daydreamerlivinginmemories

Latest Posts by daydreamerlivinginmemories

Just wanna reshare for the sake of this being so wonderfully drawn and so realistic that i am falling for them being together

About my original characters, Garth Igneous 加什·伊格尼斯，and Hart Seibert 哈特·塞伯特，现代世界观 modern AU。

Garth是伦敦V&A博物馆的设计师，特展策划部门的美术总管，部门里还有五六个组员。

2017 年Garth 遇到Hart，但是见面的场景并不美好：当时Garth喝多了，在大英博物馆门前的路灯下小便并且大吵大闹，被巡逻的Hart带走了。

在2018年的时候Garth被组内的年轻摄影师疯狂追求，两人相处了短暂的半年就结束了。

2019年Hart正式向Garth求婚，两人结婚。

V&A博物馆相对于大英博物馆和国家美术馆来说各种活动比较多，所以Garth的工作挺忙，遇到大型特展前夕，加班也是常事。Garth对手下要求很严格，对自己也很严格，在部门里有着“魔鬼美术组长”的绰号。工作的时候他通常一本正经，板着脸，话不多，易怒，还有点社恐，但是私下还是蛮放得开的，还是个话痨，经常有令人大跌眼镜的奇思妙想。

Hart是伦敦警察厅的一名骑警，日常工作包括巡逻，大型活动护驾等，上下班时间非常规律，工作两天休息一天。因为年龄问题，Hart就要从巡逻岗位退下来，将来会做警察厅的骑术教官，因此他也有更多时间在生活上照顾Garth和遛狗了。工作时Hart对别人耐心且和蔼，大家都以为他是个很好相处的人，但是其实他很难跟人深入接触，心思深沉，有很多自己的原则和规矩。Hart非常有责任感，爱情观也出奇的传统： 比方说他认为婚前是绝对不能有性行为的（这让Garth一度非常崩溃）。

两个人在磨合期的时候也是矛盾不断，但是目前已经一派祥和天天甜甜蜜蜜了。

Hart已经戒酒，正在帮助Garth治疗双向感情障碍；Garth也在努力戒烟。

最后希望大家都好好的，过得开心快乐。

Nick and Jess win it

#That Season 2 Slow Burn First Kiss

"Now they are two strangers who know each other by heart."

how to ask the demon you've been smitten over for 6000 years to dance: an angel's guide

bonus:

WHAT A BEAUTIFUL MAN YOU ARE, YOU WONDERFUL HUMAN BEING

Some of your books make it seems like you believe in actual literal magic, do you? ()

I can write down a few words and make people thousands of miles away, whom I have never met and will never meet, laugh tears of joy and cry tears of true sorrow for people who do not exist and have never existed and never will exist. If that isn't actual literal magic I don't know what is.

My Goodness is it majestic

So the James Webb telescope just took a picture of a galaxy that is 29 million light years away.

If that wasn't cool enough NASA decided to peel away all the cosmic dust in order to see the bones of the Galaxy itself.

AND IT'S BREATHTAKING

I EFFING LIVEEE FOR THEMMMM

THE ONLY INEFFABLE HUSBANDS OF ALL TIME

AND THEY KISSED OH MY GODDDDDD

In 1803, a round vessel drifted ashore on the Japanese coast and a beautiful woman emerged, wearing strange clothing and carrying a box. She was unable to communicate with the locals, and her craft was marked with mysterious writing. This story of an utsurobune, or “hollow ship,” in the province of Hitachi (now Ibaraki Prefecture) is found in many records of the Edo period (1603–1868), and Tanaka Kazuo, professor emeritus at Gifu University, has studied the topic for many years. What drew him away from his main research area, applied optics, to investigate this curious episode? And what really took place?

“Like a Flying Saucer”

Tanaka says he began to research the ship after the deadly subway sarin attacks in 1995 by the Aum Shinrikyō cult. “There was a lot of coverage of Aum founder Asahara Shōkō’s prophecies and claims to be able to float in the air. Yet the cult’s senior members were part of the scientific elite. I started giving lectures considering paranormal phenomena from a scientific perspective, which meant that I was collecting all kinds of materials for teaching, such as about UFOs in the United States and Japanese folklore. While doing so, I came across the utsurobune legend.” He adds, “Long before the American UFO stories, the craft depicted in Edo-period Japanese documents for some reason looked like a flying saucer. This was fascinating to me.”

