http://www.flickr.com/photos/nadya_ka/6173951745/
Preparations for the Coriolanus live broadcast - I can relate to this on a psychological level.
(x)
One of the big dangers, one of the big problems with technology. It develops much faster than human society and human morality, and this creates a lot of tension. Once you really solve a problem like direct brain-computer interface ... when brains and computers can interact directly, to take just one example, that's it, that's the end of history, that's the end of biology as we know it. Nobody has a clue what will happen once you solve this. If life can basically break out of the organic realm into the vastness of the inorganic realm, you cannot even begin to imagine what the consequences will be, because your imagination at present is organic. We're basically learning to produce bodies and minds. And if there is a gap between those that know how to produce bodies and minds and those that do not, then this is far greater than anything we saw before in history. And this time, if you're not fast enough to become part of the revolution, then you'll probably become extinct. ... You look at Japan today, and Japan is maybe 20 years ahead of the world in everything. And you see these new social phenomena of people having relationships with virtual spouses. And you have people who never leave the house and just live through computers. And I don't know, maybe it's the future, maybe it isn't, but for me, the amazing thing is that you'd have thought, given the biological background of humankind, that this is impossible, yet we see that it is possible. Apparently, Homo Sapiens is even more malleable than we tend to think. Nobody would doubt that all the new technologies will enhance again the collective power of humankind, but the question we should be asking ourselves is what's happening on the individual level. We have enough evidence from history that you can have a very big step forward, in terms of collective power, coupled with a step backwards in terms of individual happiness, individual suffering.
Yuval Noah Harari Edge.org, 'Death is Optional'
So, back in April the Shakespeare Association of America conference offered morning “Shakespeare Yoga” sessions. This basically meant regular yoga with a Shakespeare-inspired soundtrack, but I thought it would be fun to codify some classic Shakespearean yoga poses.
Consulting pocket dramaturg: Kate Pitt, as usual.
If you can think of a Shakespeare equivalent for ‘chaturanga dandasana’, leave me a comment below. I’ve spent way too much time thinking about it.
It is not possible deliberately to create ideas or to control their creation. When a difficulty stimulates the mind, suggested solutions just automatically spring into the consciousness. The variety and quality of the suggestions are functions of how well prepared our mind is by past experience and education pertinent to the particular problem. What we can do deliberately is to prepare our minds in this way, voluntarily direct our thoughts to a certain problem, hold attention on that problem and appraise the various suggestions thrown up by the subconscious mind. The intellectual element in thinking is, Dewey says, what we do with the suggestions after they arise. Other things being equal, the greater our store of knowledge, the more likely it is that significant combinations will be thrown up. Furthermore, original combinations are more likely to come into being if there is available a breadth of knowledge extending into related or even distant branches of knowledge.
- W.I.B. Beveridge
Original shot was made with Pentax MG manual camera, kodak 400tx
Meursault does not find–as a humanitarian would–that other people's lives are as important as his own, but, on the contrary, that his life is as unimportant as that of anyone else's. He thus reaches the state of self-detachment, coupled with love of life, advocated in Sisyphus, and becomes a true hero of the absurd, conscious of being an outsider, the hate-free target of everybody's cries of hate. ... "the only Christ we deserve."
Lev Braun Witness of Decline
The Princess and the Trolls –The Changeling, by John Bauer, 1913.
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don’t patch the cup. Don’t patch anything. Don’t mend. Buy safety pins. Don’t even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don’t keep all the pieces of the puzzles or the doll’s tiny shoes in pairs, don’t worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic — decide first what is authentic, then go after it with all your heart. Your heart, that place you don’t even think of cleaning out. That closet stuffed with savage mementos. Don’t sort the paper clips from screws from saved baby teeth or worry if we’re all eating cereal for dinner again. Don’t answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don’t read it, don’t read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich, Original Fire: Advice To Myself