I took a few months off from writing. Not voluntarily. I just couldn’t seem to write a single word. Whenever I would open up a new document, I would simply shut down and freeze up.
I’m a writer who hasn’t written anything in months.
Even writing in my journal became difficult. If someone were to unbury my journal after the apocalypse, they might think I took a four-month hibernation. I was shut off from the world, adding nothing to the world. Not even a single word.
For the past couple of weeks, however, it feels like I’ve gotten a little bit of that writing bug back. Nothing like Stephen King’s two thousand words a day. About five to seven hundred words on a good day.
Even though I’m writing, it feels more like a slow crawl. I look at these low word counts and put myself down for not doing more. I know I’m not the only writer who focuses too much on their word counts and feels bad when we can’t reach the professional levels.
So to you out there who are in the same position, telling yourself you’re not a real writer because you’re not writing a full novel each month. I have a message for you that I need to do a better job of remembering myself.
This holds back a lot of writers. I write mainly short stories, but the fact that none of them have been chosen for a publication journal does weigh heavily on my head.
Still, just because they haven’t been published doesn’t mean they haven’t been written. I wrote those stories, and I am still a writer because of it.
If you’ve finished a story or a whole novel but it hasn’t been published, don’t beat yourself up! You are a writer! Write another one and another one till the world finally acknowledges you!
I struggle with this a lot. The idea that if my writer’s block lasts more than a few days, I have somehow failed as a writer and the title should be stripped from me.
Just because I had a few bad months doesn’t mean I’m no longer a writer. And if you’ve had a few bad months too, or even a few bad years of writing, that doesn’t mean you’re not a writer anymore either!
When a pitcher strains his wrist and has to take a hiatus while it heals, is he no longer a pitcher?
Don’t feel bad if you’re coming out of a writing slump and it feels like you’re coming out of it very slowly. The pitcher who returns from his injury won’t be throwing shutouts the minute he steps onto the mound. He eases into it.
And so should you!
If you’re only writing a few words a day and you’re feeling disappointed that it’s not at the high word count standard that most professionals hold themselves to, just remind yourself that progress is progress! Whether you’ve written one, two, or a thousand words. It is still more than the absolute zero you wrote during your slump.
Feel proud of your progress!
And remember, no matter what, you are still a writer.
19 points
What’s your final score? 👀
Writing Help
General Tips
The purpose of writing
Important: only you can tell your stories
Every fanfiction genre has value
HOW TO STAY MOTIVATED!
Maintaining Motivation
Reasons to Keep Writing
Stretch your hands and fingers
Analyze the stories that you like
Title creation
How to comment on your favorite fics
Moodboard sources
PIRATED FAN FICS!!!
Fanfiction is legitimate (featuring Neil Gaiman)
Angst and Horror: if you can't handle it
Publishing
Writing Smut: overcoming shame
Don't toss your work
Dialogue / Writing rules
Prologue
Paragraph breaks
Sentence length matters!
Dialogue punctuation
Scene Checklist
Body Language
Descriptions between dialogue
3 dots in a sentence (Ellipsis)
Using adverbs
Using adjectives
Coming Outs
Commonly misused words & phrases
Words to Avoid
Flirting!
World Building
World building through plot holes
Using context clues
Creating land
Government
Matriarchal society
Dystopia
Descriptions
Resources for Describing Physical things
Alcoholic drinks & cocktails
KISS SCENES
Clothing references
Sewing sources (includes history of fashion)
Hair texture
Skin color/tone
Sword / Martial arts inspo
Character Development
Character development, agency, plot
Esk*mo is a slur
Naming characters
Naming characters in other cultures
Character sheets
Character sheet
Emotional intelligence
Human body limits
Making threats and the third option
Bartenders
Children
Kids
Asian characters
Muslim characters
Slavic characters
Russian names
Mixed characters
Bilingual characters
Blind or Visually Impaired
Morally grey
Dangerous female characters
Liars
Romance development
Healthy Relationship
Sacrifices
Redemption arc
Redemption arc 2
Regret / Remorse
Prompts/one-liners
Prompt masterlist
Another prompt masterlist
A third prompt masterlist
Best friends to lovers
Mob Boss
Prophecy of lost child
Super power of truth
Enemies to lovers
Enemies to lovers: Reasons to hate
Enemies to lovers: Getting together
Enemies to lovers Prompts!
