.
Thank you for reading my angry ramble!
Hope you guys have a good day
One thing I'd suggest is not calling him a golem specifically unless you're Jewish. Golems are apparently pretty dang specific to Judaism, and most of the answers I've gotten on "is it okay to use them in stories if you aren't Jewish" tend to vary from "Get a Jewish sensitivity reader first" to "No".
Then again, I'm not Jewish myself, so take that with a grain of salt, but I've seen a lot of posts from Jewish users complaining about people always calling every rock creature and fantasy robots a "golem" for several years now. I personally choose to err on the side of caution, though.
That said, Cementoss could still probably be a stone puppet or animate statue granted life.
Fuckening
Cultural appropriation is already bad now its just annoying when it's like "oh we've appropriated too close to the sun and now all mention of this word evokes the appropriation instead of the original".
I am saying this with frustration toward the people who yoinked the word, not those pointing it out.
Anyway yeah gonna need a new word but the creature description fits but also tbh Cementoss isn't gonna appear that much
Hey there, I'm Rhy a hyperactive nonbinary furball, as my mischievous friend likes to put it. I'm diving headfirst into the world of storytelling, weaving tales that dance between realms of fanfiction and original stories.https://linktr.ee/doodle.with_rhy
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