If you see this you’re legally obligated to reblog and tag with the book you’re currently reading
*points at moon*
「 モブサイコ100 II // Mob Psycho 100 II 」
Key animators: Hideki Kakita ( 柿田 英樹), Kenta Yokoya ( 横屋 健太), Nobuaki Nagano ( 長野 伸明), Shingo Abe ( 阿部 慎吾), & Yoshimichi Kameda ( 亀田 祥倫)
you’re never going to believe this but I listened to a *lot* of Scissor Sisters as a closeted teenager
be pro-aging but wear sun screen. sun protection is not beauty industry propaganda it will save you. wear it. or else.
#throwbacktuesday
ceramics process pic
by me 🦌
The contradiction between what we were playing and reality is this: Oftentimes we worked until two or three in the morning. We’re not the only company still shooting, but, yeah, we’re late. Cars are going through the gate, the arm comes down. There’s a line of cars. Then when I get there, the gate comes down and security says to me, “Open your trunk.” I said, “No. Why? All these other cars just … Why? What do you think I have in this Volkswagon Rabbit? What’s in there, the Defiant?” What I’m trying to say is that the contradiction, or the paradox of it all, we can’t get away from. You see what I mean? I wish sometimes that were true; that the fact I played Sisko would make some kind of difference on the street. No, only on the screen. The contradictions are evident. They are inescapable in a way.”
Avery Brooks, quoted in, The Fifty-Year Mission - The Next 25 Years, Volume 2, Edward Gross, Mark A. Altman
lingua ignota closed out with Do You Doubt Me, Traitor which I was absolutely not expecting to hear and. jesus christ, etc
How to Decay Gracefully (ink redux)
ohhhh my god the contacts in interview are god awful. everyone is wall-eyed!!! why does hollywood do this!!!!!