Devotional Acts

.That Judge Judy Pussy grip insane. You be calling her Judith on the second stroke.

On White Fear & Creating Diverse Transformative Works

So whenever fandom tries to address the question “Why aren’t there more works featuring characters of color?” there are a myriad of (predictable) responses.  One of which is appearing with increasing frequency: “Because we (usually: white creators of transformative works) are afraid of getting it wrong.”

And like.  I’ve already addressed how ‘thinking you’ll get it wrong’ is a failure of both imagination and of craft/skill (and a symptom of the racial empathy gap, which I forgot had a proper name when I wrote that post).  Meanwhile, @stitchmediamix absolutely accurately pointed out that the ‘fear’ being discussed is fear of being called racist, not necessarily fear of failure.

Now, we could go into the whole absurdity of white fragility here, but google is a thing and “white fragility” is discussed all over the place and I trust ya’ll to do the work if you actually give a shit about this subject… which I assume you do, if you’re reading this – but if you’re just here to find a way to dismiss the issue at hand, I’m gonna save you some time and recommend you scroll past.

Writers can also be fragile, especially in transformative works communities, where “if you don’t have anything nice to say, hit the back button and keep your mouth shut” is the primary expectation wrt feedback, and anything that deviates from that is considered a mortal insult (do you vageublog about my fic, sir?).  But if we’re willing to deploy an array of tools to make our writing not-My-Immortal-bad, from spellcheck to wikipedia to in-depth historical research to betas and britpickers and so on, then we should be willing to employ equivalent tools to avoid writing racist stories.

Incidentally, writing stories that erase/ignore extant characters of color, especially if they’re prominent in the source text? is racist.  So avoiding writing characters of color altogether is not the solution to making your writing not-racist.

And, okay.  I feel it’s important to acknowledge here, as I have before, that the Fear of Fucking Up is a very real fear that genuinely does affect people’s enthusiasm for / likelihood to write, regardless of the validity or fairness of that Fear’s origins, and I’m going to be generous enough to assume that there are some people who are acting in good faith when they say “I want to, but I’m scared.”

So. This is for those who are acting in good faith, from the perspective of a white fan who has written fic about characters of color in several fandoms and never gotten pilloried for it, even when I know for a fact (in retrospect) that I’ve fucked up details.

(oh, side note: I know this is mostly tackling things from a writing perspective, but a lot of this can apply to creating transformative works overall with a few tweaks.)

First: realize that the likelihood of getting called out is actually pretty low.  And fans of color aren’t as Mean and Angry and Unfairly Sensitive as some people want us to believe.  (Do you vagueblog about That Dumpster Fire Meta, sir?  /  No, sir, I do not vagueblog about That Meta sir; but I do vagueblog, sir.)

This is not to say that there aren’t people out there who’re more than willing to make a (justified) stink about egregiously racist writing.  But it’s actually very rare to get targeted, especially publicly by a large number of unhappy fans.  Because you know what? most fans, including fans of color, want to just have fun in fandom as much as anyone else.

It’s just, y’know, a little harder for fans of color to ‘just have fun’ when us white fans are showing our asses with stories involving “Dragon Lady” Elektra or “Angry Black Woman” Sally Donovan or “Spicy Latin Lover” Poe Dameron.  And sometimes us white fans only listen to what fans of color are saying when they make a Big Deal out of it. 

That’s not a failure of their ability to stay calm.  That’s our failure to listen before they get loud and organized.  Because I’m willing to bet that people who get called out publicly? got a few polite, private messages about their screwup first, and they doubled down instead of listening. 

Also: there is a thing where, no matter how politely they word their critique, fans of color, especially black fans, are more likely to be unjustly perceived as ‘mean’ and ‘angry’ by white fans.  Again, that’s our failure, not theirs.  Plus, even if they are angry, that doesn’t automatically mean they’re wrong (see: Tone Argument).

Step Two is: pay attention to discussions about racist tropes in fiction.  Yes, even when it’s crit of our favorite shows/movies/characters/etc.  If you understand the Manic Pixie Dream Girl trope and why it’s harmful, or you understand the Bechdel-Wallace test, or you can have a meaningful discussion about Mary Sues, or you can (justifiably) rail about how Bury Your Gays sucks, then you can develop a similar appreciation for racial biases and stereotypes.  And then you can find ways to avoid them.  

No, no one’s expecting you to memorize bell hooks so you can write a drabble about Iris West, or demanding you write a dissertation on media stereotypes wrt the simultaneous fetishization and desexualization of Asian women (who aren’t a monolith, either, but Hollywood doesn’t seem to know that) before you’re ‘allowed’ to write Melinda May in a story, but like.  Pay attention when people, especially fans of color, are talking about common tropes so that you don’t unthinkingly replicate or perpetuate them in your fic.

Yes, racist writing can involve more than just thoughtless parroting of harmful tropes, but my best guess is, ninety-nine times out of a hundred, fanwork getting ‘called out’ in fandom involves those tropes.  So avoiding them takes your chances of getting criticized from ‘low’ to ‘almost nonexistent.’  Less to fear, see?