Enemies to lovers: Fake dating
Past-life Enemies to lovers
Late-night wandering
Compliments
Touch-starved
Romance/physical intimacy prompts
Romance: little acts of love
Smut
Reputation
Break-ups
More sources
Masterlist: body language, words, translator
Masterlist: prompts, LGBTQ+, NSFW Advice
Meme: fanfiction problems
Mr. Darcy (Pride and Prejudice)
Bechdel Test
Types of fanfic authors
Sharing this here too
I do not usually make posts like this but recently I have seen a lot of content on Instagram, Twitter and I think tiktok too misunderstanding the meaning of intrusive thoughts, which may cause people experiencing them to be upset.
I have tried to shortly explain the difference of impulsive and intrusive and hope it will help people to understand and use the words correctly.
Reblogs are very much appreciated!
Hello, everyone! I will be starting a new series that will help you the writers describe emotions.
This guide will be a writer’s tool to characters expression.
This section comes from The Emotional Thesaurus by Ackerman and Puglisi.
Definition: the act of worship; to view as divine.
Note: the subject of adoration can be a person or thing
Lips parting
A slack or soft expression
Waking quickly to erase distance
Mimicking body language
Touching one’s mouth or face
Reaching out to brush, touch or grasp
Steady eye contact, large pupils
Leaning forward
Stroking one’s own neck or arm as a surrogate
Pointing one’s torsos and feet towards the subject
A flushed appearance
Nodding while the subject speaks
Smiling
Open body posture
Releasing an appreciative sigh
Laying hand over the heart
Frequently moistening lips
Pressing palms lightly against the cheeks
Skimming fingertips along the jaw lines
Eyes that are bright
Agreement
Speaking praise and compliments
Keeping trinkets, pictures of the subject
Constantly talking about the subject to others
Rapt attention, still posture
Becoming unaware of one’s environment
A radiant glow
Visible shakiness
Reduced blinking
Closing eyes to savor moment
Speak with a soft voice
A voice that cracks with emotion
Quickening heartbeat
Breathlessness
Feeling one’s pulse in throat
Mouth dry
Throat growing thick
Rising body temperature
Tingling nerve endings
A desire to move closer or watch
Fixating one’s thoughts on the subject
Acute listening and observation
Ignoring distractions
An inability to see the subjects flaws or faults
Obsession
Fantasizing
Believing that the feelings are mutual
A sense of destiny
Stalking
Writing and sending letter, emails, and gifts
Taking risks or breaking laws to be near or with subject
Weight loss
Poor sleep patterns
Jealousy towards those interacting with the subject
Taking on traits or mannerisms of the subject
Carrying something that represents the subject
Possessiveness
Love
Desire
Frustration
Hurt
Clenching or hiding one’s hands to hide sweating or shaking
Avoiding conversations about the subject
Watching or observing from afar
Staying out of subjects proximity
Blushing
Sneaking looks at subject
Creating chance run ins
Writing secret letters, keeping diary
Lying about one’s feelings regarding the subject
Body cues should create a strong mental picture. If the movement is too drawn out or complicated, the emotional meaning behind the gesture may be lost.
I’m noticing an increase in new fic writers on AO3 who…uh…mayy not know how to format their fics correctly..so here is a quick and VERY important tip
Using a random fic of mine as example..
The left example: ✅✅✅
The right example: ❌❌❌
Idk how many times I’ve read a good fic summary and been so excited to read before clicking on it and being met with an ugly wall of text. When I see a huge text brick with zero full line breaks my eyes blur and I just siiiigh bc either I click out immediately or I grin and bear it…it’s insufferable!
If a new character speaks, you need a line break. If you notice a paragraph is becoming too large, go ahead and make a line break and/or maybe reconfigure the paragraph to flow better. I’m not a pro writer or even a huge fic writer but…please…ty…
Scenes are the fundamental building blocks of novels and short stories, and each one should propel a story toward the climax.
Generally speaking, your scene structure should mirror the story structure. In other words, take a novel-writing approach to a scene, crafting a beginning, middle, and end. Like a story, the beginning of a scene should have a strong entry hook that pulls the reader in.
Start with the setting. Often a new scene signifies a change in time and location. Establishing the setting at the top of a scene helps your readers get oriented. It also sets the tone and mood of what will unfold in the coming pages. A setting can serve as much more than a backdrop in literature. Have your scene take place somewhere that builds tension and hinders your protagonist. If you’re writing a thriller, describe a dark and foreboding place where the worst might happen. Be descriptive and use sensory details to make your setting come alive before you jump into the action.
