The Official Zutara Dissertation: Conclusion

the official zutara dissertation: conclusion

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 

This dissertation set out to prove that Zutara, rather than Kat.aang and Mai.ko, should have been the endgame ship of Avatar: The Last Airbender. It has discussed why Zuko and Katara would make a good couple within the text, how the narrative was setting them up for a relationship and why a Zutara endgame would have served the themes and messages of the show, as well as the arcs of all the characters involved, better than the canon relationships did.

Many have argued that Zutara is too complicated, too deep, too much for a kids’ show - that much of the subtext and narrative and analysis that really makes Zutara brilliant cannot be easily understood by children. But the reason that Avatar: The Last Airbender still stands the test of time today is because it did care about those very things, because it took difficult, complex issues and still managed to make them meaningful, nuanced and understandable. If ATLA could depict imperialism, colonialism, redemption, genocide and war, I see no reason why it could not have pulled off an enemies-to-lovers ship literally coded in the DNA of the show.

In conclusion, Zutara should have been canon because it would have fixed almost all of the narrative, thematic and character problems I have discussed over the course of this dissertation, and elevated the show to near perfection. The choice to deny Zutara of the ending they rightfully deserved is thus undoubtedly one of ATLA’s biggest flaws and its greatest loss. 

But as Dante Basco, Prince Zuko himself and captain of the Zutara ship, put it:  “Sometimes the feeling of what could have been is stronger than what actually happened, because the memory of perfection lasts longer.” 

Though Zuko and Katara’s story ends in tragedy, it is this very tragedy that still makes them so fascinating all of these years later ‐ because the final element of Zutara’s brilliance is the idea of what might have been, in what has been left solely to our imaginations. In the greatest of ironies, therefore, it was only by leaving the story of Zuko and Katara unfinished that it was able to become the beautiful tale it is today ‐ more powerful and compelling, perhaps, than it could ever have been in canon. 

BIBLIOGRAPHY

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