Latest Posts by dont-forget-this-forget - Page 4

“𝙜𝙤 𝙨𝙡𝙤𝙬…” 𝙞𝙣𝙚𝙭𝙥𝙚𝙧𝙞𝙚𝙣𝙘𝙚𝙙 𝙨𝙢𝙪𝙩 𝙥𝙧𝙤𝙢𝙥𝙩𝙨

explicit warning: don't read on if you're under 18 or uncomfortable with anything nsfw/smut related

have fun with these ;) | tag me if you use any | if yall want more prompts like this, jus drop an ask

“I’ve never done this before.”

“I’ll go slow.”

“Will it hurt?”

“Do you trust me?”

“Are you sure you want to do this?”

“Tell me what to do.”

“I’ll talk you through it, okay?”

“This is my first time…”

“I promise I won’t hurt you.”

“Be gentle, please…”

“Am I going too fast?”

“Can you show me how?”

“Does this feel good?”

“Should I slow down?”

“I wanted you to be my first…”

“I want to make this perfect for you.”

“Tell me what feels good.”

“Show me how you like it.”

“We can stop whenever you like.”

“What do you want me to do?”

“You’re doing so well…”

“We can keep going, if you want.”

“Relax, I’ve got you.”

“No need to rush—we have all night.”

“Let me help you.”

“There’s no reason to be nervous.”

“Is this okay?”

“Do that again…”

“I don’t know what I’m doing.”

“Let’s find out what you like together, alright?”

Kisses Prompts that sends the readers reeling:

(5th, and 7th onee!! omfg 12th one PLSPLS somebody write and tag mee!)

hesitant kisses, but when they part one whispers "do it again. please."

hands caressing your neck or tracing your jaw as they kiss you nuts

their lips on yours, hot, feverish, partly sucking, teasing with their tongue (OMG-)

heated kisses - their hands on your bare skin, yours in their soft hair, lips nibbling, biting, moaning into yours, while heavily breathing after.

"love, don't hide your face, don't.." hands gently removing yours from your flushed face. "you make me fluster." you say, but they kiss you through those words and mumble against your lips, "you fluster me more, sweetheart."

kisses trailing down your chin, leaving love bites on your neck, chest, and all the shyness in between > < feeling their hot, sloppy wet kisses all over ur body, everywhere and beneath your stomach, and above it. :')

"i don't know how to kiss but let me kiss you, and I'll do it just right." (on my damn knees ffr)

moving to gasp for air, but the other still leans in, eyes closed, lips parted, absolutely wanting more!!! a string of saliva connecting each other's lips!!

hugs after kisses, that lasts several heartbeats long, as they nuzzle their face in your crook. kissing there as well, shyly smiling into it. (fyi im single since birth and haven't experienced ANY OF THESE BEFORE.)

"kiss me again, but- mphh"

cupping your lover's cheek. staring into their eyes with a grin before the kiss, their hands curling around your neck, anticipating it.

"lay down, love and let me do you how you deserve it."

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

Words instead of sighed and frowned?

Sighed - let out a deep audible breath or made a similar sound (such as weariness or relief)

Exhaled - breathed out

Heaved - uttered with obvious effort or with a deep breath

Huffed - emitted puffs (as of breath); usually with indignation or scorn

Insufflated - blew on, into, or in (something)

Puffed - blew in short gusts; exhaled forcibly

Snorted - forced air violently through the nose with a rough harsh sound (to express scorn, anger, indignation, or surprise)

Snuffled - breathed through an obstructed nose with a sniffing sound

Suspired - drew a long deep breath; sighed

Frowned - contracted the brow in displeasure or concentration

Glared - stared angrily or fiercely

Glouted - (archaic) frowned, scowled

Glowered - looked or stared with sullen annoyance or anger

Grimaced - distorted one's face in an expression usually of pain, disgust, or disapproval

Loured - looked sullen; frowned

Moue - a twisting of the facial features in disgust or disapproval

Pouted - showed displeasure by thrusting out the lips or wearing a sullen expression

Scoffed - expressed scorn, derision, or contempt

Scowled - contracted the brow in an expression of displeasure

Sulked - silently went about in a bad mood

Hope this helps. If it inspires your writing in any way, please tag me, or send me a link. I would love to read your work!

More: Word Lists

𝐦𝐨𝐫𝐞 𝐩𝐫𝐨𝐭𝐞𝐜𝐭𝐢𝐯𝐞 𝐩𝐫𝐨𝐦𝐩𝐭𝐬.

my original batch can be found HERE! i got all kinds of angsty and protective vibes took over, but if u think of any more that you’d like to see on the list, shoot me a DM so i can add it!

“ get behind me… ”

“ stay here. ”

“ don’t worry. everything’s going to be alright… ”

“ you shoot anyone who comes through that door who isn’t me. ”

“ when you love something, you protect it. ”

“ i’ll keep you safe. ”

“ do everything that i say, and we might both live to tell the tale of this night. ”

“ when i say run, i need you to do as i say and don’t even think about me. ”

“ get down! ”

“ close your eyes, you don’t need to see this. ”

“ why wouldn’t i save you? ”

“ it’s alright. they won’t be hurting you again… ”

“ of course i came for you… it would take far much more than that to stop me. ”

“ listen to me… i need to go back out there. but i promise you, i’ll be right back. okay? all i want you to do is stay hidden, and i’ll be back before you know it. ”

“ there’s nothing in this world nor any other, that would stop me from protecting you. ”

“ get out of here! now! ”

“ i knew you’d feel guilty; you do understand that i’d take a thousand wounds if it meant keeping you safe, don’t you? ”

“ i swear to you. as long as i’m by your side, you’ll never be harmed. ”

“ it’s my job to keep you safe, yes, but you could work with me a little to make it easier. ”

“ protecting you isn’t my duty. it’s my privilege. ”

“ who did this to you? where are they? ”

“ listen to me. i don’t think i’ll be able to buy you much time. and once i go out there, the clock starts. so the second you hear us fighting, i want you to run. as fast and as far as you can. ”

“ are you alright? “

“ can you move? “

“ why is it so difficult for you to believe that you deserve to be protected? “

“ you’re a good person. good people deserve to be safe. “

“ i’m going to protect you, now. because that’s what we do for the ones we love. we keep them safe. “

“ stay close. whatever you do, do not leave my side. “

“ i’ll do whatever it takes to keep you safe. no matter the cost. “

“ i’m on my way. ”

“ it’s alright… it’s okay… i’m here now. i’ve got you. ”

“ it’s all over now. don’t panic. it’s not my blood. ”

“ i don’t know how long i’ll be able to protect you for, but i guarantee you, i’ll only stop with my final breath. ”