Use visual imagery. In screenwriting, writers have to think in pictures. What images will excite an audience at the top of a scene? Your approach should be the same when writing any kind of fiction. As you write the opening of a scene, use descriptive language to engage a reader through detailed imagery. Think like a screenwriter as you’re writing scenes.
Drop the reader into the middle of the action. Hit the ground running by starting a great scene in media res. It doesn’t have to be a fight scene or a car chase, but physical movement creates momentum and builds tension in a story. It’s also a way to instantly engage a reader. Be sure you begin the scene before the high points of the action so you build up to the scene’s climax.
Write a character-driven scene opener. A good scene starts by giving characters a goal. Start by putting your protagonist in a situation that creates an obstacle or opportunity for both the scene and the overarching storyline. Try starting with dialogue, like an intense conversation between your POV character and a mystery character whose identity is revealed later in the scene. If you’re writing from an omniscient third-person point of view, consider starting a scene with a secondary character, even the antagonist, and use it as a chance for deeper character development.
Summarize past events. You might choose to use the beginning of the scene to do a quick recap of what’s brought your main character to this place and moment in time. A summary is especially helpful if you’re writing in third-person and a new scene switches to a different character. Take the opportunity to remind the reader where we left off. Instead of a straight-forward update, get creative. Go into deep POV and let a character’s thoughts provide the summary instead of the narrator. Be sure to keep this summary brief—just a line or two—so you can get back into the action.
Introduce a plot twist. The start of a new scene is a chance to pivot and take your story in a new direction. Start a new scene at a turning point in your story. Dive into a flashback or character’s backstory, revealing critical information that changes the course of the story going forward.
Keep the purpose of the scene in mind. Effective scenes are clear about what they set out to accomplish and how they contribute to the overall plot. They might include plot points or reveal important information needed to move a story forward. Establish your scene’s intention from the very first word and keep the rest of the scene on point.
Rewrite until you’ve found the perfect scene opening. When you’ve finished the first draft of a scene, go back and read it through. If your scene needs something, but you can’t figure out what, it might be how the scene starts. The best way to know if your opening works is by reading how it plays with the rest of the scene. Review the last paragraph and see if it ties back to your beginning. If the intro feels weak, rewrite it. Maybe your real opener is hidden in plain sight somewhere else in the body of the scene.
Make sure your opening scene is your strongest. While your entire book should be filled with compelling scenes that start strong, the very first scene of your book needs to lead the pack. This is the reader’s introduction to your story and where you’re revealing the characters, the setting, and kicking off the plotline with the inciting incident. This first scene has to hook the reader from the first line so they keep turning the pages.
Read a lot of books. If this is your first novel and you need some inspiration and ideas to help you start off your scenes, start by reading other books. Choose a book by a bestselling writer like Dan Brown or Margaret Atwood. Study the different ways they approach every scene. Reading other authors is a great way to hone your scene-writing skills.
~GENTLE PROMPTS~
tickling you from the back before actually hugging you
knuckles brushing against each other and person a getting shy
hesitant glances at each other in a crowd
person a helping person b through panic/anxiety attacks
one small kiss before fully devouring the other person
THE SHY PERSON A INITIATING THE FIRST KISS ADJKSF
person a contemplating on whether to send person b a text
HOLDING HANDS UNDER THE TABLE
gentle ear rubs because person b knows person a loves them
knees touching intentionally and person a getting shy
person b complementing person a IN PUBLIC
PLAYING WITH EACH OTHERS HAIR
person a shyly playing with person b's rings while cuddling
small "shh' im here" when someone else is crying
FOREHEAD KISSES FOREHEAD KISSES FOREHEAD KISSES
pressing your foreheads together after a kiss
TRACING PERSON B'S TATTOOS kill me kill me now
holding hands while walking in a friend group
unintentionally caressing each other
SAYING I LOVE YOU BEFORE LEAVING TO WORK?? GIVE ME
acting foolish around each other
random flirty texts or hOrNy texts too
person b trying to cook person a's fav dish
DRUNK DANCING
lazy kisses that dont even count as kisses but you could live in that moment forever because LOVE
person a trying to keep person b still for a picture
MOVING PERSON A BY THEIR WAIST bye
person b winking at person a in public whILE A GETS ALL FLUSTERED