The Only Time It Was Actually Funny And Entertaining When A "ship" Was "confirmed" By Someone Who Worked

Cover letter with the vampire

CV update with the vampire

Intake paperwork with the vampire

The Outsider: a complete archive. Bound in real leather.

What a project! I started this typeset last year and after two practice binds here is, finally, the real deal. This little book includes every line of dialogue spoken by the Outsider in the Dishonored games, all ripped and typeset by yours truly.

I learned a ton since this was my first foray into bookbinding. It was frustrating, it was fun, I'm proud of the result despite the myriad of flaws. Two of these binds are for mutuals, one is for me.

There was a ton of thought that I put into this typeset so I included some info about it under the cut.

I typeset this project in A6 instead of the standard A5 so it wouldn't feel like I was wasting a ton of material if this project had gone wrong - but also to stretch out a comparatively small amount of text into an amount of pages more appropriate of a book. All in all there's under 9000 words in this book but thanks to the small format it's just over 100 pages long. And it meant I could use normal office paper without ending up with the wrong grain direction!

I decided against hyphenation for 99% of the typeset because it felt like adding hyphens made the small amount of text even smaller. Almost every line was edited typographically in some way to make the text feel good to me, adding line breaks and so on, idk I don't know graphic design but I did what felt right to me, so it really did take a long, long time just to typeset it all.

I wanted it to include everything including cut lines, so I included those in red and italics in the appropriate spots hovering over and through the normal text. I was trying to elicit the feeling of a ghostly afterimage or a later correction or amendment of the text. This did mean cutting the cut lines down to just the important parts, e.g. I only included the "to be a dancer" part of the cut version of the "When Billie Lurk was eight" line.

The little stars demarcate scene divisions. Empty stars mark scenes that are exclusive of each other - only one version of each scene is played in a run. The start of each scene subsection is marked with a quest marker from the DH2 journal. The lines that start at these markers connect exclusive possibilities - as with the scenes separated by empty stars above, only one subsection per level of line is played in one run. The stars are admittedly used very inconsistently because I just found they broke up some sections way too much, but the quest markers and lines should be consistently used throughout the work at least haha

The cover has been stamped with 3d-printed stamps and the impressions then painted with gold leather paint in order to give an (easier, cheaper) approximation of gold foil tooled leather. I kept it very minimalistic because the sort of story I originally wanted to tell with it is that since this is obviously a heretical book it would be very subtle in its exterior so as to not draw unwanted attention, only revealing its forbidden nature if you pulled it off the shelf and opened it. After deciding I did want to include the title on the spine that story doesn't quite work anymore, but the somewhat reduced minimalistic design still suits the Outsider, I think.

My kirtland's warbler logo is a public domain illustration by L.A. Messick via the USDA Forest Service.

having a permanent full time job is you thinking to yourself “so this is really the rest of my life huh” as you come home every single day before using your 4 hours of recreational activity to do nothing and then going to bed

MOON

Put in the tags the movie(s) that defined your very, very early childhood, the first movies you have any recollection of watching.

Always thought a fun horror piece would be a twilight-zone style narrated horror series where the Rod Serling figure is both diegetic and also very clearly trying to help out the protagonists without getting caught; raising his voice at an opportune moment to distract the characters from something dangerous to look at, taking plot critical documents out of a desk and putting them in plain view in the background of shots, moving around an office during the opening Serling Speil unlocking all the doors and windows, and in the climax the protagonists are able to crawl out a previously locked window. In the final episode the freak of the week notices he’s there, goes, “oh, this asshole again,” and abandons their pursuit of the nominal protagonist in order to kill the narrator who (and this is crucial) spends the whole chase sequence moving at the exact same measured pace, speaking in the exact same measured, overprepared monologue, as the antagonist blunders into carefully-prepared environmental hazard after environmental hazard. This is the narrator’s house. You’re visiting, but he lives here, and now he’s decided that he’s the story he’s narrating is Home Alone.

I went to see Parasite completely blind besides being aware (unavoidably) that there was a hard tonal shift at some point. I saw the poster and stuff, but that was it

the entire time I was bracing myself for it to shift into some sort of alien parasite psychological horror movie, which seems really presumptuous, except I saw Bong Joon-ho's The Host and that movie actually did have a giant monster in it, so I wasn't putting it past him