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Clone High: It's About the Contrast

Something I've seen a lot of is Clone High S2 redesigns. People taking the new characters of S2 of Clone High and changing the designs, usually cause they don't like what we did get. Some of these are neat. I saw one that tries to combine their new designs with their S1 designs from when these characters were incidentals. A lot of them seem to take the personality out of the design. Most of them look hard to animate, but that isn't the point I'm trying to make.

People seem to really dislike these new designs. There are valid design reasons (some are a bit overdesigned, and they definitely clash with the S1 designs) but it just seems people are mad at them in concept. Especially Harriet Tubman. How could they turn Harriet Tubman into... this?

It's outrageous! And yeah, it is. It's supposed to be. That's the joke. In the 20 years since Season 1, the Clone High Fandom has grown and shipped and gossiped and a lot of people have forgotten that the incongruity of the characters is part of the joke. Joan of Arc was not in fact a goth girl who constantly thirsts over tall men. The same goes for several other characters.

Harriet Tubman isn't Harriet Tubman. She shares her DNA but she is decidedly a different person. That's the point of Clone High, the show is less about historical figures interacting in a high school setting and more about how these people might be if they were raised under different circumstances. Ideologically, Clone High is an argument against great man theory.

Gandhi changed the world. But when he isn't born and raised in British controlled India under very specific circumstances, he's just some guy. The same goes for Cleopatra, JFK, Joan of Arc,, Jesus Christ, and yes, even Confucius, Frida Kahlo, and Harriet Tubman. It's circumstances that create people, not people making the circumstances.

Imagine if you had the chance to have a conversation with the real Harriet Tubman. What do you think she would say? How would she act? I'm sure she'd probably be an interesting and nice person, but she wouldn't be a character fit for a wacky animated sitcom. You don't really expect former slaves to be bubbly like that.

It both literally and metaphorically takes the basic DNA of these figures and subverts and modifies their existence through modern society, or rather the tropes of teen dramas. Not just asking what would happen if these people were in high school but if they were ordinary people. Instead of being a hero whose life is in danger, Harriet Tubman is a girl who gossips and whose biggest worry is becoming a basic bitch.

Look at the S2 finale. The board of shadowy figures have assembled their great men and put them in competition. They'll weed out the best of the best to become the great men of the future. And out of about 100 clones, only one actually makes it to the end. Everyone else fails. The one clone who does make it, Joan, is born again into extreme circumstances. Being left for dead by her friends and suffering a psychic break. There is no such thing as great men, just extraordinary situations.

I think this theme of subverting these legendary figures is something that should be kept in mind when talking about the show. It isn't really a show about historical figures, just historically-themed characters. And that's okay. It's very funny when done well! It's a cartoon and it really acts like it. It was never asking to be taken as a serious drama and definitely wasn't asking to be a commentary on historical figures. It simply parodied its contemporary teen dramas a little too well and we got invested in joke characters and everything changed. The S2 writers were in a very unenviable place, and I applaud them for taking things in bold new directions. If you haven't watched S2 or even just watched a few episodes, I'd recommend giving it another chance. It's not perfect but it gets better as it continues. It has its own distinct feel and style while still understanding what "the point" of the original was.

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