UFOs became a modern sensation after the media reported US businessman Kenneth Arnold as having witnessed “flying saucers” on June 24, 1947. A flood of similar stories followed from around the world. Most famously, a UFO was alleged to have crashed to the ground near Roswell, New Mexico, in July 1947. “In the end, though, no wrecks or alien bodies were recovered,” Tanaka says. “There was only the ambiguous testament of witnesses. It was the same with all the other UFO stories from around the world—they were mysteries without any substantial evidence. The utsurobune legend, however, has a number of documents to examine as leads, so in this sense, for researchers it’s a mystery with substance.”

A book published in English by Tanaka Kazuo on his research.  There are similar oral traditions about “hollow ships” across Japan in the Edo period. Tanaka’s research is focused on the various documents that describe the 1803 incident in Hitachi and include illustrations of a beautiful woman and a strange vessel, although they cite different dates. One of the best-known sources is the Toen shōsetsu (Toen Stories), an 1825 collection recording fantastic rumors, which was written by the Toenkai literary circle and edited by Kyokutei Bakin, famous for his lengthy historical romance Nansō Satomi hakkenden (The Eight Dog Chronicles). Others are Nagahashi Matajirō’s 1844 work Ume no chiri (Plum Dust), as well as collections like Ōshuku zakki (Ōshuku Notes), Hirokata zuihitsu (Essays by Hirokata), and Hyōryūki-shū (Records of Castaways), which gathers stories of foreign ships washed up in Japan and of Japanese sailors who came ashore overseas.

Picture 1-  Hyōryūki-shū (Records of Castaways) by an unknown author. The text describes the woman as being around 18 to 20 years of age, well-dressed, and beautiful. Her face is pale, and her eyebrows and hair are red. It is impossible to communicate with her, so it is unclear where she is from. She holds a plain wooden box as though it is very important to her and keeps her distance. There is mysterious script written in the boat. (Courtesy Iwase Bunko Library in Nishio, Aichi Prefecture)

Pictures 2 and 3- Unknown (maybe  Mito bunsho)

Picture 4-   From Ōshuku zakki (Ōshuku Notes; around 1815) by Komai Norimura, a vassal of the powerful daimyō Matsudaira Sadanobu. (Courtesy National Diet Library)

Picture 5-  From Hirokata zuihitsu (Essays by Hirokata; 1825) by shogunate retainer and calligrapher Yashiro Hirokata, who was also a member of the Toenkai circle. (Courtesy National Archives of Japan)

This post is mostly sourced from  nippon.com and japantoday

all that rage only to end in each other’s arms

i am finished 

A24 strikes again 

BEEF (2023) EP 10 | “Figures of Light” 

Beef (2023) + Ending Episode Needle Drop

[image id: a four-page comic. it is titled “immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

" No You're cargo" to " Its okay baby girl "

they came a long hard devastating way 💔:")

How Joel talks about Ellie

Stalkyoo Hands

"We are each our own devil, and we make this world our hell."

–Oscar Wilde

It’s not an Enola Holmes movie unless Henry Cavill attractively lounges in a (politely) slutty way.

movies inspired/influenced by twilight zone

Nature where it belongs 🌄

troy and abed (in the morning) quick lil thingy 👍

doES ANYONE ELSE REALIZE THAT WE’RE LIKE, THE FIRST GENERATION ON TUMBLR

GIVE IT 10-15 YEARS AND WE’LL ALL BE GROWN UP AND AN ENTIRE NEW SET OF KIDS WILL BE ON HERE BLOGGING ABOUT COMPLETELY DIFFERENT SHOWS AND BANDS AND MOVIES AND BOOKS

THE ONLY THING THEY’LL STILL BE BLOGGING ABOUT THE SAME AS WE WERE IS DOCTOR WHO

HOPEFULLY

this whole situation is very funny

credit to @cryptvokeeper for the idea!

dan harmon. daniel. danny. i watched the six seasons. where the hell is my movie. 

No one deserves depression and unhappiness. Evgeny Lushpin Fine Art

George Orwell, Funny, but not Vulgar(1945)