Step Three is: more research – basically, at least as much as you’d be willing to invest in any equivalent white character.  @writingwithcolor is a great blog, and has links to additional resources; .  If you’re the type to get a beta or a britpicker, find a sensitivity reader or a beta of the appropriate background.  Not all fans of color are willing to do this kind of unpaid labor, just as not all fans are willing to britpick/beta, but they’re out there.  Approach them respectfully, and listen to them if they say that something in your story looks off.

It’s worth noting here that writing about characters of color doesn’t need to involve - and in fact, some advice recommends avoiding - telling Special Stories About Racism.  Stories about characters of color don’t need to be about slavery or civil rights or the constant parade of microaggressions they have to deal with daily in order to be realistic or compelling (or angsty, for those who love writing angst, as I do).  Research can turn up useful information that can inform our choices as writers, but if we don’t share the oppression our characters face, it’s not our job to tell stories specifically about that oppression.

Step Four is: before posting, anticipate the worst.  What will you do if someone says you fucked up?  If your answer is “argue with them and talk over their concerns,” stop.  Remember that you’re not a victim of a ‘mean fan of color,’ but that you’ve probably written something that they consider harmful.  Being told that you wrote something racist isn’t an attack on your moral fiber.  You’re not an irredeemable monster if you fuck up, but your response to being told you fucked up is far more telling.  Acknowledge their concerns, fix the issue if you can, learn from your mistake, and fail better next time.

You cannot improve if you don’t try in the first place.  Failure to try is failure, so try your best, and improve incrementally – just as you already do as a writer with any story.

In conclusion: The 4 Steps to Getting Over Yourself as a White Fanfic Writer: (1) recognize that the likelihood of getting called out is pretty low; (2) educate yourself about the most common racist writing issues, so that likelihood will be even lower; (3) do your due diligence when writing; (4) in case of the worst: apologize, fix the issue, learn from the experience, fail better in the future.

(And again, google is your friend – there are a lot of people who’ve written about this subject, like Kayla Ancrum, Morgan Jenkins, the mods at Writing with Color, Thao Le, and Monica Zepeda, among many, many, others.  I’m merely sharing my own perspective from what I’ve learned from listening to a lot of smart people, in case it might help some of you – if it doesn’t, keep looking, a ton of great resources are out there.)

Dutch longsword fencer Tosca Beuming

Photographed by Martin Philippo and Andress Kools

Cesium-133, let it be. Cesium-134, let it be even more.

Periodic Table Regions [Explained]

Transcript

[A periodic table with regions labeled.]

[Hydrogen:] Slightly fancy protons [Lithium and Beryllium:] Weird dirt [Group 1 & 2 metals, Periods 3-4:] Regular dirt [Group 1 & 2 metals, Periods 5-7:] Ends in a number, let it slumber ends in a letter, not much better [Left side of the transition metals group:] Boring alloy metals Probably critical to the spark plug industry or something (but one of them is radioactive so stay on your toes) [Most of the top row of the transition metals + aluminum:] Regular metals [Below the rightmost "regular metals" - the "ordinary metals" and some transition metals:] Weird metals [The platinum group:] $$$$ [Boron:] Boron (fool's carbon) [Carbon, Nitrogen, Oxygen, and Phosphorus:] You are here [The Halogens:] Safety goggles required [Noble Gases:] Lawful neutral [Iodine and Radon:] Very specific health problems [Ordinary metals and metalloids - Arsenic, Antimony, Tellurium, Thallium, Lead, Bismuth, Polonium] Murder weapons [Astatine and Period 7 from Rutherfordium onwards:] Don't bother learning their names - they're not staying long [Lanthanides and Actinides:] Whoever figures out a better way to fit these up there gets the next Nobel Prize

▪︎ Hamlet.

Artist: Alphonse Mucha (Moravia, Ivančice, active France, 1860-1939)

Date: 1899

Medium: Lithograph in four colors: red, blue, pale yellow, and olive green; on two sheets.

click here to read more

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frog machine

Credit to @ArtFromRachel on Twitter

as much as the concept of Jesus being a fairly normal lad has its charms, im personally very intrigued by the idea of him being just… extremely weird. not even in a mystical sense, just…….staggeringly BIZZARRE. 

you go to the well to get some water, and here’s Miriam’s boy, staring at the sky, completely still. his expression is unreadable. you hazard a hello and ask how he’s doing, and he slowly, unblinkingly, lowers his gaze on you (he’s 8 and is missing his frontal teeth, not that this is making you any less uncomfortable) and says “I cannot speak of the state of my being, Nathan son of Saul, my brother, but rejoice for the water you shall take today will be as pure as the soul of the children of Heaven”

…you start sweating

two (2) people asked how i did the matchbook thing so take this

this is just a simple idea but if you spend some more time you can get real krazy with it:

making fake prints is so fun please do it immediately free resources under cut xoxo

pixelbuddha.net

Paper Textures Kit

Wouldn't it be nice to have the hi-res paper textures just like in real life? Hot-press, watercolor, recycled, sketchbook paper — we've trie

Mixergraph

Free Grunge photoshop brushes Kit

In this small kit you’ll get 1 brush file (.abr), which includes these 5 photoshop brushes. All of these textures were handmade, digitalise

retrosupply my love

Spoon Graphics

9 Free High Resolution Grain Textures in JPG & PNG Format

I hope everyone’s 2016 is off to a great start so far. I thought I’d treat my readers and make this year’s first post a new free design reso

well…

that escalated quickly

Happy new year everybody!