Sansa Stark┃the living painting
John Millais. The Martyr of the Solway. 1871. │ Gabriel von Max. Young woman with flowers in her hair. │ Sophie Gengembre Anderson. Portrait of a Young Girl. │ James Carroll Beckwith. The Embroiderer. │ Arthur Hughes. Juliet and her Nurse. 1867–1872. │ Thomas Benjamin Kennington. Contemplation. │ Alexandre Cabanel. Fallen Angel. 1847. │ Frederick Sandys. Helen of Troy. 1867. │ Ruth Sanderson. Arthur and Guinevere. │ Paul Delaroche. The Execution of Lady Jane Grey. 1833. │ Johannes Vermeer. Girl with a Pearl Earring. 1665. │ Stephen Phillips. Nancy Price as Calypso in Ulysses. 1902. │ P. J. Lynch. Eithlinn, Daughter of Balor. 2000. │ Charles Allen Winter. Portrait of a Woman. 1919. │ William Oxer. Amor Aeternus. 2022. │ George Romney. Emma Hart as Miranda. 1786. │ Bertalan Székely. Red Haired Girl. 1875. │ John Roddam Spencer Stanhope. Thoughts of the Past. 1859. │ Jean-Jacques Henner. Head Of A Young Girl In A Blue Dress. │ John William Waterhouse. Ophelia. 1910. │ Rudolf Kosow, Geheimnisvoll. │
winter leah!! wife wfie wfie fwife wi
Robin’s flower shirt 🌸
Fan: What was your inspiration behind the character of Davos Seaworth? Because he seems to have a lot of qualities of your typical hero — he's strong, morally just, and righteous — but with a definite difference in the sense that he's sort of at the end of his life, though his adventure is just beginning.
George: Well, some people might say the same is true of me. I don't know where the particular inspiration came from for Davos. I needed a point of view into Stannis’ camp… I started out with his maester, but then he dies in the prologue, and Davos seemed interesting. I didn't want to make Stannis himself a viewpoint character. I wanted something external to that because Stannis is a very complex and grey character. I didn't want to give you his thought process — just his words and actions.
- George R.R. Martin, Conversation with John Picacio
ONE PIECE x ep 209
Zoro always takes care of Chopper ♥
Girl time
A FEAST FOR CROWS — ALAYNE II